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Senator’s Son: An Iraq War Novel  by Luke S. Larson

Just received a review copy of new author Luke Larson’s novel Senator’s Son. I can probably count on the fingers of one hand the number of works of fiction that I have reviewed at ZP, but two things caught my attention about Senator’s Son:

First, the novel is historical realism with a theme of COIN. Secondly, the author Luke Larson is a decorated Marine officer with two tours in Iraq under his belt. Flipping the pages reveals a gritty, sometimes humorous, staccato writing style and military/strategy/policy issues that are discussed here, or at SWJ or Abu Muqawama come to life through the eyes of still learning practitioners. I’m looking forward to reading Senator’s Son and reviewing it in full in late February or early March ( need to finish Carr’s Inside Cyber Warfare first).

Setting aside the book itself, something else occurred to me – that we have reached the point where the war is now appearing not as news, but as literature; Iraq and Afghanistan are proving to be culturally transformative wars for America in ways that the Gulf War or the Korean War were not.

If you consider WWI, the Great War represented an existential crisis for Western Civilization that found expression in the Lost Generation and, in Germany, the polar opposite novels All Quiet on the Western Front and Storm of Steel as well as Hemingway’s A Farewell to Arms. The Spanish Civil War electrified international opinion, foreshadowing as it did the ideological death-match of the 20th century, and yielded Orwell’s Homage to Catalonia. WWII and the Vietnam War have generated an ocean of histories down to the minutest detail, as well as their share of novels, short stories and movies. It is noteworthy, that most of the time, literature and history followed the conclusion of peace, be it in victory or defeat.

In our time, the books on the war in Iraq, or Afghanistan or against terrorism are arriving while the conflict is still in full throttle, in time to shape the perceptions of policymakers and the public to an unprecedented extent. Something is happening out there, an inchoate need for answers or reassurance that writers are attempting to answer. Most of these books so far have been non-fiction, journalistic instant histories salted with examples of policy analysis and war memoirs.

Senator’s Son marks a new turn toward a wave of fiction addressing the crucible of America’s current wars. Literature can shape a nation’s psyche more profoundly than even the most soberly researched work of history.

The Joker as a scary, homicidal, maniac….as he should be.

READING GIBSON

A while back, while sitting around an alcohol -laden table with Dan of tdaxp, Shlok and Isaac and listening to an evolving debate (primarily between Dan and Isaac) over the probable nature of AI, references to William Gibson’s first novel, Neuromancer were made. I then chimed in that I had never read the book – a statement that was greeted with surprise and some degree of mock horror. This had happened to me once before with Dave Schuler and Lexington Green, except that in that instance the author was Philip K. Dick and the book then was The Man in the High Castle. Evidently, something about having drinks with fellow bloggers is a spur to my reading classic science fiction.

Admittedly, I am not a great reader of fiction, at least if ” great” means ” broadly read”. As a youth, I did dive deeply into J.R.R. Tolkien, Ayn Rand and George Orwell – I’ve probably read every word ever published by the first two authors and much by the third. Russian lit figures prominently, especially Dostoyevskii and Solzhenitsyn. Of American writers, I’ve read a scattering of Mark Twain, Sinclair Lewis, J.D. Salinger, John Steinbeck and a few others, but none systematically or deeply.

I’ve meant to read Quo Vadis, Don Quixote and Blood Meridian for years and have yet to do so. I have only a few works of Rudyard Kipling, Arthur Koestler, Balzac and Victor Hugo under my belt. The reason being that for me, the siren call of non-fiction is all too strong. There are too many important books that ” must” be read ASAP, piled on top of others that ” should” be read; picking up good fiction under those conditions almost feels like shirking a responsibility.

I say this as a preface to acknowledging how much I enjoyed reading Neuromancer. While the book is old hat to sci-fi fans, it came as a fresh voice to me, mixed with an unfolding appreciation of how Gibson’s fictional efforts have influenced or anticipated the evolution of the culture. Movies, TV shows, references, characters all flashed through my mind as I read it and Gibson’s economy of explanation allowed my mind the freedom to engage the text and fill in the blanks. Reticence is a vital skill that few authors ever manage to master but Gibson has it. I’m sorry that I didn’t read the book back in the early 1980’s when the novelty of the book’s imaginative scenario were at peak.

Isaac has pointed me toward Pattern Recognition and I now have an itch for Spook Country as well. If you have read Gibson’s books, what do you think of them and what titles do you favor ?