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Please Welcome our New Zenpundit Co-Blogger, J. Scott Shipman

Thursday, May 19th, 2011

Late last year, after years of solo blogging, I invited Charles Cameron to become a permanent member of Zenpundit.com. That has worked out so well that I am bringing aboard another blogger who, like Charles, can bring his own insights, interests and considerable expertise in aspects of national security affairs to bear here for the enrichment of the blog and enjoyment of the readers.

 I would like to formally welcome J. Scott Shipman to Zenpundit.com.

To introduce  Scott more fully than the line from previous guest posts…” he is a self-employed consultant, speaker, writer (and now “blogger”), avid reader, autodidact, father, and husband. Scott has a wide variety of interests including; fractal geometry, complexity theory, philosophy, history, management theory, systems theory, cognitive psychology, neurology/neuroeconomics, design theory, literature, international relations, politics, law and legal theory, the ideas of the late Colonel John Boyd, strategy, Calvinist-lite theology, mind maps, geography, fishing for smallmouth bass on the Potomac river, and golf.

Scott is the owner of SHIPMAN Federal Services, Inc., a consulting firm he established in 2004 that specializes in the application of John Boyd’s leadership strategies in the workplace. Scott provides his customers with unique insight on issues of leadership, organizational culture, and strategic planning, using what he calls “an uncommon-common sense approach.”

Previously, Scott served at BAE Systems, which he joined in October 1996. During his years at BAE Systems Scott led the Strategic Planning and Nuclear Safety group, and was integral in the planning of the first two TRIDENT II D5 submarine Backfits. In addition he was Division Head of Integrated Test Programs, with responsibility for shipyard testing and performance analysis of all navy submarine Strategic Weapon Systems, both in the United States and the United Kingdom. Scott was responsible for six other field facilities located adjacent to naval shipyards and naval installations. Scott concluded his service at BAE Systems as Director of Business Development with responsibility for the naval undersea warfare business area. While on active duty, Scott served at sea on the commissioning crew of USS PENNSYLVANIA (SSBN-735) and in USS VON STEUBEN (SSBN-632), and ashore in various commands. In his final tour of active duty Scott served for five years at the On-Site Inspection Agency an arms control inspector and deputy mission commander enforcing the INF and START treaties. In this capacity, Scott traveled throughout the former Soviet Union and the Republic of Korea in support of international arms control agreements and humanitarian missions.
J. Scott is married to his lovely wife and business partner, Kristen. They have four children, two dogs, and two cats and reside in the Commonwealth of Virginia.”

Welcome aboard Scott!

Guest Post: Shipman Reviews Dancing in the Glory of Monsters by Jason K. Stearns

Wednesday, May 18th, 2011

J. Scott Shipman, the owner of a boutique consulting firm in the Metro DC area that is putting Col. John Boyd’s ideas into action, is a longtime friend of this blog and an occasional guest-poster.

Book Review:Dancing In The Glory of Monsters, The Collapse of the Congo and the Great War of Africa, Jason K. Stearns

by J. Scott Shipman

Several thoughts come to mind when reflecting on Jason K. Stearns’ epic Dancing In The Glory of Monsters, The Collapse of the Congo and the Great War of Africa, but “dancing” doesn’t figure into any of those thoughts, and monsters are writ large, center stage. And make no mistake; we’re talking fiendishly horrific monsters, almost inhuman, as if drawn from a dictionary definition: “Anything horrible from…wickedness, cruelty or commission of extraordinary or horrible crimes; a vile creature…” So the reader should be advised, some of the stories are very disturbing.

Indeed, Mr. Stearns paints a gut-wrenching portrait of a nation and region ravaged by colonial meddling, venal and brutish politician/military leaders, and centuries old ethic strife all culminating in “many wars in one” beginning in 1996 in Congo (the former Zaire) and including active participation of neighbors Rwanda and Uganda just to name a couple.  In terms of geography, Congo straddles the equator and is the size of Western Europe, or slightly less than one fourth the size of the United States. According to the CIA World Fact Book, the literacy rate is 67% and the mortality rate a surprisingly “high” 54 years for men, and 57 for women; given the slaughter since 1996, my guess would have been a much lower number.

The Congo Wars were largely a by-product of the epic 1994 genocide in Rwanda where in the space of 100 days an estimated 800,000 Rwandans (primarily Tutsis and moderate Hutus) were killed. The killing was “organized by the elite but executed by people.” Stearns says, “…between 175,000 and 210,000 people took part in the butchery, using machetes, nail-studded clubs, hoes, and axes.” The killing was done in public and almost no one was untouched either as “a perpetrator, a victim or witness.” For internal political reasons, this resulted in over one million Hutu refugees/rebels fleeing over the border from Rwanda to Zaire. A massive tug-of-war across the border began with the ailing Zairian president Mobutu Sese Seku providing support to the rebels, and eventually a ten-year struggle within Zaire proper of both the Rwandan civil war and wars to control what became in 1997, Congo.

