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Luttwak on Steve Coll’s Book and War in Afghanistan

June 30th, 2018

[mark safranski / “zen”]

I’m a fan of strategist Ed Luttwak who, like Ralph Peters, is known for his bombastic and shibboleth-breaking analysis. I saw this book review by Luttwak in the Times Literary Supplement posted on a listserv to which I subscribe.

War of error

On April 14, 2011, at a meeting in The Hague, I was much impressed by the impassioned speech of Amrullah Saleh, a former Head of the Afghan National Directorate of Security and a future government minister. His chief message was that Afghanistan, being poorer, deserved Europe’s help not by way of charity but out of solidarity, because both faced the same struggle against jihadi violence. As it happened, I was sitting immediately to his left on the speakers’ stage, and when it was my turn to speak I reached for his left hand to hold up his gold Rolex watch, declaring my readiness to swap it for my steel Timex, in the name of solidarity. He declined the offer.That is one important thing that readers will encounter in Steve Coll’s Directorate S; money, and lots of it; a torrent from the arrival of the first CIA team in the Panjshir Valley on September 26, 2001 carrying $10 million in cash, which was handed out in bundles “like candy on Halloween”. That 10 million was followed by hundreds of millions and then tens of billions and then hundreds of billions – cash that made a millionaire of every Afghan official you have ever heard of, and often of his brothers, sons and nephews too, in a country where the official minimum wage reserved for those with coveted public sector jobs is $72 – per month. So assuming that Saleh’s gold Rolex was the very cheapest model, he was wearing five or six years of wages on his left wrist.

As it happens, Coll’s book starts in the summer of 2001 with Saleh, not as a symbol of the all-contaminating corruption that appears to doom any American undertaking in Afghanistan but the opposite, as a selflessly dedicated intelligence aide of Ahmed Shah Massoud, whose stalwart resistance in the Panjshir river valley that runs in a north-easterly direction from Kabul was all that prevented the complete domination of Afghanistan by the Taliban, with their highly visible al-Qaeda subordinates, on behalf of their thinly disguised masters, the Pakistani army.

….The diplomatic price the Pakistani army exacted for allowing truck convoys via Quetta or Peshawar was and is immense: the toleration of its nuclear weapons programme and – until Trump came along – the flourishing of its terrorist networks that operate in Afghanistan as well as India. Thus to defend the Afghan government, the US has been funding its deadly enemies via the money given to Pakistan and its army, thereby incidentally solving Pakistan’s religious dilemma, because its conversion to Islamic extremism (in a country that celebrated Ahmadi war heroes in 1965, and as late as 1993 promoted a Catholic to major-general), only prohibits a sincere alliance with non-Muslims. As for the Central Asian routes, across Turkmenistan to Herat, or across Uzbekistan to Mazar-i-Sharif, or via Tajikistan to Kunduz, they require Russian consent in practice, even if in theory containers could bypass Russia via the Black Sea to Georgia’s ports and then from Baku to Turkmenistan or Kazakhstan via Caspian ferries.

That is why the United States should never have stayed to fight for Afghanistan after quickly breaking up the al-Qaeda infrastructure in the country very soon after September 11; and that is why it is a very great pity that Trump frittered away his authority before he could order the full and immediate withdrawal he had wanted.

Read the rest here.

In fairness, there are more reasons than mere geography, Afghan corruption and Pakistani perfidy for our lost war in Afghanistan continuing into it’s second generation and nearly all of them are of our own making. If the Taliban went away and Pakistan turned into Switzerland we might continue the war anyway given the degree to which victory and defeat there have become politically irrelevant to our prosecution of the war.

Experts Fear Trump Will Give More Than He Gets, redux

June 29th, 2018

[ by Charles Cameron — history repeats itself, &c ]
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Here we go:

Is this some new strategy?

It would be nice to have a DoubleQuote to set beside this one, comparing the N Korean and Iran nuclear deals. Maybe I’ll find one.

**

Sources:

  • New York Times, In Meeting With Putin, Experts Fear Trump Will Give More Than He Gets
  • Quartz, North Korea experts watching the summit will breathe a sigh of relief if…
  • Arts & Sciences, models & illustrations, Buddhas within mandalas

    June 29th, 2018

    [ by Charles Cameron — on the illustration, visualization and modeling of supposed reality — note: I am no scientist, no artist, in fact an aphantasic ]
    .

    A telling caption to an image in New Scientist gave rather more of the game away than was maybe intended.

    The image:

    The caption:

    We have no pictures of the real thing, so enjoy this one instead. Oliver Burston/Alamy

    **

    It’s a nice image, and could be used to represent Lise Meitner‘s discovery of nuclear fission, or some new feature of Kepler’s Supernova, or even, Lord knows, to sell collectible gold coin or diamonds.. And it brings up in acute form an issue I’ve long had with science — in the context of education and the last century’s growing indifference to the arts and humanities.

    How much of what passes for science in the pop science press is in fact art, and specifically photography? And as a sub-question, how much of the impact a particular piece of scientific work receives is dependent on the various qualities of the illustrations used to accompany and promote it — which all too often fit the description in the caption above:

    We have no pictures of the real thing, so enjoy this one instead.

    Or alternatively, shooting for something a little more frank, but not too terribly impolite:

    We have no pictures of the real thing, so enjoy this bullshit instead.

    **

    We hardly ever have a picture of the real thing — which occurs at nano-scale, or outside the visible spectrum, or —

    Well, some while back, we discussed (ignorantly, rest assured, De Docta Ignorantia, qv) a mathematical object of interest to physicists known as The Amplituhedron:

    The Amplituhedron can alternatively be illustrated thus:

    There’s a donut for anyone who can imagine what can possibly merit both illustrations!

    **

    On our way to an understanding of the Amplituhedron, we pass by diagrams such as this:

    — immediately followed by these words:

    Although it is hard to draw the complete four-dimensional polytope, its four three-dimensional faces each define square-pyramidal regions of G(2, 4)

    — as, for instance, this:

    **

    Oh, c’mon, it’s not that hard, just visualize it!

    Tibetan monks can visualize things like this 3-D palace replete with Vases, Wish-granting Trees, Bodhisattvas, Tathagatas and Shaktis, all surrounding the deity Kalachakra and his Consort, Vishvamata

    And the vajrayanist Tibetan practitioners, yes, manage this just by PhD and postdoc level visualization practice, with diagrammatic assists like this:

    — and a blueprint like this:

    — always bearing in mind that, eh, “Kalachakra is a black skinned, four-faced god with twelve arms and twenty-four hands, in passionate embrace with his consort”:

    Kalachakra and Vishvamata, from the Rubin Museum of Art

    **

    Ah, but that’s arts and humanities > comparative religion > Tibetan meditation, not sciences > physics > mathematical physics, eh?

    In all this, I intend to defend both science, properly so understood, as practiced bt qualified practitioners within its various subdisciplines, and arts and humanities, properly so understood, as practiced bt qualified practitioners within their various subdisciplines — while making clear the overwhelmingly important distinction that illustrations are all too often not science but STEM-propaganda, glossy / shiny objects passing for science while in fact falling under the categories of illustration or photography.

    **

    This isn’t, for instance, in any scientific sense, the Horseshoe Nebula

    It’s, as its title suggests, a reproduction of a compositie color image of the Horseshoe Nebula

    — and to be honest, it may bear as much resemblance to a horse’s head as this reoroductionf of a color image of a seahorse does:

    **

    Just let’s keep the arts’ contribution to science illustration filed under arts (illustration), and math diagrams filed under math (diagrams) — I’ve included some of both above — and maybe the arts and humanities will get to siphon off some of the excitement and funding currently pouring into the coffers of (poor little) science.

    Tibetan Buddhists FTW!

    **

    Ooh-wah!

    Art or science?

    Gravitational lens RX J1131-1231 galaxy with the lens galaxy at the center and four lensed background quasars

    That, at least, is what they tell me..

    Duel and duet? I dunno.

    June 27th, 2018

    [ by Charles Cameron — includes a rationale for my recurring arts orbits on Zenpundit, a strategy site ]
    .

    Conflict:

    Stop, Do Not Go On, from The Gospel At Colonus.

    Oedipus — played here by Clarence Fountain and the Blind Boys from Alabama — although accursed, has been promised an eventual resting place to which he will bring blessings, and is accordingly attempting to enter Colonus — resisted by the good people there — represented by Sam Butler and the Soul Stirrers — on the grounds that he is Oedipus, who killed his father and slept with his mother, a man accursed..

    **

    Love in union and separation:

    So very different from the battle of the bands above, yet such a close twin..

    Etta James & Dr.John (Dr John the Night Tripper) sing and enact I’d Rather Go Blind — a love song of great beauty and cruelty.. (he’ll never leave, he’s walking away)..

    There, that’s the music.

    **

    Now, strategy and conflict:

    Strategy has to do with the navigation of conflict, and since this blog is concerned with strategy, and our lives for that matter with the navigation of conflict, I try to remember strategy and conflict even during my flights (or fugues) into glass bead games, music and poetry — so that I may stray far from our central theme, but as with certain comets, always return on an elliptical orbit, no matter how extended.

    My sense that forms such as parallelism (rhyme, fugue or canon) and the ouroboros serpent (infinity symbol, paradox) are markers (when found in analytic materials) of likely analytical significance is also tied in with OSINT work — although the patterns themselves extend across the cultural, anthropological, psychological, historical, religious and artistic realms. It is in this spirit, which I seldom spell out, but which guides my writings here, that I offer the above pairing of musical events, each of them theatrical, dealing with human relations in conflict and in love respectively, one with an overt clash over territory, the other with love in its two phases of union and separation.

    It seems, in any case, that some at least of Zenpundit‘s original hard core strategists, as well as those whose interest was equally or more in creativity, which we at ZP “minor” in — and which is relevant as per Adm. Stavridis, Safranski and others to keeping strategic thinking cutting edge — have been kind enough to follow along with some or all of my eccentric orbiting, and I thank them / you.

    **

    Enjoy, Fcamer, but also ponder.. Or should I say, Ponder, then –but hey, also enjoy!

    Role-playing elections, Rebekah Mercer, Cambridge Analytica, &c

    June 27th, 2018

    [ by Charles Cameron — the “politics as game” metaphor comes in towards the end of this post — I think it’s a rich one ]
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    Totally irrelevant mega-foosball game was the best illustration, understandably, Gizmodo could come up with for a sophisticated role-player with strong political implications. Photo: Hector Viva (Getty Images)

    **

    This is a particularly juicy topic — Bryan Alexander pointed me to it. It seems there are a couple of RPGs, and I don’t mean rocket propelled grenades, in which role-players can play out elections — 2016 and 2020 — with an added emphasis on “an influential technology accelerator.”

    First, then, Jane Mayer‘s New Yorker piece, which lit things up:

    A Parlor Game at Rebekah Mercer’s Has No Get Out of Jail Free Card
    Members of the right-wing family that helped put Trump in the White House can relive the campaign in an elaborate dinner-party game.

    I mean, how cool is that? Jane Mayer, whose book The Dark Side: The Inside Story of How the War on Terror Turned into a War on American Ideals, prompted reporter Joby Warrick to write that a CIA analyst had warned the Bush administration that “up to a third of the detainees at Guantanamo Bay may have been imprisoned by mistake,” while NYT reporter Scott Shane noted:

    Mayer’s book disclosed that International Committee of the Red Cross officials had concluded in a secret report in 2007, that “the Central Intelligence Agency’s interrogation methods for high-level Qaeda prisoners constituted torture and could make the Bush administration officials who approved them guilty of war crimes.”

    **

    Okay, Jane Mayer is someone I geerally read with respect — and in her recent piece she delivered her goods on the megadonors and algorithms that plausibly gave Trump the 2016 election:

    Robert Mercer, the New York hedge-fund magnate whose huge donations to pro-Trump groups in 2016 have been credited with putting Donald Trump in the White House, has kept a low profile since the election. But his daughter Rebekah, who runs the family’s foundation, now has a way to relive the thrill of the campaign with friends around her dinner table.

    This, then, is entertainment, and good, clean fun — unless you happen to have a bias against hedge fund managers and the like.

    In March, on a ski vacation at a rented house near Vail, Colorado, she brought a batch of copies of the “Rules of Play” for an elaborate parlor game called the Machine Learning President. Essentially, it is a race to the Oval Office in three fifteen-minute rounds. It’s a role-playing game, more like Assassin than like Monopoly, although players of this game do start out with an allotment of “cash” to spend on pushing their agendas, which can include “algorithmic policing” and “mass deportation.”

    “Tonight, the name of the game is power,” reads the first page of the “Rules of Play.” Each player, it goes on, “will assume a new political identity.” Instead of becoming Colonel Mustard or Mrs. Peacock, as in the board game Clue, each player takes on the role of a political candidate or a “faction,” in the game’s parlance. Among the possible roles are Mike Pence, Elizabeth Warren, Black Lives Matter, Russia, Y Combinator, Tom Steyer, Wall Street, Evangelicals, the Koch Network, and Robert Mercer himself.

    Colonel Mustard and Mrs. Peacock? or Rich Uncle PennyBags, the moustached logo from Monopoly? From a games perspective, Mayer’s piece is a rich trove — and of course, there’s more I could quote..

    **

    Now turn to Buzzfeed for a corrective, which is where Bryan landed me:

    Rebekah Mercer Says She Isn’t Reliving The 2016 Election Through A Role-Playing Game
    “I know nothing about that game, nothing about who created it or who plays it.”

    And again, there are details aplenty:

    Republican megadonor Rebekah Mercer strongly disputed on Monday a New Yorker report that she “has a way to relive the thrill” of the 2016 presidential campaign via a role-playing game that includes her father as a character.

    The story, by journalist Jane Mayer, found that Mercer brought with her on a recent Colorado ski vacation the rules for “Machine Learning President,” a party game in which players assume the roles of politicians, interest groups, an influential technology accelerator, and billionaire donors involved in a hypothetical presidential election. Among the game’s characters is Robert Mercer, Rebekah’s father, a hedge fund billionaire whose donations to the Trump campaign and stakes in Breitbart News and Cambridge Analytica have brought him intense public scrutiny. Other characters include Elizabeth Warren and Mike Pence as presidential hopefuls.

    In the three round game — Super Tuesday, the Primary, and the General Election — players split into factions that include the candidates themselves, Wall Street, and Russia. According to a Gizmodo story, the goal of the game “is to get players thinking about ways tech and money could be manipulated to influence the 2020 election.”

    “I know nothing about that game, nothing about who created it or who plays it and, unlike Ms. Mayer, I didn’t even really read those pages and I shredded them when I got home,” Mercer wrote in an email to BuzzFeed News. Mercer did not explain why she shredded the game rules.

    Ooh, shredded the game rules. And then there’s a nanny, who may have leaked the story.

    **

    Fast forward (by which I mean, click through) to Gizmodo‘s piece:‘Machine Learning President’ Designers Have No Idea How the Mercers Got Their Game

    When a group of about 40 players first tested out a live game called the Machine Learning President at a private event in San Francisco this February, they were unaware that the game would end up memorialized in the pages of The New Yorker.

