[ by Charles Cameron — President Donald Trump Legal Team Loses Ty Cobb (And His Mustache) | MTP Daily | MSNBC ]
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I just have to give you this DoubleQuote (visual) with verbal accompaniment taking the form of a ratio (a : b :: a* : b*) — and it’s politics, current affairs, natsec (Bolton) and law (Cobb), and even (very Shakespearean, this) exits and entrances…
And here’s the ratio, as expressed on MSNBC by Chuck Todd on Meet the Press Daily:
But seriously, Bolton is to Cobb as miniature golf is to the Masters — similar — but really — not really
That’s simply delicious.
Here’s the clip:
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If you’re me, trolling the online waves for DoubleQuotes, game metaphors and natsec, that’s a trifecta at the very least. And I just had to give it its own post.
As Chuck Todd put sit to Ari Melber:
Well, y’know, hey, you gotta entertain yourself somehoe, some days.
Only a few dozen tigers roam this 30,000-acre reserve in central India, according to the Hindustan Times. Yet they dominate the coveted water holes, where barking deer and hyena packs must come to drink. Even humans have to respect the laws of nature in this park. [ .. ]
And Matkasur ran from the bear; this time not turning back. She chased him all the way to the water hole. He splashed straight into it, as if it were sanctuary. Maybe it was, because the bear stopped at the water’s edge.
Projecting sanctuary back to the animal realm — semi-joking, srsly? And water, holy water, as the sanctuary? Or would the boundary (limen, in Victor Turner‘s terms) between earth and water might be enough? Obvs, the tiger doesn’t think, “Ah, Victor Turner time!” — but what might be the sensibilities of tiger and bear cognition? Seriously?
Paleo-religion? Time to rethink sanctuary cities?
Tyger! Bear!
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It Can’t Happen Here, i:
It Can’t Happen Here is a semi-satirical 1935 political novel by American author Sinclair Lewis, and a 1936 play adapted from the novel by Lewis and John C. Moffitt.
Published during the rise of fascism in Europe, the novel describes the rise of Berzelius “Buzz” Windrip, a politician who defeats Franklin Delano Roosevelt (FDR) and is elected President of the United States, after fomenting fear and promising drastic economic and social reforms while promoting a return to patriotism and “traditional” values.
And so on..
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It Can’t Happen Here, ii:
Inspired by the book, director–producer Kenneth Johnson wrote an adaptation titled Storm Warnings in 1982. The script was presented to NBC for production as a television miniseries, but NBC executives rejected the initial version, claiming it was too cerebral for the average American viewer. To make the script more marketable, the American fascists were re-cast as man-eating extraterrestrials, taking the story into the realm of science fiction. The revised story became the miniseries V, which premiered May 3, 1983
The mass murder of 17 students and staff at a high school in Parkland, Florida, has reignited the national debate about the availability of assault weapons and high-capacity magazines that began nearly 30 years ago. Since the Parkland massacre, I’ve been asked repeatedly why politicians steadfastly oppose banning firearms that serve no other purpose than to efficiently kill innocent human beings.
I know the answer because, as an Ohio state senator and attorney general, I was in the pocket of the National Rifle Association. [ .. ]
I made a devil’s bargain with myself: To stay in office, I adopted pro-gun positions that made me uncomfortable.
The bargain paid off.
Amazing to see how (a) how he quite casually invokes theology by way of explanation, and/or (b) how the Faustian bargain “myth” works out in real life:
I soon learned however, that in making a deal with the devil to advance my political career, I had abandoned my principles and sold my soul.
D’oh! That’s what the Bargain is! You’re gonna have to serve somebody, yes indeed, you’re gonna have to serve somebody:
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Serve somebody, ii:
Yom may be the heavyweight champion of the world..
I donm’t think in the long haul that Trump is very Shakespeare the playwright, though as a character he may be Shakespearean. But I’m very taken with the genius of Shakespeare’s Rosalind, “insult, exult, and all at once..” and Trump’s “never left, right? All of us..”
Audrey Stanley, who directed a superlative Greek-tragedy-influenced As You Like It at Ashland while I was an adjunct anthro professor there, instructed her actors to make of each word its own universe, before running them together with the natural rhythms of speech, focusing in on “insult, exult” — both of which are two syllable words of which the second syllable is “sult” — yet having diametrically opposed meanings, and thus “universes”.
