zenpundit.com

[ by Charles Cameron — a quick treasury of treasures, what else? ]
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Robert Irwin, The Arabian Nights: A Companion

Abbasid Baghdad did produce its own semi- legendary criminals. Many tales were told of the ingenious exploits of the ninth-century master-thief, al-Uqab (‘the Eagle’), among them the story of a bet he had with a certain doctor that within a set period of time alUqab could steal something from the doctor’s house. Although the house was closely guarded, alUqab drugged the guards. Then, posing as an apparition of Jesus and making use of hypnotism, he succeeded in stealing off with the dcotor himself.

Robert Irwin was an Oxford contemporary & fellow-traveller.

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Kim Wagner, The Skull of Alum Bheg: The Life and Death of a Rebel of 1857

In 1963, a human skull was discovered in a pub in south-east England. The handwritten note found inside revealed it to be that of Alum Bheg, an Indian soldier in British service who had been blown from a cannon for his role in the 1857 Uprising, his head brought back as a grisly war-trophy by an Irish officer present at his execution. The skull is a troublesome relic of both anti-colonial violence and the brutality and spectacle of British retribution.

Ooh, grue! Cf. the food of that served in the Arkansas penal system.

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Simon Armitage, Sir Gawain and the Green Knight: an introduction

We know next to nothing about the author of the poem which has come to be called Sir Gawain and the Green Knight. It was probably written around 1400. In the early 17th century the manuscript was recorded as belonging to a Yorkshireman, Henry Saville of Bank. It was later acquired by Sir Robert Cotton, whose collection also included the Lindisfarne Gospels and the only surviving manuscript of Beowulf . The poem then lay dormant for over 200 years, not coming to light until Queen Victoria was on the throne, thus leapfrogging the attentions of some of our greatest writers and critics. The manuscript, a small, unprepossessing thing, would fit comfortably into an average-size hand, were anyone actually allowed to touch it. Now referred to as Cotton Nero A X, it is considered not only a most brilliant example of Middle English poetry but also as one of the jewels in the crown of English Literature; it now sits in the British Library under conditions of high security and controlled humidity.

Hat-tip: Hanne Elisabeth Storm Ofteland

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Rennie Davis, The New Humanity: A Movement to Change the World (Volume 1 of 3)

This first book returns to ‘Our Roots’ with a behind-the-scenes look straight from the eye of the social-change hurricane that swept North America during the turbulent times of the 1960s. Rennie Davis was the coordinator of the largest coalition of anti-war and civil rights organizations during that era. Now in vivid detail, he explains how the Sixties movement ignited and expanded, growing in strength and staying power. A compelling, riveting story, it was written to inspire today’s generation to stand on the shoulders of those who came before and arise again to change the world. Like a snowball tumbling down the mountain to become an avalanche that takes out the concrete wall of fear and divide, today’s movement will not be ignored or stopped.

This book is today’s must-read gift to yourself and your friends to uplift humanity and change the world.

Rennie is an old friend, story for another day. Hat-tip: Rennie Davis.

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This just in:

Bernard Faure, The Fluid Pantheon: Gods of Medieval Japan, Volume 1

Written by one of the leading scholars of Japanese religion, The Fluid Pantheon is the first installment of a multivolume project that promises to be a milestone in our understanding of the mythico-ritual system of esoteric Buddhism—specifically the nature and roles of deities in the religious world of medieval Japan and beyond. Bernard Faure introduces readers to medieval Japanese religiosity and shows the centrality of the gods in religious discourse and ritual; in doing so he moves away from the usual textual, historical, and sociological approaches that constitute the “method” of current religious studies. The approach considers the gods (including buddhas and demons) as meaningful and powerful interlocutors and not merely as cyphers for social groups or projections of the human mind. Throughout he engages insights drawn from structuralism, post-structuralism, and Actor-network theory to retrieve the “implicit pantheon” (as opposed to the “explicit orthodox pantheon”) of esoteric Japanese Buddhism (Mikky?).

Hat-tip: just in from friend Gilles Poitras.

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Enough of books — heres a personal photo — friend Neil Ayer with a Rothka at the Museum of Fine Arts, Boston:

Au ‘voir!

