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Guest Post: Politics Requires People (a Response to “War, the Individual, Strategy and the State”)

Thursday, August 4th, 2011

I would like to welcome seydlitz89 who is guest-posting at ZP, for purposes of rebuttal to my previous post, War, the Individual, Strategy and the State. For many readers in this corner of the blogosphere who are interested in strategy, Seydlitz should need no introduction, but for those that do:

seydlitz89 is a former US Marine and Army intelligence officer who served in a civilian capacity in Berlin during the last decade of the Cold War. He was involved as both an intelligence operations specialist and an operations officer in strategic overt humint collection and now blogs and posts on the internet and can be contacted at seydlitz89 at web.de. He lives with his family in northern Portugal and works in education.  His writings have appeared at Clausewitz.comDefense and the National Interest, Milpub and on three Chicagoboyz Roundtables. 

Politics Requires People (a Response to “War, the Individual, Strategy and the State”)

By seydlitz89,  3 August 2011

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I would like to first off thank Zen for this opportunity to guest post on his great blog. 

I am essentially a small town Southern conservative who is dissatisfied with both US political parties.  I search in vain for a conservative politics worth the name.  So my politics are out of the way and any potential ideological influences indicated.

Strategic theory is a means to understand strategic reality (for lack of a better term).  There are times when it’s just kind of interesting and times when it can help you literally survive, say if you and your Greek family lived in Smyrna in 1919 and knew that the Greek Army had just landed to fight the Turks, and that the Turks would probably win this war and treat the Greeks in Smyrna none too kindly.  You would probably think it prudent to leave the city and go someplace safer, like Athens, Cyprus or Crete.  Strategic theory is kind of like that, it provides understanding to events and possibly a general direction those events may take, although it is primarily a tool of military historical analysis.  That is future prediction is not really part of the deal, but sometimes the relation between the stated political purpose and the military means available, not to mention the character of the enemy provide such a clear indicator of how events are going to turn out, that it becomes clear either figuratively or even literally that it is time to “get out of town”, so to speak.

Strategic theory uses a system of interlocking concepts which comprise for Clausewitzians Clausewitz’s General Theory of war.  The General Theory postulates that there exists a system of common attributes to all wars as violent social interactions and that war belongs to a larger body ofhuman relations and actions known as “politics”  (all wars belong within the realm of politics, but not all politics is war).  While all wars share these characteristics, warfare, as in how to conduct wars, is very much based on the society and level of technology existing at a specific time.  War doesn’t change whereas warfare goes through a process of constant change.  Clausewitz’s General Theory need only be flexible enough to adequately understand war and act at the same time as a basis for war planning.  It need not be perfect and is not expected to be so.  Essentially , it need only be better than the next best theory, and so far we Clausewitzians are still waiting for this second-best theory to make its appearance.

Warfare is thus the specific “art of war”  

for a particular period ofhuman history, but would have to be compatible (following Wylie) with the General Theory.  On War presents at the same time Clausewitz’s General Theory and his art of Napoleonic warfare, that is a theory of warfare for his time, which is one of the reasons readers find the book confusing.  As new methods of warfare come into practice, new theoretical concepts emerge.  It is one of these potential concepts that this particular paper and the discussion which initiated it is all about, that being the superempowered individual.

I do this by describing what is an ideal type of the superempowered individual.

To start I think it first necessary to provide the entire interaction that triggered Zen’s post and in turn this one.  The discussion was on one of Charles Cameron’s threads concerning the recent act of the Norwegian terrorist Breivik (ABB)  To save on space I won’t reproduce the entire interaction here but limit it first to four points that I made:

  • Clausewitzian strategic theory pertains to collectives, all concepts – war, political purpose, military aim, victory, defeat, strategy, operations, the various trinities – pertain to collectives, and a very particular collective at that – political communities.
  • The violent/destructive actions of an individual representing only himself (even a superempowered individual) operating against a state or other political community do not constitute war, they are rather by definition the actions of a criminal.
  • The mindset of such individuals is a pathological condition of our times, the result in part of the age of TV, alienation, “reality” without context, and endless sensuous banalities.
  • ABB and super empowered individuals do not constitute war or a political program, but could potentially be seen as a weapon of a foreign political program, one possibly at odds with the goals of the actual individual, making that individual into something along the lines of a false-flag suicide bomber.

Originally, I had included „tactics” in the mix of the first point regarding concepts.  Tactics can be both individual (although in a different sense) and collective, as in the tactics of the individual soldier and the tactics of a rifle company, although the individual soldier always acts in relationship to the group.  I have also added some addiitional concepts to indicate how universal this collective aspect in fact is. 

The last point I have expanded just a bit by including the last concept mentioned “ffsb”.

Joseph Fouche in that same Cameron post commented in response to me:

From Clausewitzian perspective, Breivik’s actions are the conjunction of the three poles of the Trinity, two of which have nothing to with Breivik’s rationality. If CvC can’t be applied to madmen, criminals, mass murderers of children, or men trapped in their own little world, then Van Creveld’s contention that the actions of madmen can’t be considered political (in noted Clausewitzian Christopher Bassford’s use of the word) is correct. War would be “nontrinitarian”.
The words and ideas of murderous stooges have consequences as well as their actions. CvC can shine as much light on them as he can on any other field of human conflict.  
Can Breivik’s actions can be considered war? Can an individual wage war? By his own sinister lights, Breivik considered himself at war, the Pied Piper of a host of other Breiviks born and unborn, even if that host only existed in his fevered imagination. 
Can an individual have a strategy? Or can an individual only have a strategem? Breivik had a plan that had a tactical expression and a political effect (as here we comment on the doings of an otherwise obscure Norwegian). Does the jumbled mass of tissues that connect his evil ends with his evil means rise to the level of strategy?

These are all very good questions and fundamental as Zen points out, but from my Clausewitzian strategic theory perspective I would have to answer “no” to all -except the penultimate one – of them. 

I also think these questions very tied to our particular time and place, the US in 2011 and our political context, or rather what I would refer to as our current “political dysfunction” which encompasses us, something along the lines of political determinism which is arguably Clausewitzian as well (see Echevarria’s third meaning of the term Politik).  If modernity is seen as a series of crises involving renewed conflict between the individual and the collective, and how they relate to each other, going back thousands of years, to Thucydides who first described it, then this Is perhaps the final such crisis where the individual supersedes the collective as the ultimate focus, which means essentially in my mind the end of the collective as a social action orientation at least in the US. 

