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A quick 8chan DoubleQuote

Sunday, March 17th, 2019

[ by Charles Cameron — how the double snakes of the 8chan ouroboros find their correlates in real life ]
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From my forthcoming post Christchurch, NZ, The Great Replacement and a hail of bullets:

Talk about the significance of the ouroboros!

Urban Dictionary: 8chan

Like a deeper layer of Hell, 8chan is an image board for anyone who is too much of an edgelord for 4chan. Created during the Gamergate fiasco when even the brass of 4chan decided that situation was getting out of hand and became a base of operations of sorts for the GG crowd.

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From today’s Twitter feed, courtesy of J Scott Shipman:

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Thus proving the — literally — lethal potential of DoubleSnake Ouroboroi.

Amy Warren, Elizabeth Klobnachar?

Monday, February 11th, 2019

[ by Charles Cameron — surrealism in electoral candidates’ declarations ]
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I’m glad I was up and alert at 4.30 am Pacific time today, and could catch these two screen-grabs of candidates for the Presidency in 2020 — a wonderful DoubleQuote in chyron confusion:

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Who’s this?

Okay, then who’s this?

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Both screen-grabs are from Morning Joe on MSNBC.

It may be hard for the electorate to tell some of the 2020 candidates apart.

Umpires, Brexit, and the State of the Union

Thursday, January 31st, 2019

[ by Charles Cameron — the UK looks to be teetering over the White Cliffs of Dover, with 22 miles of channel separating them from the rest of Europe — and a hard border with Éire ]
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There are few more tumultuous games on earth than the British House of Commons, with its two sides lobbying and lobbing insults at one another, while the no-side-works-for-me cross-benchers face the no-side-I’ve-retired-from-the-fray Speaker across the length of the chamber, no doubt relishing the spectacle but, in the Speaker‘s case, regulating it with roars of “Order, order!!!”

And fray it is, glorious in its freedom, so wild as to demand frequent pruning — the Speaker, in the New Yorker‘s words, “presides over whatever fare — technical, listless, boorish, crazed — is unfolding in the chamber at a given moment. The House may be full with paper-waving cries of “Foul!” “Fiend!” Recant!” or even these days, I suppose, “Repent” — we do live, after all, in a remorselessly secular age..

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But then..

Pattern recognition: there seems to be a pattern of Speakers disinviting Donald Trump.

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Sources:

  • NYorker, Is the Speaker of the House of Commons Trying to Stop Brexit?
  • WaPo, Sorry, judges, we umpires do more than call balls
  • WHOtv, Speaker Pelosi Tells President Trump State of the Union Won’t Happen
  • Dates and Times:

  • te [re-invited] State of the Union is scheduled for 6.00pm Pacific, Tuesday, February 5
  • the Superbowl is 3.30pm Eastern, Sunday, February 3rd
  • Brexit will occur in un-negotiated form if nothing stops it, at 11pm GMT, Friday, March 29.

  • One way or another, fun times ahead..
  • On the felicities of graph-based game-board design: fifteen

    Wednesday, January 30th, 2019

    [ by Charles Cameron — surprise, surprise — this isn’t the #15 I expected and predicted ]
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    In Two eminently watchable TV series by Hugo Blick I looked at narrative artistry as an approach to understanding complex problems — and I do mean complex, the Israeli-Palestinian and Hutu-Tutsi errh, situations..

    Here, we consider artistry of another sort — polyphonic, graphical, yet still clearly artistic in execution ..

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    Here’s a drawing from Victor Papanek‘s Notebook — and very notebook it is — courtesy Roelof Pieters:

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    Compare the above with this example of Mark Lombardi‘s fine art “conspiracy” graphs from his book, Global Networks:

    We’re getting positively calligraphic here, and approaching the scope of one of those Song dynasty scroll paintings that feature (am I right? memory, imagination!) a hermit disappearing into his cave in some obscure not quite corner of the scroll, while thunder wreaks havoc on armies by a river in almost center field..

    Speaking of which..

    Ah, but we’re straggling away from our topic: On the felicities of graph-based game-board design. The point is that the arts have many inventive ways to approach complexity.

    I mean, we could start with Hamlet..

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    Earlier in this series:

  • On the felicities of graph-based game-board design: preliminaries
  • On the felicities of graph-based game-board design: two dazzlers
  • On the felicities of graph-based game-board design: three
  • On the felicities of graph-based game-board design: four
  • On the felicities of graph-based game-board design: five
  • On the felicities of graph-based game-board design: six
  • On the felicities of graph-based game-board design: seven
  • On the felicities of graph-based game-board design: eight
  • On the felicities of graph-based game-board design: nine
  • On the felicities of graph-based game-board design: ten
  • On the felicities of graph-based game-board design: eleven
  • On the felicities of graph-based game-board design: twelve
  • On the felicities of graph-based game-board design: thirteen
  • On the felicities of graph-based game-board design: fourteen
  • Today, the anti-Magritte

    Tuesday, January 29th, 2019

    [ by Charles Cameron — curious “sign” sign seen outside today’s Roger Stone hearing ]
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    Someone has a sense of humor? of art?

    The statement “This is a Sign” isn’t even paradoxical, unless you remember Magritte‘s un-pipe — but it’s certainly an obvious statement of truth, albeit self-referential, ouroboric.

    In my view, witty, to say the least..


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