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Religions in the speech of Malala Yousafzai

Saturday, July 13th, 2013

[ by Charles Cameron — a speech worth close attention ]
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I bypassed several opportunities to hear or read Malala‘s speech today, until Shivam Vij tweeted that she had mentioned Badshah Khan. That caught my attention — Khan is not the most well-known of figures, but he’s one that I admire — and when I watched Malala’s speech, I found him in some pretty significant company:

I do not even hate the Talib who shot me. Even if there was a gun in my hand and he was standing in front of me, I would not shoot him. This is the compassion I have learned from Mohammed, the prophet of mercy, Jesus Christ and Lord Buddha. This the legacy of change I have inherited from Martin Luther King, Nelson Mandela and Mohammed Ali Jinnah. This is the philosophy of nonviolence that I have learned from Gandhi, Bacha Khan and Mother Teresa. And this is the forgiveness that I have learned from my father and from my mother. This is what my soul is telling me: be peaceful and love everyone.

That’s really quite a paragraph. And if the lives and thoughts of Gandhi or Mother Theresa, Mandela or Martin Luther King, Buddha, Christ or Muhammad seem important to you, and you are unaware of Bacha or Badshah Khan, I can recommend to you Eknath Easwaran‘s Nonviolent Soldier of Islam: Badshah Khan: A Man to Match His Mountains.

In these times of religious conflict too, it is worth noting that this young Muslim woman speaks, on her sixteenth birthday and before the UN General Assembly, of the inspiration she has received not only from fellow Muslims — from the Prophet of her own faith, Muhammad, from the Father of her Nation, Muhammad Ali Jinnah, and from Benazir Bhutto, whom she terms shahid or martyr — but also from Buddha, Christ, and Gandhi, a Hindu.

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As my regular readers know, I make a habit of noting patterns where I can find them, so I was struck by one rhetorical trope in particular within Malala’s speech:

Dear sisters and brothers, we realize the importance of light when we see darkness. We realize the importance of our voice when we are silenced. In the same way, when we were in Swat, the north of Pakistan, we realized the importance of pens and books when we saw the guns.

The relationship is a subtle one: darkness is juxtaposed to light not as silence is to voice but as being silenced is — while in the third clause, pens and books is to guns as darkness is to light, a powerful and thought-provoking juxtaposition.

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Malala’s speech, full text:

Our books and our pens are the most powerful weapons

Malala’s speech in video:

Pie Jesus, dona eis requiem

Sunday, June 30th, 2013

[ by Charles Cameron — of Ozymandias, as Shelley’s story-teller friend reminds us, all that remains are “vast and trunkless legs of stone” ]
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I am very fond of the long view, in which each of us becomes (physical) dust and enters (mental) oblivion — not necessarily in that order — see Shelley, Osymandias, best read by the wonderful Eleanor Bron

I take the video below, with its scenes both of a young girl playing a tribute of flowers to the fallen of 9/11 and of Osama bin Laden, set to Fauré‘s plangent and beautiful Pie Jesus, dona eis requiemBlessed Jesus, grant them peace — as truly comprehensible only in that long view, where oblivion meets forgiveness…
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The notes accompanying the video tell us:

Uploaded on May 4, 2011
Pie Jesu (from Requiem by Gabriel Fauré)

Words : Tommaso da Celano (1200 – 1265)
Music : Gabriel Fauré (1845 – 1924)

Conductor : Michel Corboz
Soprano : Alain Clement
Organ: Philippe Corboz
Berne Symphony Orchestra

Recording on May 1972, in Casino de Berne, Switzerland

Verse :

Pie Jesu Domine (Merciful Jesus) ,
dona eis requiem (grant them rest) ,
sempiternam requiem (grant them everlasting rest) .

Notes:

1) The War in Afghanistan (1979 – 1989)

was a conflict involving the Soviet Union and her puppet against the indigenous Afghan Mujahideen and foreign “Arab–Afghan” volunteers. The mujahideen found military and financial support from a variety of sources particularly Saudi Arabia and the United States.

