zenpundit.com » doubletweets

Archive for the ‘doubletweets’ Category

Mancala games in culture & nature

Tuesday, May 17th, 2016

[ by Charles Cameron — I would rather play with the woodpeckers than with the humans ]
.

Mancala games are games in which “seeds” are places in a series of “holes” in a board, often a carved wooden board, according to mathematical principles of play and capture. Wikipedia:

Most mancala games share a common general game play. Players begin by placing a certain number of seeds, prescribed for the particular game, in each of the pits on the game board. A player may count their stones to plot the game. A turn consists of removing all seeds from a pit, “sowing” the seeds (placing one in each of the following pits in sequence) and capturing based on the state of board. This leads to the English phrase “count and capture” sometimes used to describe the gameplay. Although the details differ greatly, this general sequence applies to all games.

¶¶

Equipment is typically a board, constructed of various materials, with a series of holes arranged in rows, usually two or four. The materials include clay and other shape-able materials. Some games are more often played with holes dug in the earth, or carved in stone. The holes may be referred to as “depressions”, “pits”, or “houses”. Sometimes, large holes on the ends of the board, called stores, are used for holding the pieces.

Playing pieces are seeds, beans, stones, cowry shells, half-marbles or other small undifferentiated counters that are placed in and transferred about the holes during play.

¶¶

Among the earliest evidence of the game are fragments of a pottery board and several rock cuts found in Aksumite areas in Matara (in Eritrea) and Yeha (in Ethiopia), which are dated by archaeologists to between the 6th and 7th century AD; the game may have been mentioned by Giyorgis of Segla in his 14th century Ge’ez text Mysteries of Heaven and Earth, where he refers to a game called qarqis, a term used in Ge’ez to refer to both Gebet’a (mancala) and Sant’araz (modern sent’erazh, Ethiopian chess).

Nota Bene:

Even when played with glass beads, mancala games are not even close to the Glass Bead Game as Hermann Hesse describes it, since their moves have nothing to do with cultural citation or meanings, let along their contrapuntal connections and correspondences, but are indifferent markers, inherently fungible.

**

It was 3 Quarks Daily that introduced me to the avian version of mancala games in a post that read:

Acorn woodpeckers drill into trees not in order to find acorns, but in order to make holes in which they can store acorns for later use, especially during the winter.

As the acorn dries out, it decreases in size, and the woodpecker moves it to a smaller hole. The birds spend an awful lot of time tending to their granaries in this way, transferring acorns from hole to hole as if engaged in some complicated game of solitaire.

Multiple acorn woodpeckers work together to maintain a single granary, which may be located in a man-made structure – a fence or a wooden building – as well as in a tree trunk. And whereas most woodpecker species are monogamous, acorn woodpeckers take a communal approach to family life. In the bird world, this is called cooperative breeding. Acorn woodpeckers live in groups of up to seven breeding males and three breeding females, plus as many as ten non-breeding helpers. Helpers are young birds who stick around to help their parents raise future broods; only about five per cent of bird species operate in this way.

**

Conclusion:

For myself, I would rather play with the woodpeckers than with the humans.

Even so, a humanly-wrought board can be very lovely:

swan mancala board

Tweet and response: polling religious interest globally?

Saturday, April 30th, 2016

[ by Charles Cameron — Pew — Iran? Saudis? ]
.

Here’s the tweet:

It looks impressive, doesn’t it? The good folks at Pew have obvisouly done their homework.

And here’s the response:

**

Even when people try to remember that religion is part of geopolitics, they seem to suffer from selective amnesia.

Aha!

Country-Survey-Map_WEB

The white spaces are either not countries, or not surveyed — a pity either way.

Furthermore, once we’ve got that covered, we’ll need two polls that dig deep & narrow for every one that digs wide & shallow. Oy.

Surrealism and surreal reality

Sunday, April 24th, 2016

[ by Charles Cameron — perception and plutonium ]
.

The sureralist master and master surrealist Salvador Dali here invokes optical illusion to illuminate the fickle nature of our perceptions of (non-surreal) reality:

As for reality itself, it has its own form of surreality — in this case, the dismal facts of plutonium stockpiles and their disposal, and their implications for politics (not to mention its conceivable / inconceivable continuation by other means).

All of which is unpleasant to conteplate, seldom discussed, and thus itself a form of perceptual illusion:

FWIW, I see a visual connection between these two images, although that may ba a personal quirk not shared by others. Again, a quirk of perception?

**

Readings:

  • RFE / RL, As Putin Swipes At U.S. Over Plutonium Disposal, Nuclear Cooperation Takes A Hit
  • Cheryl Rofer at Nuclear Diner, Plutonium Disposal Difficulties
  • A couple more beads for Hesse’s Game

    Sunday, April 24th, 2016

    [ by Charles Cameron — Art & Philospphy, Latin, Greek & Arabic, Porphyry & Proclus ]
    .

    I discovered Elaine Van Dalen‘s twitterstream today, and was enchanted. Trawling backwards a little from her tweet about the Sultan al-Kamil, I ran across this one:

    which fairly begged to be DoubleTweeted with this hastily assembled tweet of my own, quoting from Hermann Melville‘s Mardi:

    **

    Both are instances of the game Hermann Hesse described himself playing while raking and burning leaves, in his poem Hours in the Garden:

    Within me, my thoughts begin to play
    A game, an exercise I have practiced for many years.
    It is called the Glass Bead Game, a charming invention
    Whose framework is music, whose basis is meditation.

    [ … ]

    I hear music and see men of the past and the future.
    Wise men and poets and scholars and artists, all of one mind,
    Building the hundred-gated cathedral of the spirit…

    That’s Hesse’s private manner of playing the Glass Bead Game: the game as played in the novel is more abstract, shorn of persons, a virtual music of ideas indeed.

    I’ve quoted this over and over, I know, but for those who are new to the Game, here’s Hesse’s definitive description from the novel:

    The Glass Bead Game is thus a mode of playing with the total contents and values of our culture; it plays with them as, say, in the great age of the arts a painter might have played with the colors on his palette. All the insights, noble thoughts, and works of art that the human race has produced in its creative eras, all that subsequent periods of scholarly study have reduced to concepts and converted into intellectual values the Glass Bead Game player plays like the organist on an organ. And this organ has attained an almost unimaginable perfection; its manuals and pedals range over the entire intellectual cosmos; its stops are almost beyond number. Theoretically this instrument is capable of reproducing in the Game the entire intellectual content of the universe.

    Fresh faces on bills of denomination 20

    Saturday, April 23rd, 2016

    [ by Charles Cameron — a DoubleTweet — US $20 > Harriet Tubman, UK £20 > JMW Turner ]
    .

    On the right aside of the Atlantic:

    Meanwhile, on the right side of the Pacific:


    Switch to our mobile site