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From exceeding dark to joyous light

Tuesday, January 1st, 2019

[ by Charles Cameron — via Strange Fruit and Jonestown, deviously wandering, to Merton and thence O Happy Day ]

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Let’s start with the exceeding dark, brilliantly brought to us by Billie Holiday:

**

I got there via the phrase “strange fruit” — which cropped up without any overt reference to the song in an account of the aftermath of the Jonestown mass-suicide / murder in Guyana — Gaiutra Bahadur‘s The Jonestown We Don’t Know in the NYRB.

A sapling had lifted a child’s patent leather shoe off the ground like “strange fruit that some rare and exotic plant had produced.”

As I tweeted on reading this, “shades of Southern trees bear strange fruit / Blood on the leaves and blood at the root” — Ms. Bahadur responded, “I also thought of this song when I read those lines” to which I replied, “I’m betting Jan Carew. was conscious of it, too.” — Jim Carew being one of Ms. Bahadur‘s sources and the grandson of the Carib chief who had observed Jonestown from its inception to its post-destruction, albeit invisible to the participants from the fringes of the forest surrounding Jim Jones‘ settlement.. “I agree, he probably was” Ms Bahadur commented in closing out our little Twitter ping-pong.

Ms. Bahadur is a vivid raconteur.

Here’s more on the Carib chief, his grandson Carew, and Jonestown from her marvelous piece and those forest fringes:

Jonestown was built in the Kaituma region, heartland of the Caribs, who had dispersed to various islands from their historical homeland in Guyana over centuries. Named after the river running through it, Kaituma means Land of the Everlasting Dreamers..

With candle flies in bottles to light the way, I walked amongst their dead. They’d died in circles, like worshippers around invisible altars

the old man recounted singing Carib death-songs among the suicide victims. The elder explained that he was calling on the homeless spirits of the Americans to reconcile with the ancestral Carib dead, because they had never asked for permission to share the land

and:

Carew reflected that if anyone understood mass suicides, it was the Caribs, whose mythology marks sites across the Caribbean islands where they jumped from cliffs to their deaths rather than accept slavery at the hands of European colonizers..

I hope you can appreciate with me the poetry to be seen in these quotes.. dark though the Jonestown tragedy indeed was..

**

Here’s how I was taking this: it seemed like another glimpse, from another angle, of the rich stew of religions bleeding into everything and blossoming anew where the Americas meet, that I’d mentioned in a tweet the day before — a tweet I was, let me admit, just a wee bit proud of:

For the record, far & away most fascinating, explosive area of religious studies these days is the cross-border Mexico-USian folk-syncretic part-narco-theological terrain, Santa Muerte, Templarios cartel &c, studied by Andrew Chesnut, Kate Kingsbury, Robert Bunker and David Metcalfe, with more doctorates between them than I can count.

and here’s my follow-up:

Life lives at the intersection of cultural anthropology, comparative religion & depth psychology — not studied as three separate fields, but as one breathing whole, since the drivers of human actions found at that hermetic crossroads are among the most radical, powerful for change

These have been a rich couple of days for my stumbling onto materials of this sort.

**

Here are some more mythico-anthro-religious quotes of keen interest — two concerning the Northern Lights:

In ancient China and Europe, the auroras were dragons and serpents, flitting around in the night. In Scandinavian folklore, they were the burning archway that allowed gods to move between heaven and Earth.

and:

According to Sami mythology, spirits are present in everything, from rocks and trees, foxes and reindeer, and the northern lights in the sky.

Those quotes are from what’s ostensibly an Atlantic “science” article, An Ancient Tradition Unfolds in New York, subtitled “The recent light show over the city tapped into a deep vein in human culture”. The city, here, is New York. Is it always?

Neil Kent, The Sámi Peoples of the NorthA Social and Cultural History.

Next up, from another source:

their camouflage is so perfectly tuned that they appear ethereal, as though made from storm clouds

Who they? Rangers? SEALs? Storm clouds themselves? the Fay? Angels? –Who knows? I’ll give you a hint — Peter Matthiessen. Beautiful, no? who or whatever they are..

And then there’s Thomas Merton, Trappist monk, priest, hermit, writer, world traveler, on his final journey from Gethsemani Abbey in Kentucky to visit his Buddhist monastic equivalents in Thailand…

I dreamed I was, temporarily, back at Gethsemani. I was dressed in a Buddhist monk’s habit

Merton’s, i suppose, was one of my poet transmissions, delivered by letter. I was just two days into 21 at the time., more than a half century ago.

