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[ by Charles Cameron — the art of memory, with a sidelong glance at swans, typhoid and theodicy ]
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Thomas Harris (and by extension Hannibal Lector) has been interested in memory palaces for a long time. We can begin to infer this this because Lector describes his hobby in Red Dragon (1981) and again in Silence of the Lambs (1988):

So — church collapses?

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As you can tell from that last comment in the Silence of the Lambs quote — to my mind the most brilliant presentation of the problem of theodicy for our day — if there’s a God worth defending, it has to be a God who allows sparrows to fall, typhoid to accompany swans in the vast ecology of existence, churches to collapse on worshipers, and “bad things to happen to good people” from time to time.

And such things, specifically including collapses of religious buildings atop worshipers, do indeed happen in fact as well as fiction.

And they don’t only happen to Christians, either… Bon is the shamanistic religious tradition of Tibet, prior to — and later, somewhat assimilated by — Buddhism…

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The thing is, when I read that Hannibal Lector collected church collapses, it not only made me start to take note of them myself, it also made me think of Simonides. As Frances Yates tells us in her book, The Art of Memory:

At a banquet given by a nobleman of Thessaly named Scopas, the poet Simonides of Ceos chanted a lyric poem in honour of his host but including a passage in praise of Castor and Pollux. Scopas meanly told the poet that he would only pay him halfthe sum agreed upon for the panegyric and that he must obtain the balance from the twin gods to whom he had devoted half the poem. A little later, a message was brought in to Simonides that two young men were waiting outside who wished to see him. He rose from the banquet and went out but could find no one. During his absence the roof of the banqueting hall fell in, crushing Scopas and all the guests to death beneath the ruins; the corpses were so mangled that the relatives who came to take them away for burial were unable to identify them. But Simonides remembered the places at which they had been sitting at the table and was therefore able to indicate to the relatives which were their dead. The invisible callers, Castor and Pollux, had handsomely paid for their share in the panegyric by drawing Simonides away from the banquet just before the crash. And this experience suggested to the poet the principles of the art of memory of which he is said to have been the inventor. Noting that it was through his memory of the places at which the guests had been sitting that he had been able to identify the bodies, he realised that orderly arrangement is essential for good memory.

And by way of reinforcing my Lector-Simonides conjecture, Lector certainly had a remarkable interest in memory, as we learn from his dialogue with Clarice Starling:

“Did you do the drawings on your walls, Doctor?”
“Do you think I called in a decorator?”
“The one over the sink is a European city?”
“It’s Florence. That’s the Palazzo Vecchio and the Duomo, seen from the Belvedere.”
“Did you do it from memory, all the detail?”
“Memory, Officer Starling, is what I have instead of a view.”

A belvedere, from the Italian, is “a structure (as a cupola or a summerhouse) designed to command a view” — and a beautiful view at that. Belvedere is also, ironically, the name of the town in Ohio where Buffalo Bill, Lector’s serial killer ex-patient, lives…

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So it didn’t surprise me to discover that in Hannibal (1999), the book that follows Silence, this brilliant man who as we have seen collects church collapses and has an exquisite memory in place of a view, is revealed as a practitioner of Simonides’ art:

The memory palace was a mnemonic system well known to ancient scholars and much information was preserved in them through the Dark Ages while Vandals burned the books. Like scholars before him, Dr. Lecter stores an enormous amount of information keyed to objects in his thousand rooms, but unlike the ancients, Dr.Lecter has a second purpose for his palace; sometimes he lives there. He has passed years among its exquisite collections, while his body lay bound on a violent ward with screams buzzing the steel bars like hell’s own harp.

Hannibal Lecter’s palace is vast, even by medieval standards. Translated to the tangible world it would rival the Topkapi Palace in Istanbul for size and complexity.

We catch up to him as the swift slippers of his mind pass from the foyer into the Great Hall of the Seasons. The palace is built according to the rules discovered by Simonides of Ceos and elaborated by Cicero four hundred years later; it is airy, high-ceilinged, furnished with objects and tableaux that are vivid, striking, sometimes shocking and absurd, and often beautiful. The displays are well spaced and well lighted like those of a great museum. But the walls are not the neutral colors of museum walls. Like Giotto, Dr. Lecter has frescoed the walls of his mind.

Brilliant. And a delight, years later, to have my hunch connecting the church collapses and prison cell with only memory for a view with Simonides and the Art of Memory confirmed by the third book and film in the series…

You’ll note, btw, that the Lector (caveat lector) of the first two books has now become Lecter in alignment with the films starring Anthony Hopkins.