The actor who can move his or her breath and rib-cage from the fullness of “insult” to the fullness of “exult” — spitting defiance to joyous exaltation, at opposite extremes of the verbal spectrum — has performed a “coniunction oppositorum” as Jung would say, a folding of the universe as I would put it, from two (opposites) into one — “and all at once”.
It’s a brilliant and potentially transformative utterance, given to the brilliant and potentially transformative character, Rosalind.
Is Trump “brilliant and potentially transformative” — eh?
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Under Audrey’s inspiration, I have long admired that brief line of Rosalind’s, and have only found one line — in Dylan Thomas — to match it:
Curse, bless, me now with your fierce tears, I pray
Well, I’ll leave you there. I don’t think Trump, as I’ve said, is Shakespeare, quite — but in Arizona he stumbled into a speech pattern that attracts my notice.
Shakespeare Trumped, perhaps? I don’t know, but it comes close..
[ by Charles Cameron — the poem as guided tour ]
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So, my son Emlyn asked me where I would like my ashes scattered when I’m gone, offering to do me that service, and the ensuing discussion made it clear I had an opportunity not only to send him to some places I’ve loved where he’d be likely to find adventure, but also to provide him with reading (or listening) along the way — again, close to my mind and heart and potentially revelatory for his.
^^
I was tossing this around in my mind a day or two ago, and this poem announced itself:
Paradise or Pasadena, since you asked
I should like my ashes scattered in the upper atmosphere,
in Bach to be precise,
in deep feeling, in the St Anne Prelude and Fugue,
in “not of this world” in other words,
believing that if met by JSB
at the General Resurrection, I was most choicely planted.
Bach, seriously, is the mountain range I have assiduously
climbed since early youth,
and the St Anne not the most obvious,
but among the most glorious works therein,
though I am also vastly taken by Contrapunctus IX
and the Dorian Toccata was my first love.
More practically, fold me between pages of Yeats or Rilke,
and leave me on a bench in the Huntington Gardens.
That’s by no means my final response to Emlyn’s question, I look forward to many more hours of pondering and reminiscing. But it’s a thought..
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Here, for your delight and enrichment, are the musical offerings the poem mentions:
The St Anne Prelude and Fugue, played here by Peter Hurford:
Contrapunctus IX from The Art of Fugue, played by Glenn Gould on piano, his usual instrument:
and, in a rare instance for Gould, on organ:
— and the Dorian Toccata and Fugue, my first Bach love, which I bought, treasured, and binge-listened to back in the late 50s (?) on a 45 rpm disc:
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Noteworthy, the second of two images of Ton Koopman accompanying that last recording — which shows the fierce nature of Koopman when he was young — fading in right at the end of the Toccata:
I would love to have known him back when..
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And place — the Huntington Gardens in Pasadena, which include a garden of flowers named in Shakespeare’s works, a Japanese garde, rose garden, and — my absolute favorite –the Desert Garden, containing 5,000 varieties of cactus and other xerophytes across 10 acres..
I suspect that losing oneself in those 10 acres is the closest thing to visiting an alien planet to be found on this one…
Once you’re in the garden and have escaped the lure of the cacti, the cool of the Huntington Library is nearby — with some stunning William Blake illuminations perhaps, and both a First Folio Shakespeare and the remarkable “bad” First Quarto of Hamlet which preceded it.
How has the mighty soliloquy been truncated:
To Die, to sleepe, is that all?
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Cacti, roses, Folio, scholars, tea rooms — heaven, in its earthly approximation…
I read the first of these as a simple statement of the concensus as to Mueller‘s character, what is generally known of the man after years of pubic service. I think of it, in other words, as a statement of received opinion, which Newt Gingrich is presenting for the record. I imagine I could find similar endorsements of Mueller from the Democratic side of the aisle.
The second tweet strikes me as of a diFfferent sort altogether. This one I believe I could find echoed in other statements from aides to Trump — it’s a talking point.
I know politicians lie. I imagine I could find instances of Joe Biden, or Hillary Clinton, making similarly opposed statekents. I take Bill Clinton‘s “I did not have sexual relations with that woman” to be the Lie Directin Jacques’ terms. But this —
I don’t believe Gingrich has changed opinions, I believe he has simply changed hats. I think, in short, that he still takes Mueller for a man with an impeccable reputation for honesty and integrity — but in his second tweet, he’s parroting a party line, not his actual opinion.
Dylan: But what’s the sense of changing horses in midstream?
Maybe Jacques would classify this as a Reply Churlish. Gingrich, you’re a Churl.
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