Dancing With Monsters is divided into three parts. Part 1 ended with the collapse of Mobutu’s government in May 1997. Following a brief respite in the fighting, Congo’s new president Laurent Kabila “fell out with his Rwanda and Ugandan allies” resulting in the second Congo war in August 1998 which “lasted until a peace deal reunified the country in 2003.” But the fighting in the eastern part of the country continues to this day and is considered the third Congo war.

Stearns tells the Congo story based on first person interviews with both perpetrators and victims of extraordinary atrocities, although he focuses more on the perpetrators who “oscillate between these categories.” A perpetrator one day becomes tomorrows victim and vice versa. Stearns has worked the better part of 10 years in the Congo, and is to be commended for the raw physical courage necessary to live, much less interview many of the “monsters” in his revealing book.

Interestingly, Stearns chose to focus on a system “that brought the principal actors to power, limited the choices they could make, and produced chaos and suffering.” That “system” is in a word, a mess. The chaos and suffering are of a kind with no contextual parallel in the modern Western experience. Stearns attempts to provide a context in an excellent introduction that offers insight into the violence, which more often than not, appears maddeningly senseless and consistently brutal. The culture of the region appears to be one where everyone is on the take, where everyone is corrupt simply to survive. To quote one of Stearns’ sources: “”If you don’t bribe a bit and play to people’s prejudices, someone else who does will replace you.” He winked and added, “Even you, if you were thrown into this system you would do the same. Or sink.”” This tone of resignation and an “ends justifies the means” justification permeates the attitudes of the political/military types Stearns interviews; in fact this philosophy colors a good portion of the book, and therein points to a large part of the systemic problem. A quote attributed to another monster, Stalin kept coming to mind: “You can’t make an omelet, without breaking a few eggs.”

From this attitude of resignation, my guess is that perhaps the “system” Stearns has documented is the extreme end result of Che Guevara-style of Soviet Marxist totalitarianism. Guevara himself spent 1965 fighting in the Congo but concluded, “they weren’t ready for revolution.” The Congolese may not have been ready for revolution, but it appears they bought the philosophy hook, line and sinker. This mentality reminded me of a passage from another book of horrors, The Whisperers, by Orlando Figes, where he writes: “she had subordinated her own personality and powers of reason to the collective.” The subordination of reason is pandemic in Congo; a place where mostly ethnically based discrimination and killing is conducted without so much as an apology. Many of Stearns’ political/military leaders spoke of “democracy,” but in my reading I did not get the sense this was anything more than a rhetorical fig leaf to remain in the good graces of the UN and the West, for there has been little in the behaviors of these leaders to suggest a level of seriousness and understanding as to what democracy means; political accountability comes to mind. Meanwhile, the killing continues.

Speaking of democracy, a good portion of the West was and continues to be indifferent to the Congo and the wars. Stearns points out, “the response, as so often in the region, was to throw money at the humanitarian crisis but not to address the political causes.” This sounds accurate. Stearns believes the West should do more, comparing the response to Kosovo in 1999, where “NATO sent 50,000 troops…to Kosovo, a country one-fifth the size of South Kivu“(part of Congo). Many of those interviewed by Stearns agree, but with a twist. In the concluding chapter, Stearns quotes a Rwandan political advisor offering what he called a “typical view” of the US from the region:

“When the United States was attacked on September 11, 2001, you decided to strike back against Afghanistan for harboring the people who carried out the attack. Many innocent civilians died as a result of U.S. military operations. Is that unfortunate? Of course. But how many Americans regret invading Afghanistan? Very few.”

Many Americans regret the extent of our operations in Afghanistan, more with each passing day. In my opinion, this seems to be offering an all-too-typical moral equivalence argument; since innocents die in American wars, our slaughter of innocents is justified. Stearns correctly follows this quote with extension of the Rwandan official’s line of thought:

“This point of view does not allow for moral nuance. Once we have established that the genocidaires are in the Congo, any means will justify the ends of getting rid of them, even if those means are not strictly related to getting rid of genocidaires.”

This official’s argument is as dangerous as the wars he and his neighbors have endured. In delegitimizing any moral nuance his prescription is amoral, or worse, claims an exclusive role defining morality thereby justifying a continuation of the slaughter. I don’t have a solution, but this prescription will yield only more of the same. Political accountability doesn’t pass the buck, or hide behind a general truth that tragedies occur, but rather learns from mistakes made and steadfastly strives to avoid further bloodshed.