This post is organized as a sequence of concepts and ideas which address the simple question as to whether the violent actions of an isolated individual acting alone can be described as “war”.  To answer this fundamental question from a Clausewitzian perspective requires clear definitions of a whole series of related concepts and descriptions of how they are all interlocked with one another, forming a whole which is socio/political relations.

Let’s start off with a simple definition of politics.  Politics is “the striving to share power or striving to influence the distribution of power, either among states or among groups within a state” (Max Weber).  Hans Morgenthau’s definition is even more to the point: “interest de?ned as power”.  Harold Lasswell’s functional definition fits within this general concept as well: “who gets what, when and how”.  Essentially politics is the sphere of power/the sharing of power within and between groups.  Notions that “the purpose of warlike acts reaches beyond the state and politics” are incoherent from this strategic theory perspective since politics would involve all power relations between social groups of whatever kind, and would not be limited to the state, which is simply an apparatus of political control.  It is for this reason that Clausewitz includes war as part of the nature of political relations.  Even a purpose which reaches beyond politics, such as a believer serving God, has a political aspect, since the believer is part of a larger community and acts due to a range of motivations. 

A political community is a group who share the same political identity, defining themselves as opposed to those outside this community.  Different elements can go into this identity such as a common language, ethnicity, religion, geography, shared historical (or even mythical) experiences, a common struggle, but there are a few basic requirements according to Weber.  For instance social action oriented towards the group which goes beyond economic activity, the claim of loyalty and sacrifice (even of one’s life) which the member feels towards the group and vice versa, and a collection of “shared memories”.  It is important to note that the concept of the political, is the only secular value sphere where one’s death has meaning, “having died for one’s country”.   Political communities go back to the dawn of civilization and can be states, but not necessarily so.

So the state is simply an apparatus by which the rulers of a political community achieve material cohesion and exercise control.  A classic definition of the state is Max Weber’s an entity which has a monopoly of the legitimate use of force within a given territory.   This is very simple definition which covers a wide range of institutions going back to antiquity, that is far beyond 1648.  Two things here to consider: monopoly of force and legitimacy.  Force here is essentially violence or the threat of violence (coercion) and legitimacy is how the people of the political community perceive that potential or real violence.  A policeman motioning a car to pull over is legitimate coercion, whereas a mugger stealing someone’s wallet is illegitimate force.

What is important to consider though, is that legitimacy, force and especially coercion play a much larger role in political relations than we realize.  In Classical Realist thought which includes Clausewitz, Weber, Reinhold Niebuhr, Hans Morgenthau and many other thinkers/theorists, legitimacy and coercion are what hold political communities together   As Niebuhr wrote in his famous Moral Man and Immoral Society of 1932:

Our contemporary culture fails to realize the power, extent and persistence of group egoism in human relations. It may be possible, though it is never easy, to establish just relations between individuals within a group purely by moral and rational suasion and accommodation. In inter-group relations this is practically an impossibility.  The relations between groups must therefore always be predominantly political rather than ethical, that is, they will be determined by the proportion of power which each group possesses at least as much as by any rational and moral appraisal of the comparative needs and claims of each group. The coercive factors, in distinction to the more purely moral and rational factors, in political relations can never be sharply differentiated and defined. It is not possible to estimate exactly how much a party to a social conflict is influenced by a rational argument or by the threat of force.  It is impossible for instance, to know what proportion of a privileged class accepts higher inheritance taxes because it believes that such taxes are good social policy and what proportion submits merely because the power of the state supports the taxation policy.  Since political conflict, at least in times when controversies have not reached the point of crisis, is carried on by the threat, rather than the actual use, of force.

 xviii

With this quote we can see how the concepts fit together, including the view that power relations between groups are politics by definition. 

At this point we need to introduce two other important Weberian definitions, the first of which is power: “Power is the probability that one actor within a social relationship will be in a position to carry out his own will despite resistance, regardless of the basis on which this probability rests”.  Notice that power for us here is a social relationship between members of the same political community, although the concept is flexible enough to apply to any social relationship  Notice too the similarity between Weber’s definition of power and Clausewitz’s definition of war , “war is thus an act of force to compel our enemy to do our will”. (On War, Book I, Chapter 1, Section 2).

And the last concept, which I have mentioned repeatedly but not defined is legitimacy, which is the willingness of the ruled within a political community to accept this rule as personally binding.  Illegitimate rule does not exist by definition, but would be simply force.  What allows a political system, which need not necessarily be a state, to exist over time is the legitimate use of power.  Still, as Niebuhr reminds us, the actual compliance can be a mixture of both acceptance (based on legitimacy) and coercion (the thread of force).  It is useful to conceive of both power and legitimacy as being similar to sliding scales of very low to very high.  The levels of both can vary over time.

Politics or simply who in a society gets what, when, and how is an art. The slow drilling through hard boards as Weber described it, hard work, talking, working out differences, long discussions into the night: in a democracy something that requires a vocation, a calling, to aspire to.  Hard decisions over a long period of time and living with the consequences, that is what politics used to be like, even In our country . . . believe it or not.

How should politics be approached?  Maybe like what the Norwegians were teaching their kids on that island, what the Norwegian terrorist wished to destroy?

If one takes just a moment to consider, what for instance the great questions were in 1917 (among people like Weber, Thomas Mann, Walter Lippmann, John Dewey and others) and approximately how far we are politically and intellectually from that standpoint, I think you start to get an idea of where I see us presently.

So, let’s consider that list of important questions from the year JFK was born.  These, one would have to add (or put at the top of such a list):

  • Given that democracy is the only permanent option for social stability, how do we set up a truly democratic system, that is where the various elite interests (traditional, economic) are not engulfed by the interests of the common folk?
  • Can a modern mass state be democratic? Are bureaucratized political parties the answer? How should they be organized/structured? How should political leaders be trained? What experiences should they have?
  • Is there an easier way?

So why bring this up?  To give a feeling for where we are now and where we were.  Also to point out the simple fact that the superempowered individual (SEI) does not act at the political level.  This individual never really interacts with anyone politically at least in terms of social action.   Since they are assumed to be isolated, alienated individualists with little traditional, affective or value-rational social contact, they will be almost by necessity radical egotists who preen constantly in their own assumed glory, emperors  of their own little world.  From their perspective, essentially every person is viewed as a tool, something to be manipulated in their search for gratification of whatever sort. 

Nor does the SEI enjoy any sense of legitimacy. The government/state or even the people themselves are the victims of what they see as a criminal act.  If the government were widely seen as corrupt and even dictatorial, such an act would probably provide them with legitimacy in how they dealt with the crisis as long as it appeared effective.  The SEI gains notoriety through the act, any excuse provided will most likely come across as incoherent (due to the lack of any preceding dialogue).

The SEI’s situation is due to the demands of simple operational security. No one must know of what the SEI Is doing, let alone their motives.  They must not call attention to themselves through any overt political behavior.

Only at a certain time will the act of mass violence occur.  As it did in Norway recently. 

So we have a (domestic) act of violence, in the Norwegian instance, terroristic violence used against the most innocent, trusting and precious of any society, lured in and massacred.  One hits a society at all sorts of levels and in all sorts of ways with an act such as this.  This act was horrible, I’ll leave it at this.

It is crucial to recall that the SEI is unknown up to the time of the act.  Their act sweeps the society like a storm and leads to shock among the people.  If the SEI is killed or arrested that ends their ability to interact independently of the state.  Once the SEI has been unmasked the operation comes to an end.  The ability of the SEI to communicate (the most important strategic capability following Svechin) strategically (and do everything else) ends.   

The SEI is by definition an individual operating outside the political community they attack, but not part of another political group, so politics does not play a role, rather simply the ego of one person.  Since the SEI’s act is by definition not political, how can it be the continuation of politics by other means, or simply war? From this perspective the SEI cannot be so described, but rather is the act of an individual acting alone against a political community/society, which makes the SEI simply an outlaw.  The scale of destruction the SEI can cause does not change this situation.

Which means that the SEI is not only not operating in the political sphere of social action, but also has no capability of exercising coercion.  The gunman on the street can force, but it takes the Mafia to coerce.  It takes an organization, a bureaucracy, something that can last past the first operation, even for criminals to achieve this.  Once it has passed into history the SEI’s act will only be seen as a tragedy caused by a sick idiot, which is the way it will be portrayed by the state.  There is no social carrier present to “spread the word”, nor could there be given the requirement for absolute isolation.  Who ever is the next SEI will follow exactly this same pattern, due to operational security, which all adds up to self-assured strategic dysfunction/failure from a Clausewitzian perspective.

Still in terms of politics and society, we are dealing with something much more basic here.  Humans are social beings, it is our interactions with other humans which provide the foundation of civilization itself.  Our identities as individuals are formed through a discourse with others.  As Richard Ned Lebow, yet another Clausewitzian writes in his The Tragic Vision of Politics:,

Social reality begins as a conversation among individuals that ultimately leads to the creation of societies, and they in turn socialize individuals into their discourses.  Individuals nevertheless retain a degree of autonomy. This is due in the first instance to the cognitive processes that mediate individual understandings of the values, rules, norms and practices of societies.  Contrary to the Enlightenment assumption of universal cognition, people perceive, represent and reason about the world in different ways.  These processes entail reflection, and this may lead individuals to some awareness of the extent to which they are products of their society.  Such recognition is greatly facilitated by the existence of alternative discourses.  In their absence, as Achilles discovered, it is difficult, if not impossible, to construct a different identity for oneself even when highly motivated to do so.  For Thucydides, alternative discourses are initially the product of other societies (e.g., other Greek poleis and non-Greek states), which may become role models for disaffected individuals or the raw material from which new individual and social identities are constructed.  Modern societies, as Shawn Rosenberg observes, are composed of many locales of social change, each with discourses that are to some degree distinct.  

According to Thucydides, the starting points of transformation are behavioral and linguistic.  Previously stable patterns of social interaction become uncertain and ill-defined, and this weakens the social norms that support them.  Discourses also become unstable when identity and practice diverge.  Language is subverted because people who reject old practices, or pioneer new ones, generally feel the need to justify them with reference to older values.

Page 371

So even (radical) social change is a discourse among members of the social/political community in question.  These discourses can be confused since those desiring change can add new and self-serving meanings to words.  Self-interest is decided in relation to the community as a whole and justice results. This is how social change takes place.

For the SEI however, the only discourses are going on inside their own heads.  No politics, no strategy, no political community, no war.  Only their “operations”.

One last point needs to be made in terms of politics.  Zen is right, the only examples we have of individuals achieving strategic effect in prior history are to a large extent, political assassinations.  Considering that since say 1860, probably before, anyone with a rifle could have killed a king.  A rifle provides that ability.  Have an independent means of monetary support, have a rifle and simply wait for your opportunity.  Kings were all notorious hunters, so how difficult would it have been?  Exactly up to JFK, how many heads of state, or even important political figures, were assassinated at long range with a rifle?  Were in fact many of these assassinations up to 1963, all very political acts, with the assailants willing to trade their lives for that of the political leader they had targeted at close quarters?  Was it considered necessary for them to do so to give their lives for the political community they claimed to represent?  Consider, for instance the attempt on President Truman in 1950.

In terms of strategy, I come from a Clausewitzian strategic theory perspective, and since there has been so much confusion in the past as to what exactly “strategy” is, I’ve developed my own definition which I think true to this school of strategic thought.   I use a specific definition of strategy, that being:

Focused adaptation of divergent sources of power assisted by control over time in pursuit of a political purpose through methodological theoretical construct (strategic theory) with the aim of creating strategic effect/a strategic dynamic greater than the sum of the individual power sources. For the strong political community, strategy can be an option, for the weak it is a necessity.

For the reasons stated above, it is difficult for me to see the SEI engaging in “strategy”.  The way I understand the SEI concept it uses force and little else, which is not really a strategy in terms of my definition above, but simply force and personality.  Force alone can produce strategic effect, which does not actually require a strategy.  This does not preclude using a different definition of strategy, but I feel that one that includes individuals needlessly confuses the issue.  That is one point in this regard, another is that the act of an SEI is an operation by definition.  To be strategic this operation would have to essentially end the conflict with one act, but at the same time war is started by the defender who resists, an act of aggression without resistance is not war.  Only by being able to carry out successive and connected operations towards a strategic goal would this be strategy.

In his comment, Joseph speaks of political effect that the terrorist has achieved, but that is not what it is, We are simply discussing a news story which does not add up to political effect.  Whatever strategic/political effect exists is first of all up to the victim, that is the society which has been attacked.  If the society that has suffered such an attack refuses to change their policies and educates the public as to the reason behind their stand, there is no political/strategic effect at all.  In fact the opposite effect theoretically.  From the perspective of the perpetrator, the act becomes thus meaningless, that is aside from mass murder.  There could be a reaction among outside political communities, but each case would have to be studied separately. Could not a natural disaster create the same sort of response?

