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Their own private Farnboroughs

Sunday, July 1st, 2018

[ by Charles Cameron — one vivid memory, two breathtaking photos, one for war-watchers, one for poets ]
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There are very few days in my life where I know where I was, but on 6 September 1952, I was at the Farnborough Air Show, when John Derry‘s De Havilland 110 fell apart at Mach 1, the body of the aircraft falling safely away from the crowd, but one jet ploughing into the hillside I was perched on — literally, on my dad’s shoulders — a few dozen yards behind us.

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I was reminded of John Derry and his memorable death by this photo, captioned:

Military aircraft enthusiasts watch as a United States Air Force F-15 fighter jet travels at low altitude through the “Mach Loop” series of valleys near Dolgellau, Wales, on June 26, 2018. The Mach Loop valleys are regularly used by the military for operational low-flying training, which can take place as low as 250 feet (76 meters) from the nearest terrain. Oli Scarff / AFP / Getty

The aircraft, as shown above, is certainly striking — but no lesss striking at the tiny observers on the crest of the hillock, who no doubtt had an exhausting hike to get there, to see that remarkable aerial display. “Ooh, look!” These guys have their own private Farnboroughs — and thank God, nobody dies on this occasion.

I’m posting this here because I think the urge to see, I suppose one might call it the voyeuristic urge, is close cousin ttom the urge to game play. And game play, in military affairs, is a significant matter , from kriegspiel to the rcecently aborted exercises in S Korea.

Thoughts?

**

OMG —

and I just can’t resist adding one more image from the same page where I found the one above — for its sheer drama:

https://cdn.theatlantic.com/assets/media/img/photo/2018/06/photos-of-the-week-3/w02_984690316/main_900.jpg?1530296833

The full moon rises behind burning moorland as a large wildfire sweeps across the moors between Dovestones and Buckton Vale in Stalybridge, Greater Manchester, on June 26, 2018, in Stalybridge, England. Anthony Devlin / Getty

Er, Wow!

The Trojan War, revisited

Saturday, June 30th, 2018

[ by Charles Cameron — a feminist reading — The Trojan wars resemble ISIS among the Yazidi ]
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Rebecca Solnit is an acute, insightful writer, who first noted the genre of unlistening overtalk that came to be known as mansplaining — her example being men who praise and explain the brilliance of a book for fifteen or twenty minutes, based on having read a review, without pausing to find out they are addressing the author in question.

During my research for incels (for an Incels & Rajneeshis post that I still hope to complete one of these days), I ran across her Guardian post, A broken idea of sex is flourishing. Blame capitalism.

Her key expositional para, IMO, is this one:

Feminism and capitalism are at odds, if under the one women are people and under the other they are property. Despite half a century of feminist reform and revolution, sex is still often understood through the models capitalism provides. Sex is a transaction; men’s status is enhanced by racking up transactions, as though they were poker chips.

s

That struck me, besides its meaning, for its poker chip metaphor. But it was the para immediately precesing it that I wanted to bring here to ZP, since it described the Trojan War in a way I had not seen before:

The Trojan war begins when Trojan Paris kidnaps Helen and keeps her as a sex slave. During the war to get Helen back, Achilles captures Queen Briseis and keeps her as a sex slave after slaying her husband and brothers (and slaying someone’s whole family is generally pretty anti-aphrodisiac). His comrade in arms Agamemnon has some sex slaves of his own, including the prophetess Cassandra, cursed by Apollo for refusing to have sex with him. Read from the point of view of the women, the Trojan wars resemble ISIS among the Yazidi.

That really brings things classical and venerable home to us, occupied as we are with the contemporary and terrible:

The Trojan wars resemble ISIS among the Yazidi.

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This is one of those posts where I expose my own ignorance, and pray for a lively comments section.

What say you? Is this a misreading? Truth, already widely known? Or an original and useful, perhaps provocative, insight?

Experts Fear Trump Will Give More Than He Gets, redux

Friday, June 29th, 2018

[ by Charles Cameron — history repeats itself, &c ]
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Here we go:

Is this some new strategy?

It would be nice to have a DoubleQuote to set beside this one, comparing the N Korean and Iran nuclear deals. Maybe I’ll find one.

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Sources:

  • New York Times, In Meeting With Putin, Experts Fear Trump Will Give More Than He Gets
  • Quartz, North Korea experts watching the summit will breathe a sigh of relief if…
  • Arts & Sciences, models & illustrations, Buddhas within mandalas

    Friday, June 29th, 2018

    [ by Charles Cameron — on the illustration, visualization and modeling of supposed reality — note: I am no scientist, no artist, in fact an aphantasic ]
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    A telling caption to an image in New Scientist gave rather more of the game away than was maybe intended.

    The image:

    The caption:

    We have no pictures of the real thing, so enjoy this one instead. Oliver Burston/Alamy

    **

    It’s a nice image, and could be used to represent Lise Meitner‘s discovery of nuclear fission, or some new feature of Kepler’s Supernova, or even, Lord knows, to sell collectible gold coin or diamonds.. And it brings up in acute form an issue I’ve long had with science — in the context of education and the last century’s growing indifference to the arts and humanities.

