zenpundit.com

[ By Charles Cameron ]
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I’m always on about the power of polyphonic thinking, right? Okay, IMO, these two pieces are well worth reading in stereo:

http://www.galacticempiretimes.com/2011/05/09/galaxy/outer-rim/obi-wan-kenobi-is-killed.html
http://www.nytimes.com/2011/05/02/world/asia/osama-bin-laden-is-killed.html

h/t @abumuqawama

[ by Charles Cameron — cross-posted from ChicagoBoyz ]

Hat Tip to Dan F.

If only…..

[ by Charles Cameron — cross-posted from SmartMobs ]

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An Easter Egg, according to one online definition, is an “undocumented function hidden in software that may or may not be sanctioned by management”. All sorts of media can in fact have Easter Eggs hidden in them, and the same definition goes on to mention occurrences in “video games, movies, TV commercials, DVDs, CDs, CD-ROMs and every so often in hardware.”

Well, okay. As of now, they can also be found on Fox News. Someone just sneaked the name of a Japanese rock club into the list of Japanese nuclear power plants:

The definition of Easter Egg is from Your Dictionary.
The Fox News screen-grab is from Business Insider.
The image of the young rocker is from the Shibuya Eggman club website.
The song the young man is singing is undoubtedly I am the Walrus.
The hat-tip goes to Daveed Gartenstein-Ross, @DaveedGR, who pointed me to another Faux-pas, this one involving Pakistan and padded bras.

The divine comedy is that we can still find humor in the teeth of tragedy.
The triple tragedy is that Japan is reeling from quake, tsunami and nuclear plant failure.

One of the key chapters in my friend Howard Rheingold‘s book, SmartMobs, is titled Shibuya Epiphany. And that’s my epiphany for today.

a light-hearted canon in two voices

[ by Charles Cameron ]

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I’d been doing some research for a follow-up post on story-telling in Afghanistan to go with Scott‘s account of his day at DARPA’s recent STORyNET conference, and one of the interlocutors on the list we’re both on posted a question about the impact of drug use as a consideration in narrative.

Baudelaire and Cocteau both have writings on drug use — hashish and opium respectively — but it was Afghan or more generally Islamic story-telling that I was after, and it occurred to me that the four stories in Paul Bowles‘ collection, A Hundred Camels in the Courtyard, were easily accessible examples of the kind of story-telling that Moroccans are prone to under the influence of hashish.  Bowles describes their mental processes thus:

Moroccan kif-smokers like to speak of the “two worlds,” the one ruled by inexorable natural laws, and the other, the kif world, in which each person perceives “reality” according to the projections of his own essence, the state of consciousness in which the elements of the physical universe are automatically rearranged by cannabis to suit the requirements of the individual. These distorted variations in themselves generally are of scant interest to anyone but the subject at the time he is experiencing them. An intelligent smoker, nevertheless, can aid in directing the process of deformation in such a way that the results will have value to him in his daily life. If he has faith in the accuracy of his interpretations, he will accept them as decisive, and use them to determine a subsequent plan of action. Thus, for a dedicated smoker, the passage to the “other world” is often a pilgrimage undertaken for the express purpose of oracular consultation.

The title of Bowles’ little collection, by the way, comes from the Moroccan proverb which is gives me the first of my two quotes, two courtyards, two intoxicants and two hundred camels below…

I wasn’t entirely satisfied, though, which a Moroccan account of hash-flavored narrative when DARPA was looking for an understanding of narrative that would apply in Afghanistan, so I thought I’d look up some of Idries Shah‘s writings, and Kara Kush in particular, to see if perhaps I could find an Afghan equivalent of Bowles’ stories there…

I already had Bowles’ one courtyard and one hundred camels in mind, so you’ll understand how pleased I was to stumble upon another slightly obscure but interesting writer — Peter Lamborn Wilson, aka Hakim Bey, who gave use the concept of the TAZ or Temporary Autonomous Zone — writing about Afghanistan rather than Morocco, opium rather than hashish, and a second courtyard, with a second hundred camels:

Two terrific writers: Paul Bowles and Peter Lamborn Wilson.

Sources: Bowles – Wilson

Courtyards with a hundred camels in them are popping up all over.