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Very proud of my nephew — Sunday surprise

Sunday, May 17th, 2020

[ by Charles Cameron — as some of you may know, my nephew Daniel Harding is a celebrated orchestral conductor — but did you know he was also a qualified commercial pilot? — he’s been planning on taking a year’s vacation to pilot for Air France ]
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I’m very fond of ‘air conducting” music I’m listening to — but that’s just my mode of “dancing while sitting down” as one of my teachers called it. Much more wonderful, IMO, is the work of my nephew, the conductor Daniel Harding. Today I ran across his performance, some years ago, of three Beethoven symphonies with the orchestra he loved and worked with for years, the Mahler Chamber Orchestra.

I’ll share them — Beethoven, Symphonies ## 5, 6, and 7— such bodily enthusiasm, so fresh the well-worn music:

**

Here, more recently, is Daniel‘s Beethoven #3, the Eroica, with the London Symphony Orchestra:

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And how could I not offer you Daniel conducting Beethoven #9:

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Daniel, who holds a commercial pilot’s license, was going to take a year’s sabbatical from music to work as an Air France pilot, but .. coronavirus. If I get any news, I’ll pass it along.

COVID-19 on the global stage

Sunday, April 12th, 2020

[ by Charles Cameron — a miscellany of must read articles in must read times — with just a taste of each of them ]
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Be at peace, take up your courage, fight the good fight, be at peace: happy Easter

**

George Monbiot, Covid-19 is nature’s wake-up call to complacent civilisation

I hope we never have to witness fights over food. But it’s becoming difficult to see how we will avoid them.

A large body of evidence is beginning to accumulate showing how climate breakdown is likely to affect our food supply. Already farming in some parts of the world is being hammered by drought, floods, fire and locusts (whose resurgence in the past few weeks appears to be the result of anomalous tropical cyclones).

Locusts?

While we’re worrying over COVID-19, Africa has its own natural calamity, threatening countless lives with death by starvation:

Newsweek, Locust Swarms as Big as Cities are causing a Crisis in Africa as experts warn they could get 400 times bigger

And in case that title is hard for you to read in red, here it is in black and white, in bold and in italics:

Locust Swarms as Big as Cities are causing a Crisis in Africa as experts warn they could get 400 times bigger

“The herders will have a real challenge of pasture, and this may also cause movement from one place to another in search of pasture, with inherent risk of communal conflict over pasture or grazing land or passing territories,” the UN Ambassador for Kenya, Lazarus O. Amayo, said in a statement.

Others will have no choice but to stay put.

“At least for livestock keepers in northern Kenya, south and eastern Ethiopia and north and central Somalia, they have an option of moving with their livestock to areas not affected by the locust swarms, but for smallholder agricultural farmers, they are left with no option but to consider their hard labor and food source gone,” said Emoru.

**

Locusts? Coronavirus? When what’s barreling down the tunnel of future high likelihoods is nothing less than an uninhabitable climate, uninhabitable planet?

David Wallace, The Coronavirus Is a Preview of Our Climate-Change Future

if the disease and our utter inability to respond to it terrifies you about our future staring down climate change, it should, not just as a “fire drill” for climate change generally but as a test run for all the diseases that will be unleashed in the decades ahead by warming. The virus is a terrifying harbinger of future pandemics that will be brought about if climate change continues to so deeply destabilize the natural world: scrambling ecosystems, collapsing habitats, rewiring wildlife, and rewriting the rules that have governed all life on this planet for all of human history

**

For the warfighter, all this means war:

Kahl & Berengaut, Aftershocks: The Coronavirus Pandemic and the New World Disorder

if we want to understand the even darker direction in which the world may be headed, leaders and policymakers ought to pay more attention to the two decades after the influenza pandemic swept the globe. This period, often referred to as the interwar years, was characterized by rising nationalism and xenophobia, the grinding halt of globalization in favor of beggar-thy-neighbor policies, and the collapse of the world economy in the Great Depression. Revolution, civil war, and political instability rocked important nations. The world’s reigning liberal hegemon — Great Britain — struggled and other democracies buckled while rising authoritarian states sought to aggressively reshape the international order in accordance with their interests and values. Arms races, imperial competition, and territorial aggression ensued, culminating in World War II — the greatest calamity in modern times.

And that war was a nuclear war, Hiroshima, Nagasaki remember all too well.. a coupld of small holocausts — burnt offerings, fire sacrifices — at 10,830 °F if you were close to ground zero..

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For the United States, “Democracy may be dying”:

Paul Krugman, American Democracy May Be Dying

the scariest news of the past week didn’t involve either epidemiology or economics; it was the travesty of an election in Wisconsin, where the Supreme Court required that in-person voting proceed despite the health risks and the fact that many who requested absentee ballots never got them. ..

Authoritarian rule may be just around the corner.

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And right now, in our hospital ERs and ICUs, the medical profession lices — an dies — as it saves lives..

Nicholas Kristof, Life and Death in the ‘Hot Zone’

Ms. Gifford recalled a patient who had come from an assisted-living center. “I’m really scared,” he told her. “I don’t want to have Covid. I’m in a facility and there are people dying there.”

I’ve chosen that snippet because it cuts so close to home (my own nursing facility) for me..

But more generally:

For health workers, intubation is nerve-racking because it causes the virus to spray out from the lungs into the air. In this case, the procedure was performed in a room on the edge of the hot zone with negative air pressure, so that the virus would remain in the room. A plastic box was placed over the patient’s head, and the nurse-anesthetist put her arms through holes in the box to perform the intubation.

And the doctors and nurses perform this nightmare procedure perhaps eight or more times in a day.. What an unimaginable, multiple proof of the strength of the Hippocratic Oath!! If you yearn for miracles, look no farther.

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Be at peace, have courage, fight the good fight, be in peace, : have compassion..ight the good fight, be at peace: have compassion..

Worlds within the world: studio of Kiefer, mind of Vollmann

Monday, February 24th, 2020

[ by Charles Cameron — the worlds within this world are to be found in the workshops of Anselm Kiefer and William Vollmann ]
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Artist one of two: Anselm Kiefer:

Kiefer devoted himself to investigating the interwoven patterns of German mythology and history and the way they contributed to the rise of Fascism. He confronted these issues by violating aesthetic taboos and resurrecting sublimated icons. For example, in his 1969 Occupations series, Kiefer photographed himself striking the “Sieg Heil” pose. Subsequent paintings—immense landscapes and architectural interiors, often encrusted with sand and straw—invoke Germany’s literary and political heritage. References abound to the Nibelungen and Wagner, Albert Speer’s architecture, and Adolf Hitler.

Interwoven patterns? The Nibelungen? Albert Speer?

Seraphim? Jacob’s ladder, on which angels travel up and down? And in this time of nuclear and gas chamber holocausts, have they abandoned the ladder?

Seraphim is part of Kiefer’s Angel series, which treats the theme of spiritual salvation by fire, an ancient belief perverted by the Nazis in their quest for an exclusively Aryan nation.

Spiritual salvation by fire?

Okay, This fellow has the kind of dark mythological intensity that interests me. Let’s take a stroll through this man’s world — a deeper dive into his studio.

In we go:–

It was like a world inside the world. Huge metal slabs were leaning against the walls. Helter-skelter around them, on racks with wheels, stood large paintings of oceans and beaches, rivers and meadows, mountains and forests, some covered with corroded ravines of lead. Vitrines in every size were standing everywhere, filled with the strangest things: the roots of trees, rusty hammers, little clay pigs. Shelves that ran the length of the hall were stacked with balance scales, hooks, rifles, stoves, snakes, torpedoes, piles of bricks, heaps of dried flowers, even whole trees. There were more full-size fighter jets and a cage that was maybe 300 square feet that was filled with golden wheat and what appeared to be the cooling tower of a nuclear power plant with a bicycle dangling down the side.

Torpedoes! Whole fighter jets! Whole trees!

Kiefer‘s paintings, we learn, are overwhelming, dark and vast — Seraphim‘s a good example — enforcing silence before their enormous intensity. And then, suddenly — watercolors, “brimming with color — sparkling blues and brilliant reds” as bright as the moments of a life, and thus as intensely personal as the dark vast paintings had been impersonal and overbearing — as is, one is forced to admit, our century.

He’s an artist — exhibit number one.

**

Here’s exhibit number two: the mind of William Vollmann..

Deep dive number two:

Bill greeted me warmly and showed me around the art-making area of his bunker, where he has a power engraver—he was working on a suite of Norse block prints when I visited—and where he prints his Dolores photographs using an arcane 19th century method called gum bichromate, which takes up to 28 days to produce a single print. Then he led me to the walk-in.