    But during a ski vacation in March, the Republican mega-donor Rebekah Mercer gathered her friends together to play several rounds of the game, which pits special interest groups, political candidates, and activist organizations against each other in a simulated presidential election, aided by cash and artificial intelligence. A lawyer for Mercer told The New Yorker that she owned a copy of the Machine Learning President but had not created it and that it did not reflect her family’s views.

    Indeed, the game was in fact designed by an outfit that was less than friendly to the Mercer’s position:

    It’s not hard to draw comparisons between the rules of the game, with its reliance on big cash and tech capabilities, and the actions of the Mercer-backed Cambridge Analytica during the 2016 U.S. presidential election. But, as Mercer’s lawyer stated, she had nothing to do with creating the game -— in fact, it was conceptualized by one of her vocal critics.

    **

    Here we go:

    Brett Horvath and Berit Anderson are the co-founders of Scout AI and the creators of the Machine Learning President. In 2017, the pair published a scathing critique of Cambridge Analytica, the now-shuttered political consultancy that misused the data of tens of millions of Facebook users and sat at the center of the social network’s largest scandal in years. “By leveraging automated emotional manipulation alongside swarms of bots, Facebook dark posts, A/B testing, and fake news networks, a company called Cambridge Analytica has activated an invisible machine that preys on the personalities of individual voters to create large shifts in public opinion,” the duo wrote.

    Wrote, in fact, in a piece titled The Rise of the Weaponized AI Propaganda Machine — and here we’re getting into more serious, “Alert, ICYMI” waters — subtitled:

    There’s a new automated propaganda machine driving global politics. How it works and what it will mean for the future of democracy.

    The 20-page piece begins:

    “This is a propaganda machine. It’s targeting people individually to recruit them to an idea. It’s a level of social engineering that I’ve never seen before. They’re capturing people and then keeping them on an emotional leash and never letting them go,” said professor Jonathan Albright.

    Albright, an assistant professor and data scientist at Elon University, started digging into fake news sites after Donald Trump was elected president. Through extensive research and interviews with Albright and other key experts in the field, including Samuel Woolley, Head of Research at Oxford University’s Computational Propaganda Project, and Martin Moore, Director of the Centre for the Study of Media, Communication and Power at Kings College, it became clear to Scout that this phenomenon was about much more than just a few fake news stories. It was a piece of a much bigger and darker puzzle?—?a Weaponized AI Propaganda Machine being used to manipulate our opinions and behavior to advance specific political agendas.

    **

    So Reberkah Mercer was sent a copy of a game whose progenitors were seriously opposed to Cambridge Analytica style “weaponization” of US presidential politics, and had created a game to get others thinking along similar lines.. she then played it, or didn’t.. then, either way, shredded it.

    Back to Gizmodo:

    That invisible machine—and the lack of preparedness for it in the 2016 election—provided inspiration for the Machine Learning President. The goal of the game is to get players thinking about ways tech and money could be manipulated to influence the 2020 election. (It also inspired Scout AI to spin out another group, Guardians AI, that’s focused on protecting pro-democracy groups from information warfare and cyber attacks.)

    “This is an experience we created to help pro-democracy groups and strengthen democracy against some of the ways technology might interfere with fair elections,” explained Randy Lubin, one of the game’s designers and the leader of a design studio called Diegetic Games. “We knew that some sort of game or simulation or exercise was a really great way to understand the incentives and systems at play.”

    I think there’s plenty of eccentric and wonky games and wargames stuff in here, and would have posted this anyway — but if I need a rationale within my own “system”, I’ve been collecting game metaphors as you know, and this one has the game metaphor in those last words:

    We knew that some sort of game or simulation or exercise was a really great way to understand the incentives and systems at play.

    Yes, politics itself can be viewed as a game, modeled in a game, learned from in a game, wargamed — or simply “played” in a game for dinner party entertainment. The possibility of red-teaming 2020 is where this gets cutting-edge interesting.

    Boom!


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