Sunday’s second surprise — the Van Gogh DoubleQuote
[ by Charles Cameron — Van Gogh, Rilke, El Greco, Von Kármán. Hokusai, Jakob — rich correspondences between singificant items in widely separate disciplines ]
My friend Steve Engel suggested this variant on my personal favorite DoubleQuote — the one pairing Van Gogh with Von Kármán — and as a lover of Rainer Maria Rilke I very much appreciate his suggestion, which bridges painting and poetry as my original DQ brdges arts and sciences:
I’ve also featured that particular van Gogh painting in another DQ, this one showing the sky as painted by El Greco and Van Gogh:
El Greco was first among my loves in painting, and I’ve long thought that the differences between how El Greco sees the sky and how Van Gogh sees it could stand in for the differences between religions — you don’t see Van Gokkites attacking El Grekkites in museums on account of the different visions of their preferred painters, and if we could view religions as visionary rather than prescriptive, taking from them what a poetic, metaphoric, non-literal, non-fundamentalist, non-reductionist reading would approve, we might be a little farther on our way towards interfaith harmony, and away from religiously-sanctionable violence.
I’m thinking here of St Francis‘ meeting with the Sultan Malik al-Kamil, and more recently Thomas Merton‘s meetings with Buddhist contemplatives, Sufis and the like..
Here’s the Von Kármán / Van Gogh DQ, which I value in light of Hermann Hesse‘s Glass Bead Game as a clear bridge between one of the crucial dualities of recent centuries — the needless and fruitless schism between the arts and sciences, which has given rise not only the rantings of Christopher Hitchens and his less elegant disciple Bill Maher, but to such other matters as the Papal condemnation and “forgiveness” 359 years later of Galileo Galilei, Charles Babbage‘s Ninth Bridgewater Treatise, Andrew White‘s A History of the Warfare of Science With Theology in ChristendomW, and CP Snow‘s The Two Cultures:
And finally, here’s an ugraded version of the other DQ of mine that seeks to bridge the arts and sciences — featuring Hokusai‘s celebrated woodblock print, The Great Wave off Kanagawa (upper panel, below) and Jakob aka nikozy92‘s fractal wave, which I’ve flipped horizontally to make its parallel with the Hokusai clearer (lower panel) — Jakob‘s is a much improved version of a fractal wave compared with the one I’d been using until today: