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Archive for August, 2017

I’m trying to figure it out

Saturday, August 26th, 2017

[ by Charles Cameron — oh, i mean, the whole ball of wax, kit & kaboodle ]
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I’m trying to figure it out by catching glimpses in other people’s work, finding somethat are part of their pretty obvious ideas that are assumptions for tuthem and indicative of the state of affairs for me. I suppose I’m always on the lookout for such things, but today I’m going to shoot for the big picture.

Item #1 comes from David Ronfeldt, friend of this blog, who posted at TIMN:

It is no longer possible to think of corruption as just the iniquitous doings of individuals, be they street-level bribe payers, government officials, or business executives. In the five dozen or so countries of which Honduras is emblematic, corruption is the operating system of sophisticated networks that link together public and private sectors and out-and-out criminals — including killers — and whose main objective is maximizing returns for network members.

Boom! The main objective is to maximize returns, returns. Nobody says what retiurns are, everybody knows: returns are cash, money, moolah is what everyone is after, “follow the money” is equalled in popularity only by “cherchez la femme” — although “follow the dead Russians” has a temporary place in the sun if you follow John Schindler. Money, sex, that’s about it.

Sex. I’ll need an item for sex, eh?

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Item #2 is prestige. I ound it at Tom Whipple‘s post, Starman, whichb describes a Norwegian jazz player’s rooftop searches for items of stardust.

So began the journey that would end with an autodidact gypsy-jazz musician publishing a scientific paper in a prestigious American geology journal,

The item here is prestige, yes, in the words “prestigious journal” — and the thing here is that anm autodidact made it into some prestigious pages, a jazz musician, imagine that!

Oh, and BTW, we are stardust:

I suppose you could call Joni Mitchell a jazz musician too, but she’s not — as far as I know — Norwegian,

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Money, prestige, stardust.

Those are my findings so far, that’s what it’s all about. And I’m guessing, sex too, once I find an appopriate reference — oh, totally inappropriate, I’m afraid, not suited to office viewing. .

Sorry about that, I should have used a title-srolling clip from Sex and the City. I mean, good-looking means do it, plain and simple. Those guys who make films know what they’re doing.

I know, I know, I wemt from fishing phrases out of articles into fishing songs out of YouTube — but I’m still after “it” — and now we have money, prestige, stardust, sex..

I am beginning to see a glimmer of the human condition, la condition humaine. I mean, wars — civil and uncivil, compromise, film makers knowing who to film in filmy nightgowns, tight short skirts, and so on, and frankly, Trump, who epitomizes Sex and the City, has moola and no tax returns, and is made of greater stardust than the rest of us, I mean, he Trumps!

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What else? I ask you, what else are we?

Frankly, there’s transcendence. We are golden. We’ve got to get ourselves back to the garden. This one’s from my memory trove — it’s from Thomas Traherne‘s little book, Centuries of Meditations:

You never enjoy the world aright, till the Sea itself floweth in your veins, till you are clothed with the heavens, and crowned with the stars: and perceive yourself to be the sole heir of the whole world, and more than so, because men are in it who are every one sole heirs as well as you. Till you can sing and rejoice and delight in God, as misers do in gold, and Kings in sceptres, you never enjoy the world.

Like father, like son

Thursday, August 24th, 2017

[ by Charles Cameron — a DoubleQuote in the Wild ]
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This came up in my feed today —

Richard Landes was just tweeting –

Ouch!

Not like me, not like my sons, btw.

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Or as Baudrillard might say:

Reality no longer has the time to take on the appearance of reality. It no longer even surpasses fiction: it captures every dream even before it takes on the appearance of a dream.

Ouch. Pinch me.

Quant and qualit in regards to “al wala’ wal bara'”

Thursday, August 24th, 2017

[ by Charles Cameron — score one for quantitative, links-based analysis ]
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It’s not so surprising that JM Berger‘s exploration of concepts in IS propaganda notes first that the title of al-Mujahir‘s speech which he will be digging into in greater detail — “Be Patient, For Indeed the Promise of God is Truth” — is a Quranic reference, then turns to the same root concepts — first tawhid, and then al wala’ wal bara’

The first is tawhid, or monotheism, a belief in the indivisible oneness of God, which can be extrapolated into a “rejection of legal, class, social, political, racial, national, territorial, genetic, and economic distinctions” and general political unity among Muslims. Importantly, this concept provides a divine mandate linking the Eligible InGroup to the Extremist In-Group.

The second concept is wala and bara (loyalty and enmity), which functions “as a tool of ‘in-group’ control”, which is broadly interpreted by jihadists to mean that Muslims are required to stand together loyally (wala) and fight outsider and outside influences (bara), across spiritual, emotional and physical dimensions.

— that Joas Wagemaker and others have found cento jihadist thought:

Notably, the concept of al-wala’wal-bara’ was taken a step further by a Hanbali scholar, Hamd ibn ‘Ali ibn ‘Atiq (d. 1883), who, as Joas Wagemakers perceptively observed, connected al-wala’ wal-bara’ with the concept that can be seen as the very basis of Islam, the unity of God (tawhid). In other words, a Muslim cannot profess his belief in tawhid, and by extension Islam, if he does not demonstrate his enmity toward non-Muslims. Moreover, ibn ‘Atiq used Qur’anic verses, in particular Surat 60:4, to uphold the necessity of expressing bara’. The trend that ‘Atiq established by binding al-wala’ wal-bara’ to the foundation of Islam continued into the twentieth century, where it was taken up in Saudi Arabia by religious scholars who supported or opposed the Saudi rulers.

