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Two variants on a too obvious DoubleQuote

Tuesday, January 29th, 2019

[ by Charles Cameron — Richard Nixon, Roger Stone, defeat signaling itself as victory — and then there’s Sir Winston Churchill ]
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Back then or recently, we’ve all seen the victory sign that President Nixon gave before climbing into the presidential helicopter for his final departure from the White House and the presidency:

By now, we’ve all been shown Roger Stone‘s back, with Nixon‘s portrait tattooed on it, and know that Nixon was Stone’s hero, and that Stone played what Snopes calls a “consequential role” — though not enough to qualify him as an “advisor” — in Nixon’s re-election campaign, 1972.

And we’ve seen Roger Stone, just the other day, emerging from court and giving an exultant copy of that Nixon victory sign. It would be all too easy to juxtapose the two, and claim a DoubleQuote — while it also seems just a little strange not to note it..

Maybe this version of Stone‘s salute — surrounded and indeed haloed by Nixon memorabilia — is sufficiently different to cause some measure of surprise or delight.

I can’t hope for an in-drawn breath on this one — but a quiet chuckle from some of you, perhaps?

Or..

**

Or how about the great original, Winston Churchill?

Howzzat for a DoubleQuote with Richard Nixon. Nixon’s sign is victory in defeat — Churchill’s is victory en route to Victory!

Two from my FB feed this morning

Wednesday, January 23rd, 2019

[ by Charles Cameron — well, three — what I read on FB, and what Chinese AI can now deduce about me ]
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First:

Carla Cahill‘s catch, I think, speaks for itself — the super blood wolf moon caught at exactly the right moment:

Carla writes:

Okay, I saw this jet coming, so I acted fast and got it along with the Blood, Wolf, Blue, Eclipse Moon!

The photographer’s gift is eternal alertness.

**

Second:

This DoubleQuote response to the #tenyearchallrnge showing a dying coral reef, via John Kellden and March for Science:

Friend Marshall Massey contributed this example:

I somehow suspect the photographer of the coral reef — the Great Barrier Reef? — didn’t mark the exact few “leaves” of coral he photographed ten years earlier, and then returned to those exact few leaves ten years later — I imagine he may have returned to the same rough spot where he — or she, why do I suppose a he? — had taken her first shot, and found a similar spot to take the second.

Or were there in fact two photographers? The similarity of the two photos almost convinces me of a single photographer with his eye on the same exact sport for years — his or her wife, lover or friends bringing sandwiches every day for ten years, sleepless nights under a cold moon..

Except both photos were presumably taken by a diver or divers, underwater..

Ah, the human mind!

And the forest / mine pair — were they taken at the same spot, roughly the same spot — or close enough to make a point, maybe a few miles apart, with the second shot positioned to include the truck..?

**

Third:

This was too rich to omit. Ali Minai wrote:

I don’t read or speak Urdu, so knowing Ali is an AI expert, I asked for translations from two AIs. FB’s in-house translator gave me:

It’s very short of the dead country.
The ironic is the same, yooo change.

Google Translate gave me:

History is very short of my country
Satyam is the same, the stars keep changing

Okay, those two give me state of the art, readily available AI capabilities. I then asked Ali how he would translate the couplet into English.. and gave my own best guess, sticking my neck out and working from similarities between the two AI versions:

History short-changes my native land —
ah, but truth’s the same, as changeable as the stars.

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Here’s Ali’s very gracious response:

Aha! Sense at last — English sense, that is.

I think this entire episode is a living, breathing testament to the state of the art in intelligence — artificial and embodied. Way to go, Ali Minai

**

Chinese AI looking for vulnerabilities to exploit will now think I’m an Urdu speaker, because I commented on Ali Minai‘s Urdu post. And ZP’s version of WordPress couldn’t even render Ali’s couplet except as:

??? ??? ?? ??? ????? ?? ?? ?????
??? ??? ??? ????? ????? ???? ???

— which captures my own sentiment when I first saw Ali‘s post exactly..

All in all, a rich morning’s education!

Sadhu and Southern Baptist, Sunday surprise

Sunday, January 20th, 2019

[ by Charles Cameron — preferred place for prayer — and Gary Snyder’s disciples “will always have ripened blackberries to eat and a sunny spot under a pine tree to sit at” ]
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That sadhus like to meditate in cremation grounds was already known to me — they worship Lord Shiva, who likes to meditate there himself, not infrequently covers himself in ashes, and wears a necklace of skulls..