Zen has been kind enough to give me his current definition of an SEI

“To qualify as a superempowered individual, the actor must be able to initiate a destructive event, fundamentally with their own resources, that cascades systemically on a national, regional or global scale. They must be able to credibly, “declare war on the world”.

From what I have provided so far, I think there are at least two problems with this definition. First, “cascades systemically”.  Does this not require the sequence of reactions of the target political community or communities?  Or is this system beyond their influence?  If not, then the target community can simply decide not to change their policies, to simply absorb the attack and treat the SEI as a criminal.  This is what most societies do in relation to crime, the criminal’s family are not taken hostage, their property seized, their lives destroyed, the act is that of an individual and the individual suffers the consequences.

Second, “credibly ‘declare war on the world'”.  What type of war?  Limited or unlimited?  How would the SEI be able to sustain operations over time?  How would such a war be resolved?  Is this not simply the technologically-driven ego of the SEI grown to monstrous proportions?    I am reminded of the diary entry by Maxim Gorky in the 1930s who noted that Stalin had become a “monstrous flea” that state propaganda and mass fear had enlarged him out of all proportion to the very crude person he actually was.  It seems that this SEI could be much the same thing, but divorced from any political community, unlike Stalin.

The true potential of the SEI is thus not as a maker of war or as a form of warfare, but as a weapon.  Since the SEI does not act politically, they lend themselves to manipulation by actual political interests.  What better way to attack a hostile state than to have them come across to their own people as impotent in dealing with the havoc spread by SEIs acting according to their own whims?  SEIs thus could be used as powerful weapons by states which desire to hide their actual involvement.  The interested state could approach likely recruits covering their actual identity relatively easily, providing support and assistance.  By linking SEIs and their actions a state sponsor could initiate and sustain very destructive campaigns at little to no cost to themselves.  This is the logical next step to what Bill Joy was talking about with KMD back in 2000.

In 1991, Martin van Creveld published his The Transformation of War, which predicted the crisis and eventual collapse of the state, but without considering what exactly would replace this apparatus of rule.  Instead of this collapse of the state we have experienced something quite different, the state waging war as before, but for unspecified goals.  Instead, propagandistic “war aims” for public consumption are concocted (as in the war in Iraq/the US intervention in Libya) or an act of war is perpetrated and never actually acknowledged (Pakistan and the Mumbai attacks).  Wars strategically lost are carried on operationally since the state lacks the political will (and necessity) to end them, the public having been conditioned through state propaganda to see war as the norm (US involvement in Iraq/Afghanistan/the Global War on Terror and Russia in her own Muslim areas).  Mercenary armies are employed at a high price (and high investor profit) to sustain what are essentially lost wars strategically, but are still economically profitable for investors.

All of this would be familiar to Clausewitz, who would see this as a collapse of not only strategic thought, but the material cohesion of the state in question. 

I don’t see this as a new era of warfare, but possibly the end if it ever comes about of society as we know it:  The end of the Hobbesian commonwealth and the emergence of a new dark age where political communities are at the mercy of psychopathic and monstrous fleas.  That the fleas enjoy no political purpose is small compensation for the destruction they could bring about.

Copyright 2011

Chet on TEMPO….Rao on OODA

Tuesday, July 26th, 2011

 

At Fabius Maximus, Dr. Chet Richards reviews TEMPO by Dr. Venkat Rao, enjoying the book as much as I did, if not more. Chet has some particularly incisive comments, positive and critical, in his review, which I suggest you read in full:

Book Review: Tempo

…Rao draws on Boyd in several places, as well on sources ranging from the topical, such as Gladwell and Taleb, to the foundational (e.g., Camus and Clausewitz), to the downright obscure – know anything about The Archeology of Garbage? Do the words wabi and sabi ring a bell?

The result is a synthesis, what Boyd called a “snowmobile,” that combines concepts from across a variety of disciplines to produce a cornucopia of new ideas, insights and speculations. You may be confused, challenged, outraged, and puzzled (some of the language can be academic), but you’ll rarely be bored because every chapter, often every page, has something you can add to the parts bin for building your own snowmobiles.

Let me highlight just a couple, of special interest to folks familiar with Boyd’s concepts. Near the end of the book, Rao introduces an expanded version of “legibility”:

A piece of physical reality is legible if it is obviously the product of coherent human agency, a deliberate externalization of a mental model. When human and natural sources of order are harder to tease apart, you get greater illegibility (p. 133 – and I warned you about the academic language).

Then a couple of paragraphs later, he claims that:

Used with adversarial intentions, Boyd’s OODA can be understood as a deliberate use of illegibility to cause failure.

At first, this seems silly. Boyd only considers conflict between groups of human beings (Patterns of Conflict, 10), so all uses of his strategic concepts would seem to be prima facia examples of legible phenomena. On the other hand, and this is an example of what makes Rao’s little book so valuable, some commentators, such as Stalk and Hout in 1990’s Competing Against Time, point out that victims of a Boyd-style attack can rarely identify the cause of their problems – often blaming bad luck or incompetent, self-serving and treacherous idiots in their own organizations. Boyd made this clear in his own work, such as in Patterns of Conflict, 132, when he suggested that his victims would exhibit a variety of traumatic symptoms including confusion, disorder, panic, chaos, paralysis and collapse – indicating unrelenting attack by forces outside the scope of their own mental models…

Chet concludes with a suggestion for Venkat (with which I concur):

…As for where to go from here, Rao might write more about tempo. This will seem strange to him, I’m sure, but pages go by with hardly a mention of the concept. This means that we need another book from him. I’d suggest expanding on some of the concepts that he raises but doesn’t find space to develop. Here are three ideas: […]

But you will have to go over to Fabius Maximus to read the rest. Venkat, in turn responded to Chet over at his blog, Ribbonfarm:

Chet Richards’ Review of Tempo on Fabius Maximus

….Overall, Chet comes to the conclusion that Tempo resonates with the Boydian spirit of decision-making. I don’t entirely get out of jail free though:

Perhaps his unfamiliarity with the original briefings, however, led him to  make one characterization that is incorrect, although widely believed:

The central idea in OODA is a generalization of Butterfly-Bee: to simply operate at a higher tempo than your opponent. (118)

Guilty as charged. I didn’t spend enough time exploring how OODA gets beyond merely “faster tempo” to “inside the adversary’s tempo.” That’s something I hope to explore in a more nuanced way in a future edition. Over the last 6-8 months, I think I’ve come to understand the subtleties a lot better, and the challenge is to now spend more time thinking through clear definitions and examples….

I think everyone who has explored the OODA Loop concept, including John Boyd himself, initially gravitated to the aspect of cycling “faster” than one’s oponent because it is a natural assumption that resonates with our own experiences. We have all seen competitions where one player or athlete was “quicker” in reading situations and arriving at the right intuitive decision – usually most of us have been both the faster as well as the slower and more hesitant person. It’s the first scenario that springs to mind and being “faster” gives an obvious comparative advantages. Obvious does not mean “only” though.

What made the “faster” interpretation of OODA Loop really stick in the culture though, IMHO, was this unfortunate but easily understood graphic:

NOT THE REAL OODA LOOP

As a result, we get critical arguments that the OODA Loop is really something germane only to binary situations similar to the high pressure aerial combat that Boyd experienced in the Korean War or as a tactical fighter pilot instructor (or Musashi’s sword fighting) and not something generally useful in military strategy. An odd argument, given that Clausewitz liked to use binary metaphors to describe the nature of war.

The next graphic, which better illustrates the simultanaeity and dynamic nature of the OODA Loop, with other potential avenues of exploitation than just going “faster” (which will swiftly hit diminishing returns in any event) does not lend itself as easily to nearly instant comprehension:

THE ‘OFFICIAL” OODA LOOP:

With these cognitive relationships operating continuously, mostly subconsciously with automaticity and in an iterative fashion, a different set of meanings to the phrase “inside your oponent’s OODA Loop” than just going “faster”, like a formula one race car zooming around a track.

Guest Post: John R Hall: “Norway’s cultural Christian apocalyptic crusader?”

Monday, July 25th, 2011

Blog-friend John R. Hall is a Professor of Sociology at the University of California – Davis, and the author of such books as Gone from the Promised Land: Jonestown in American Cultural History; Apocalypse Observed: Religious Movements and Violence in North America, Europe, and Japan with Philip D. Schuyler and Sylvaine Trinh; and Apocalypse: From Antiquity to the Empire of Modernity. His current research involves deploying a social phenomenology to retheorize modernity in relation to contemporary society.

David Ronfeldt suggested that John’s long and detailed remarks taking off from my own post, 2083 Graphics – a first look, deserved to be a post in its own right and not be lost in the comments section, and with Zen’s approval, I am delighted to present it here as Dr Hall’s first Zenpundit guest-post. — Charles Cameron

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I have just completed a very preliminary examination of the Norwegian manifesto posted just before the Oslo bombings. It is an astonishing and significant document, far from the incoherent ravings of a mad person, as I would wish it to be. And it is incredibly chilling in its ruthless rationality and relative coherence. Here, I offer some initial reflections. I have concentrated on the portions from page 717 forward, where the author details ideology, revolutionary strategy, and utopian vision of a future, federated Europe. Beginning on p. 1388, the author offers an autobiography and c.v. of Breivik, which presumably will be checked out by investigators and the media, plus a quite detailed account of his actions over the past several years. A number of important comparisons already have been made – to al Qaida and the Oklahoma City bombing, for example. But in many ways, if the perpetrator indeed acted alone, he is something of a piece with the Unabomber, who similarly combined ruthless action with a carefully elaborated manifesto. There are important difference, to be sure. In particular, the Unabomber worked to conceal his identity so that he could carry out multiple actions, and he operated out of an environmental left ideology rather than a Christian nationalism.

The latter part of the document depicts its account of pre-emptive war as a new mode of writing, exploring scenarios rather than writing fiction or history, thereby claiming to eliminate its usefulness to authorities seeking to use it as evidence when bringing charges against the author or a perpetrator of the acts it describes.

As others already have commented, the label of ‘Christian fundamentalist’ seems wrong, at least in conventional use of the term today. Certainly the author represents himself as a nationalist/European federalist conservative opposed to ‘cultural genocide’ of the Enlightenment West, and seemingly he proposes reinstitution of monarchy as more representative of a nation than democracy can be. Only very late in the missive, p. 1134, does he embrace Europe’s return to the traditional Catholic Church, for its apostolic succession of authority and its capacity to guide believers in matters of scripture. This development is to be coupled with a re-initation of patriarchy, developed in substantial detail (p. 1141ff.), and concern about ‘the ongoing genocide of the Nordic tribes’ and a discussion of its genetic basis and the dangers of miscegenation and sexual promiscuity (including a discussion of ‘erotic capital,’ leading to a frank discussion of the possibility that the state could ‘play an essential role in national reproduction’ (p. 1157ff.; quote, p. 1185). The treatise goes on to mention future education, economic, pollution-control, population-control, crime, cultural/anti-multicultural, deportation, and youth policies, as well as discussing financing an organization, categories of traitors (A, B, and C). In short, it is a comprehensive (in Mannheim’s terms) ‘utopian’ vision, i.e., one that could never be realized in the world as it is presently institutionalized.

Yet there is certainly a basis for recognizing the claims of a ‘Christian’ basis for the ideology, and a religious fundamentalism as well. This latter claim, I make in relation to Martin Riesebrodt’s important comparative study of U.S. Protestantism at the dawn of the twentieth century and Iranian fundamentalism 70 years later or so – both of them strongly based in an ideology of patriarchy, as is the Oslo killer’s manifesto (A Pious Passion, U. California Press, 1993).