Robert Rabil, Salafism in Lebanon: From Apoliticism to Transnational Jihadism

Wagemakers ties this conjunction of tawhid with al-wala’ wal-bara’ to Juhayman al-‘Utaybi, and thence back to al-Faraj and forward again to al-Maqdisi. Al-‘Utaybi’s Mahdist occupation of the Grand Mosque in Mecca on the first day of the current Islamic century should be viewed as the founding moment for the movement of Salafist jihad leading directly to ISIS’ proclamation of the caliphate.

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It is when the quantitative, “linkage-based” conceptual analysis kicks in —

— that the power of the digital approach makes itself clear.

Here we have dozens of phrases linked to beliefs, traits, and practices, which are susceptible of manipulation for counter-messaging — in a way which picks on the weak points in existing jihadist propaganda. This JM achieves by comparing al-Mujahir’s recent speech with al Adnani‘s 2011 “The Islamic State Will Remain Safe”.

In al-Adnani, grandiose predictions; in al-Mujahir, more realistic appraisal, six years later. In the gap, potential for illustrating IS’ failure to live up to its promises over that six year period.

JM’s approach, utilizing the prior work of his ICCT colleagues Haroro Ingram, gets into the weeds, into the detail, in a way that theologically-minded scholars have not.

For the Quant side, a distinct win.

Both side of both sides, a DoubleTweet

Thursday, August 24th, 2017

[ by Charles Cameron — didn’t i post this? okay, it’s a few days old, but i’ll post it ]
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Trump:

Obama:

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Both forms of both / and:

What interests me here is that Trump’s tweet and Obama’s both represent “both / and” positions.

Obama sees our common humanity cutting across whatever borders of skin color or whatever might be thought to separate us.

Trump shares the blame equally between the alt-right folk and the folk who were protesting them, when at least arguably the protesters came with (largely) peaceable intent, while the alt-right folk were trying for provocation:

Note, however, that Trump sees things in exactly the reverse manner — another enantiodromia? From Amy Davidson Sorkin in the New Yorker — Donald Trump, from His Tower, Rages at “the Other Side” in Charlottesville:

You had a group on one side that was bad and you had a group on the other side that was also very violent. And nobody wants to say that. But I’ll say that right now.” The bad group was the white nationalists; the “very violent” group was those who had come to object. In case anyone missed his point, he continued, “You had a group on the other side that came charging in—without a permit—and they were very, very violent.” Trump wasn’t putting the two sides on the same level; he was saying that the counter-protesters were worse.

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There’s a very different feel to the two kinds of “both / and” IMO — Trump’s actually favoring one side in a conflict and protecting it by shifting some of the blame away from it, while Obama’s is neutral as to sides (though in the case of racists vs non-racists, he’d presumably favor the non-racists.

My head buzzes: an interesting little logical knot, I think.

Trump in Arizona, Rosalind in Arden

Wednesday, August 23rd, 2017

[ by Charles Cameron — think of the universe as a handkerchief — folding it into one by its opposite corners ]
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Consider these two phrasings — the first, from a WaPo report of Donald Trump‘s speech in Arizona, in which Jenna Johnson or her editor thought he “ranted and rambled” —

— the second from fair Rosalind, in Shakespeare, As You Like It, Act 3 scene 5.

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I donm’t think in the long haul that Trump is very Shakespeare the playwright, though as a character he may be Shakespearean. But I’m very taken with the genius of Shakespeare’s Rosalind, “insult, exult, and all at once..” and Trump’s “never left, right? All of us..”

Audrey Stanley, who directed a superlative Greek-tragedy-influenced As You Like It at Ashland while I was an adjunct anthro professor there, instructed her actors to make of each word its own universe, before running them together with the natural rhythms of speech, focusing in on “insult, exult” — both of which are two syllable words of which the second syllable is “sult” — yet having diametrically opposed meanings, and thus “universes”.

The actor who can move his or her breath and rib-cage from the fullness of “insult” to the fullness of “exult” — spitting defiance to joyous exaltation, at opposite extremes of the verbal spectrum — has performed a “coniunction oppositorum” as Jung would say, a folding of the universe as I would put it, from two (opposites) into one — “and all at once”.

It’s a brilliant and potentially transformative utterance, given to the brilliant and potentially transformative character, Rosalind.

Is Trump “brilliant and potentially transformative” — eh?

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Under Audrey’s inspiration, I have long admired that brief line of Rosalind’s, and have only found one line — in Dylan Thomas — to match it:

Curse, bless, me now with your fierce tears, I pray

— that’s from his scandalously fine villanelle, Do Not Go Gentle into That Good Night:

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Oy. Only one comparable usage. Until Trump.

Well, I’ll leave you there. I don’t think Trump, as I’ve said, is Shakespeare, quite — but in Arizona he stumbled into a speech pattern that attracts my notice.

Shakespeare Trumped, perhaps? I don’t know, but it comes close..

Until next time..


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