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I love symmetries, so let’s move from the most monstrous criminal mind in literature, to the greatest detective…

Sherlock Holmes — in his latest television incarnation — builds memory palaces of a sort, though I’m not sure Simonides would recognize them.

I’m posting the clip from the series here to honor my son Emlyn, with whom I have been watching the series…

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And then there’s the Jesuit whose use of the Art is explored in Jonathan Spence‘s The Memory Palace of Matteo Ricci:

In 1596 Matteo Ricci taught the Chinese how to build a memory palace. He told them that the size of the palace would depend on how much they wanted to remember: the most ambitious construction would consist of several hundred buildings of all shapes and sizes, “the more there are the better it will be,” said Ricci, thought he added that one did not have to build on a gradiose scale right away. One coul create modest palaces, or one could build less dramatic structures such as a temple compound, a cluster of government offices, a public hostel, or a merchants’s meeting lodge. If one wished to begin on a still smaller scale, then one could erect a simple reception hall, a pavilion, or a studio. And if one wanted an intimate space one could use just the corner of a pavilion, or an altar in a temple, or even such a homely object as a wardrobe or a divan.

You’ll note that in this early example of virtual reality as an pedagogical technology, Ricci doesn’t start with the easy stuff, the single wardrobe or divan — he begins with “the most ambitious construction”…

Enough for now. When I want to talk about in a follow up post is detail… the crucial importance of detail.

[ by Charles Cameron — of headlines and ice cream headaches ]
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I’m a tolerant sort of chappie on the whole, but the astounding idiocy of a tweet today from the Huffington Post really caught my attention. It’s in the upper panel of the pair that follows:

I might have been seen the HuffPo tweet, suffered a transient mental glitch and forgotten it immediately — but as fortune would have it, I had also seen the lower of the two tweets earlier in the day, and a tweet in response which pointed Jimmy Sky to Betteridge’s Law of Headlines. I’d been intrigued enough, in fact, to track down Betteridge’s Law on Wikipedia to figure out what the fuss was about.

It’s simple:

Any headline which ends in a question mark can be answered by the word no.

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Does the presence of Jimmy Carter, George H. W. Bush, Bill Clinton and George W. Bush in the United States while Barack Obama is sitting president — indeed, even holding a photo op in the same room with him — mean that the United States has split into five distinct and warring nations?

No more does the presence of a “pope emeritus” alongside a newly elected pope in the Vatican imply that there will be a schism in the church.

The idea is pinheaded.

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As British journalist Andrew Marr wrote in his book, My Trade:

If the headline asks a question, try answering ‘no.’ Is This the True Face of Britain’s Young? (Sensible reader: No.) Have We Found the Cure for AIDS? (No; or you wouldn’t have put the question mark in.) Does This Map Provide the Key for Peace? (Probably not.) A headline with a question mark at the end means, in the vast majority of cases, that the story is tendentious or over-sold. It is often a scare story, or an attempt to elevate some run-of-the-mill piece of reporting into a national controversy and, preferably, a national panic. To a busy journalist hunting for real information a question mark means ‘don’t bother reading this bit’

He’s the one who seems to deserve credit for the idea… but Betteridge uses more colorful language in discussing a story titled Did Last.fm Just Hand Over User Listening Data To the RIAA?

This story is a great demonstration of my maxim that any headline which ends in a question mark can be answered by the word “no.” The reason why journalists use that style of headline is that they know the story is probably bollocks, and don’t actually have the sources and facts to back it up, but still want to run it.

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Okay. That HuffPo tweet is probably bollocks.

And that’s a case of characteristic British understatement on my part.

It may be 1977 all over again.

Check out the Form 1 Kickstarter page 

The Formlabs home page and their blog.

I recently reviewed Chris Anderson’s book Makers. What 3 D printing needs is the affordable, user-friendly, versatile device to move 3 D printing from the arcane realm of  techno-hobbyist geeks to the general population’s “early adapters”, which will put the next “consumer model” generation on everyone’s office desk; eventually as ubiquitous as cell phones or microwaves.

Formlabs should send one of these to John Robb and Shloky for a product review.

Hat tip to Feral Jundi

[ by Charles Cameron — a theology of little things, sports and wars included ]
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Let’s start with Tim Tebow, and phrase the issue this post raises as a question:

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The headline of a TMZ post, God Is Saving the Broncos … Says Colorado Pastor, clearly suggests that God takes sides in sporting events.

