Peter Jackson’s Cinematic Defecation on the Tolkien Estate
[Mark safranski, a.k.a. “zen“]
Bilbo cowering at the approach of Smaug’s henchmen, Darth Vader and Magneto
My review of the first Hobbit movie was blistering.
The second Hobbit film, The Desolation of Smaug, is such a travesty, I lack sufficient words to describe it. It makes the first movie look like a faithful adaptation. Most of the plot consists of Jackson’s own inventions to stretch out a filler of a movie [ SPOILER ALERT]
In a nod to trendy issues dear to the heart of American liberal feminist ideologues, he has added the she-elf superhero Tauriel, Captain of King Thranduil’s guards. She is the GI Jane of the Wood-elven kingdom with a soft spot for the forbidden love of Dwarven suitors
Legolas (or rather Prince Legolas) is injected into the film. He has an unrequited crush on Tauriel that wastes some screen time, but his combat power far exceeds what he demonstrated in Lord of the Rings at Helm’s Deep and Minas Tirith. He is a combination of Hawkeye and Wolverine, except more dangerous. Really, the implication of this film is that an elf army should have no trouble marching from here to Mordor, storm the Dark Tower and kick Sauron in the keister. The Terminator was less lethal than an angry Legolas..
The Orcs have their own operationally impressive SEAL Team Bolg, able to invade enchanted Elven fortresses or Lake Town – though once in combat they all have the same life expectancy as Stormtroopers with similarly inexhaustible numbers.
While the hapless dwarves need to be repeatedly saved by she-elves and Bilbo, once in Erebor they can swing from huge chains, outmaneuver dragons and operate massive machinery despite leaving a bunch of dwarves back in Lake Town
Bard the Bowman, political activist – because supreme executive power derives from a mandate from the masses
Bilbo inexplicably takes off his Ring and becomes visible to Smaug even though Smaug has indicated he will kill him and then, of course, he does not.
Gandalf battles Sauron (!)
And so on…..
The film is visually impressive and probably works for everyone who has never read the book or who likes fan fiction mash-ups but it left me with the impression of Jackson as a petulant, spoiled child taking pleasure in each ridiculous change to J.R.R. Tolkien’s story he could shoehorn in across three movies