On play as wildness

[ by Charles Cameron — what’s true of hex maps is true of all mental models ]

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There’s a certain let-your-hair-down quality to play.

It appears that one Tausendsassa Friedensreich Regentag Dunkelbunt Hundertwasser said or perhaps wrote, muttered, whispered, shouted, or simply thought out loud, “the straight line is a godless line” — at any rate, someone noticed and recorded the phrase, and now it’s scattered across the net and difficult to track to its source.

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But we do love order, don’t we?

And so the rivers on our hexagonal maps all too easily follow the hexagons..

when they’d more realistically cross over them, following their own courses:

and note how easily even our efforts to bring natural variety to our hexagonal mappings conform more to hexagons than to variety.

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Zennist Thich Nhat Hanh in Listening Deeply for Peace writes:

A traditional Vietnamese Zen garden is very different from a Japanese Zen garden. Our Zen gardens, called hon non bo, are wild and exuberant, more playful than the formal Japanese gardens with their restrained patterns. Vietnamese Zen gardens are seriously unserious. For us, the whole world is contained in this peaceful place. All activities of life unfold in true peace in the garden: in one part, children will be playing, and in another part, some elderly men will be having a chess game; couples are walking; families are having picnics; animals are free to wander around. Beautiful trees are growing next to abundant grasses and flowers. There is water, and there are rock formations. All ecologies are represented in this one microecology without discrimination. It is a miniature, peaceful world. It is a beautiful living metaphor for what a new global ethic could bring.

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Here is the wrestling of a tree with such angels as gravity, sun, wind and rain:

Here is the wild calligraphy of the Rio Mamoré across the forests of the Amazon basin: