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[ by Charles Cameron — culture clash, Madonna, Pussy Riot, Union of Orthodox Banner Carriers ]
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The gentleman on the left is Leonid Simonovich-Nikshich of the Union of Orthodox Banner Bearers, whose t-shirt bears the rubric “Orthodoxy or Death”. In the first video, he can be seen burning the photo of Madonna reproduced to his right above.

I apologize for the fact that you will need to click through to see this video on the AFP site, but am grateful to them for making it available via YouTube.

The second video shows the portion of Madonna’s stage performance in Moscow in which she spoke about freedom, the United States, and Russia’s treatment of Pussy Riot — she speaks directly about Pussy Riot starting at 3′.15″:

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I was reading an article about the “political theologian” Reinhold Niebuhr in The American Conservative yesterday, and noted with interest the author’s discussion of the delicate balancing of opposed concerns:

To read Niebuhr is to relish these tensions, to grip the fundamental balance of the moral universe. “Man’s capacity for justice makes democracy possible,” he wrote. “But man’s inclination to injustice makes democracy necessary.” The concepts gear together like great cosmic cogs. “Goodness, armed with power, is corrupted,” he wrote. But “pure love without power is destroyed.” Much of Niebuhr’s worldview depends on these balances.

Reading Obama yields a similar effect. In 2009, literary critic Andrew Delbanco pointed out in the New Republic that Obama’s books are populated by counterweighted sentences, for instance: “There’s the middle-aged feminist who still mourns her abortion, and the Christian woman who paid for her teenager’s abortion.” Obama expresses his worldview, Delbanco wrote, in sentences “organized around pairs of sentiments or arguments that exert equal force against each other–a reflection of ongoing thinking rather than a statement of settled thoughts.”

That’s the sort of thing I was getting at yesterday — much less elegantly, in terms that come across far too “black and white” when the continuum in question could equally be “hot and cold” — when I wrote:

How can I put this? The white swirl in the tai-chi’h symbol is shocked and appalled at the black spot in its own heart — and the black swirl has no idea how to handle the purity of the white dot that has somehow crept into and illuminated its darkness.
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And yet, as Eliot says, this is all “That the pattern may subsist, that the wheel may turn and still / Be forever still.”

and:

So pious-Charles the lover of Gregorian (or Znamenny) Chant would almost certainly have been appalled. But Charles-the-anthropologist would have to admit, afterwards, once the shock had subsided — that these actions strike deep into the heart of “sacred” paradox.

As a lover of liturgy, I understand one side of the balance, as a love of liberty I understand the other.

The paradox is perhaps most succinctly stated in the phrase “whose service is perfect freedom” — but while that’s an admittedly, profoundly and joyously liturgical phrase — one of Cranmer‘s, from the Book of Common Prayer I think — I don’t believe it is in any way dictatorial.

This entry was posted on Tuesday, August 21st, 2012 at 12:12 am and is filed under Charles Cameron, christianity, music, russia, Uncategorized. You can follow any responses to this entry through the RSS 2.0 feed. Both comments and pings are currently closed.