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Strategy and Creativity: Part I.

Tuesday, October 9th, 2012

“War is more than a true chameleon that slightly adapts its characteristics to the given case. As a total phenomenon its dominant tendencies always make war a remarkable trinity–composed of primordial violence, hatred, and enmity, which are to be regarded as a blind natural force; of the play of chance and probability within which the creative spirit is free to roam; and of its element of subordination, as an instrument of policy, which makes it subject to reason alone.”
                                                                                                -Carl von Clausewitz, On War

“Thus the highest form of generalship is to balk the enemy’s plans; the next best is to prevent the junction of the enemy’s forces; the next in order is to attack the enemy’s army in the field; and the worst policy of all is to besiege walled cities….Therefore the skillful leader subdues the enemy’s troops without any fighting; he captures their cities without laying siege to them; he overthrows their kingdom without lengthy operations in the field. With his forces intact he will dispute the mastery of the Empire, and thus, without losing a man, his triumph will be complete. This is the method of attacking by stratagem.”
                                                                                             – Sun Tzu, The Art of War 

This blog is read by many people with a deep interest in strategy coming from different philosophical and professional perspectives. While I have my own speculations  based on years of study, I would like to begin by first posing a few questions to the readership:

  • What is the relationship between strategy and creativity?
  • Or between strategic thinking and creative thinking?
  • Is “doing strategy” primarily an act of planning, calculation and rational problem-solving or is it also a profoundly creative and intuitive enterprise?
  • If we get better at thinking creatively, do we become better, more effective strategists? The reverse?
  • Is creativity more useful in “grand strategy” (or “statecraft”, if you prefer) and policy than in straightforward “military strategy”?

The floor is yours, strong argument is welcomed.

Inventing Grand Strategy and Teaching Command, The Classic Works of Alfred Thayer Mahan Reconsidered, a review

Tuesday, September 4th, 2012

[by J. Scott Shipman]

Inventing Grand Strategy and Teaching Command, by Jon Tetsuro Sumida

As of August 2012 this is the best non-fiction book I’ve read this year. Professor Sumida brings a potentially dry topic to life making Alfred Thayer Mahan relevant in the process; as indeed, he should. At a mere 117 pages of moderately footnoted text, Sumida provides the reader a grand tour of Mahan’s life work, not just The Influence of Sea Power 1660-1983. Sumida includes the major works of Alfred Thayer Mahan’s (ATM) father Dennis Hart Mahan, as he introduces ATM’s major works, lesser works, biographies, essays, and criticisms.

Sumida begins his chapters with quotes, and weaves his recounting of ATM’s work with musical performance, Zen enlightenment, and naval command; which is quite a combination, but convincing. Of ATM’s “approach to naval grand strategy” he writes:

Mahan believed the security of a large and expanding system of international trade in the twentieth century would depend upon the creation of a transnational consortium of naval power. His handling of the art and science of command, on the other hand, was difficult, complex, and elusive. It is helpful, therefore, to achieve an introductory sense of its liminal character by means of analogy.

This is where musical performance and Zen enlightenment become relevant and instructive. Sumida writes on musical performance:

Teaching musical performance…poses three challenges: improving art, developing technique, and attending to their interaction.

Sumida goes on to illustrate the parallels between learning musical performance and naval command/strategy and the common thread is performing or, “doing it.” He writes that most musical instruction is through the understudy watching demonstrations by the master, but the higher purpose of replicating the master’s work is “to gain a sense of the expressive nature of an act that represents authentically a human persona.” In other words, the development of relevant tacit knowledge, or as I have come to refer to this as “tacit insight.”

Sumida continues with six short chapters that pack a powerful punch and a good introduction to the trajectory of Mahan’s work from the beginning to end. My favorite was Chapter Six, The Uses of History and Theory. In this chapter Sumida deals with complexity, contingency, change, and contradiction, naval supremacy in the Twentieth Century, Jomini, Clausewitz, and command and history. Quite a line-up, but a convincing inventory of Mahan’s influences and how his work remains relevant today. Sumida writes:

Mahan’s role as a pioneer and extender of the work of others has been widely misunderstood and thus either ignored or misused. The general failure to engage his thought accurately is in large part attributable to the complexity of his exposition, the difficulties inherent in his methods of dealing with several forms of contingency, changes in his position on certain major issues, and his contradictory predictions about the future and application of strategic principles…His chief goal, however, was to address difficult questions that were not susceptible to convincing elucidation through simple reasoning by analogy. He thus viewed history less as a ready-made instructor than a medium that had to be worked by the appropriate intellectual tools.. Mahan’s analytical instruments of choice were five kinds of argument: political, political-economic, governmental, strategic, and professional.