Yet this is not simply ideological quasi-religious fundamentalism/nationalism. Rather, the utopian program has all the markings of an apocalyptic crusader, and more generally, the apocalyptic warring sect that I described in Apocalypse (Polity, 2009). The lever by which the author makes contact with Christianity (beyond its status as the cultural basis of European civilization, is a modern-day ‘PCCTS, Knights Templar’ struggle to initiate a European ‘civil war’ against ‘enablers’ – cultural marxists and multiculturalists who are ‘aiding and abetting’ cultural genocide, most significantly in efforts to accommodate Islam within Europe. The challenge, as the author sees it, seems to be to eliminate Islamic migration to Europe, assimilate or force emigration of Muslims, and to excise all Islamist or Arab influenced culture, art, and architecture from European countries. The Knights Templar, described as an ‘ancient Christian European military order,’ is being re-founded not by Christians alone, but by 12 individuals, including a ‘Christian atheist’ and a ‘Christian agnostic.’ Eventually, p. 1309, the manifesto is clear that its appeal is to ‘cultural Christians,’ although it invokes the Bible and Church crusading history, especially the work of Bernard de Clairvaux, to justify the contemporary initiative. One of many elements is the crucial proposal to engage in asymmetric warfare – a vein that is classically that of the apocalyptic warring sect, using a ‘clandestine cell organization,’ combining the rhetoric of ultimate belief in a cause with the cold, rational logic of how to operate. In considerable detail, the manifesto outlines a mode of operations that foreshadows the actions in and near Oslo, including the chilling note, page 886, that it will take ‘the SWAT team 10 – 40 minutes to reach you,’ and therefore, it is worthwhile to divide up the components of a planned action accordingly.Similarly, the author mentions, p. 995, ‘announcing your operation’ ‘only seconds before you initiate’ it, and suggests, p. 927, ‘hide a knife behind a smile,’ a recommendation, along with subsequent ones, that foreshadows the killer’s use of a police uniform and a story about helping to ensure the safety of the island camp participants before beginning to slay them – a technique that he used twice, in different places on the island.

In a variety of passages, the document offers a detailed handbook of asymmetric operations of war, including attacks and sabotage, and evaluation of a variety of targets, accompanied by a detailed catalogue of equipment, weapons (including bombs made from fertilizer – see esp. p. 1015), and armor, where to buy materials, and how to create weapons, detailed discussions of chemical, biological assaults, and attacks on nuclear reactors, as well as dietary recommendations, and an outline of a training regimen, recommendations concerning alliances with certain criminal networks [a theme that reprises the analysis of Eric Hobsbawm that I cited several weeks ago].

The author also announces that the apprehension of a Knights Templar is not the end of the operation: it ‘will mark the initiation of the propaganda phase’ (p. 948), and afterward, the task will be one of ‘countering the misinformation campaign’ (p. 1073), and comments on the use of trial opening and concluding statements for propaganda purposes (p. 1108-14). Alternatively, if you die, you will live on as a martyr in the memory of those carrying on the cause.

The scope of the publication is almost encyclopedic. It also includes historical analysis of how the past millennium of European history lead to the present crisis and need for re-formation of the Knights Templar, as well as a sketch of the umbrella organization, membership, military uniforms for dress occasions, medals, appropriate tombstones, a proposal for subsequent compensation (upon victory) for people who contribute to the resistance movement (a sort of rational-choice approach to mobilizing supporters), and on and on.

In short, the document envisions apocalyptic war as the means to reach a new European conservative/nationalist/Christian utopia. Yet unlike many other visions of apocalyptic war, this manifesto goes far toward detailing what that utopian world would look like. Even if, as it seems, this action is that of a lone individual, it is a dangerous development that we ignore at our peril.

John Hall

The Said Symphony: move 12

Thursday, July 21st, 2011

[ by Charles Cameron – extended analytic game on Israeli-Palestinian conflict — continuing ]

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I am titling my next move “Moral Equivalence?” with the question mark as the crux of the title, and I am posting it separately since it (a) raises a central question with regards to the entire project and (b) plunges us directly into the twin narratives of Palestinian and Israeli… in parallel, in counterpoint… perhaps in…

Move 12: Moral Equivalence?

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Move Content:

In President Obama‘s address at Cairo University on June 4, 2009, the President presents the two narratives, Israeli and Palestinian, side by side:

America’s strong bonds with Israel are well known. This bond is unbreakable. It is based upon cultural and historical ties, and the recognition that the aspiration for a Jewish homeland is rooted in a tragic history that cannot be denied.

Around the world, the Jewish people were persecuted for centuries, and anti-Semitism in Europe culminated in an unprecedented Holocaust. Tomorrow, I will visit Buchenwald, which was part of a network of camps where Jews were enslaved, tortured, shot and gassed to death by the Third Reich. Six million Jews were killed — more than the entire Jewish population of Israel today. Denying that fact is baseless, it is ignorant, and it is hateful. Threatening Israel with destruction — or repeating vile stereotypes about Jews — is deeply wrong, and only serves to evoke in the minds of Israelis this most painful of memories while preventing the peace that the people of this region deserve.

On the other hand, it is also undeniable that the Palestinian people — Muslims and Christians — have suffered in pursuit of a homeland. For more than 60 years they’ve endured the pain of dislocation. Many wait in refugee camps in the West Bank, Gaza, and neighboring lands for a life of peace and security that they have never been able to lead. They endure the daily humiliations — large and small — that come with occupation. So let there be no doubt: The situation for the Palestinian people is intolerable. And America will not turn our backs on the legitimate Palestinian aspiration for dignity, opportunity, and a state of their own.

For decades then, there has been a stalemate: two peoples with legitimate aspirations, each with a painful history that makes compromise elusive. It’s easy to point fingers — for Palestinians to point to the displacement brought about by Israel’s founding, and for Israelis to point to the constant hostility and attacks throughout its history from within its borders as well as beyond. But if we see this conflict only from one side or the other, then we will be blind to the truth: The only resolution is for the aspirations of both sides to be met through two states, where Israelis and Palestinians each live in peace and security.

Insult #3 in Nile Gardiner‘s piece, “Barack Obama’s top ten insults against Israel,” from the Telegraph blog of April, 2010, consists of the comment:

In his Cairo speech to the Muslim world, President Obama condemned Holocaust denial in the Middle East, but compared the murder of six million Jews during World War Two to the “occupation” of the Palestinian territories, in a disturbing example of moral equivalence:

followed directly by the third paragraph above from Obama’s speech.

The question raised by this move is that of “moral equivalence”. Specifically, I am raising the question of whether Obama’s four paragraphs do indeed contain “a disturbing example of moral equivalence”. More generally, I am asking whether juxtaposition — which is one of the central features of analogical thought, and thus of this game – implies equivalence.

Link claimed:

To Bob Dylan, “One too many mornings” and the lines “You’re right from your side / I’m right from mine” – juxtaposing them like that, is there a moral equivalence implied?

Dylan’s overview doesn’t sound too optimistic about the possibility of any kind of reconciliation of the opposites: “We’re both just one too many mornings / An’ a thousand miles behind…”

Accordingly, this may be an appropriate point at which to note that Edward Said thought the conflict between Israelis and Palestinians was asymmetrical and irreconcilable.

