The age of panic

My grandma, who grew up in a suburb of the mighty metropolis of Salt Lake City, remembered being tormented by one of her family’s roosters when she was very young. This foul creature, spewed from hell, lived only to chase her. Livestock was still commonly raised even behind the homes of urban professionals like my great-grandfather, a general contractor and home builder. The world of her first decade in this life remained one with more obvious links to the experience of her ancestors than our own. It was one in which the human experience of visuals in motion and sound were still largely restricted to what Grandma might have seen if she’d been present with the Mudville ten thousand watching the Mudville nine fall.

The moving visual is hot wired into the brain, which can also be seen as an image processing extension of the eyes. It was originally hyperlocal, optimized to drive hyperlocal reaction in response to hyperlocal triggers.  The oldest image processing system humans have, inherited from amphibians, focuses entirely on reacting to movement. Michael Crichton used this system besmirched the honor of Tyrannosaurus rexs by turning this into a critical element in a pivotal scene in his novel Jurassic Park turned

Not Unix

Not Unix

When TV hit, minds optimized for hyperlocal responses to hyperlocal visual motion were suddenly hit by immediacy without localization. It went straight to the most lizardly of lizard brain parts. Children like myself born into a world of TV inundation were hooked from before conscious memory. Grandma, born into the ancient world, scheduled her day around The Price is Right at 9AM MST and Wheel of Fortune at 6PM. There were words of caution. I remember Grandma telling my brothers and I not to sit so close to her newfangled color TV because the color radiation would ruin our eyes (our black and white TV at home emanated no color radiation). I remember constant encouragements to go outside and breath that fresh outside Salt Lake City air (the city lies is a pollution bowl surrounded by mountains and a big salty pond). Until we turned 10 or so, we had to go to bed by 8PM despite the fact everything interesting that adults (defined as “those older than 10”) got to stay up and watch.

I suppose part of the toxicity of the 196os when sensible health measures such as aerial spraying to keep the hippie population curtailed were relaxed was that it was suddenly being seen in narcotic color. Many a silly hippie was prepped to light up and drop out because the color TV rays my Grandma warned me about were lighting up and dropping out their silly pre-hippy adolescent brains before they ever touched something harder. The transistor radio made the paths straight for American decadence. Color TV pushed it into the abyss. Lower-bound morality, best defined as the abolition of private space, was severely weakened as visual cancer metastasized.

A certain cynicism about TV has grown over my lifetime. It gradually dawned on many that immediacy did not equal truth and vividness did not equal reality. Many were convinced that visual motion was a tool that could be manipulated and the ancient peasant cunning designed to thwart the will of nominal betters revived in some places. The Legion of Stupid retained its legendary ability to man-sea the market for get rich schemes and chia pets. But some were developing increased resistance to the call of the cathode ray and watching TV from further and further away like Grandma warned.

Then came the Internet. Then came another wave and utopian fantasies. Then came the gradual discovery of how to bend these new 20 year old technologies to the old wheel of control, dominance, and exploitation.

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