A very cunning linguism, and moreMonday, November 18th, 2019
[ by Charles Cameron — I can’t claim to be the originator of that title phrase — I found it in a book of literary criticism many years ago — but anyway, this post is about examples of form — content optional ]
The images are striking, stunning. Under the title, The Double Vision of Alicia Rodriguez Alvisa, Doreen St. Félix‘s opening para on the phorographer’s double portraits is worth quoting in some detail:
Alvisa has olive skin, ringlets of curls, and dark, thick eyebrows. She uses different wardrobes and poses to delineate between the two manifestations of herself. Immediately, we know we are observing a psychological exercise. ..
Which woman is the true Alvisa? Is it the woman lying nude in a tub, her eyes closed, or is it the robed woman kneeling before her, a wrist extended over the water in a way that feels both caring and dangerous? Is it the woman in a baby-doll dress, glancing wistfully out of a window, at the city outside, or is it the woman in underwear, looking, with concern, at her counterpart?
Is the question itself flawed — the idea that one self should vanquish the other?
A congressman whose name I do not know, addressing the question of whether Democrats should cease using the Latin Quid pro quo and instead say something more readily identifiable such as bribery or extortion, quoted as part of a mash by Chuck Todd on Meet the Press, November 14 2019:
Using Latin, per se, is not something I tend to do, Hallie..
A lovely piece of reflexive self-mockery, eh?
A parallel observed:
Parallels, like the dyadic photo-pairings above, are always worth noting, and at times revelatory:
A troubling turnaround, visible in court proceedings at Guantanamo:
they’ve really turned the detainees into martyrs and victims.
As we all know, martyrdom is a potent Islamic concept — letting CIA torture lend undoubted experiential realism to the sense that one has been victimized, almost martyred, is among the black sites’ least appealing features.
Ooh, and a humorous apocalyptic ref:
As my friend Tim Furnish might say of that word, “apocalyptic”: