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[ by Charles Cameron — Zero Dark Thirty & Manhunt, fact and fiction, that old saw about who it is that gets to write history, thence onwards to theology & the arts, von Balthasar & Tolkien, winding up watching UK & US versions of House of Cards with son David ]
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How’s this for stereoscopy?

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You may know I’m preoccupied with the notion of extending the stereo concept — using twin sources to add a depth dimension to one’s perception — from stereophonic audition and stereoscopic vision to stereocognition more generally.

Nada Bakos‘ image above shows a cinema in which documentary and fictional versions of the story of the hunt for bin Laden are playing simultaneously. The fiction, Kathryn Bigelow‘s Zero Dark Thirty, I saw a couple of days ago, and neither I nor son Emlyn, 17, were terribly enthused: the Camp Chapman scene was the one that touched me most deeply.

I’ll no doubt want to see both films, but it’s Greg Barker’s documentary, Manhunter, that will interest me the most, the more factual of the two. And yet that’s curious in and of itself, because as a poet I’m usually interested in the mythic and imaginative as much as or more than the “merely” factual, and I tend to think of the movies as providing a mythology for our times.

Okay, let me give you the two quotes that get to the heart of my sensibilities about fact and fiction at the movies.

What, after all, happens in a movie theater after the lights dim and the curtain rises? F Scott Fitzgerald tells us what happens in the mogul’s screening room, but it’s the same with us peons, isn’t it?

Dreams hung in fragments at the far end of the room, suffered analysis, passed — to be dreamed in crowds or else discarded.

And I’m also with the poet Kathleen Raine, who said:

Myth, when a real event may be the enactment of a myth, is the truth of the fact and not the other way around…

So where does that leave me?

Right now, it leaves me feeling that in the case of these two filmic treatments of the same “true story” — and no doubt many others — history will likely be “written” by the entertainment makers, not the documentarists. Paradoxically, a sad thought.

But let’s go beyond that.

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I said I’m preoccupied with the notion of using twin sources to add a depth dimension to perception — from stereophonic audition and stereoscopic vision to stereocognition more generally. Another way to say that is that I’m interested in figuring out how to think contrapuntally, and how to score contrapuntal thought — thought which holds two or more potentially conflicting concepts in mind simultaneously, so as to arrive at a deeper understanding than one perspective alone can provide…

I’ve talked about these modes of stereoscopic / contrapuntal cognition before, in posts such as Form is insight: a musical experiment and Silent reading, silent thinking, bifocal glasses, and I’m always delighted when I run across a new very bright thinker (Glenn Gould, Edward Said [Power, Politics, and Culture p. 447}, Wm Blake) playing with these ideas — today it’s the late theologian Hans Urs von Balthasar in his book Truth Is Symphonic: Aspects of Christian Pluralism, who speaks of “the entire polyphony of revelation”, suggests that:

In his revelation, God performs a symphony, and it is impossible to say which is richer: the seamless genius of his composition or the polyphonous orchestra of Creation that he has prepared to play it

and states that “Even eternal Truth itself is symphonic.” The only stronger statement I know of concerning the contrapuntal nature of the world from within the Catholic tradition is JRR Tolkien‘s extraordinary short masterpiece of a creation myth, The Music of the Ainur [scroll down at link], with which he begins the Silmarillion.

So the contrapuntal idea is present in theology, as well as the arts…

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Stereoscopy, counterpoint.

I’ve been watching the TV series, House of Cards, with my fourteen-year old, David — we’ve now seen the whole first series of the UK version together, and the beginning of the US version, and it’s fascinating to notice the differences.

Frank Underwood (Kevin Spacey):

Francis Urquhart (Ian Richardson):

See both shows, form your own conclusions…

And their source?

Now I shall have to watch Richard III with David, too.

[ by Charles Cameron — the Pope announces his retirement — from a life of power to a life of prayer ]
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The Code of Canon Law states in Canon 332, No. 2:

If it should happen that the Roman Pontiff resigns his office, it is required for validity that he makes the resignation freely and that it be duly manifested, but not that it be accepted by anyone.