What surprised me though, was to find Russell Moore, president of the Ethics and Religious Liberty Commission of the Southern Baptist Convention, and author of The Storm-Tossed Family: How the Cross Reshapes the Home, Christianity Today‘s Book of the Year, recommending so similar a practice..

**

Sources:

  • The Gospel Coalition, A Graveyard Is a Good Place to Make Big Decisions
  • TripAdvisor, Varanasi Photo: Sadhu meditation in smashan – where dead bodies burn
  • **

    And if the sadhu‘s practice seems more extreme — fiercer, spiritually? — than Dr Moore‘s quieter — dare I, should I really say, more contemplative? — approach, that only reminds me of Klaus Klostermaier‘s book, Hindu and Christian in Vrindaban, and this marvelous graph:

    Theology at 120 degrees Fahrenheit in the shade seems after all, different from theology at 70 degrees Fahrenheit. Theology accompanied by tough chapattis and smoky tea seems different from theology with roast chicken and a glass of wine. Now, what is different, theos or theologian? The theologian at 70 degrees Fahrenheit is in a good position presumes God to be happy and contended, well-fed and rested, without needs of any kind. The theologian at 120 degrees Fahrenheit tries to imagine a God who is hungry and thirsty, who suffers and is sad, who sheds perspiration and knows despair.

    Here’s Fr Klostermaier saying Mass in Vrindaban:

    First thing in the morning I celebrate the Mass. I wonder if any person responsible for prescribing the liturgical vestments in use today ever read mass at 113 degrees Fahrenheit, in a closed room without a fan? Clouds of flies swarm around the chalice and host. They settle on the hands, on the perspiring face. They cannot be driven away, but return for the tenth time to the place from which they have been chased away. The whole body burns and itches. The clothes are damp, even the vestments. They soon dry. If a priest does not wear them all, he commits – according to existing canon law – at least a dozen or so mortal sins all at once. And it seems impossible to survive, physically or spiritually, without the Mass.

    And Vrindaban?

    Edward C Dimock and Denise Levertov, begin their delicious, delirious volume, In Praise of Krishna: songs from the Bengali, thus:

    Above the highest heaven is the dwelling place of Krishna. It is a place of infinite idyllic peace, where the dark and gentle river Yamuna flows beside a flowered meadow, where cattle graze; on the river’s bank sweet-scented trees blossom and bend their branches to the earth, where peacocks dance and nightingales call softly. Here Krishna, ever-young, sits beneath the trees, the sound of his flute echoing the nightingales’ call. Sometimes he laughs and jokes and wrestles with his friends, sometimes he teases the cowherd-girls of the village, the Gopis, as they come to the river for water. And sometimes, in the dusk of days an eon long, his flute’s call summons the Gopis to his side. They leave their homes and families and husbands and honor — as it is called by men — and go to him. Their love for him is deeper than their fear of dishonor. He is the fulfillment of all desire…

    That, too, is Vrindaban!

    GBG: another form of associative linkage

    Friday, January 11th, 2019

    [ by Charles Cameron — a meander to ponder, wonder, wander, a maze to amaze, or as CS Peirce might say, a muse to amuse, an amuse-bouche ]
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    Here’s a quick, long run-down of my HipBone games, where they came from, and where they’ll be going if book and online game plans come together.

    My various HipBone and related games are intended as playable variants on Hermann Hesse‘s great Glass Bead Game (GBG for short).

    You remember this?

    As I said before:

    I don’t know how Theodor von Kármán came by his Vortex Street, and I’ve spent a decade in Pasadena wandering its streets and even picked up his four volume works — signed — at a CalTech book sale — but if he had the Van Gogh painting in the back of his mind, there’s the beginning, the seed of an awesome leap.

    And you might say van Gogh made a mighty leap, pre-intuiting the von Kármán pattern in the night sky..

    This DoubleQuote is my favorite move in the game that has obsessed me for the last thirty or so years, the Glass Bead Game as described in Hermann Hesse in his Nobel-winning novel of the same name.

    Linking arts and sciences as it does, I see it as a move at the nave roof-apex of what Hesse describes as the “hundred-gated cathedral of mind”.

    The essence of a move in Hesse‘s game is associative linkage.