    How much of what passes for science in the pop science press is in fact art, and specifically photography? And as a sub-question, how much of the impact a particular piece of scientific work receives is dependent on the various qualities of the illustrations used to accompany and promote it — which all too often fit the description in the caption above:

    We have no pictures of the real thing, so enjoy this one instead.

    Or alternatively, shooting for something a little more frank, but not too terribly impolite:

    We have no pictures of the real thing, so enjoy this bullshit instead.

    **

    We hardly ever have a picture of the real thing — which occurs at nano-scale, or outside the visible spectrum, or —

    Well, some while back, we discussed (ignorantly, rest assured, De Docta Ignorantia, qv) a mathematical object of interest to physicists known as The Amplituhedron:

    The Amplituhedron can alternatively be illustrated thus:

    There’s a donut for anyone who can imagine what can possibly merit both illustrations!

    **

    On our way to an understanding of the Amplituhedron, we pass by diagrams such as this:

    — immediately followed by these words:

    Although it is hard to draw the complete four-dimensional polytope, its four three-dimensional faces each define square-pyramidal regions of G(2, 4)

    — as, for instance, this:

    **

    Oh, c’mon, it’s not that hard, just visualize it!

    Tibetan monks can visualize things like this 3-D palace replete with Vases, Wish-granting Trees, Bodhisattvas, Tathagatas and Shaktis, all surrounding the deity Kalachakra and his Consort, Vishvamata

    And the vajrayanist Tibetan practitioners, yes, manage this just by PhD and postdoc level visualization practice, with diagrammatic assists like this:

    — and a blueprint like this:

    — always bearing in mind that, eh, “Kalachakra is a black skinned, four-faced god with twelve arms and twenty-four hands, in passionate embrace with his consort”:

    Kalachakra and Vishvamata, from the Rubin Museum of Art

    **

    Ah, but that’s arts and humanities > comparative religion > Tibetan meditation, not sciences > physics > mathematical physics, eh?

    In all this, I intend to defend both science, properly so understood, as practiced bt qualified practitioners within its various subdisciplines, and arts and humanities, properly so understood, as practiced bt qualified practitioners within their various subdisciplines — while making clear the overwhelmingly important distinction that illustrations are all too often not science but STEM-propaganda, glossy / shiny objects passing for science while in fact falling under the categories of illustration or photography.

    **

    This isn’t, for instance, in any scientific sense, the Horseshoe Nebula

    It’s, as its title suggests, a reproduction of a compositie color image of the Horseshoe Nebula

    — and to be honest, it may bear as much resemblance to a horse’s head as this reoroductionf of a color image of a seahorse does:

    **

    Just let’s keep the arts’ contribution to science illustration filed under arts (illustration), and math diagrams filed under math (diagrams) — I’ve included some of both above — and maybe the arts and humanities will get to siphon off some of the excitement and funding currently pouring into the coffers of (poor little) science.

    Tibetan Buddhists FTW!

    **

    Ooh-wah!

    Art or science?

    Gravitational lens RX J1131-1231 galaxy with the lens galaxy at the center and four lensed background quasars

    That, at least, is what they tell me..

    Duel and duet? I dunno.

    Wednesday, June 27th, 2018

    [ by Charles Cameron — includes a rationale for my recurring arts orbits on Zenpundit, a strategy site ]
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    Conflict:

    Stop, Do Not Go On, from The Gospel At Colonus.

    Oedipus — played here by Clarence Fountain and the Blind Boys from Alabama — although accursed, has been promised an eventual resting place to which he will bring blessings, and is accordingly attempting to enter Colonus — resisted by the good people there — represented by Sam Butler and the Soul Stirrers — on the grounds that he is Oedipus, who killed his father and slept with his mother, a man accursed..

    **

    Love in union and separation:

    So very different from the battle of the bands above, yet such a close twin..

    Etta James & Dr.John (Dr John the Night Tripper) sing and enact I’d Rather Go Blind — a love song of great beauty and cruelty.. (he’ll never leave, he’s walking away)..

    There, that’s the music.

    **

    Now, strategy and conflict:

    Strategy has to do with the navigation of conflict, and since this blog is concerned with strategy, and our lives for that matter with the navigation of conflict, I try to remember strategy and conflict even during my flights (or fugues) into glass bead games, music and poetry — so that I may stray far from our central theme, but as with certain comets, always return on an elliptical orbit, no matter how extended.

    My sense that forms such as parallelism (rhyme, fugue or canon) and the ouroboros serpent (infinity symbol, paradox) are markers (when found in analytic materials) of likely analytical significance is also tied in with OSINT work — although the patterns themselves extend across the cultural, anthropological, psychological, historical, religious and artistic realms. It is in this spirit, which I seldom spell out, but which guides my writings here, that I offer the above pairing of musical events, each of them theatrical, dealing with human relations in conflict and in love respectively, one with an overt clash over territory, the other with love in its two phases of union and separation.

    It seems, in any case, that some at least of Zenpundit‘s original hard core strategists, as well as those whose interest was equally or more in creativity, which we at ZP “minor” in — and which is relevant as per Adm. Stavridis, Safranski and others to keeping strategic thinking cutting edge — have been kind enough to follow along with some or all of my eccentric orbiting, and I thank them / you.

    **

    Enjoy, Fcamer, but also ponder.. Or should I say, Ponder, then –but hey, also enjoy!


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