In accordance with this canon, Pope Benedict XVI made the declaration seen in the video above, in which he said that he would resign from his pontificate at the end of this month. The Vatican’s English text of his Declaratio reads:

Dear Brothers,

I have convoked you to this Consistory, not only for the three canonizations, but also to communicate to you a decision of great importance for the life of the Church. After having repeatedly examined my conscience before God, I have come to the certainty that my strengths, due to an advanced age, are no longer suited to an adequate exercise of the Petrine ministry. I am well aware that this ministry, due to its essential spiritual nature, must be carried out not only with words and deeds, but no less with prayer and suffering. However, in today’s world, subject to so many rapid changes and shaken by questions of deep relevance for the life of faith, in order to govern the barque of Saint Peter and proclaim the Gospel, both strength of mind and body are necessary, strength which in the last few months, has deteriorated in me to the extent that I have had to recognize my incapacity to adequately fulfill the ministry entrusted to me. For this reason, and well aware of the seriousness of this act, with full freedom I declare that I renounce the ministry of Bishop of Rome, Successor of Saint Peter, entrusted to me by the Cardinals on 19 April 2005, in such a way, that as from 28 February 2013, at 20:00 hours, the See of Rome, the See of Saint Peter, will be vacant and a Conclave to elect the new Supreme Pontiff will have to be convoked by those whose competence it is.

Dear Brothers, I thank you most sincerely for all the love and work with which you have supported me in my ministry and I ask pardon for all my defects. And now, let us entrust the Holy Church to the care of Our Supreme Pastor, Our Lord Jesus Christ, and implore his holy Mother Mary, so that she may assist the Cardinal Fathers with her maternal solicitude, in electing a new Supreme Pontiff. With regard to myself, I wish to also devotedly serve the Holy Church of God in the future through a life dedicated to prayer.

From the Vatican, 10 February 2013

BENEDICTUS PP XVI

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Pope Benedict’s tweet as @pontifex yesterday offers an instructive and succinct insight into the Holy Father’s personal considerations:

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I have written on Pope Benedict’s ecumenism, all too briefly about his sacramental theology and liturgical writings, of his interfaith work with Muslims, of his remarks contrasting power and the kingdom, and exalting humility and joy as the prime Christian virtues — and most recently and lightheartely, of his opening a twitter account.

The Anglican blogger who styles himself Archbishop Cranmer (despite the fact that his namesake was burned at the stake in 1556 for declaring the pope of his own day the antichrist) gets it right IMO when he writes:

Pope Benedict XVI has been the most searing intellect to occupy the Chair of St Peter for at least a couple of centuries, and the vacuum he leaves will be immense. It was an enormous blessing to the Church that his pontificate coincided with the archepiscopacy of Rowan Williams: together they were theological giants in a sea of prelate pygmies.

Likewise, I am with Damian Thompson, who blogs at the Telegraph, in saying:

He has renewed the worship of the Church, reconnecting it to the majesty and deep piety of the past. He has forged new links with non-Catholics, for example by bringing ex-Anglicans into the fold through the Ordinariate. He has promulgated teaching documents further integrating the love and teaching of Christ with the structures of the Church – structures that, it would appear, he feels now unable to continue ruling.

and concluding:

He will be intensely missed by those of us for whom he was, in his quiet way, the most inspiring Pope of our lifetimes.

Pope Benedict’s great gift to the Church has been his emphasis on beauty in liturgy, his great gift to the world his Encyclical on social justice, Caritas in Veritate: now, perhaps, he is giving himself the greatest gift, that of retirement into “a life dedicated to prayer”.

[ brief intro by Charles Cameron, then shorter version of Dr. Cath Styles‘ presentation of Sembl at the National Digital Forum in New Zealand, 20 November 2012 ]
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Charles writes:

I’ve been working for almost twenty years on the development of a playable variant on Hermann Hesse‘s concept of the Glass Bead Game.