What’s in here?

This is the meat locker, where Dolores’s parts are. When the electrician wired it up, he asked, “What do you use this for?” I said, “Oh, that’s just where I keep my victims.” There was a long silence….She’s got her dresses here and I have my bulletproof helmet and various stuff from my journalism in there

Lecter, Hannibal? “That’s just where I keep my victims”?

Vollmann, like Kiefer, is possessed of a world both dark and sparkling bright. The sheer extent of his variety, too, is impressive, overwhelming.

I have in my room at the Pine Creek Care Center only two smallish bookshelves, and in them one book of Vollmann‘s: Kissing the Mask: Beauty, Understatement and Femininity in Japanese Noh Theater. I mean, how not?

Kissing the Mask is so packed with beauty, understatement — erotics, Japan, Noh, Vollmann himself, Noh backstage, behind-the-scenes, photographs — ” a string ball of thoughts” — I’d like to say “torpedoes .. even whole trees” but Vollmann‘s world within the world is other than Kiefer’s, as though there were room for two worlds within our world — three perhaps — though I’ve yet to encounter the third — “with Some Thoughts on Muses (Especially Helga Testorf), Transgender Women, Kabuki Goddesses. porn queens, poets, housewives, makeup artists, geishas, valkyries, and Venus figurines” Vollmann addsall this in small print at the bottom of the book’s cover.

And Valkyries!

It takes my reading glasses and a Sherlock Holmes magnifying glass to read these days, and my copy of the abridged, one-volume Rising Up and Rising Down: Some Thoughts on Violence, Freedom and Urgent Means is in storage — a book fate which I both mourn and feel intense gratitude for.

When Vollmann turns to consider violence — “to establish a moral calculus to consider the causes, effects, and ethics of violence” as Wikipedia has it — he spends twenty and more years on the task.

The abridgment, Vollmann says, he made in half an hour, for the money. Truth to the work’s title is to be found in the $700, seven-volume original set, 3,500 copies. Even with dollar-store glasses and Holmes’ magnifying glass — enhanced with the option of bright light the better to read by — seven volumes is beyond me, as 700 pages of the condensed would be.

And there are yet other Vollmanns, with other worlds..

**

Oh but let Van Gogh have the last word, eh, Vollmann?

Vincent Van Gogh, Japonoiserie, The Courtesan

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Sources

  • Guggenheim, Kiefer, Seraphim
  • NYT, Into the Black Forest With the Greatest Living Artist

  • 3 am, becoming dolores: william t. vollmann exposes his female alter ego
  • Wikipedia, William T. Vollmann

  • Metropolitan Publications, Van Gogh in Arles
  • What you’re blind to will bite you!

    Saturday, December 21st, 2019

    [ by Charles Cameron — note, incidentally, that Scientists have gotten predictions of global warming right since the 1970s ]
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    Well, first let’s note that the UN a few days agoissued its Emissions Gap Report 2019 which is variously described as “bleak” (Washington Post) and “bleak (NY Times) — so it’s presumably bleak. The UN also issued:

  • UN, 10 things to know about the Emissions Gap 2019
  • UN, Visual feature: The Emissions Gap Report 2019
  • Still bleak.

    But at least we have simple forms in which to absorb the message.

    **

    Meanwhile, Yale has very helpfully packaged 24 recent reports on climate change, and there’s still one missing.

    Let’s see:

  • Yale Climate Connections, 12 major climate change reports from 2019
  • Yale Climate Connections, 12 reports on carbon pricing, climate security, and more
  • And look, they cover everything from Interventions to Increase the Persistence and Resilience of Coral Reefs to Canada’s Changing Climate, lessons on action against tobacco and fossil fuels to the State of Climate Adaptation in Public Health of 16 U.S. States, and Malaria eradication within a generation to FEMA on Community Resilience and so Are the public ready for net zero?.

    Tet last two come closest to what I think is missing. They consider human response to climate change in light of the climate change crisis — but they’re still exterior to the humans they consider — they’re from the realm of sociology, and I’m interested in the corresponding interior states, the psychology of human response. And in particular our capacity for denial and indifference, our stickiness / stuckness.