2) September 11 Attack

The September 11 attacks were a series of coordinated suicide attacks by al-Qaeda led by “Osama bin Laden” upon the United States on September 11, 2001. Nearly 3,000 victims include 343 firefighters and 60 police officers died in the attacks.

The United States responded to the attacks, invaded Afghanistan. This war is not over yet.

3) Osama bin Laden (1957 – 2011)

Osama bin Laden was born in Riyadh, Saudi Arabia. On 1979 he joined the Afghan Mujahideen as a volunteer. After withdrawn USSR, he founded “al-Qaeda” in the war-devastated land and took the decisive action on September 11 2001. U.S. President Barack Obama announced that he had been killed by US armed forces on May 2 2011.

Fauré’s Requiem is one of the classic works of sacred choral music, and Michel Corboz deservedly one of the pre-eminent conductors of that repertoire.

This video, as you may have guessed, comes from the same source as the other examples of strange pairings of music and visuals which I discussed recently in Taylor Swift, Sara Mingardo, JS Bach and a quiet WTF, and I hope brings closure to that piece.

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I tracked down the picture of the young girl. it is titled:

Cazzandra Peterson leaves flowers at Ground Zero in memory of father William Peterson during the 7th annual 9/11 memorial ceremony September 11, 2008 in New York City.

Family and friends of the victims, heads of government and others gathered at the annual ceremony to remember the attacks that killed more than 2,700 people with the destruction of the World Trade Center on September 11, 2001.

(September 10, 2008 – Source: PETER FOLEY/Getty Images North America)

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Pie Jesus, dona eis requiem.

Videos, the counter-nasheed and some dancing girls

Sunday, June 30th, 2013

[ by Charles Cameron — further notes from the frayed edges of what’s significant ]
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Okay, you all know I’m interested in the graphics of terrorism and their symbolism, and only a day or two ago I posted Of dualities, contradictions and the nonduality on the two into one phenomenon — well, here’s an addendum:

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The upper image, showing the Jabha al-Nusra logo — Sunni, left — alongside the Hezbollah insignia — Shi’a, right — morphs into the single image in the lower panel, thereby resolving the sectarian conflict in Syria by filmic means.

The video from which these two shots were taken, alas, was the work product of the US Government, as part of an effort of outreach by the little-known Digital Outreach Team at the State Department, who at the time of writing appear to have 193 videos uploaded.

The BBC notes:

According to the Associated Press news agency, the 50-member Digital Outreach Team tweets, posts Facebook updates and uploads video to YouTube in Arabic, Punjabi, Somali and Urdu, in a bid to counter the radical jihadist message. It seems it’s even had exchanges with terror suspects such as US-born militant Omar Hammami, a former member of Somalia’s al-Shabab.

The two images above were taken from a video titled Secret meeting between Hassan Nasrallah and al-Zawahiri, but the Beeb’s article focused on what it termed a “spoof Al-Qaeda video”, which I’ll call Pharaoh Ayman speaks to the dancing girls for want of a better name:

The team’s al-Zawahiri spoof opens with a notice that “fizzy drinks should be consumed while watching this production” – a twist on the usual message at the beginning of al-Qaeda videos saying “it is not permitted to add music to this production … Taking the classic preaching-to-camera format, the three-minute clip features a voiceover in which the Egyptian-born militant repeatedly bungles his speech by saying things like: “The butchers, ahem, sorry, I mean the mujahideen”. In the video – issued by the US State Department’s Digital Outreach Team – al-Zawahiri is backed by punkah-wallahs. The clip then cuts to a shot, as though from behind the speaker, to reveal a troupe of dancers performing in front of him.”

But see for yourselves, punkah-wallas and all:

For your further Sundance consideration, and from the same studios, you might also like the lowest and slowest nasheed ever recorded.

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Speaking of graphics — coming up on ZP when I have had a chance to read a little more of El Difraoui, reviews of:

  • Beifuss and Bellini, Branding Terror
  • Abdelasiem El Difraoui, Al-Qaida par l’image. La prophétie du martyre
  • Taylor Swift, Sara Mingardo, JS Bach and a quiet WTF

    Thursday, June 27th, 2013

    [ by Charles Cameron — some very beautiful music accompanied by unexpected visuals ]
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    I am in full agreement with this tweet today from our co-blogger here on Zenpundit, Scott Shipman:

    Cantata 63, Christen ätzet diesen Tag, is indeed among the five or so works of Bach to which I find myself constantly turning, though not to this particular movement or performance. It is the work that John Eliot Gardiner performed so movingly, and that wonderfully caught for us on DVD — I’ve spoken of it before.

