A Boston DoubleQuote, via Jim Friedrich

[ by Charles Cameron — the subject of interest is in the details ]

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My friend Jim Friedrich, an Episcopalian priest and artist, posted a thought-provoking juxtaposition of images on FaceBook yesterday, which I have resized and cropped to fit my own DoubleQuotes format:

Fr Friedrich’s comment:

This photo snapped Monday in Boston is like Brueghel’s “Fall of Icarus.” The critical subject in each is, from the viewer’s position, just a small detail practically lost in the totality of the scene. Very strange to look at, and to think about – ethically, existentially, theologically…

**

Also worth recalling in this context is WH Auden’s poem, Musee des Beaux Arts:

About suffering they were never wrong,

The old Masters: how well they understood

Its human position: how it takes place

While someone else is eating or opening a window or just walking dully along;

How, when the aged are reverently, passionately waiting

For the miraculous birth, there always must be

Children who did not specially want it to happen, skating

On a pond at the edge of the wood:

They never forgot

That even the dreadful martyrdom must run its course

Anyhow in a corner, some untidy spot

Where the dogs go on with their doggy life and the torturer’s horse

Scratches its innocent behind on a tree.

In Breughel’s Icarus, for instance: how everything turns away

Quite leisurely from the disaster; the ploughman may

Have heard the splash, the forsaken cry,

But for him it was not an important failure; the sun shone

As it had to on the white legs disappearing into the green

Water, and the expensive delicate ship that must have seen

Something amazing, a boy falling out of the sky,

Had somewhere to get to and sailed calmly on.

**

I hope to post something tomorrow on the Mahdist video that Tamerlan Tsarnaev “liked” on FaceBook and added to his “Islam” folder. In its own way, that’s a minor — yet significant — detail, too.