Crucifixion and Resurrection, ancient and modern
[ by Charles Cameron — religious resonances of the Tupac video, from the Drachenloch cave bears to today ]
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1.
As the 2006 book and DVD covers above suggest, the themes of crucifixion and resurrection have been associated with Tupac Shakur for a while.
R.N. Bradley blogs at Red Clay Scholar and is a doctoral candidate in African American Literature and Culture at Florida State University. She makes the same connection clear in a post titled Smilin’ Serpent: the Violent Passion of Tupac Shakur on September 13, 2010:
Projects revealed Shakur’s pseudo-schizophrenic obsession with death and resurrection. These tropes manifested in videos like “I Ain’t Mad Atcha” or the collabo featuring Scarface “Smile,” and the coverart of The Don Illuminati: the 7 Day Theory(1996).
2.
Death comes before resurrection: Tupac Shakur died of gunshot wounds in 1996, after completing his final album, Makaveli — which was posthumously released:
3.
What may be more surprising is that he was brought back to something approximating life — in a holographic performance that included a duet with a decidedly non-holographic Snoop Dogg— just this week…
4.
But then, that’s religion.
Time-bound, mortal and frankly disintegrating as we are, we’d like there to be more to the story after death, and that yearning is something that religion addresses.
Perhaps to get the point across in an interesting way you’ll allow me to quote from a move in a game I played some years back:
Exploring the Drachenloch cave in Switzerland, Emil Bachler found cave bear skulls arranged in wall niches in one part of the cave, and stone tombs in another chamber containing cave bear skulls and bones. Ursus spelaeus, the cave bear, has now been extinct 10,000 years, while the Neanderthal inhabitants of the caves appear to have ceased as a species themselves about 40,000 years ago.
In Shepard and Sanders’ book, The Sacred Paw, which deals with both the natural history of the bear and its appearances in myth and ritual, Bachler surmises that his finds provide “the first evidence in man of an already awakened higher spiritual life.”
But why the bear in particular? What could we learn from the bear that we couldn’t learn anywhere else? Shepard and Sanders’ answer is that the bear seemed able to teach us how to survive bodily death. Hibernation isn’t just a “natural” phenomenon — it’s also a “spiritual” revelation… I’ll let them explain in their own words:
The bear, more than any other teacher, gave an answer to the ultimate question… an astonishing, astounding, improbable answer, enacted rather than revealed. Its passage into the earth, winter’s death, and burial under the snow was like a punctuation in the round of life that would begin again with its emergence in the spring…
The miracle was double, for the bear burst out with young — birth and rebirth. Somehow the bear knew when to reenter the world again, emerging just ahead of the snowmelt, as though its very heat set the new year in motion… Clearly the bear was master of renewal and the wheel of the seasons.
The bear ‘knows’ about death and how to survive it… She is therefore seen by traditional peoples as a guide to the movement between worlds.
So the bear is not only the first shaman, s/he’s also the first dying and rising God, and the first divine “Mother and Child” — teaching us two things that are still at the heart of religion 40,000 years later: nativity and resurrection!
5.
Death and resurrection certainly date back quite a ways. Attis, Osiris and Odin are only a few of those thought to have died and been resurrected — and indeed the early Christian writer Justin Martyr confirms (In his First Apologia XXI), the similarities between Christian and pagan teachings when he writes:
In saying that the Word, who is the first offspring of God, was born for us without sexual union, as Jesus Christ our Teacher, and that he was crucified and died and after rising again ascended into heaven we introduce nothing new beyond those whom you call sons of Zeus. You know how many sons of Zeus the writers whom you honor speak of — Hermes, the hermeneutic Word and teacher of all; Asclepius, who was also a healer and after being struck by lightning ascended into heaven –as did Dionysus who was torn in pieces; Heracles, who to escape his torments threw himself into the fire; the Dioscuri born of Leda and Perseus of Danae; and Bellerophon…
6.
Here’s the video:
7.
Max Eddy, blogging at The Geeoksystem today, not only describes the technology used to bring Tupac back to artificial life, but gives us a feel for the event:
The Tupac Hologram put on an eerie performance. When it appeared, the crowd became noticeably quiet while the show continued so achingly aware of its strangeness. The CG simulacrum even declared “I’m a ghost” during a rendition of “Hail Mary.” The ghostly, semi-transparent image went on to do two more numbers – one opposite a likely perturbed Snoop Dogg – before, no kidding, dissolving into triangles in a blaze of otherworldly light.
He also gives us an overview of the endurance of the resurrection motif within the music biz. He writes:
While I must confess ignorance to the life and body of work of Tupac, the resurrection obsession is part and parcel of the music industry. We can get specific: Back in 1995, the surviving Beatles recorded two new tracks along with unreleased demos recorded by John Lennon in 1977. Lennon had been dead since 1980. For his 75th birthday in 2010, Elvis Presley netted $60 million despite having been dead since 1977. Deceased in 2004, Ol’ Dirty Bastard still managed to appear on 2009?s “Blackroc,” a rap album put together by the Black Keys.
Though resurrections are a phenomenon that is particularly common in the music industry, it’s notable that CG recreations of dead actors haven’t broken into mainstream film. Perhaps it’s because fooling the ear is easier than fooling the eye.
Posthumous musical careers are clearly not unique to Tupac, but Shakur’s has been particularly lively. Since his death, seven albums have been released under the rapper’s name. For Forbes’ 2002 edition of the magazine’s annual list of top-earning dead celebrities, Shakur came in at number ten. A 2003 documentary about Shakur’s life, titled Tupac: Resurrection, was narrated entirely by Shakur. From 1997 on, Shakur has made 49 guest “appearances” on the tracks of other recording artists.
All of this is not to mention the rumors held by some ardent fans that Shakur is, in fact, still alive and in hiding somewhere.
8.
I don’t know whether this image is taken from an early archaeological report on the Drachenloch caves, or is just a reconstruction of what those first bear-altars with their carefully arrange skulls and bones might have looked like. I don’t really know if the dying-and-rising-god meme has been overblown or not — or the circumpolar bear cult for that matter.
But bears hibernating and coming back to life, Attis and Adonis, Christ, Arthur, the Once and Future King, more recently, Elvis sightings — and now Tupac coming back, as a hologram — it makes me wonder.
9.
I’ll give Max Eddy the final word:
When a singer is on stage, he or she is mostly their celebrity, with their humanity tucked safely away for later. At home, they are someone else, but on stage they fill a role assigned to them by their fans and perhaps by themselves. Some take it to an extreme – Ozzy bit the head off a bat. For others, it’s subtle – Roy Orbison’s dark glasses, for instance.
Unlike them, the Tupac Hologram has no humanity; it is only celebrity. The Tupac Hologram will not go home and read Shakespeare, as Shakur did. The Tupac Hologram will not make controversial political statements. The Tupac Hologram will not visit Tupac’s mother, Afeni Shakur Davis. The Tupac Hologram is empty, and we made it.
[ … ]
When we look into the Tupac Hologram, we see ourselves reflected brightly on a thin Mylar screen.
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A hat tip to Doug Breitbart, for suggesting I check out the Tupac video and nudging me along the way. The details of Crucifixion and Resurrection are from the superlative Isenheim Altarpiece by Matthias Grunewald (ca. 1510).