[ by Charles Cameron — Muslim travel ban DoubleQuoted with Japanese internment camps, history rhyming, Ginsberg on Dylan’s national rhyme ]
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Anna O Law (The Immigration Battle in American Courts, Cambridge, 2014) made the connection:

Poll: Half of voters support Trump travel ban https://t.co/QrSShbyXSq pic.twitter.com/Fokenio2cd

— The Hill (@thehill) June 6, 2017

In 1942, 63% of public wanted to send interned Japanese nationals & Americans "back to Japan". 40% of public disapproved of Brown v Board. https://t.co/3XbW7vGFnG

— Anna O. Law (@UnlawfulEntries) June 6, 2017

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What kind of rhyme is that anyway, Mister History?

Is it one like:

Idiot wind, blowing everytime you move your jaw,
From the Grand Coulee Dam to the Mardi Gras.

— the first version the current Nobel Laureate in Literature tried out — or this, definitive one? —

Idiot wind, blowing like a circle around my skull,
From the Grand Coulee Dam to the Capitol.

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The question interests me because there’s a back-level where the rhyme is in the concept, not the sound of the words as pronounced by poet or listener, reader — as with the rhyme womb / tomb, where before-birth and after-death meet both soncally and conceptually, making life freshly worthwhile as only the mechanics of poetry can.

Ginsberg explains:

Christopher Ricks, who has also penned books about T. S. Eliot and John Keats, argues that Dylan’s lyrics not only qualify as poetry, but that Dylan is among the finest poets of all time, on the same level as Milton, Keats, and Tennyson. He points to Dylan’s mastery of rhymes that are often startling and perfectly judged. For example, this pairing from “Idiot Wind,” released in 1975:

Idiot wind, blowing like a circle around my skull,
From the Grand Coulee Dam to the Capitol

The metaphorical relation between the head and the head of state, both of them two big domes, and the “idiot wind” blowing out of Washington, D.C., from the mouths of politicians, made this particular lyric the “great disillusioned national rhyme,” according to Allen Ginsberg.

Ginsberg’s formidable liking for this rhyme is part of what got him invited to Dylan’s Rolling thunder Review:

Ginsberg’s tribute to that rhyme is one of the reasons he is here with Bob and Joan and the rest of the merry motley. It was, says Allen, “one of the little sparks of intelligence that passed between Bob and me and that led him to invite me on the tour.”

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I caught the rolling thunder in Fort Collins:

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Ah yes.

And If your memory serves you well is, as I recall via Google, Dylan’s top of the hat to Rimbaud‘s A Season in Hell, which opens with the words:

Jadis, si je me souviens bien, ma vie était un festin où s’ouvraient tous les cœurs, où tous les vins coulaient.

This Wheel’s On Fire, lyrics by that Nobel fellow, Rick Danko and the Band:

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Memory, pattern, association, analogy, history, learning.

And Dylan on how literature works on you a similar wonder — in his recently released Nobel speech:

Music to my ears.

[ by Charles Cameron — getting to know the Koreas North & South, also conflict resolution and a schoolgirl movie ]
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Yoyu may have seen this viral Pikachu video from South Korea, filmed during the Pokémon World Festival:

If you didn’t know better, you might figure those were North Korean security agents hustling that sadly deflating Pikachu dancer offstage, to ensure the appearance of massed conformity to which such parades as this one have accustomed us to:

For a less regimented view of North Korea, consider this example of conflict resolution among schoolgirls:

Fortunately, you can see the whole film:

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It is known that humans “catch and train to battle each other for sport.”

[ by Charles Cameron — cherry blossoms and kamikaze, Palm Sunday and istishhad ]
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It’s cherry blossom season, it’s Palm Sunday. Blossoms fall, while temporary followers of Christ — they’ll abandon him to crucifixion later in the week — celebrate Christ’s arrival in Jerusalem strewing palm leaves at this feet.

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In the upper panel, Japanese self-sacrifice with intent to kill Americans:

The Yokosuka MXY-7 Ohka (“cherry blossom”) was a purpose-built, rocket powered human-guided anti-shipping kamikaze attack aircraft employed by Japan towards the end of World War II

Kamikaze pilots — the term translates to “divine wind” — drew strong associations between the transience of cherry blossoms and their own lives.

From WIkipedia:

The names of four sub-units within the Kamikaze Special Attack Force were Unit Shikishima, Unit Yamato, Unit Asahi, and Unit Yamazakura.[22] These names were taken from a patriotic death poem, Shikishima no Yamato-gokoro wo hito towaba, asahi ni niou yamazakura bana by the Japanese classical scholar, Motoori Norinaga. The poem reads:

If someone asks about the Yamato spirit [Spirit of Old/True Japan] of Shikishima [a poetic name for Japan] — it is the flowers of yamazakura [mountain cherry blossom] that are fragrant in the Asahi [rising sun].