    Today, though, Scott’s post brings us a mystery I’ve been pondering, and preparing to post about, for a few weeks now. It involves a series of videos, as you can see, and videos take time to watch, I know. I can only say that the music of Cantata 63 itself is wonderful, and the mystery really quite a puzzle. I hope you will find both worth your while.

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    Without further comment, then, here is Taylor Swift performing Love Story:

    That seems simple enough.

    Here, though, is the same footage used to present Cantata 63, directed by Karl Richter:

    And here is what I take to be the same exact recording, presented with different visuals:

    Remarkable.

    To my mind, those three videos taken together raise all sorts of interesting questions about the sacred and the profane, eros and agape, aesthetics, mixology, you name it…

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    Here is Sara Mingardo singing the recitative O Selger Tag from the same Cantata — in the superlative rendering which I mentioned above — and only recently rediscovered on YouTube, and can thus bring you:

    I have listened to a number of versions of this aria — and to my ear, mind, and heart, Mingardo brings a devotion to this “mere” recitative which far outdistances the others.

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    Now for the second part of my puzzle:

    The second of those videos, with the glamorous Ms Swift’s imagery accompanying Herr Bach’s cantata, was posted by one “voiceofshariah” whose 117 videos include more Bach with Taylor Swift imagery:

    — quite a glorious Bach organ piece with which I was not already familiar — but also, under the name “afghanistansomalia”, this version of the B Minor Mass, which I discussed here earlier in a post titled Osama and the flute of the devil:

    — which you’ll note is posted after bin Laden‘s death, and — as if to confuse matters even further — this video, again with OBL visuals, of Maurice Jarre‘s soundtrack for the David Lean / Peter O’Toole film, Lawrence of Arabia!

    Whoa! Osama bin Laden and Lawrence of Arabia?

    What one is to make of all this, I can only guess. I desperately want to get back to the simple appreciation of beauty, however, and will do so, I hope, in an upcoming yet related post.

    Update on America 3.0 Book Events – Bennett and Lotus

    Friday, May 31st, 2013

    America 3.0 

    From Chicago Boyz:

    America 3.0: Mike Lotus on The Bob Dutko Show

    Mike Lotus will be on the Bob Dutko radio show tomorrow, May 31, 2013 at 12:40 p.m. EST. Bob hosts Detroit’s #1 Christian Talk Radio Show on WMUZS 103.5 FM.

    Please listen in if you can!

    Many thanks to the Bob Dutko Show for having me on.

    This weekend we will post an updated list of upcoming appearances by Jim Bennett, Mike Lotus, and occasionally both of us together, talking about America 3.0.

    Thanks to The Takeaway, the The Armstrong & Getty Show, and The Janet Mefferd show for interviewing Jim Bennett — all yesterday. It was a Bennett Threefer! 

    And Author Appearances:

    Upcoming appearances for Jim Bennett and Mike Lotus discussing America 3.0

    Tuesday, May 28, 2013
    Lou Dobbs Tonight (James and Michael)
    We will be on about 7:45 p.m. EST.

    Wednesday, May 29, 2013
    Armstrong & Getty (James)
    11:15 am EST

    Wednesday, May 29, 2013 
    Janet Mefferd Show (James)
    3:30 pm EST

    Friday, May 31, 2013 
    Bob Dutko Show (Michael)
    1:40 pm EST

    Tuesday, June 4, 2013
    Talk to Adam Smith Society, Booth School of Business (Michael)
    Noon

    Thursday, June 6, 2013
    Mornings with Nick Reed (Michael)

    Saturday, June 7, 2013
    Marc Bernier Show (James & Michael)
    4:25 pm EST

    Monday, June 17, 2013
    Western Conservative Summit, “Envisioning America 3.0” (James)

    And their maiden TV appearance with Lou Dobbs:


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