Pastor Wayne Hanson — who runs Summit Church in Castle Rock, CO where Tim’s dad often speaks — tells TMZ God is actively intervening in Denver Broncos football games … and aiding Tim on the field because of his strong faith.

Hanson tells us, “It’s not luck. Luck isn’t winning 6 games in a row. It’s favor. God’s favor.”

Pastor Hanson adds, “God has blessed his hard work.”

We asked Hanson if Tebow would be winning games if he wasn’t such a strong believer — and the pastor replied, “No, of course not.”

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Tebow himself, if I’m reading my news correctly, realizes that his God might have as much to teach by having a sports team lose as by having it win, hence his prayer as quoted above — “no matter, win or lose…”

And that level of subtlety would also be present in the sports theology of Notre Dame, if (once again) I’m not mistaken:

The team is unapologetically Catholic. Before every game, the Fighting Irish participate in a Mass overseen by one of the team’s two appointed Catholic priests, a tradition dating back to the 1920s. At the end of that ceremony, each player receives a priest-blessed medal devoted to a Catholic saint—a different saint every game for four years. Also during the pregame Mass, players can kiss a reliquary containing two splinters that Notre Dame believes came from the cross of Jesus. “Most of the non-Catholic players are Christian, so when you tell them these splinters came from the actual cross of Jesus they are humbled to reverence,” Doyle says.

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I appreciate that combination of prayer for what one hopes and surrender to what happens, it’s way less heavy handed than supposing you can gauge Divine Providence by the results at the end of a game — or a war.

One Huffington Post writer was moved to ask: If Tim Tebow Were Muslim, Would America Still Love Him?

That’s an interesting question, roughly analogous to “If Tim Tebow had a losing streak, would America still love him? And God?

And if God does routinely show preference for one team over another by granting them victory, what are we to make of these two examples?

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It seems the universe scales quite happily from tens of billions of years (or more) to femtoseconds (or less), and from almost a hundred billion light years (or more) to the Planck length (and I’m not so sure about less) — and my own tiny worm of a lifeline has given me “experiences” of a car rolling over a center divider and landing upside down, some moments of breathtaking beauty, times of bordeom, rapid eruptions of anger, the rock of early electric Dylan and the Baroque of Bach’s Matthew Passion. And I have causally picked my nose, almost without knowing I was doing it.

Who’s to say a God, ground of being, Great Mystery Power, or simple unaided universe can’t “purposefully” do Big Bangs and enormous time lags while gasses and galaxies and solar systems are formed and dissolve, flashes of lightning, inspiration and insemination, reproductions sexual and asexual, lives long and short, painting by El Greco and Vermeer, horrible puns and ugly Oscar ceremonies, mu mesons and mitochondria, prayers answered, hung up on in disgust, or unheard on account of it’s the Lord’s Day of Rest — grasses, feedlots, cows, milk, beef, methane…?

Depending, of course, on your definition of “purposefully” — since the purpose may be no more and no less than the unfolding of what is.

Whatever it is (or isn’t) that encompasses all this, it’s in little things as surely as big ones — and thumb wrestling, too. So there you have it: my theology of little things.

[ by Charles Cameron — a clever play on words, is all ]
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Headline writers are appallingly fond of puns, but I thought the sting in the tail of this piece from Al Arabiya English was particularly fine:

Bahrain imposes ban on Guy Fawkes masks

In an unusual move, the Bahraini government has banned the imports of something most people would find to be innocent, the Guy Fawkes mask, worn in the 2005 Hollywood movie ‘V’ for vendetta because it was seen as symbol of an uprising against the country’s rulers.

The Gulf Kingdom’s Industry and Commerce Minister, Hassan Fakhro, ordered a block on importing the facial garb, and anyone found importing could be put in detention. This is all due to the fact that anti-government protestors have been using them to remain anonymous.

The historical mask has been used in street demonstrations around the world, from the Occupy Wall street movement in the United States and UK to the Arab Spring revolutions that toppled strongmen in the likes of Muammar Qaddafi and Hosni Mubarak.

To many this may sound like a strange move given the fact that it is just a mask. At the end of the day the Minister may be able to put it on the black list but questions remain as to whether the government will be able to control production within the country.

Can the ban of this costume piece mask the deep set political issues in Bahrain?

That shift from “mask” the noun to “mask” the verb is quite delightful.