    **

    I’m using this post as something of a primer on my game thinking, before proposing a recent instance of a type of associative leap / example of a game move.

    **

    There are many fairly basic types of associative linkage that provide the connextive tissue between the items in an ontology:

  • this is the same as that
  • this causes that
  • this is the opposite of that
  • this symbolices that
  • this is above that
  • this is inside that
  • this is the parent of that
  • this follows that
  • this governs that
  • this proves that
  • **

    Getting more complex and multi-layered, John Robb once posted:

    Some philosophical thinking:

  • Human knowledge, at an elemental level, can be described as a “transformation” of data.
  • Complex ideas are built using layers of “transformations” with each layer feeding into the next (think pyramid)
  • We teach these transformations at home and at school to our children.
  • We communicate by sharing transformations.
  • Questions We Need to Answer in the Age of Cognitive Machines:

  • How many transformations would it take to model all human knowledge?
  • How deep (how many layers of transformation is human knowledge) is human knowledge? Both on average or at its deepest point?
  • How broad is human knowledge (non-dependent transformations)?
  • How fast is the number of transformations increasing and how fast is it propagating across the human network?
  • **

    From a process orientation, it’s pretty clear that the fundamental way in which most associative leaps occur to human minds takes the form:

  • this reminds me of that
  • — and that holds true even of conspicuous creative leaps not just out of the box but into the unknown — as when Yutaka Taniyama proposed his hypothesis that there exists a correspondence between elliptic curves and modular forms in 1955. Andrew Wiles eventually proved the linkage in what is now known as the Modularity theorem, as the key part of his proof of Fermat’s Last Theorem in 1993 [don’t ask me to explain, I’m not a mathematician]

    **

    Creative leaps are in general the basis of much “opening of fields” both in the arts and sciences, as described by Arthur Koestler in his Act of Creation:

    and elaborated by Douglas Hofstadter in eg his Fluid Concepts and Creative Analogies and Surfaces and Essences: Analogy as the Fuel and Fire of Thinking, and at a depth of penetration equivalent to Robb’s questions above, by Fauconnier and Turner in The Way We Think: Conceptual Blending And The Mind’s Hidden Complexities..

    **

    Level on level, the structure of a gothic cathedral is arch building on arch (forgive my Spanish):

    Erwin Panofky‘s masterwork, Gothic Architecture and Scholasticism, argues for a common mental structure explaining the simultaneous occurrence of Gothic cathedral architecture and the scholastic argumentation characteristic of Peter Abelard and Thomas Aquinas..

    **

    The music of Hesse’s cathedral?

    All the insights, noble thoughts, and works of art that the human race has produced in its creative eras, all that subsequent periods of scholarly study have reduced to concepts and converted into intellectual values the Glass Bead Game player plays like the organist on an organ. And this organ has attained an almost unimaginable perfection; its manuals and pedals range over the entire intellectual cosmos; its stops are almost beyond number.

    And the game’s ultimate destination – besides the creation of an overarching synthesis uniting sciences and arts, great leaps of discovery and profound flights of imagination?

    Every transition from major to minor in a sonata, every transformation of a myth or a religious cult, every classical or artistic formulation was, I realized in that flashing moment, if seen with a truly meditative mind, nothing but a direct route into the interior of the cosmic mystery, where in the alternation between inhaling and exhaling, between heaven and earth, between Yin and Yang, holiness is forever being created.

    In the coincidence of opposites — the buttressed left side of the cathedral’s gothic arch leaning into, against and with the buttressed right side, culminating in the high vaulting that characterizes the nave — transcendence of the physical in the spiritual..

    **

    An aside:

    Okay, very quickly, one associative link that jumped out at one poster recently after the Democratic response to Trump’s resolute desk address was the similarity between Schumer and Pelosi‘s stilted appearance, standing shoulder to shoulder at a single podium [left], and — returning to our theme of gothic as in a fugue — the celebrated painting titled American Gothic [composite, right] —

    That’s a “haha!” (comedic, laughter) rather than an “aha!” (creative, excitement) or “aah!” (tragedic, tears) explosion, to return to Arthur Koestler’s notion of bisociation and its various types and expressions.

    But that’s just fun, and will quickly become dated.. that’s an aside.