The first three were used in grand naval strategy, the latter two with the “art and science of command.” The section of Command and History is particularly relevant given two recent posts, one at the USNI Blog, The Wisdom of a King, by CDR Salamander, and the other in a September 2012 Proceedings article by LCDR B.J.Armstrong, Leadership & Command. Here’s why: Sumida quotes Admiral Arleigh Burke, who latter became Chief of Naval Operations, during WWII. Of “Decentraliztion,” Burke wrote:

…means we offer officers the opportunity to rise to positions of responsibility, of decision, of identity and stature—if they want it, and as soon as they can take it.

We believe in command, not staff. We believe we have “real” things to do. The Navy believes in putting a man in a position with a job to do, and let him do it—give him hell if he does not perform—but be a man in his own name. We decentralize and capitalize on the capabilities of our individual people rather than centralize and make automatons of them. This builds that essential element of pride of service and sense of accomplishment.

The U.S. Navy could do worse than return to this “father” of naval strategy and give his ideas more attention; Professor Sumida’s little book would be a good place to start.

Strongest recommendation—particularly to active duty Navy personnel.

Cross-posted at To Be or To Do.

Liminality II: the serious part

Monday, July 16th, 2012

[ by Charles Cameron — follow-up to Liminality I: the kitsch part, dealing with the strange business of liminality, submarines, monks and more ]
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Limen is the Latin for threshold, and the liminal is therefore what happens at thresholds.

**

Something pretty remarkable happened as 1999 turned into 2000 — something liminal. And it happened aboard the USS Topeka, SSN-754 (below):

USS Topeka, credit: United States Navy, released ID 090623-N-1126G-005

The Associated Press reported:

Its bow in one year, its stern in another, the USS Topeka marked the new millennium 400 feet beneath the International Dateline in the Pacific ocean. The Pearl Harbor-based navy submarine straddled the line, meaning that at midnight, one end was in 2000 while the other was still in 1999… The 360-foot-long sub, which was 2,100 miles from Honolulu, Hawaii, straddled the Equator at the same time, meaning it was in both the northern and southern hemispheres. Some of the 130 crewmembers were in Winter in the North, while others were in Summer in the South…

Sitting pretty on the threshold between two millennia, two centuries, two decades, years, seasons, months, days and hemispheres was an extraordinarily liminal idea — as the two-faced January is a liminal month — and I think illustrates effectively the terrific power of the liminal to sway human thinking

Navy commanders in charge of billion dollar ships seldom get up to such “fanciful” behaviors!

**

And if we might turn from the contemporary US Navy and its submarine to ancient Indian mythology and Hindu religion for a moment:

Narsingh avatar depicted in Nepali dance, credit: Navesh Chitrakar, Reuters / Landov

The story of Narsingh (above), the fourth avatar of Vishnu in Vaisnavism, also captures the idea of what’s meant by thresholds very nicely:

A tyrannous and oppressive king obtained a boon from the gods that he should die “neither by day nor night, neither within the palace nor outside it, neither at the hand of man nor beast” and thought his boon conveyed immortality — but when he persecuted his son, a devotee of God, a half-man half-lion figure — the Narsingh avatar of Vishnu — met him on his own doorstep at dusk and slew him, so that he died neither by day nor by night, neither within the palace nor outside it, and neither at the hand of beast nor of man.

Dusk, doorsteps and metamorphs are all liminal, — with respect to day and night, home and abroad, man and beast respectively.

**

Anthropologist Mary Douglas has pointed out how things that are “not this, not that” (ie that don’t fit our categories) are precisely the ones that taboos form around – hence her remark in Purity and Danger:

Uncleanness or dirt is that which must not be included if a pattern is to be maintained

Consider for instance the dietary condemnation of amphibians in Leviticus, as being neither walking nor swimming creatures — fitting neither the normative category of “animal” nor that of “fish”. But Douglas is thinking in static categories, while Victor Turner thinks in process.

**

Turner takes the condition that’s between “this” and “that” and views it as part of a process in time, where “this” is how things have been, and “that” is how they can be in future – effectively, the turning point between one way of life and another.

Turner is interested in this primarily because the tribes he studies as an anthropologist create rituals which act as magnifiers of this sort of transition (his scholarly reason), and because such turning points, so ritualized, turn out to be important junctions in human lived experience (his human reason).

Turner tells us that those who are passing through a limen in social life are usually thrown in the stockade — the vice-chief who is about to become chief along with the village drunk, the pickpocket and the crazed idiot — and can then be taunted and tomatoed by all and sundry, while feeling that intense kinship with their stockade mates no matter the symptoms (success, failure) which brought them there. Which keeps them humble, builds character, and builds their capacity for empathy.

Only then can the vice-chief be brought back into society and proclaimed as the new chief.

**

Basing his own work on van Gennep‘s account of rites of passage, Turner sees such rites as involving three phases: before, liminal, and after.