It’s an astonishing idea, the GBG — that one could build an architecture of the greatest human ideas across all disciplinary boundaries and media — music, religion, mathematics, the sciences, anthropology, art, psychology, film, theater, literature, history all included — and it has engaged thinkers as subtle as Christopher Alexander, the author of A Pattern Language [See here, p. 74]. Manfred Eigen, Nobel laureate in Chemistry and author of Laws of the Game [see here], and John Holland, the father of genetic algorithms [see here].

Here’s Hesse’s own description of the game as a virtual music of ideas:

All the insights, noble thoughts, and works of art that the human race has produced in its creative eras, all that subsequent periods of scholarly study have reduced to concepts and converted into intellectual values the Glass Bead Game player plays like the organist on an organ. And this organ has attained an almost unimaginable perfection; its manuals and pedals range over the entire intellectual cosmos; its stops are almost beyond number.

My own HipBone Games were an attempt to make a variant of the game that would be simple enough that you could play it on a napkin in a cafe, and has in fact been played online — and more recently, my friend Cath Styles has adapted it for museum play, and introduced the basic concept and our future hopes in a presentation at the National Digital Forum 2012, New Zealand — which you can see very nicely recorded in Mediasite format.

Do take a look — Cath makes a first-rate presentation, and I love the Mediasite tech used to capture it.

Since the slides are shown in a small window concurrently with Cath’s presentation, I’ve edited her presentation for Zenpundit readers, and reproduced many of her slides full-size with some of her commentary below.

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Cath speaking:

In its first form, Sembl is an iPad game, called The Museum Game, at the National Museum of Australia. We’ve just released it in beta as a program for visiting groups.

Cath then talks about feedback from children and adults about their experience of playing the game. Some kids homed in on the principle of resemblance, others emphasised the social side of the game. She talks, too, about their teacher, and her observations about the ways the game engaged her kids.

She then shows us various Sembl gameboards for iPad:

Cath speaks:

But The Museum Game is just one form of Sembl. The Museum Game is played in real time, on site, and players take photos of physical objects to create nodes on the board.

The next step is to make a web-based form, that you could play at your own pace, and from your own place. Then, Sembl becomes a game-based social learning network, which amplifies the personal value of the game – it becomes social networking with cognitive benefits.

But it’s the bigger picture – of humans as a community – that I most want to explore: Sembl as an engine of networked ideas, or linked data.

Charles notes: I’m skipping the educational part — and the bit about my own role in the game’s development, to get to the core of her presentation as I see it: the cognitive facilitation it provides

Cath again:

Another way of saying this is that the Game provides a structure and impetus for dialogue, between the museum and visitors, between visitors and things, among visitors and between things. And this is not dialogue in the sense of an everyday conversation. It’s deeper than that. It’s a mutual experience of looking both ways, simultaneously.

Cath next quotes David Bohm, the eminent quantum physicist:

Cath speaks:

For Bohm, dialogue means holding several points of view in active suspension. He regarded this kind of dialogue as critical in order to investigate the crises facing society. He saw it as a way to liberate creativity to find solutions.

Cath then drops in an important topic header:

Toward a game-based social learning network

Cath:

The concept of Sembl, in its deepest sense, is social learning – game-based social learning. In its first instantiation, it is game-based social learning in a museum and – if things turn out as I hope they will – from next year it will be playable at any other exhibiting venue that has the infrastructure and the will to host games – galleries, libraries, botanic gardens, zoos and so on.

A web-based form of Sembl can generate linked data with a difference. It’s linked link data, and quite different to normal linked data.

