zenpundit.com

[ by Charles Cameron cross-posted from Brainstormers on the Web ]

For location / background, see Helena Cobban, Tactical deployment of Muslim prayer in nonviolence.

The image is from the middle of this YouTube video — you can see the prayers begin around the 3.25 mark, and the ending is also worth watching, as Cobban notes.

[ by Charles Cameron ]

I am, admittedly, very interested in religion, and Christianity has been the mother-lode for me of the imagery, gestures and profound words that can move heart, soul, mind and imagination into a greater depth.

Advertising, on the other hand… well, let’s just say that the best of it plays on imagination, too, but it is generally more of an intrusion upon – via billboards on landscapes, via commercials in movies, or via irritating jingles and catch phrases that subvert my best attempts at quieting the mind – than an experience of the kind of depth that religion at its best can offer.

But if you are interested in religion, and click online in enough of the right places, advertising that has “religious” content will be targeted to you.

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And so it is that I went online this morning to check out something about al-Awlaki on Islamic Awakening, an American jihadist forum, and found myself invited to consider, instead, wearing some “bold Christian clothing”.

This was while I was researching al-Awlaki, right? the Muslim jihadist preacher?

at:

a site with its own curious graphics…

And looking closer at that logo, isn’t that some sort of triumphalist armored vehicle I see?

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Well, never averse to a pretty girl, and noticing the one in the Bold Christian ad, I thought I’d taker a look at Bold Christian Clothing to find out what sort of fashion sense was popular among the younger Christian set just now, and found I could obtain t-shirts with such comforting images as these…

— this one’s symbolic of our relatively new century, I guess…

or this:

which I am praeternaturally fond of since my online moniker is hipbone, with its veiled reference to the Valley of the Dry Bones in that very same chapter 37 of Ezekiel…

and then there’s this masterfully supremacist rendering of a part of the Lord’s Prayer:

which I must admit isn’t the image of Thy Kingdom Come that springs to mind when I personally hope and pray for heaven on earth.

What exactly is it, you may ask? According to the manufacturer, it’s

The Lord’s Prayer — “Thy Kingdom Come” with an Angel holding the cross, Horses, skulls under the horses, and palm trees (with Shield and Pacific Oracle cross logo added)

It’s also “the softest, smoothest shirt we sell” … “made from combed cotton for your added comfort” and gives “a flattering and stylish fit to virtually any body type”.

I on the other hand think it looks more like a photoshopped variant of the Quadringa statue in London that celebrates Wellington’s victory over Napoleon at Waterloo:

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In light of all this, I do believe I’ll just wear white – although even that could be misinterpreted, I guess.

[ by Charles Cameron ]

It is brilliant. On the one hand, the folded-paper crane is a well-known symbol of peace:

On the other hand:

Even [Thai PM Shinawatra] Thaksin’s attempts at peace have been problematic. Last winter, he decided to launch a “peace bombing” to assuage the fury of the nation’s mostly Muslim southerners, who were enraged at the implementation of martial law and the growing rate of disappearances, reportedly by Thai Buddhist security forces. So Thaksin asked the Thai people to fold him an enormous flock of origami birds and then dropped more than 100 million paper cranes over the roughly 5,000 square miles along the Malay peninsula that make up Thailand’s deep south. Dropping the birds was intended to be a gesture of peace from the north to the impoverished south. But the Muslim population saw the “peace gesture” differently. “The Islamic understanding of dropping birds is battle,” Dr. Chaiwat Satha-Anand, a political science professor at Bangkok’s Thammasat University told me. He pointed to Sura 105 of the Quran, “The Elephant,” in which God sends down “birds in flocks” upon his enemies to flatten them like blades of grass.

Eliza Griswold, Dispatches From Southern Thailand: From Separatism to Global Jihad

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It was Graeme Dobell’s fine post today, The 2010 Madeleine Awards for diplomatic symbol, stunt or gesture, that clued me into Thaksin’s one hundred million symbols of peace, plummeting like bombs from the sky…

[ by Charles Cameron ]

This DoubleQuote was prompted by Spencer Ackerman, writing on Danger Room today: Will Blackwater Go Vegan After Sale to Hippy Firm?

[ by Charles Cameron ]

[ note: all links are to youtube videos ]

The pianist Glenn Gould is celebrated for his ability to bring the different and at times positively oppositional voices in a fugue by Bach to our attention, so that we follow each one separately while hearing all at the same time as a single whole. What is less known is that he liked to sit at a table in a truck stop and listen to the different conversations at the other tables and booths, mentally braiding their pale or brightly colored threads of human together into an analogous tapestry — one voice harmonizing with or conflicting against another, here a new subject introduced, there an echo of an earlier idea heard in a fresh context, with the murmurings of waitresses punctuated by the kaching! of the cash register, the hydraulic hiss of a door closing — conversation as counterpoint.

Organizations and individual alike, we all have different and at times dissonant voices, and strive to bring them to some kind of resolution. The many stakeholders debating an issue in town halls, blogs or letters to the editor, the many drives within each one of us, idealistic, hopeful, defeated, paralytic, angry, evasive, sluggish, vengeful, curious, alert, defiant, all have voices, all constitute an experience of polyphony, a “music of many voices”, in point counter point.

One of my interests is to find a way to score these many fugues, these musics of meaning.

My DoubleQuotes, then, can be considered as two-part inventions, attempts to show the multiple tracking of the mind — whether of a single individual, as in this case, or of a group, a community, a world divided – so that something of the music begins to be visible, and some of the dissonances can move towards necessary resolution.

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I believe there is unresolved irony between these two statements, made on the same day by Philip J Crowley, the US State Department’s Assistant Secretary, Bureau of Public Affairs – but each has its reasons, and there are arguments to be made for both transparency and opacity, diplomacy and publicity, secrets and revelations.

Between them lies the possibility I think of as a virtual music of ideas.

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Bach published a series of two-part inventions, BWV 772–801, and wrote of them that he intended to offer them as an honest method

by which the amateurs of the keyboard – especially, however, those desirous of learning – are shown a clear way not only (1) to learn to play cleanly in two parts, but also, after further progress, (2) to handle three obligate parts correctly and well; and along with this not only to obtain good inventions (ideas) but to develop the same well; above all, however, to achieve a cantabile style in playing and at the same time acquire a strong foretaste of composition…

Later comes the Art of Fugue.