**

We’re getting lighter, time to close these files and give you the final video.

Jonestown was gruesome with its strange fruit, lynchings, lynchings and lynchings likewise. It is, I surmise, the depth of our griefs and wounds that allows in us an equal height of joy — as though our griefs hollow us, and thus we can be filled with joy..

Within the profundity of Billie Holiday mourning, then, let us find the possibility Ray Charles embodies in his song, O Happy Day:

Grief like a river, accountability as an obligation

Sunday, December 30th, 2018

[ by Charles Cameron — concerning the two kids dead in border incidents – & you and me, if i may be so bold ]
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First of all, may they rest in peace:

Sources:

  • CBS, New details about 7-year-old migrant girl’s death in custody
  • WaPo, Guatemalan boy who died in U.S. custody tested positive for influenza
  • **

    My Question:

    Is it any of our — your and or my — business?

    My (tentative) Answer:

    Let me take that in two parts. One is a bit Eastern, Taoist in fact, but we’ll get to that — and the other more Western, and I’ll tackle that one right away.

    It seems to me these two needless deaths constitute an obligation: to hold the administration — and such super and subsets thereof as may be relevant, both up to and down to the level of individuals — to account. Such accountability is in my view one of the micro-slices of the price we pay for freedom — the States’ extraordinary experimental freedom.

    And then, what probably interests and concerns me more.. Grief like a river.

    **

    Grief, like a river, finds its own level.

    Let it.

    Media opinion people, and maybe others, fret quite a bit about the degree to which one can grieve for all the world’s troubles, should pick one’s battles, can care deeply only for those we know, family perhaps, or tribe.. the great question of compassion fatigue, or should that be moral fatigue?

    Love your neighbor stays in the hood: love your enemy parachutes down enemy lines, oh and weltschmerz is way overextended, perhaps?

    Let, therefore, your compassion, your grief, and your charitable outreach find their natural levels — don’t force them to some arbitrary limit or standard, they’re naturally overflowing in season, needing no push.

    Or so I suggest, with however much humility comes natural to me, that too being subject to flow..

    **

    Requiescant in pace, two younglings I never knew..

    More metaphor miscellany

    Thursday, December 27th, 2018

    [ by Charles Cameron — this one with quite a few neat chyrons, a book recommendation, &c ]
    .

    **

    Here’s PW Singer on his new book, LikeWar, and our cyber-security future:

    **

    Notable in the above, for the games metaphor collection as well as general understanding:

    This is a space where ISIS’ top recruiter and Taylor Swift are using the very same tactics to achieve fundamentally the very same goal in terms of online, but very different effects offline.

    And final point of it, if we don’t understand these new rules of the game, we are the losers of them.

    **

    A great few hours for chyrons

    MTO 12/26/2018

    Melber Beat 12/26/2018

    **

    Melber 26 Dec: echoing politics as just a savage game ..
    trump has no agenda here,he has no endgame, he has no strategy, he has no tactics ..
    look, i went to the mat, i did everything i could do, i shut down the governmentmover this, and democrats just wouldn’t give me the billions that we agree we need to get this done


    ..


    .
    djt: we’re not playing to lose slowly in iraq ..26/2018
    .
    all in chris hayes 12/26/2018
    the secretary of defense jim mattis resigned with a letter that politely torched the president’s worldview ..
    more and more like a mob boss ..
    what’s the game plan here? ..
    i wonder how you, your colleagues are thinking about gaming out the strategy of this house majority which is walking into day one, a sort of staring contest with the president ..
    .
    uncertain misc 12/26/2018
    it’s given every other country around the world whiplash ..
    pulling the rug out from under his own policies [ourob] ..
    and the question is, does pressure work any more on the operators in this sort of game ..
    it will be ironic if he was hoist by his own petard of sexism ..
    they organize their own demise because they ask for too much ..
    katy mtp: i wonder what the end game is for the president ..
    ari: the federal reserve has to raise rates, because they have to reducfe the balance sheet, in order to get the dry powder, to come rescue the economy ../
    .
    chris hayes: markets have whipsawed back and forth as investors try to figure out whata exactly is going on ..
    .
    12/27/2016
    rule #1 of negotiation is don’t negotiate against yourself – the president negotiated against himself, and now he’s in a corner..
    .
    Ant=d this, IMO, is brilliant, capturing a whole series of mirroring arguments:

    to play that “if obama had done” game..

    that’s one heck of a game!
    .
    Subtitle from Vanity Fair’s Hive today:

    The author of Mar-a-Lago: Inside the Gates of Power at Donald Trump’s Presidential Palace recounts the society columnist who tried to out-Trump the future president.

    ourob?