    **

    A new category of linkage:

    More seriously, I’d like to suggest that one faascinating type of linkage, close kin to “this is similar to that” is the category of mistake:

  • this is, has been, or can be mistaken for that
  • My example here is the weird sonic effect that seems to have physically hurt American diplomats and other embassy employees in Cuba, and confused national security analysts —

    That headline was taken from an article dated December 12, 2018, less than a month ago at time of writing. Doctors called in to examine embassy workers were flummoxed:

    The patients complained of intense ear pain, hearing loss, headaches, dizziness and difficulty with balance, as well as increased anxiety and irritability, doctors found, but who or what caused the damage is still unknown.

    From The Atlantic:

    Various parties argued that the strange noise was the result of a sonic weapon, a microwave attack, or malfunctioning eavesdropping equipment.

    And back to ABC:

    “The possible sources and the medical findings we have here do not have a quick or easy solution,” said Dr. Carey Balaban, a professor of otolaryngology at the University of Pittsburgh School of Medicine who contributed to the study. “I wish someone could tell us that right now. I wish we’d have that.”

    Damn commie Cubans!

    The thing is, otolaryngologists and high-tech security experts were the wrong people to solve the problem. Whenentomologists listened to a recording of the sound, they recognizedd it —

    as the mating call of Anurogryllus celerinictus, the Indies short-tailed cricket.

  • the cricket’s call has been mistaken for a devious commie attack on American diplomats
  • **

    Very briefly, then, to wrap up, since the idea is to link one concept to another, I use graphs as my game boards, assigning the concepts (images, quotes, clips &c) to numbered positions (nodes) on the boards, with the lines between them (edges) representing their associative links, which can be spelled out in however much detail a given game requires:.

    top left, the standard WaterBird board; top right, a board from the Sembl game as played on iPads in the National Museum of Australia; lower left, the Doublequote board, for direct comparison of two concepts / images; lower right, the Said Symphony board, for us in “aymphonic” games.

    The idea of conceptual graphs precedes Margaret Masterman by centuries:

    Left, the Sephirotic Tree of classical Kabbalah; middle: Oronce Fine’s diagram of the elements and humors; right: a medieval Trinitarian diagram

    And as a grace note — my two now ancient pages on Masterman, Boole and that Trinitarian diagram are still a quiet delight for scholars of conceptual graphs and the like. Masterman really was an unsung genius, and her curious and vastlky erudite paper Theism as a Scientific Hypothesis proves it..

    I wonder when AlphaZero will be playing a game like this:

  • HipBone, What sacred games shall we have to invent
  • Having God buy you Stuff — Very Nice Stuff, Nice God

    Sunday, January 6th, 2019

    [ by Charles Cameron — Janis, obviously, & Sovereign Citizens, a curious and dangerous wrinkle on anti-governmental thinking worth your attention, with some Janis facts that may surprise you in the tail ]
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    Here’s a DoubleQuote for you — this from JJ MacNab in a thread about a Sovereign Citizen:

    Writing fake checks for $1,680,000 isn’t a political or religious statement even if you hold deep-seated beliefs that owning a new Camaro ZL1, Corvette, and Sierra will bring you closer to God.

    And this from Janis Joplin — another JJ, eh?

    **

    I bring you this DoubleQuote in fun, and to have some Janis Joplin near to hand.. but the JJ MacNab thread is serious business:

    Attempting to defraud the government is what sov cits do. They believe that if they can just get their magical incantation correct, the gov will throw huge bundles of free money at them. Attempting to claim this free money isn’t a political statement for crap’s sake.

    From my POV, it can be religious in an anthro-sociological sense, and I’m glad I don’t have to decide between MacNab and Noah Feldman on the First Amendment issue — I think as a Brit I can safely recuse myself from that one…

    **

    Sources:

  • MacNab, Attempting to defraud the government is what sov cits do
  • Feldman, This Man’s Protest Is Free Speech. Courts Called It a Felony.
  • MacNab, A snapshot of the Anti-Government Extremist movement in the US
  • That last link, the snapshot, is a decent intro to its subject matter — a movement that cops know all too well as a source of dangerously violence at traffic stops, and the courts know equally well as a source of copious legally mumbo-jumbo’d paperwork — as is regularly the case with MacNab, recommended.

    **

    Did you know?

  • Janis recorded that song two days before her death
  • She snagged the first line from a McClure song / poem
  • Song info:

  • Performing Songwriter, Janis Joplin’s Mercedes Benz

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