• Instead of connections based on what a thing is – sculpture, or wooden, or red – Sembl generates connections based on a mutual resemblance between two things. Which, amazingly enough, is a great way of gaining a sense of what each thing is. And if your interest is to enable joyful journeying through cultural ideas, or serendipitous discovery, this approach just wins…
• Instead of compiling logical links, Sembl cultivates the analogical.
• Instead of building and deploying a structured, consistent set of relationships, Sembl revels in personal, imprecise, one-of-a-kind, free association, however crazy.
• Instead of attempting to create a comprehensive and stable map of language and culture, Sembl links are perpetually generative, celebrating the organic, dynamic quirks of cognitive and natural processes.

But the most important way that Sembl is distinct from other systems of network links is that those who generate the links learn network thinking. Which is a critical faculty in this complex time between times, as many smart people will tell you.

Poets have always known the virtues of analogy as a path to the truth.

Sembl promotes dialogic, non-linear thinking, and new forms of coherence.

It’s distinct from deliberative thinking, which is rational and causal and logical and linear.

It’s another kind of thinking, which might be informed by rational thought, but its purpose is not singular.

You might say its purpose is to create – and cohabit – a state of grace, from which ideas simply emerge.

If playing Sembl gives us practice in polyphonic thinking, if it helps cultivate connectivity and our capacity to find solutions to local and global problems, it is good value. As Charles says, every move is a creative leap.

Cath concludes:

If you’re interested in working with us to supply content, develop strategy or raise capital, we’re keen to talk.

And I can’t tell you how much I’m anticipating being able to invite everyone to play.

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Cath can be reached via Twitter at @cathstyles, and I’m at @hipbonegamer. The Sembl site is at Sembl.net.

Next up: what Sembl has to offer the IC.

[ by Charles Cameron — today’s solemn commemorations in Iraq, Afghanistan, Pakistan and India in comparative religious perspective ]
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I was listening to Mozart‘s Requiem last night, and it is rich in grief shot through with glory. That’s the thing about mourning celebrations in which death is accompanied by the “sure and certain hope of the Resurrection into eternal life”.

One such observance is found in Shia Islam, and falls this year on the 25th of November — today. It is the day of Ashura, the 10th day of Muharram in the Islamic calendar, and its epicenter is at Karbala in Iraq. As the saying goes:

Every day is Ashura and every land is Karbala.

For the Shia, Ashura commemorates the martyrdom of Husayn, grandson of the Prophet, at the Battle of Karbala, when he refused to give allegiance to the Umayyad caliph Yazid. Husayn’s martyrdom is dramatized in Ta’zieh, passion plays, giving us a hint that the martyrdom of Husayn at Ashura figures in the devotional life of the Shia much as the passion and death of Christ figures within Christianity, both in passion plays such as that at Oberammergau and in Catholic rituals such as the Stations of the Cross. This may seem a far-fetched analogy to some of my readers, but both deaths are viewed as redemptive. As another saying has it:

A single tear shed for Husayn washes away a hundred sins.

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As you can see depicted in the lower panel above, Shiite mourning can include flagellation with chained blades, not something that sits easily with most westerners — yet as Roy Mottahedeh has said (quoted in SA Hayder, Reliving Karbala: Martyrdom in South Asian Memory):

Self-mutilation in emulation of the “passion” of heroes who are human yet divine is no stranger to the West: flagellants who whipped themselves both in penance and in remembrance of the scourging and crucifixion of Jesus appeared in almost every western European country in the Middle Ages…

The upper panel above depicts Husayn’s horse, riderless and bloody, and can perhaps give us some sense of the dark ceremonial beauty of the occasion for those whose grief transcends time and unites them in aspiration with Husayn himself — their flagellation attesting to their wish that they themselves could have stood beside him on that day so long ago, standing for truth against an army of injustice.

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Their grief may be trans-temporal, but the possibility of dying for their faith persists to this day, for Sunni militants of the jihadist sort view Ashura differently — primarily as a day of fasting first performed by Moses and continued by Muhammad — and detest the breakaway sect of the Shia as rafidun, heretics.

