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[ by Charles Cameron — honoring Chief Standing Bear of the Ponca — his statue will soon be followed by one of Willa Cather ]
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Chief Standing Bear:

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His words and those of Shakespeare:

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Source:

For Chief Standing Bear’s story, andthe ceremonial honoring him, see:

[ by Charles Cameron — from conjuring to gospel truth — third in a series ]
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Kwakiutl winter ceremonial mask, closed and open

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Here’s magic, as in my best recollection, a Pacific Northwestern shaman explained it to an anthro friend..

It’s my recollection that [Tlingit / Kwakiutl winter ceremonials] were both entertainment for the long winter nights and “schooling” for the young, and I have a vivid recall of reading somewhere a shaman’s admission to an anthro of the exact nature of the dramatic means by which the shaman’s capacity to defeat death was demonstrated.

I read this in the early eighties, but searching on the web I’ve found something that comes close — Clellan Stearns Ford’s record of Charles James Nowell’s memories in _Smoke from their fires: the life of a Kwakiutl chief_. Around p 120, there are two stories, the first about a girl who “turned the wrong way” during a dance, the second about a girl who is put in a box and burned. In both cases, the nature of the trickery is described but in the version I read all those years ago, the two stories were one — the girl who was put in a box in the fire pit and “burned to death” escapes through a false bottom to the box along a tunnel into the adjoining room, and her voice then issues as if from her ashes, via a kelp tube that goes from the tunnel to the adjoining room where she’s now standing.

She describes her descent into the sea realm, where she is chastened and eventually granted a boon to return to the tribe. A canoe sets out to fetch her, but by the time the audience sees it set out, she’s already secured by rope to the far side of the boat, and at a suitable distance is hauled aboard and brought back to shore, alive.

A child seeing this would be mightily predisposed to believing the shaman had healing powers, and by the time the ruse was revealed, that underpinning of faith is already in place.

In the Nowell version, even the adults, who “know” the deception involved, are deceived: “The fire burned and the box burned, and she was still singing inside, and then the box go up in flames, and they can see her burning there in her blue blanket, and all her relatives just cry and cry. Although they know it is not real, it looks so real they can’t help it. It was all a trick. There was a hole under the box with a tunnel leading out of the house, and the woman went out of the box and put a seal in her place wrapped in a blue blanket, and then someone sang into the fire through a kelp tube, her song. Oh, it looked real!”

One source I found recently online:

Tom McFeat, Indians of the North Pacific Coast: Studies in Selected Topics

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I would like to suggest to you that magic, if you think of it as imagic, has to do with image, and is usefully considered as another term for or related to, imagination..

There are a couple of other categoies I’d like to bring to your attention: (i) coincidences or synchronicities, which can border on (2) the miraculous, at its finest a sacred business, (3) poetry, at its most beautiful, true and good, (4) sacraments, defined as revelations of “an inward an spiritual grace” my means of an “outward and physical sign” — and (5) the Eucatastrophe as described by JRR Tolkien in his masterful essay, On Fairy-tales..

The Gospels contain a fairy-story, or a story of a larger kind which embraces all the essence of fairy-stories. They contain many marvels — peculiarly artistic, beautiful, and moving: “mythical” in their perfect, selfcontained significance; and among the marvels is the greatest and most complete conceivable eucatastrophe. But this story has entered History and the primary world; the desire and aspiration of sub-creation has been raised to the fulfillment of Creation. The Birth of Christ is the eucatastrophe of Man’s history. The Resurrection is the eucatastrophe of the story of the Incarnation. This story begins and ends in joy. It has pre-eminently the “inner consistency of reality.” There is no tale ever told that men would rather find was true, and none which so many sceptical men have accepted as true on its own merits. For the Art of it has the supremely convincing tone of Primary Art, that is, of Creation. To reject it leads either to sadness or to wrath.

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Magic: there’s more to it than advertising, but advertising may deploy it.

[ by Charles Cameron — when a city hits water zero, & when a vast aquifer is up for commercial grabs ]
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I would like to scare you two ways:

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The Guardian’s Cape Town headline (upper panel, above) alerts us to the imminent failure of the first major global city’s water supply:

The head of Cape Town’s disaster operations centre is drawing up a plan he hopes he never has to implement as this South African city on the frontline of climate change prepares to be the first in the world to turn off the water taps.

“We’ve identified four risks: water shortages, sanitation failures, disease outbreaks and anarchy due to competition for scarce resources,” says Greg Pillay. “We had to go back to the drawing board. We were prepared for disruption of supply, but not a no-water scenario. In my 40 years in emergency services, this is the biggest crisis.”