    What’s the sludge through which we must make our way to awareness? Why does this feel so very much like trench warfare in World War I, re-enacted in mind?

    Sex and Violence in Tibetan Buddhism, book review

    Saturday, October 5th, 2019

    [ By Charles Cameron — rise and fall, hubris and nemesis, a frequent pattern in human existence ]
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    Sex and Violence in Tibetan Buddhism: The Rise and Fall of Sogyal Rinpoche
    by Mary Finnigan & Rob Hogendoorn
    Jorvik Press, 199 pp. (2019)

    The book benefits enormously from having twin authors — Rob Hogendoorn provides invaluable biographical and analytical material, credited to him as it occurs, while Mary Finnegan‘s contributions relate, in her own voice, her experiences. Both authors are Buddhist practitioners, both have researched the sexual abuse claims around Sogyal for years — claims which have since been admitted by Rigpa, Sogyal‘s teaching organization.

    **

    Mary Finnigan & Rob Hogendoorn‘s book title hits two human keynotes. You’ll find them intertwined for crowd-pleasing reasonsd in Game of Thrones:

    It’s a question that’s been asked of Game of Thrones as long as the HBO series has been on the air: Why so much sex and violence?

    But Tibet? Perfect Tibet of our wishes? Tibet of the revered Dalai Lama? Tibet of the lamas who create intricate mandalas of colored sands — then brush them away in a gesture of impermanence and carry the dust to rivers which wash them out to sea? Shangri-La — in fact not fiction?

    There’s a lot that’s wonderful to Tibetan Buddhism, and the better it looks and actually can be, the easier it is for non-Tibetans — us Westerners — to fall for the trap of projection — to believe, in this case, in the impeccability of Sogyal Lakar, sometimes titled Rinpoche, or Precious-One.

    **

    It’s unwise in general to speak ill of the recent dead, and Sogyal died in August 2019. Yet his story must be told, because unhappy though it is, the telling can help us avoid the illusion of a supposedly great lama — second only to the Dalai Lama in popularity in the west — who was in fact assaulting his female students sexually on numerous occasions across decades.

    That’s the tale Mary Finnigan, herself a practitioner of DzogchenSogyal‘s own form of Tibetan Buddhism — details in collaboration with her co-author Ron Hogendoorn in this book.

    The accusations against Sogyal, of “sexual, physical and emotional abuse”, led to the Dalai Lama declaring Sogyal “disgraced”. The Charity Commission for England and Wales disqualified two of the Trustees of Sogyal’s  organisation, the Rigpa Fellowship, in the UK because they covered up “knowledge of instances and allegations of improper acts and sexual and physical abuse against students”..

    **

    But although sex, violence, and sexual violence are at the heart of the anguish Sogyal inflicted on unwary students, there’s another side to Sogyal‘s story that Finnigan and Hogendoorn illuminate — the story of the son of a wealthy family, in contact with a senior Dzogchen lama and taken under his wing, who learned little that might have qualified him to be a teacher of that tradition, yet who managed to wangle his Tibetan nationality into the appearance of a gifted and highly educated lama on his arrival in England.

    It’s a fascinating and heart-rending story — heart-rending is the word used by the New York Times in its obit for Sogyal — throwing light on Tibetan Buddhism itself, an astonishing mesh-work of visualizations and compassionate insight; the vicious politics that have long existed within the cloak of lamaism, and which the Dalai Lama has partially uncloaked; an archaic gender differential as power differential; and in general, eastern wisdom meets western credulity.

    **

    Sogyal‘s wealthy family connection gives him access to a high lama, Chokyi Lodro, and his presence at Lodro‘s side gives him in turn the title of Tulku, which often but not always signifies the reincarnation of some previous high lama, and is always a term of respect.

    An authentically scholarly Tibetan meditation master, Dudjom Rinpoche, knows Sogyal has little to no education in the finer points of Tibetan philosophy or meditation, but considers him someone a western student might pick up some hints from — crossing the cultural divide as it were.

    Sogyal , moving to the west, is on his way.

    **

    The years pass, just being a Tibetan guru in the west is sexy in the broad sense in which Lamborghinis and orchids are sexy: scholars of religion call it charisma. And when young and impressionable women become devotees of supposed high lamas — and when there are rumors, not without foundation, of Tibetan Vajrayana Buddhism including tantra, or spiritual-sexual practices, feelings and expectations can get very confused.

