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Freedom (TM) by Daniel Suarez

Remember those augmented reality glasses that the daemon operatives like Loki used to connect to the Darknet? Well, DARPA did…

DARPA Designing Augmented Reality Goggles to Fight Friendly Fire 
 

Remember how the Beastmaster could see through the eyes of his pet eagle? DARPA does. And it’s pursuing augmented reality goggles tech that’ll let troops see through the eyes of a nearby unmanned aerial vehicle (UAV) in order to more accurately target its weapons.

The issue of accurate targeting and weapons-fire has a renewed interest in the wake of NATO mistakenly destroying rebel armor in Libya rather than Gadhaffi’s hardware, but it’s never been an easy task. One of the very best ways to deliver today’s smartest weapons is to have an “eyes-on” soldier in the field near the target relaying real time data up to the aircraft that’s about to drop a bomb–but this situation is not often practical or desirable and can be dangerous for both the soldier and the incoming aircraft.

Read the rest here. 

Very cool. If John was not so busy with his new company, he probably could tell his readers how to combine this off-the-shelf modified tech with DIY drones.

An always fun thought experiment is to figure out how far ahead DARPA really is in the lab compared to whatever toy they feel comfortable giving a press release. And then there’s what exists on the drawing board that is technically feasible but not particularly economical at the present time to pursue seriously. Imagination usually far outstrips budgets

Hat Tip to Dan F.

If only…..

 Some Advice to Evil Dictators by Steven Elden

Amusing.

a light-hearted canon in two voices

[ by Charles Cameron ]

*

I’d been doing some research for a follow-up post on story-telling in Afghanistan to go with Scott‘s account of his day at DARPA’s recent STORyNET conference, and one of the interlocutors on the list we’re both on posted a question about the impact of drug use as a consideration in narrative.

Baudelaire and Cocteau both have writings on drug use — hashish and opium respectively — but it was Afghan or more generally Islamic story-telling that I was after, and it occurred to me that the four stories in Paul Bowles‘ collection, A Hundred Camels in the Courtyard, were easily accessible examples of the kind of story-telling that Moroccans are prone to under the influence of hashish.  Bowles describes their mental processes thus:

Moroccan kif-smokers like to speak of the “two worlds,” the one ruled by inexorable natural laws, and the other, the kif world, in which each person perceives “reality” according to the projections of his own essence, the state of consciousness in which the elements of the physical universe are automatically rearranged by cannabis to suit the requirements of the individual. These distorted variations in themselves generally are of scant interest to anyone but the subject at the time he is experiencing them. An intelligent smoker, nevertheless, can aid in directing the process of deformation in such a way that the results will have value to him in his daily life. If he has faith in the accuracy of his interpretations, he will accept them as decisive, and use them to determine a subsequent plan of action. Thus, for a dedicated smoker, the passage to the “other world” is often a pilgrimage undertaken for the express purpose of oracular consultation.

The title of Bowles’ little collection, by the way, comes from the Moroccan proverb which is gives me the first of my two quotes, two courtyards, two intoxicants and two hundred camels below…

I wasn’t entirely satisfied, though, which a Moroccan account of hash-flavored narrative when DARPA was looking for an understanding of narrative that would apply in Afghanistan, so I thought I’d look up some of Idries Shah‘s writings, and Kara Kush in particular, to see if perhaps I could find an Afghan equivalent of Bowles’ stories there…

I already had Bowles’ one courtyard and one hundred camels in mind, so you’ll understand how pleased I was to stumble upon another slightly obscure but interesting writer — Peter Lamborn Wilson, aka Hakim Bey, who gave use the concept of the TAZ or Temporary Autonomous Zone — writing about Afghanistan rather than Morocco, opium rather than hashish, and a second courtyard, with a second hundred camels:

Two terrific writers: Paul Bowles and Peter Lamborn Wilson.

Sources: Bowles – Wilson

Courtyards with a hundred camels in them are popping up all over.