Can You Feel the Beat ?
One of the numerous interesting people I met at the Boyd 2007 conference seminar was Gustave Reininger, a producer of movies and television crime dramas, with whom I shared a few drinks at the Quantico Officer’s Club and exchanged colorful stories about Chicago history. It was, as I recall, a very enjoyable conversation. At the time Gustave had mentioned a number of film projects that he was working on; now one of them has moved closer to fruition.
Corso: The Last Beat, which is due out in 2008, comes on the heels of the 50th anniversary of the publication of Jack Kerouac’s totemic bestseller, On the Road and like Kerouac’s Sal Paradise, the lead figure, the Beat poet Gregory Corso ,is on an existential quest:
“The “Beats” are back. Ever “cool”, ever “hip”, this poignant, humorous film will introduce today’s youth market to the inner circle of the American Icons of “the Beat Generation” – Kerouac, Ginsberg, Burroughs and Gregory Corso. “The Last Beat” follows Corso, the most colorful of them. After the death of Allen Ginsberg, his best friend, Corso goes “On the Road” to rediscover himself as the “Last Beat.”
Many of my students have been Generation Y/NetGen/Echo Boomers. While more cheerfully self-confident than the Silent Generation and less megalomaniacal than the Boomers, whom they match in demographic size, they share with these postwar-coming-of-age generations a collective yearning for identity, for a meaning larger than themselves.
This film may strike a cultural chord.
(Hat tip to A.E.)