In the interview from which I borrowed Said’s notion of a “symphonic” reading of the conflict, the question and answer immediately following that paragraph reads thus:

Q: Is this a symmetrical conflict between two peoples who have equal rights over the land they share?

A: There is no symmetry in this conflict. One would have to say that. I deeply believe that. There is a guilty side and there are victims. The Palestinians are the victims. I don’t want to say that everything that happened to the Palestinians is the direct result of Israel. But the original distortion in the lives of the Palestinians was introduced by Zionist intervention, which to us – in our narrative – begins with the Balfour Declaration and events thereafter that led to the replacement of one people by another. And it is continuing to this day. This is why Israel is not a state like any other. It is not like France, because there is continuing injustice. The laws of the State of Israel perpetuate injustice.

This is a dialectical conflict. But there is no possible synthesis. In this case, I don’t think it’s possible to ride out the dialectical contradictions. There is no way I know to reconcile the messianic-driven and Holocaust-driven impulse of the Zionists with the Palestinian impulse to stay on the land. These are fundamentally different impulses. This is why I think the essence of the conflict is its irreconcilability.

Comment:

Are the two narratives symmetrical? Is there a moral equivalence between them?

The great early Russian film director Sergei Eisenstein wrote that “the juxtaposition of two shots by splicing them together resembles not so much the simple sum of one shot plus another — as it does a creation.”

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His colleague Vsevolod Pudovkin goes further:

Kuleshov and I made an interesting experiment. We took from some film or other several close-ups of the well-known Russian actor Mosjukhin. We chose closeups which were static, and which did not express any feeling at all-quiet close-ups. We joined these close-ups, which were all similar, with other bits of film in three different combinations. In the first combination the close-up of Mosjukhin was immediately followed by a shot of a plate of soup standing on a table. It was obvious and certain that Mosjukhin was looking at this soup. In the second combination the face of Mosjukhin was joined to shots showing a coffin in which lay a dead woman. In the third the close-up was followed by a shot of a little girl playing with a funny toy bear. When we showed the three combinations to an audience which had not been let into the secret the result was terrific. The public raved about the acting of the artist. They pointed out the heavy pensiveness of his mood over the forgotten soup, were touched and moved by the deep sorrow with which he looked on the dead woman, and admired the light, happy smile with which he surveyed the girl at play. But we knew that in all three cases the face was exactly the same.

What I am getting at here is, first and foremost, that juxtaposition is a rhetorical and aesthetic device, and that how to “read” a given juxtaposition is not necessarily obvious.

In a subsequent move, I shall discuss the specific philosophical problem involved in weighing one body of suffering against another

The Said Symphony: Meditation / moves 10 and 11

Sunday, June 26th, 2011

[ by Charles Cameron – extended analytic game on Israeli-Palestinian conflict — continuing ]

Meditation part 1 / Move 10

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What to say? There are two sides to the game, darkness and light, and the light encompasses the darkness, and the darkness threatens the light.

I promised a meditation on the state of the game, and it comes in the form of two moves: Move 10: Piano Lesson, by Haim Watzman, addresses the light, and my sense that the game is as much a gift to me as a gift from me to you, while Move 11: Auschwitz and Theodor Adorno raises the darkest question of all, whether art can still function in situations as terrible as those where humans hate to the fullest extent of their powers.
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Move 10: Piano Lesson, by Haim Watzman

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Move content:

The content of this move is Haim Watzman‘s story Piano Lesson which comes from his Necessary Stories series, on the South Jerusalem blog he shares with my friend and colleague Gershom Gorenberg. It concerns young Felix Mendelssohn, the grandson of the rabbinic scholar Moses Mendelssohn, composer – and the man who revived Bach‘s St Matthew Passion after it had lapsed into obscurity for a century or so.

Links claimed:

With Wagner, in complete refutation of the latter’s opinions about Judaism and musicianship – Watzman’s story opens with the words:

I am impressed. You play like a Jew, Felix. What I mean by that is that you have Johann Sebastian Bach in your heart as well as in your fingertips…

contains this more detailed assertion:

This piece you have played so beautifully for me this morning, the Partita No. 5 in G Major, can only be played properly, in our falscherleuchtung age, this time of false enlightenment, by a person of Jewish sensibility. Please do not interrupt me. At your age you are to listen to your elders first. After you listen you may disagree, you may do whatever you want. But first you must listen.

Sebastian Bach was a devout Lutheran, true, but he wrote Jewish music. I do not say this simply to embellish the repute of my ancestral people. The nation Israel needs no trills. I say this after long years of study and performance of Bach’s music, during which I have come to know this remarkable man. Better, I hazard to say, than his own sons did.

What is Jewish about the music? To see that, you have to know music. Which, of course you know. You also have to know what Judaism is. Which, thanks to my niece, you do not. This is scandalous. The grandson of the great Moses Mendelssohn knows nothing of his own people’s special relationship with God.

and closes with:

Remind me to show you the “St. Matthew Passion.” It is such wonderfully Jewish music!

Comment:

I read this story a day or two after completing moves 8 (Wagner) and 9 (Golgotha) and posting the game thus far to Zenpundit, and was astonished and delighted to find that a mind and heart in Jerusalem – friend of a friend – was touching on the same territory: the relationship of music, especially that of Bach, and Judaism.

But not only does Watzman deftly refute Wagner’s position on Judaism and music as presented in move 8, he also specifically discusses the contrapuntal aspect in both music and religious understanding, and the power of dissonance at times to work towards resolution.

This he accomplishes through a discussion of the two “laws” of Judaism, and the complexities of their musical relationship with one another:

I kept working on the piece and the morning prior to the performance I had my epiphany. Here, let me play it for you.

So where is the stress? Yes, here. And here too. At the end of the melodic line. And at the end of the harmonic progression. Which do not coincide.

You see, the underlying harmonics here are the Torah, the Written Law. And the melody playing above it is the Oral Law. The melody would be hollow, meaningless without the underlying harmony, and the underlying harmony would be incomplete and useless without the melody above it.

The simple-minded might think that the two laws should coincide. What good is a God if his message is not clear?

Yet it is the lack of clarity, the occasional dissonance, the unsynchronized phrases that move us forward, that propel us toward the final resolution. And that final tonic itself sends us off into new melodic and harmonic firmaments, from which we again return to our G major chord. One idea begins before the previous idea has been completed. As when you interrupt your Great Aunt Sara.

