Xenophon Roundtable XI.
From Joseph Fouche at Chicago Boyz.
Xenophon Roundtable: Politics in a Bottle
…..Cyrus, as shown by the spectacles that he repeatedly puts on as motivation exercises for his reluctant mercenaries during the descent to Babylon, is a showman. Many citizens of modern liberal democracies miss the subtlety of manufacturing consent in a traditional hereditary monarchy. Monarchy relies on spectacle as much or in fact more so than a liberal democracy. Masters of the form, whether continent spanning tyrants like Louis XIV or petty princelings of the Holy Roman Empire, rely on symbol, spectacle, and sacralizing as much as the naked violence to which they often resorted. Traditional state violence, whether it be an execution, a military campaign, or jousting, served a theatrical, educational, and propagandizing purpose on top of its pure manifestation of brute force. Cyrus was putting on a performance intended to symbolically and morally knife Artaxerxes almost as much as he was seeking to literally shove eight inches of wrought iron into his own brother’s chest. That Cyrus signally failed in his attempt is no argument against the fundamentally political nature of his warfare. Failure is as much a part of politics as success. If Cyrus failed in his aspiration to become a potent symbol of political success in life, through the freshly rendered pieces of Cyrus meat conspicuously displayed by his brother, Cyrus became a potent symbol of political failure in death.
An excellent post.