In Iraq, Ashura there has seen millions of pilgrims visiting Karbala this year, with comparatively little violence:

Millions of Shiites flooded the Iraqi shrine city of Karbala on Sunday for the peak of Ashura rituals, which have been largely spared the attacks that struck pilgrims in past years. A bomb wounded 10 pilgrims in Diyala province, north of Baghdad, but it was the first such attack since a car bomb against pilgrims killed three people on November 17.

Farther afield, what the Pakstani police describe as a “major terror plot to attack the Muharram processions in Karachi” was avoided this year when “large amounts of explosive material, two suicide jackets and grenades” were confiscated during a raid, with the Minister for Religious Affairs declaring that the Tehreek-e-Taliban were behind the plots. Elsewhere in Pakistan:

At least five persons were killed and over 70 others injured on Sunday when a Shia procession was targeted with a bomb at Dera Ismail Khan in Pakistan’s restive northwest, the second such attack in the city in as many days.

Meanwhile in Kabul:

For the past week, the Afghan capital has been draped with black cloth arches and festooned with huge colored banners. Mournful, pounding chants pour from loudspeakers across the city, filling the air with slow martial intensity.

The dramatic display is all part of Muharram and the 10-day Shiite festival that commemorates the slaying of Imam Hussein, a 7th-century holy figure and early champion of Islam. But it is also a symbol of the growing religious and political freedom that Afghanistan’s long-ostracized Shiites have had in the past decade.

That’s from a Washington Post piece yesterday titled Afghan’s Shiite minority fears a return to old ostracism — and the next two paragraphs bear out the title:

Now, as Western military forces prepare to leave the country by 2014, Afghan Shiites, most of whom are from the Hazara ethnic minority, fear that their window of opportunity may slam shut again, leaving larger rival ethnic groups as well as Taliban insurgents, who are radical Sunni Muslims, dominating power.

“Everything we have achieved, our ability to come out and participate in society, has been in the shade of the international community and forces,” said Mohammed Alizada, a Hazara Shiite who was elected to parliament in 2009. “We are very concerned that once they leave, the fundamentalists will reemerge, ethnic issues will return, and we will lose what we have gained.”

Tribal politics, sectarian issues, the impending departure of US forces, the Taliban, cross-border alliances — and the sheer power of devotion — all these are intricately intertwined in today’s Afghanistan and its future. We may do well to understand something of the meaning of this day of Ashura, in our own calendar, 25th November 2012.

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Annemarie Schimmel, the great Harvard scholar of Islamic mysticism, has a fine essay on the poetry of Ashura, encompassing both Sunni and (strongly Shia-influenced) Sufi traditions, Karbala and the Imam Husayn in Persian and Indo-Muslim literature. The mindset is very different from contemporary secular westernism, seeing death itself — and the grief that accompanies it — as a prelude to resurrection, and thus part of the timeless love-play of God with those who love him:

In having his beloved suffer, the divine Beloved seems to show his coquetry, trying and examining their faith and love, and thus even the most cruel manifestations of the battle in which the ‘youthful heroes’, as Shah Latif calls them, are enmeshed, are signs of divine love.

The earth trembles, shakes; the skies are in uproar;
This is not a war, this is the manifestation of Love.

The poet knows that affliction is a special gift for the friends of God, Those who are afflicted most are the prophets, then the saints, then the others in degrees’, and so he continues:

The Friend kills the darlings, the lovers are slain,
For the elect friends He prepares difficulties.
God, the Eternal, without need what He wants, He does.

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The spirit here is not too far from that of the Greek philosopher Plotinus, who wrote in his Enneads [III.ii.15]:

Men directing their weapons against each other- under doom of death yet neatly lined up to fight as in the pyrrhic sword-dances of their sport- this is enough to tell us that all human intentions are but play, that death is nothing terrible, that to die in a war or in a fight is but to taste a little beforehand what old age has in store, to go away earlier and come back the sooner.

together with that of the early Christian Father, Origen, who wrote [De Martyrio, 39]:

And let each of us remember how many times we have been in danger of an ordinary death, and then let us ask ourselves whether we have not been preserved for something better, for the baptism in blood which washes away our sins and allows us to take our place at the heavenly altar together with all the companions of our warfare.