There is thus an uncanny melodic line here, running from Said through Bach, Gould, Wagner, to Watzman.

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Whatever I am doing here – and it feels at times quite lonely, I am not sure how many people will find this game an easy work to follow – in reading Watzman’s tale of Felix Mendelssohn I felt again my kinship with what has been termed the “invisible cloud of witnesses”…

Indeed, my sense of the gracious synchronicity involved in my stumbling across this particular story of Watzman’s at this particular time can only deepen as Watzman concludes his story – and I my move – with this rendition of the Bach Partita No. 5 in G major BWV 829, played by one Glenn Gould

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Meditation part 2 / Move 11

If the first part of this meditation relates to the game <as a whole, and to the fabric of grace of which, it seems, the universe as a whole is woven, this second part addresses the sense — as bitterly merciless to those who suffer it as grace is merciful to those who receive it — that the fabric of grace is itself picked at and torn by humans, in danger at any point (and perhaps in this moment more than most) of unravelling.

In my personal perspective, I should no more ignore the threat than ignore the grace — for love extends itself in compassion to the one, even as it extends in gratitude to the other.

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Move 11: Auschwitz and Theodor Adorno

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Move content:
Theodor Adorno famously said: “To write a poem after Auschwitz is barbaric.”

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Think of this move as a sort of metaphysical black hole, an anti-game.

To expand on this idea a little: Adorno was a musical advisor to Thomas Mann while Mann was writing his novel Doctor Faustus — a copy of which he inscribed to his friend Hermann Hesse with the words “To Hermann Hesse, this glass bead game with black beads, from his friend Thomas Mann, Pacific Palisades, January 15, 1948” – featuring a composer named Adrian Leverkuhn, whose intention in his final work was to retract — cancel, annul — Beethoven‘s Ninth Symphony, and in particular its Ode to Joy with his own oratorio, The Lamentation of Doctor Faustus.

 “I find,” he said, “that it is not to be.”
“What, Adrian, is not to be?”
“The good and the noble, what we call the human, although it is good, and noble. What human beings have fought for and stormed citadels, what the ecstatics exultantly announced — that is not to be. It will be taken back. I will take it back.”
“I don’t quite understand, dear man. What will you take back?”
“The Ninth Symphony,” he replied.

Herbert Marcuse — another modernist philosopher of the left — is quite clear on the power of this Faustian attempt, which he approves as liberating us from “illusion” and indeed “making us see the things which we do not see or are not allowed to see, speak and hear a language which we do not hear and do not speak and are not allowed to hear and to speak”:

The present situation of art is, in my view, perhaps most clearly expressed in Thomas Mann’s demand that one must revoke the Ninth Symphony. One must revoke the Ninth Symphony not only because it is wrong and false (we cannot and should not sing an ode to joy, not even as promise), but also because it is there and is true in its own right. It stands in our universe as the justification of that ‘illusion’ which is no longer justifiable.

Links claimed:

To Wagner, because the mythology of blood and race which he promulgated so stirred one Adolf Hitler that the latter carried out the Shoah, in face of which Adorno finds poetry – hence Orpheus and the muses — speechless.

To Golgotha, because Christ is banished and beaten from the city, Jerusalem, whose name is The Abode of Peace — because there is no more despairing cry than his cry at Golgotha: “My God, My God, why hast Thou forsaken Me?” — because the Descent of Mercy in human form is then brutally executed as a common criminal – because the very veil that protects the holy of holies in the JerusalemTemple is then torn asunder, as his body is broken – because all this marks the darkest moment in the Christian narrative – and because such desolation, felt by the Marys gathered at the foot of the cross, is nowhere so closely mapped in the history of the arts as by the silence of poetry and the arts before atrocity.

And to Watzman, because despite the Shoah — the Golgotha of my civilization and Hesse’s and Bach’s — and despite Adorno, there is poetry in his voice — an Israeli voice, speaking after Auschwitz, in an Israeli State, in Jerusalem.

Comment:

As I was setting out the ground-rules for this game, my friend Lexington Green made what I’d like to call “the essential objection”. He wrote:

Pals send their teenagers to be suicide bombers. That is beyond dissonant. There is no symphony where one group of musicians is committed to a relentless campaign of murder and terror. Said was using this as one more way of playing make-believe, and claiming moral equivalence. In other words, it was a sophisticated move in an elaborate scheme to help disarm his opponents so his fellow Palestinians could kill them.

There is another point of view, which sees the Israelis enforcing a mutant form of apartheid with attendant horrors on an occupied population – indeed, I have Israeli friends who hold some version of this view — but Lex’s point is crucial:

There is no symphony where one group of musicians is committed to a relentless campaign of murder and terror.

This cuts to the heart of the work, as it cuts to the heart of our world. It is, in essence, the issue of theodicy, and which Lex’s permission I am addressing it in this meditation, within the work itself …

My linking of the cry of Golgotha –“My God, My God, why hast Thou forsaken Me?” – with the cry of Adorno – “To write a poem after Auschwitz is barbaric” – is my presentation of the most godforsaken of despair of which we are humanly capable, and I present it within that opposite extremity of human possibility represented by Bach’s motto which I invoked earlier, Soli Deo Gloria.

It is precisely in the context of free will that both possibilities arise, and theodicy becomes an issue. Here, then, is the relationship of darkness to light as described by St John in the Prologue to his gospel:

the light shines in the dark, darkness does not blot it out.

I can say no fairer than that.

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Conclusion:

Oliver Sacks in Musicophilia tells the story of a Manhattan psychiatrist who lived immediately opposite the Twin Towers, and whose otherwise rich interior musical life went blank for months after he witnessed the 9-11 attacks:

My internal life was dominated by a dense and silent pall, as if an entire mode of existence were in an airless vacuum. Music, even the usual internal listening of especially beloved works, had been muted…

“Music”, the psychiatrist said, “finally returned as a part of life for and in me” after an absence of several months. The first music to return was Bach‘s Goldberg Variations.

Again, I must admit it was by no skill of mine but some grace of god or muse that I stumbled on Sacks’ book today, while searching my cramped and overflowing shelves for something else entirely.

There are, it seems true, periods of silence in the arts, while we absorb horrors of our human doing.

There is also a return from those horrors to the arts — even Marcuse admits this — and as forgiveness, mercy and compassion alike claim, to that great possibility, “a happy issue out of all our afflictions”.

Or so the mystics tell the realists — and time grinds all to dust.

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