    The main thrust of Mary and Rob’s book is to tell the rise and fall of Sogyal Lakar, his rise by that wider “sexy” quality we term charisma, his fall by discovery of the abuses of both spirituality and sex he’s inflicted on so many of his students across the years. I won’t go into the details, it’s their story to tell, and they tell it with the probing integrity of journalists as well as the sincerity of practitioners.

    **

    It has to be said that young Western women stood in line to sleep with Trungpa [“a formidably intelligent iconoclast” meditation master] and were usually eager to oblige with Sogyal. They became known as dharma groupies and sex with a Rinpoche became almost as much of a status symbol as plaster casting Mick Jagger.

    Oh, Mary can write!

    The problem was the abuse at Sogyal‘s “feudal” court.

    **

    The Heart Sutra of Mahayana Buddhism teaches something often translated:

    form is emptiness, emptiness is form

    where emptiness is better understood as <em>void, and void as devoid of self-establishing nature — so that these lines might be rendered:

    Form is devoid of self-establishing nature,
    absence of self-establishing nature is form,

    **

    Sogyal — no great meditation master, it would seem — has another form of emptiness. Whatever he may have thought, he lacked that compassion which is the fruit of deep meditative practice. And so he was able to enact violence on his students.

    But we may witness that emptiness in another arena, that of scholarship.

    Early on in Sogyal‘s time in the west, Dudjom Rinpoche is giving a talk to a hundred eager students, packed into a room intended for an average London family, and Sogyal is translating for him. Mary was there, sitting next to her then boyfriend John Driver, a linguist gifted in Tibetan, and noted that John was frowning. She writes:

    During the first lunch break, John steered me into a cafe down the road. He was quite angry.

    “Sogyal is not translating correctly,” he said. “Either he’s interpreting Rinpoche’s words into what he thinks is suitable for Westerners or he doesn’t understand what Dudjom is saying.”

    **

    It was a foreshadowing. Ever since Walter Evans-Wentz published an early English translation of The Tibetan Book of the Dead in 1927, the gold-embossed green cloth volume has been a choice text to set beside the Chinese I Ching in pride of place on one’s desk or shelf. Come 1992, and The Tibetan Book of Living and Dying was published, updating the timeless Buddhist classic, personalizing it with some of Sogyal‘s own tales, made “accurate” to some degree by the inclusion of questions and answers from distinguished Tibetan masters such as Dilgo Khyentse Rinpoche and the Dalai Lama together with western masters of hospice living and dying such as Elizabeth Kubler-Ross — but, but–

    As one student who was around at the time put it:

    Could anyone who knew Sogyal imagine him being able to quote the German mystical poet Rainer Maria Rilke? Or the Sufi sage, Jalaluddin Rumi?

    No, the “editor” who’d have provided those quotes, and much more of the content and form, indeed the very flowing language of the book, would have been Andrew Harvey, Oxford scholar extraordinaire and author of The Way of Passion: A Celebration of Rumi and other works.

    So much for a great book — and it was and is great, and Sogyal deserves some, though by no means all, credit for it.

    **

    To sum up:

    Sex and violence are paired in the book’s title. The problem with the sex is not that it was sex — Sogyal was no more a monk than Trungpa was, and it was often consensual. The problem was in the tirades, the humiliations, the violence, the abuse — delivered under cover of spiritual authority in violation of trust across a power and gender differential.

    The scholarship is, well, Andrew Harvey‘s, and Padmasambhava‘s, and Kubler Ross‘.

    **

    I met Sogyal once. I asked him about the meaning of “skillful means”, and he responded “not entering or leaving a room through the wall, when there’s a door available.” He seemed pleasant enough. Trungpa Rinpoche I befriended at Oxford, and took to visit friends of mine at Prinknash Abbey near Gloucester: later he wrote that the visit had shown him the possibility of living the contemplative life in the west. He opened the first Tibetan monastery in the west shortly thereafter, Samye Ling in Scotland. And Mary is an old friend from hippie days.

    As I indicated above, Mary and Rob have a story to tell, and they can tell a story.

    Sogyal himself is no longer with us. He has entered, perhaps, the bardo, that liminal space between lives about which The Tibetan Book of the Dead — and to some extent its Sogyal reincarnation, The Tibetan Book of Living and Dying — are written.

    Go, read.


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