  • Before, you’re a civilian, after, you’re a Marine — but during, there’s an extraordinary moment when you’ve lost your civilian privileges, not yet earned your Marine status, and are less than nothing — as the drill sergeant constantly reminds you — and yet feel an intense solidarity with your fellows.
  • .

    .

    • Before, you’re a novice, not yet “professed”, after, you’re a monk — but during, you lie prostrate on the paving stones of the abbey nave in as you transition into lifelong vows poverty, chastity and obedience.
    • .

      .
      There are two things to note here. One is that liminality is a *humility* device, the other is that is creates a strong sense of bonding which turner calls *communitas*: in one case, the Marine’s esprit de corps, in the other quite literally a monastic community. Part of what is so fascinating here is the (otherwise not necessarily obvious) insight that humility and community are closely related.

      **

      There are also liminal festivals, like India’s Holi Festival or the mediaeval Catholic Feast of Fools (about which Harvey Cox wrote a book), in which the usual hierarchy is turned upside down for a day — so that a choirboy celebrates Mass and the bishop becomes the busboy, or the brahmins are pelted with old shoes and paint balloons by the village prostitutes and drunks…

      This may all sound pretty silly, but consider again the specific quality of humility which it brings out:

      Something of the sacredness of that transient humility and modelessness goes over, and tempers the pride of the incumbent of a higher position or office. Liminality implies that the high could not be high unless the low existed, and he who is high must experience what it is like to be low.

      Turner comments that these are socially sanctioned devices for *making the certain degree of hierarchy that’s inevitable in human affairs tolerable once again* — that we need such devices, that the “modernizing” west tends to forget them, and that liminality as process is deeply embedded in human social wiring, and should be appreciated rather than overlooked.

      **

      Turner himself was a Catholic, and it’s not surprising that he turns to Saint Francis for another example of liminality, pointing out that Francis was basically trying to convene a group of friends to live a *permanently liminal life* with him – that was what his idea of the Franciscan Order was all about — and that all such attempts fail (he compares flower power in the sixties) because the liminal cannot sustain itself but must naturally pass across into hierarchy, where it refreshes and revivifies structures which would otherwise become dry and lifeless:

      It is as though there are here two major “models” for human interrelatedness, juxtaposed and alternating. The first is of society as a structured, differentiated, and often hierarchical system of politico-legal-economic positions with many types of evaluation, separating men in terms of ” more ” or ” less.” The second, which emerges recognizably in the liminal period, is of society as an unstructured or rudimentarily structured and relatively undifferentiated comitatus, community, or even communion of equal individuals who submit together to the general authority of the ritual elders.

      In Turner’s view, this liminal refreshment is constantly arising in the margins of structures, and should be welcomed and incorporated — the strange, edgy and uncomfortable fellow in beggars rags being invited to the high feast – the limen offering spontaneity and inspiration to match and complement the discipline and reliability of the structure.

      **

      And where does all this leave us?

      Hopefully, with the understanding that our categories of the sacred and the profane are too simplistic for the complex workings of human culture and religion.

      Liminality is a mode of intensification.

      And I’m wondering to myself: regiments and battalions and brigades are clear cut categories, there’s nothing (apart from their initiation rites) liminal about them. But insurgents, able to blend in and out of a population, civilian yet militant, militant yet civilian?

      Is insurgency warfare inherently liminal? And if so, what does that have to teach us?

The best war game is a library of windows

Tuesday, July 3rd, 2012

[ by Charles Cameron — Escher, Borges, simulating the future, wargames, A Pattern Language, Sembl ]
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MC Escher, Relativity

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Ridiculous phrase, a library of windows. Unless you think, as I do, of books as windows onto different worlds, in which case it makes a whole lot of sense, and a decent library has more windows onto more profoundly different worlds than any physical room — and here we are getting into the territory of Jorge Luis Borges (links to Library of Babel) and Maurits Escher (image above).

And let me just state for the record that Godel Escher Bach could just as well have been Escher Carroll Borges, and that a comparison between the logics of Escher and Borges is one of the desiderata of our times.

That’s a Sembl move.

**

Let’s expand the concept of window to include the sort of inter-worldview glimpse that Haaretz describes today here:

Last week, in a small beit midrash (study hall) named after Rabbi Meir Kahane in Jerusalem’s Shmuel Hanavi neighborhood, an emergency meeting was convened to discuss instigating freedom of religion and worship on the Temple Mount. It was a closed meeting attended by representatives of the Temple Institute, HaTenu’ah LeChinun HaMikdash (the Movement to Rebuild the Holy Temple) and the Temple Mount Faithful, as well as two representatives of Women for the Mikdash, and others. The activists met to try to understand how they could overcome the authorities, who they believe are plotting against them, and return to the Temple Mount. At this meeting, Haaretz was offered a rare behind-the-scenes glimpse of the most ardent activists in the battle to Judaize the Temple Mount.

