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And the Word was made Script and dwelt among us

{ by Charles Cameron — the embodiment of the word in script affords calligraphers of all religious beliefs the opportunity to illuminate the written script with beauty }
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And the Word was made Script and dwelt among us…

This would describe the indwelling of the numinous presence within scriptures, a doctrine found in the Christian usage that terms the Bible the Word of God, and even more explicitly in the Islamic doctrine that the Qu’ran is the Word of God in a manner equivalent to the Christian doctrine of the Incarnation — that is to say, Christians teach that Jesus is the Word of God, Muslims that the Qu’ran is.

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Incunabula had tweeted:

The historian Tom Holland picked up on this, and commented:

How incredibly beautiful. It looks like something out of Rivendell.

H’e not the only one thinking along similar lines — there’s a Reddit that’s relevant here: The Tibetan Script looks much like Tengwar to me…could it have been Tolkien’s inspiration for written Elvish?. So let’s take a quick look:

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Let’s take a look: DoubleQuote:

Above, Tolkien’s Quenya script from the inside front leaf, lower border, of the first edition Lord of the Rings, in comparison with the silver Tibetan calligraphy of the interior of Incunabula’s Perfection of Wisdom in 100,000 Verses.

To be fair, Incunabula’s 13th-15th century work in gold and silver ink is a remarkable work of art, and it may be fair to compare it also —

—with the 9th century illuminated gospels of the Irish Book of Kells.

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Beauty, anyway — the word becoming scripture in script offers us a manner in which some glimpses of beauty — transcendent sister of goodness and truth — beauty become word..

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