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Hat tip to Kanani Fong of Kitchen Dispatch

The award -winning film HIGH GROUND  is due for release in August 2012:

Since 2002, almost 50,000 U.S. soldiers have returned home from Iraq and Afghanistan with their lives radically altered by war. With the improvement of battlefield medical treatments, these soldiers return alive yet not whole, and face long painful paths to recovery.

Full integration back into their community and the civilian world is a treacherous road, fraught with obstacles and pitfalls. After initial rehabilitation, these veterans are often left to fend for themselves, and struggle with physical and mental roadblocks, depression, and alienation.

This issue affects every aspect of society, not just families and hometown communities, but our national character and our legacy. How these wounded soldiers transition is one of the most important repercussions of these wars and an adversity with which we will contend for generations.

igh Ground was a showcase expedition bringing together disabled war veterans with world recognized mountain climbers to demonstrate what could be achieved by climbing a Himalayan giant. A key outcome of the expedition was to produce a documentary film that would tell the inspiring stories of these heroes and spread a healing message to a national audience.

This film, featuring stunning cinematography and capturing powerful emotions, will touch the hearts of concerned citizens, military families, outdoor enthusiasts and most of all, soldiers who find themselves wondering how to face the days and months and years ahead. It is an honest and gripping portrayal of our American warriors, telling an action packed story that unfolds in unexpected ways as the team makes their way high into the mountains, through the villages of Nepal, over raging rivers and up terrifying steep terrain risking injury and death for a chance at the summit.

A second and equally important goal is to continue to impact those thousands of injured soldiers in the midst of their own daunting recoveries through the use of the film at veteran’s hospitals and military bases around the United States. In the fall of 2011, a multi-city nationwide tour will be launched to welcome our soldiers home, celebrate their spirit and sacrifice, and to encourage them to pursue their dreams.

Efforts are currently underway to assess the potential of additional expeditions and to create a long-term strategy as a non-profit organization. By getting involved and supporting this project you can participate directly in this vital process and connect your company to the message that our soldiers can indeed… return home to live again.

WAR by Sebastian Junger

I just finished reading my courtesy review copy of WAR by journalist and author Sebastian Junger, on his firsthand observation of the war against the Taliban in the Korengal Valley, waged by the soldiers of the 2nd Platoon of Battle Company. I cannot say that I found WAR to be an enjoyable read – though Junger is a polished writer – a more accurate description is that WAR is powerful, thought-provoking, at times moving and, ultimately, a very disturbing account of the war in Afghanistan.

Junger, whose previous works include The Perfect Storm: A True Story of Men Against the Sea and Fire, was embedded along with photojournalist Tim Hetherington, with 2nd Platoon during their COIN campaign in Korengal, a mission that resulted in some of the bloodiest firefights and highest American casualties of the Afghan war and withdrawal from a rugged valley sometimes known as “Afghanistan’s Afghanistan”. The Korengalis, related to the people of Nuristan, are noted for their xenophobic hostility to outsiders, which was directed at times toward the Taliban as well as Americans. Junger reports that the US only succeeded in controling a quarter of Korengal and contesting roughly half of the six mile by six mile valley with the Taliban and local “accidental guerrillas”motivated by money, excitement, religious zeal or revenge to attack the Americans.

WAR is not an especially “political” or “policy” book discussing the war from some remove. Junger’s primary interest are the men of second platoon at Restrepo, an outpost dedicated to the memory of a valorous medic who had been killed. O’Byrne, Anderson, Stitcher (who has “INFIDEL” tattooed across his chest), Jones, Moreno, Bobby to name just a few soldiers Junger interviewed and witnessed how they lived in the moment. That moment could comprise the adrenaline high of combat, agonies of grief, anticipatory tension before the next ambush, the angst of boredome behind the wire and especially the iron bonds of brotherhood in a small unit tempered by fire.

What comes through in War, aside from the extremity of the terrain and the uncertainty of ever-present danger, men being shot without warning by the enemy, even in Restrepo, is how very few men are actually involved in combat. Battle Company is the vaunted “tip of the spear” but when only a few hundred men were taking a wildly disproportionate percentage of all combat contacts in a nation the size of Afghanistan ( Junger cites 20 %) the spear begins to look more like a tiny sewing needle connected to a Leviathan-like noncombatant-administrative tail, surreally outfitted with fast food courts.

There’s a peculairly granular quality to Junger’s WAR, the grittiness of the squalid conditions in which soldiers live, the depths of their physical sufferings and mental exhaustion, their primal fear of letting their comrades down in battle and being responsible for getting friends killed. There are also epiphanies of bravery and carrying the day against the odds, men living who but for chance would have died on some rock strewn hill and lusty celebration after the deaths of their enemies. The sort of politically incorrect, atavistic, jubilation that is culturally frowned upon by people who are comfortably safe and far away.

What disturbed me most about WAR was not just how few Americans are carrying the burden of the combat in Afghanistan but how disconnected these few soldiers and their sacrifices are from the rest of the military itself. Junger’s epilogue with O’Byrne, a fine soldier who is a major figure in the book, and his inability to readjust and shift from the battlefield to garrison or civilian life is deeply depressing. “The Army’s trying to kill me” O’Byrne declared, finding a momentary refuge in alcohol, but little help from the military bureaucracy.

Junger attempted to show the war in Korengal as seen from the perspective of the privates, NCO’s and junior officers of Battle Company who lived and died there, from his interviews and his own participation in their patrols as they came under fire or as they gingerly parleyed with Korengali elders in isolated villages. Eschewing theory or a historian’s search for causation, Junger attempts to let the soldiers words and actions drive the narrative.

Sebastian Junger’s WAR is raw and undecorated by sentiment.

Just purchased:

Persian Fire: The First World Empire and the Battle for the West

Discourses of Epictetus

Check this out.  Points to several new books for the pile.

WAR AND STOICISM

James McCormick at Chicago Boyz has a tour de force post up “Sherman — Stoic Warriors“; an essay-review of Stoic Warriors: The Ancient Philosophy behind the Military Mind by Dr. Nancy Sherman of Georgetown University. An excerpt:

“For many months, I’ve been grabbing “Stoic Warriors” filled with resolve to finish it and write up a summary. Ethics professor Nancy Sherman reviews the principles of Greco-Roman Stoicism and discusses whether this ancient philosophical tradition can offer something to the modern American military. I’ve had a long-standing interest in military matters and Roman culture. I’ve read a recent academic attempt to resurrect Stoicism as a serious modern philosophy. So I ordered Stoic Warriors with great anticipation, moments after seeing its publication announcement on Amazon. This should be a compelling read, I thought. Yet within minutes of first picking up “Stoic Warriors,” my mind would wander and I inevitably found something more urgent to do. Such as write reviews of forty other books. The cycle of try-and-fail repeated many times, despite the book’s solid writing and apt anecdotes.

How she reached her conclusion and how I reached mine, is the subject of a very long blog post”

Indeed, I am still in mid-read. Pour yourself something strong and dive in.