Anarchy due to competition for scarce resources — would you care to say more about how virulent that strain of anarchy might be, and how its epidemiology would intersect with those of water shortages, sanitation failures, and disease outbreaks?

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The lower image, above, shows the extent of the Guarani aquifer — water supply for the vast lands above it, and the fauna, flora and humans who inhabit those lands.

What’s the problem?

As a Canadian government page puts it, Barlow warns Nestle is seeking control of the Guarani aquifer in South America:

Mint Press reports, “A concerted push is underway in South America that could see one of the world’s largest reserves of fresh water soon fall into the hands of transnational corporations such as Coca-Cola and Nestle. According to reports, talks to privatize the Guarani Aquifer – a vast subterranean water reserve lying beneath Argentina, Brazil, Paraguay, and Uruguay – have already reached an advanced stage. The deal would grant a consortium of U.S. and Europe-based conglomerates exclusive rights to the aquifer that would last over 100 years.”

Cash would dance in the heads of the relevant CEOs — “including Nestle CEO Paul Bulcke, Anheuser-Busch InBev CEO Carlos Brito, Coca-Cola CEO James Quincey, and Dow Chemical CEO Andrew Liveris” — while guns would no doubt protect their “rights”.

We’ll copyright it, we’ll patent it, no, we’ll — bottle it!

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Justice William O Douglas in A Wilderness Bill of Rights, argued the need for a “Bill of Rights to protect those whose spiritual values extend to the rivers and lakes, the valleys and the ridges, and who find life in a mechanized society worth living only because those splendid resources are not despoiled.” In his now celebrated dissent in Sierra Club v. Morton, he suggested the courts should give standing “in the name of the inanimate object about to be despoiled, defaced, or invaded by roads and bulldozers and where injury is the subject of public outrage.”

In the High Country News article, Should nature have standing to sue? from which I’ve taken those quotes, we discover:

Douglas’ views were inspired by his own experiences in the wild. He grew up in Yakima, Washington, hiking the foothills and peaks of the Cascade Range, and he sang the praises of nature throughout his life. “When one stands on Darling Mountain, he is not remote and apart from the wilderness; he is an intimate part of it,” he wrote in a typical passage from his memoir, Of Men and Mountains. “Every ridge, every valley, every peak offers a solitude deeper even than that of the sea. It offers the peace that comes only from solitude.”

Solitude. Can you believe it? Such a value!

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Douglas:

Contemporary public concern for protecting nature’s ecological equilibrium should lead to the conferral of standing upon environmental objects to sue for their own preservation

Let therefore the Guarani aquifer have standing to sue for all the inhabitants of the lands above it, else — in the prescient words of Samuel Taylor Coleridge, speaking in the parched, blistered voice of an Ancient Mariner:

Water, water, everywhere, Nor any drop to drink.

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Afterthought:

Oh aye, they play soccer, the Guarani —

— and are warriors in protection of their native forests:

Brazil, Guaraní tribe attacked by ranchers who want their land.

Attacks on indigenous people by armed gunmen working for ranchers continue: a slow genocide, the result of the occupation of indigenous ancestral lands.

A slow genocide.. As above, so below.

[ by Charles Cameron — trump triumphing, trump trumped — which is it, obvs? ]
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Both op-eds, both from Washington Post, yesterday, June 10 2017:

My point being that we tend to write as though what seems obvious to us is obvious period, when it obviously isn’t always. A pity.

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Sources:

Why Comey’s testimony was utterly devastating to Trump

Boy Scout James Comey is no match for Donald Trump

Oh I mean, everyone does it — I no doubt do it too. But according to Dorothy Lee, Linguistic Reflection of Winto Thought, among the Wintu there is an “attitude of humility and respect toward reality, toward nature and society”:

I cannot find an adequate English term to apply to a habit of thought that is so alien to our culture. We are aggressive toward reality. We say, This is bread; we do not say, as the Wintu, I call this bread or I feel or taste or see it to be bread. The Wintu never say starkly this is; if he speaks of reality that is not within his own restricting experience, he does not affirm it, he only implies it. If he speaks of his experience he does not express it as categorically true.

[ by Charles Cameron — one picture is worth one paragraph, both perfect ]
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I’ve paired the Annie Dillard paragraph in the upper panel below with an impressively similar paragraph from Haniel Long and a gorgeous slow motion video — now I’d like to pair it with a design in the style of native artwork from the Pacific Northwest, which as far as I can determine is the work of one Mark Gauti:

The image is titled Eagle and Dog Salmon. It gives me pleasure to set these two (figuratively) side by side.