**

Here’s the meat of the post, as yet uncooked. Back in 2005, but brought to my attention today by Rex Brynen at Paxsims, is this piece from Strategy Page:

After eight years of effort, and spending over $300 million, the U.S. Army has officially received its new wargame (WARSIM) for training battalion, brigade, division, and as big as you want to get, commanders, and their staffs. Now even the most elaborate commercial wargame would not get $300 million for development, and eight years to create the system. But wargames for professional soldiers have different requirements, and a troublesome Department of Defense bureaucracy to deal with. First, the requirements. Commercial wargames shield the player from all the boring stuff (support functions, especially logistics.) But professional wargames must deal with these support activities, because in a real war, these are the things commanders spend most of their time tending too. …

WARSIM covers a lot of complex activities that a commander must deal with to achieve battlefield success. Besides logistics, there’s intelligence. Trying to figure out what the enemy is up to is, next to logistics, the commanders most time consuming chore.

— which in turn was referenced by Michael Peck writing in a Kotaku piece today titled Why It’s So Hard to Make a Game Out of the 21st Century:

Let’s build a game. Let’s make it a strategy game. We will realistically simulate global politics in the 2030s. Perhaps a sort of Civ or Supreme Ruler 2020-type system.

Where shall we start? How about something easy, like choosing the nations in the game? It’s simple enough to consult an atlas. We’ll start with Britain…but wait! Scotland is on the brink of declaring independence from the United Kingdom. Should Britain be a single power, or should England and Scotland be depicted as a separate nation? What about Belgium splitting into Flemish and Walloon states? And these are old, established European nations. How will states like Syria and Nigeria look in two decades? It was only a bit over 20 years ago that the Soviet Union appeared to be a unshakeable superpower that controlled Eastern Europe and Central Asia.

**

Let’s cook that meat, let’s make a meal of it.

Peck’s piece goes into many other ways in which predictive gaming isn’t terribly productive.

But it left me asking the question, what would I do with a game-sized budget, if my aim was to push military and intelligence towards greater insight.

And my answer would be to embed information in walls. In corridors…

To build windows at sparse and irregular intervals into the internal corridors that connect any given office in the Pentagon or three-letter agency — or my local preference (hush, I know it’s the Glorious Fourth tomorrow) MI-5 and -6 — through which analysts and decision makers can glimpse snippets of information.

Which can then fall into the deep well of memory.

It is deep within that well of half-forgotten knowledge, ST Coleridge tells us, that the “hooks-and-eyes of memory” link one thought with another to build a creative third.

**

A wall, then. I would build a wall embedded with facts and fancies, maps and illustrations, graphs and stats, film clips and news clips, anecdotes and quotes — even, perhaps, tiny alcoves here and there with books free for the taking, music CDs, DVDs of movies, old, new, celebrated, strange…

And I would be constantly shifting and rearranging the “views” from my windows, so that what was seen yesterday would not be what would be seen tomorrow — yet with a powerful index of words, topics, themes, memes, image contents, names of actors, newscasters, authors and so forth, so that what was once seem and dimly recalled could be recaptured.

**

The concept here is pretty much the exact opposite of having a huge black poster proclaiming Creativity Matters!

Don’t get me wrong, creativity does matter (get that poster and others here), but it “works in mysterious ways its wonders to perform” — and the way to entice it is to see things out of the corner of the eye…

The windows I’m looking for, therefore, offer glimpses you wouldn’t necessarily notice if you were deep in thought or conversation, and conversely, wouldn’t see twice and grow so familiarized to that they’d become irrelevant by repetition. They’d be glimpsed in passing, their esthetic would be that of Christopher Alexander’s Zen View, pattern 134 in his brilliant work — the closest we have to a Western I ChingPattern Language:

The idea, then, is to seed the memory with half-conscious concepts, patterns, facts and images, carefully selected and randomly presented — so that those hooks and eyes have the maximum chance of connecting some scrap of curious information with a pressing problem.

Which is how creativity tends to work.

**

That way each corridor becomes a game-board — but it is in the analyst’s focused mind that the game is played and won.

What you’d get, in effect, would be community-wide, ongoing free-form gameplay in complete alignment with the web-based game we’re currently developing at Sembl. Games of this genre will also have powerful application in conflict resolution.

And peace.

The Psychology of Intelligence Analysis

Friday, June 22nd, 2012

Recently, commenter L.C. Rees brought to our attention  Psychology of Intelligence Analysis by Richards J.  Heuer, one of the rare sort of CIA officers who spent decades in both the Directorate of Operations and the Directorate of Intelligence.  I have been thumbing through Heuer’s work and if you have an interest in metacognition, analytical clarity, and cognitive biases, this book is for you.


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