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In India, indeed, the martyrdom of Husayn takes on an interfaith character in some places, as Hindus and Christians join Muslims in Ashura commemorations, as Naim Naqvi relates:

One can observe the richness and beauty of the diversity of Indian Culture at the occasion of Muharram. Since the martyrdom of Imam Hussain, Muharram ceremonies are observed all over the world including India. Hindus take part in them with great reverence and devotion. The tragedy of Karbala has become the harbinger for interfaith understanding in the Indian sub-continent. Participation of Hindus in the mourning rituals of Imam Hussain has been a feature of Hinduism for centuries in large parts of India. Hindus, Sikhs, Jains and even Christians observe Muharram. In the city of Varanasi which is the holiest city for Hindus many Hindu families participate in Muharram processions.

Describing the participation of one such Hindu family in Orissa, we read:

District police chief Lalit Das said Padhihary family has been doing this every year for the last 338 years, adding other local Hindu families also participate in the procession.

Muslims said it reflected the perfect harmony between the two communities in the area.

[ by Charles Cameron — as Dylan sang, a change in the weather is known to be extreme ]
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Right at the top of Part I of the recent three-part Report on Climate Security from the American Security Project, we read this paragraph:

Climate change is real: we see its impacts every day, around the world. A melting Arctic, unprecedented droughts across the world, extreme examples of flooding, and uncontrollable wildfires are all examples of the changing climate.

That’s right, that’s right and important, that’s right, important and timely.

But you know, at heart I’m a poet. And although I’m concerned about the issues the report addresses, I can’t help thinking of climate and weather, atmosphere and wind, in a manner that crisscrosses the “interior” vs “exterior” divide.

If you lean to the scientific more than the poetic, you might want to consider what I’m talking about as an instatiation of the insight Gregory Bateson expressed in the title of his seminal book, Mind and Nature: A Necessary Unity.

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Let me lean to the poetry-side for a paragraph or so, then we’ll come back to security issues the report raises.

I probably caught this particular “weather and weather” disease from Dylan Thomas’ great and celebrated poem, A Process in the Weather of the Heart:

A process in the weather of the heart
Turns damp to dry; the golden shot
Storms in the freezing tomb.
A weather in the quarter of the veins
Turns night to day; blood in their suns
Lights up the living worm.

Writing about this poem in his Reader’s Guide to Dylan Thomas, William York Tindall notes “Thomas’ obsessive concern with the natural process that, linking man and world, inner and outer, turns upon the axis of life and death” and specifies that “applying ‘weather,’ a word for outer climate, to inner climate joins two worlds.”

Thomas is concerned in that extraordinary poem to join, likewise, life with death, night with day, womb with tomb, seeing eye with blind bone and more – or not so much to join them as to see them as inseparable, as parts of the single unfolding that is the world.

There is much more to the poem than the central obsessive theme of the “process in the weather of the heart” with which the poem opens and the “process in the weather of the world” with which it closes. It is their conjunction, their inseparability which interests me here – the poet’s perception that there is no inner without the outer, no outer without the inner – that in each there is weather, which Tyndall also calls climate, that weather is in both…

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Back to meteorology and national security..

Look, I’m not exactly an enemy of thinking about climate change and national — or global — security. I admire ASP for today’s piece by Catherine Foley, Climate Change: The Missing Link in Tackling the Mali Crisis. We need more considerations of that kind, they’re rare and extremely valuable.

Mecca is one of the hottest cities in the world, and the Kaaba the central pivot around which all Islam revolves — potentially a double hot-spot. What are the implications of climate change for the Saudis, for Mecca, for Islam?

