An Unquiet Riot

The Master and the Minion

The Russian girl-punk rock band Pussy Riot has done something with their protest at  Christ the Savior Cathedral that prior cases of oppression, election-fraud, corruption and murder of Putin’s critics by agents of the siloviki regime failed to do – put a defiant human face on political persecution in Russia. Something we have not seen since the days of Sakharov and Solzhenitsyn.

Photo credit: The Guardian 

A reminder that when men are not free, mocking insolence is a form of bravery.

In a thoughtful post, Charles Cameron suggests that their performance was not a “political protest”. I disagree, though I think Charles’ examination of the tradition of “Holy Fools” in Russia is useful and culturally relevant as to how this event was intended to register with a Russian audience. Pussy Riot was being audaciously offensive in their selection of performance sites, as TM Lutas explains:

Orthodoxy is not a religion that is widely understood in the West. So it’s actually the rare pundit that catches how offensive what this punk riot group was doing actually was. There’s a subtitled version of the video that helps. The video misses the positional problems. The picture screen, called an iconostasis is something like the old altar rails of Catholicism but with fairly elaborate rituals surrounding the structure. There are three doors, the center one is called the holy doors. As a lay person you’re not even supposed to walk in front of that door. It’s viewed as disrespectful, even sacrilegious. So the people in charge of order and discipline were a bit stuck because these girls were dancing in the sanctuary, in front of the iconostasis and extracting them actually meant that they had to break the rules too. Several times a Pussy Riot girl bowed and did a full prostration. One does these things towards the altar in Orthodoxy. Reversing this as the protesters did is viewed as idolatry. Who, exactly, are they bowing to? That’s the genesis of the “devil dancing” talk in their trial.

Putin may have been a target but he certainly wasn’t the target. Their attack had a much wider range of victims. This was an attack on Orthodoxy, an attack on symphonia, the concept of church and state in complementary roles and mutual respect, and also an attack on Putin. 

In 4GW thinking, the strong lose when they are forced to fight the weak on terms that favor the weak. Pussy Riot – a group of young women – engineered a protest at a location whose significance meant that the authorities could not easily ignore or suppress it quietly with brutal thuggery in the shadows. By making Vladimir Putin the lyrical center of gravity, local officials were  made to look sycophantic and toadying, national officials petty and foolish. The Russian authorities, burly and oafish like their Soviet counterparts, have been reduced to fighting young girls while the rigged legal system that passes for justice in Russia is showcased in the unsparing glare of the global media.

By daring the authorities to make them political prisoners, Maria Vladimirovna Alyokhina, Yekaterina Stanislavovna Samutsevich and Nadezhda Andreyevna Tolokonnikova have made the regime look weak.

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