From Emiko Ohnuki-Tierney, Kamikaze Diaries: Reflections of Japanese Student Soldiers:

As Hayashi entered the military and struggled to come to terms with death, he came to identify himself with cherry blossoms. In a letter to his mother, he laments his fate: the cherry blossoms at the Wo?n-san Base in Korea, where he was stationed, have already fallen, and yet the time for his sortie has not come. To his younger brother he writes from the Kanoya Base: “Cherry blossoms are blooming and I am going” (90). Hayashi consciously draws an analogy between himself and the fl owers; their falling signifi es the time for his death.

Other people also used the metaphor of cherry blossoms to refer to Hayashi. A poem written by his mother after the end of the war contains the idiomatic expression the “falling of my son,” applying the word conventionally used for the falling of cherry petals to the death of Ichizo¯. Hayashi’s friend Hidemura Senzo¯ laments that “Hayashi’s youth is fallen,” like cherry petals, but adds: “Peace arrived but not the peace you wished to bring through your sacrifi ce; it is only in the miserable aftermath of defeat.” Hidemura concludes, “Beauty appears in a sensitive vessel and life is short” (143–47).

See also: Ohnuki-Tierney, Emiko (2002). Kamikaze, Cherry Blossoms, and Nationalisms: The Militarization of Aesthetics in Japanese History.

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In the lower panel, the face of a child killed in the ISIS-claimed suicide bombing of a church in Egypt this Palm Sunday, following an earlier ISIS announcment that they would be targeting Egyptian (Coptic) Christians.

ISIS Claims 2 Deadly Explosions at Egyptian Coptic Churches on Palm Sunday

TANTA, Egypt — Islamic State suicide bombers attacked two Coptic churches in Egypt on Palm Sunday, killing at least 40 worshipers and police officers stationed outside in the deadliest day of violence against Christians in the country in decades.

The militant group claimed responsibility for both attacks in a statement via its Aamaq news agency, having recently signaled its intention to escalate a campaign of violence against Egyptian Christians.

The first explosion occurred about 9:30 at St. George’s Church in the Nile Delta city of Tanta, 50 miles north of Cairo, during a Palm Sunday Mass. Security officials and a witness said that a suicide bomber had barged past security measures and detonated his explosives in the front pews, near the altar.

At least 27 people were killed and 71 others injured, officials said.

Hours later, a second explosion occurred at the gates of St. Mark’s Cathedral in the coastal city of Alexandria. That blast killed 13 people and wounded 21 more, the Health Ministry said.

The patriarch of the Egyptian Coptic Church, Pope Tawadros II, who is to meet with Pope Francis on his visit to Egypt on April 28 and 29, was in the church at the time but was not injured, the Interior Ministry said.

See also:

‘God gave orders to kill every infidel’ ISIS vows to massacre Christians in chilling video<

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The joyous palm leaves of Sunday, greeting Christ‘s arrival in Jerusalem, will ritually and symbolically turn to ashes later in the week, as the adoring crowd turns vicious and demands his crucifixion.

[ by Charles Cameron — scitech & artpo, two ways of seeing ]
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It is cherry blossom season in Japan:

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The upper panel image above is from an Economist blog, the lower from a Hiroshige print.

From the Economist piece, timeless:

HANAMI, the Japanese custom of contemplating the impermanence of life by gazing at the fleeting beauty of blossoming flowers, goes back a long way. “The Tale of Genji”, a tenth-century masterpiece that is perhaps the world’s first novel, devotes a chapter to the cherry-blossom festival staged in the emperor’s great hall. Diarists have keenly chronicled the comings and goings of cherry blossoms for centuries—records from Kyoto, the old capital, date back 1,200 years. This precious, ancient data set reveals a disturbing trend: in recent decades, the blossoms have emerged much sooner than they once did.

and (continuing) in our own time:

This precious, ancient data set reveals a disturbing trend: in recent decades, the blossoms have emerged much sooner than they once did.

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Header:

Japan’s cherry blossoms are emerging increasingly early

Subhead:

Experts think climate change is to blame

Early: unh-uh. Fleeting: yes.