From the Comments section: jihadist use of DoubleQuotes

[ by Charles Cameron — comments on two posts by Chris Anzalone aka Ibn Siqilli ]

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I’m bringing across two comments of mine from DoubleQuotes in the wild and making a separate post out of them — to give them more exposure, to emphasize the importance / interest of the two posts by Chris Anzalone that they are based on — and to be able to reference them in a post I’m currently working on. Both graphics are drawn from Chris Anzalone‘s Visual References post from last month, which gives essential visual support to his article, Zaynab’s Guardians: The Emergence of Shi`a Militias in Syria in the CTC Sentinel, just out.

Here’s the first, with Chris’ comment below:

Nasrallah & Bashar with the Qur'an (Poster)

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An Internet poster showing Hizbullah’s secretary-general Hasan Nasrallah (right) and Syrian president Bashar al-Asad. The photograph of Nasrallah was taken after the 2006 Hizbullah-Israel war and has clearly been edited to show light emanating from the book (presumably the Qur’an). The same is true of the posed image of al-Asad. Both are shown by the designer as pious (thus, presumably, deserving of support).

This pair ties the piety of the politician with the piety of the cleric, making a conceptual bridge between both Lebanon & Syria on the one hand, and politics & religion on the other. Not terribly surprising, but still, cleverly done.

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The use of “doubling” in the double cannibalism images presented below some from a little further into the same Visual References post, but serve a different function, making an association in time rather than one linking two contemporaries… They are designed to suggest that present Sunni brutalities have historical precedent — with tremendous spiritual and emotional resonance. Again, Chris’ own comment contextualizes the images:

1, Hind & Abu Sakkar the Syrian Rebel Heart-eater

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Internet poster comparing Abu Sakkar, commander of a Syrian rebel group, (right), who committed a politically symbolic act of cannibalism on video with an organ (said to have been the liver or heart) from a slain Syrian government soldier in May 2013, and Hind bint ‘Utba (left), one of the Prophet Muhammad’s most virulent enemies before his conquest of Mecca in 630 C.E. In some Islamic historical sources, she is said to have taken a bite of the liver of the Prophet’s uncle, Hamza bin ‘Abd al-Muttalib, who was also one of his greatest warriors, after the Muslims’ defeat at the Battle of Uhud near the city of Madina. The text at the bottom reads: “Some stick to their habits and traditions!!,” referring to Sunni Muslims. The image of Hind and Hamza is a still from Syrian film director Moustapha Akkad’s famous 1977 film The Message about the beginnings of the prophetic career of Muhammad, the founder of Islam. Akkad was one of those killed in a bombings of hotels in ‘Amman, Jordan carried out by Al-Qa’ida in the Land of the Two Rivers/Iraq, then led by Abu Mus’ab al-Zarqawi.

Taken together, the two “doublets” linked to above can add rich spoils to our understanding of Shi’a contributions to what Chris calls “the increasing sectarianization of Syria’s civil war”.

  1. Lynn C. Rees:

    The best part is that, when Nasrallah’s glowing book ruins his eyesight, he already knows an ophthalmologist. Who has his own glowing book. And a spare letter ‘s’ if Nasrallah runs out.

  2. Charles Cameron:

    Ha! 
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    As for the mysteries of “Arabic in English” orthography in general, and the s or ss question in particular, luckily for me, here I’m quoting Chris A, who I’m pretty sure know what he’s doing. Much to my chagrin, I’m sure I as a non-Arabist get such things pretty mixed up all the time… mixing orthographies with terrible abandon.
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    I do hope that last phrase isn’t my epitaph.