    Some culture!

    Some contest / fight / war..

    **

    More as relevant events, quotes, tweets, headlines & videos crop up in my various feeds..

    Today’s contest for your listening ear

    Tuesday, December 25th, 2018

    [ by Charles Cameron — sensing the sense of the season, musically, with JS Bach, GF Handel, and a special appearance by Dean Swift ]
    .

    Today’s contest is between Johann Sebastian Bach‘s Christmas Oratorio, here performed by Michel Corboz:

    and Georg Friedrich Händel‘s Messiah, here under the baton of Sir Colin Davis at the Barbican, with the marvelous Sara Mingardo in the alto role..

    Cast your ballots, faites vos jeux — this is a win-win game.

    **

    You knew, perhaps — I didn’t — that Dublin, the place of the first performance of Messiah, was at the time spiritually dominated by Jonathan Swift, Dean of St Patrick’s cathedral, and thus the commander-in-chief under God of that cathedral’s choristers? —

    Jonathan Swift of the Modest Proposal “that a young healthy child well nursed, is, at a year old, a most delicious nourishing and wholesome food, whether stewed, roasted, baked, or boiled” —

    and that the said Dean Swift was at first unwilling to let his choristers sing in what seemed uneasily like an Opera, but later relented?

    **

    The child promised, delivered — despised, rejected — crucified and finally arisen in Handel‘s magnificent music himself became, it would seem, bread broken and shared, thus to be digested spiritually by his followers.

    **

    Dean Swift, Handel (Händel was quite British by now) — the two of them crossed staves (a pun, that, ahem) in Dublin that year, 1742 of the Common Era or Anno Domini, 16th in the reign of George II. The King’s Viceroy for Ireland at that date would have been William Cavendish, 3rd Duke of Devonshire, who was a founding governor of the Foundling Hospital in London, an establishment instituted for the “education and maintenance of exposed and deserted young children” — note the echo of Dean Swift‘s concerns, a DoubleQuote in history if you will.

    George Frederick Handel conducted Messiah to great acclaim in the chapel of Foundling Hospital in 1750, and was elected a Governor the next day.

    **

    Swift‘s children get roasted, God‘s child narrowly escapes death at the hands of Herod the Great, but the children of the Foundling Hospital not only get saved from starvation and the gutter, but are exposed to some of the European world’s most magnificent choral music.

    Hallelujah! — if you don’t mind me saying so.
    *

    Wishing ZP readers a Merry Christmas

    Tuesday, December 25th, 2018

    [ by Charles Cameron — with a poem by Richard Wilbur ]
    .

    TWO VOICES IN A MEADOW
    by Richard Wilbur

    A Milkweed

    Anonymous as cherubs
    Over the crib of God,
    White seeds are floating
    Out of my burst pod.
    What power had I
    Before I learned to yield?
    Shatter me, great wind:
    I shall possess the field.

    A Stone

    As casual as cow-dung
    Under the crib of God,
    I lie where chance would have me,
    Up to the ears in sod.
    Why should I move? To move
    Befits a light desire.
    The sill of Heaven would founder,
    Did such as I aspire.

    **

    I was listening to a podcast with Stephen Mitchell discussing this poem, and then his own translation of the Odyssey, and was struck by these two comments on the music of poetry — echoing my love of Bach and my interest in counterpoint and stereophony:

    You can read a translation by somebody who’s really good and say, Ah, that’s got to be done by so and so, in the same way that you hear a bit of Goldberg Variations and you know that’s Glenn Gould or Murray Perahia..

    The poet of the original poem, whether or not anonymous, is listening to something, and the listening eventually becomes the words, so it’s not something, if a poem is really good, it’s not something in a sense he’s creating, it is creating through him, or her, and that’s what becomes the poem. So in the same way, a really good translator is listening, but it’s stereophonic, so in one ear he has the original poem in the original language, and in the other ear, there’s pure, you could say pure longing, or pure silence, where nothing is happening and he cannot force it and will not force it, and then at a certain point, the English words form by themselves, as that counterpoint to the original language, and then it’s done.

    **

    BTW:

    **

    With this simple, humble poem set in a field — not in a manger, mind you, but in a field, any field pretty much, though there are crib-nativity echoes in each stanza — we at Zenpundit wish all our readers the happiest of holiday seasons, in whatever tradition you each may follow..


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