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When I think about weather, I think about storms in the world, storms in the heart and mind, almost in the same breath. Specifically, when I think of global warming, I can’t help but see the problem as being one of double-awareness – rising temperatures and rising tempers, rising sea-levels and rising levels of anxiety and / or denial, the climate of meteorology and the climate of opinion…

Seen from my bifocal perspective, the report is notably focused on externals. Take another sentence from the brief bullet points on the first page;

The climate influences people’s everyday lives, from what they eat to where they live.

We eat food, food that can be weighed and measured, and analyzed for its nutrient elements and health properties. We live in cities, towns and villages, in houses, or developments, which can located on maps…

With my bifocals on, it would be more accurate, more encompassing to say:

The climate influences people’s everyday lives, from what they eat to how they feel, and from where they live to what they think and how they behave.

Because in my view, the situation is as much about “mind change” as it is “climate change” — in my view, the “fulcrum that can move the world” is to be found in the geography of mind and heart.

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Okay, let’s back up a bit.

The “first page” I quoted is the first page of the First Part of the Report, but there’s also an Introduction, and I want to pick up the thread there now, because the Introduction is written with human thought — specifically “honest dialogue” — in mind, and opens with what seems at first glance like one of those obvious truths that serve as the jumping off points for more detailed considerations:

The American Security Project is organized around the belief that honest, public discussion of national security requires open, non-biased, non-partisan discourse about the dangers and opportunities of the 21st Century.

There’s just one problem here, though — a single paragraph later, we read:

Climate change poses a clear and present danger to the United States

I’d give my assent happily enough to either of these two propositions, if they weren’t both talking about the same situation. Because when someone sees a “clear and present” hungry tiger coming at them and doesn’t take rapid action to avoid being eaten, it’s not “open” and “unbiased” — it’s “in denial”.

Which in turn means there’s a swathe of the population that may not be willing to hear “open, non-biased, non-partisan discourse” nor able to contribute to it. “I don’t believe my eyes, they’re deceiving me with all this hogwash about tigers”…

And those people have loved ones, bring foods to community pot-lucks, and teach class, and vote…

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Some time ago, I was working on a transposition of the Gospel narratives of Luke and John into the Troubles in Northern Ireland, with Britain playing the part of Rome and so forth, and adding some commentary along the way. Here’s a slightly revised version of my comment on John 3.8:

There is one particular word that John uses which has what we today might call a triple (rather than a double) meaning. When Christ in this verse says, “The wind bloweth where it listeth, and thou hearest the sound thereof, but canst not tell whence it cometh, and whither it goeth: so is every one that is born of Spirit,” it is the Greek word pneuma that can be translated both as wind and spirit. It also means breath.

Christ is saying here that those who are born of spirit are like the wind, like breath, and like inspiration: each of which can be noticed but not predicted, because each moves of its own accord — yet in the Greek these are not three separate concepts as they are for us today. As CS Lewis says in another context, we must always remember “that the various senses we take out of an ancient word by analysis existed in it as a unity.”

In telling us this, St John is saying at one and the same time that nobody knows where the first breath comes from or when the last breath will leave us, nobody knows how to forecast exactly which path a hurricane will take, and nobody knows how to make an assembly line for inspiration – if we did, Beethoven could have written another three symphonies as great as his Ninth to order, stat!

One of the reasons we don’t know how the heart and mind work is that we’ve separated “meteorological” weather from “the weather of the heart” — and there’s a storm brewing, inextricably, on both fronts.

If the ASP report is anything to judge by, we’re only looking at one of them.

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Oh, and here by way of confirmation is an old friend from my Oxford days, the late Chogyam Trungpa Rinpoche, quoted in a piece for the November issue of Shambhala Sun:

No matter where we are in the world, there is a need for enlightened society, wherever natural disasters hit. In this case, “natural disaster” refers to aggression, passion, and ignorance. These kinds of natural disasters occur in the minds of people.

Trungpa’s sense of “natural disaster”, I humbly submit to the folks at the American Security Project, either needs to run like a woof through the warp of their report on climate change — which it doesn’t — or it deserves a fourth section of its own.