In conclusion, I would offer one bit of advice to those who read this important book: use Google Earth or a good atlas; the book has maps, but the maps aren’t sufficient to the level of detail provided in the book. This is a minor nit, but one that can be enhanced through an external source.

Stearns concluded on a note of optimism and confidence in the Congolese people, whom he calls extremely resilient and energetic peoples. One could conclude nothing less from this excellent and truly frightening recounting of their story. Highly recommended.

Guest Post: Shipman Reviews The New Digital Storytelling by Bryan Alexander

Thursday, May 12th, 2011

 

J. Scott Shipman, the owner of a boutique consulting firm in the Metro DC area that is putting Col. John Boyd’s ideas into action, is a longtime friend of this blog and an occasional guest-poster.

Book Review: The New Digital Storytelling

by J. Scott Shipman

Bryan Alexander’s  The New Digital Storytelling, Creating New Narratives With New Media is an excellent, highly readable, and comprehensive treatment of storytelling in our digital world. Dr. Alexander manages in 230 pages of text to capture the universe of available methods, processes, resources and tools available to storytellers, as of 2010. His 36 pages of notes and bibliography includes an exhaustive list of websites and sources used.

Dr. Alexander aimed his book at “creators and would-be practitioners,” storytellers looking for new digital ideas, to include teachers, marketers, and communications managers. Whatever your background, he assures in the introduction, “herein you will find examples to draw on, practical uses to learn from, principles to apply, and some creative inspiration.” I can’t speak for those in the target audience, but as one with but a casual interest in storytelling, I can say Dr. Alexander delivered! Over the course of the couple of days of reading, I came up with about a half-dozen ideas and discovered my MacBook Pro has a lot more under the hood than I ever appreciated or used.

That said, Dr. Alexander warns that his book is not a “hands-on manual” on the tech media discussed. In fact, he assumes the reader will not “be a technologist” and the material is presented accordingly. He says:

The New Digital Storytelling straddles the awkward yet practical divide between production and consumption, critique and project creation.”

The book is divided into four parts:

Part I Storytelling: A Tale of Two Generations

In Chapter 1 Dr. Alexander provides an unambiguous meaning to digital storytelling: “Simply put, it is telling stories with digital technologies.” The medium providing this review to you is my digital story about the book. But that is just the beginning; just about every digital device imaginable is being used to tell stories; blogs, social media, videos, and even in Twitter’s 140 character limit, storytelling genres are emerging [readers at zenpudit.com will recall Charles Cameron’s use of Twitter feeds following UBL’s death]. As Alexander points out, “no sooner do we invent a medium than do we try to tell stories with it.”

In Chapters 2 & 3, Dr. Alexander provides a history of digital storytelling in two parts; part one is what he calls “the first wave.” From foundations in the 70’s and 80’s (his reference to the 1983 movie War Games brought back memories) to the evolution and importance of hypertext. Alexander asks, “How do hypertexts work as digital stories? Users—reader—experience hypertext as an unusual storytelling platform. We navigate along lexia (“multiple readable chunks”) picking and choosing links to follow.” This point truly “clicked” for me; one of the pleasures of reading zenpundit.com is the ubiquity of supporting links and how sometimes these links lead to unexpected, but valuable adventures. Often I’ve landed in a place I would never have found if not for the first “story.” Alexander writes that Web 2.0 has allowed for “the ability to create content for zero software cost is historically significant, and now par for the course.” He points out with the ubiquity of hardware (both PCs and mobile devices) and the social element (social media, for example) a means of of delivery and an architecture are in place where potential storytellers have a low barrier to entry—to get their story out. Alexander includes gaming devices (mobile and console) in the review of the Web 2.0 phenomena.

Part II New Platforms for Tales and Telling

Chapter 4 is a comprehensive review of Web 2.0 storytelling and the fragility of systems existing today, but perhaps gone tomorrow. Dr. Alexander covers distinct types of blogs used in sharing stories; blogs are ubiquitous and the barriers to entry negligible. He covers epistolary novels and diary/journal-based stories and provides numerous examples. One example was News from 1930, which “posts selections from each day’s Wall Street Journal” during the early days of the Great Depression—in essence, a blog as a realtime history lesson. But as we know, the blogosphere is bigger than history, there also exists a market for various fictional stories which include reader interaction/collaboration. Also included are examples of character blogging (as Alexander notes: “Bloggers are characters”) where personalities are revealed over time in a serial nature. Twitter has developed into a unique format for storytelling, forcing the user to pack as much as possible in precious few words/characters. Wikis, social images and Facebook are also covered and explained in ways that made me think about “how” I use social media.

Chapter 5 covers in detail social media storytelling…and this is one of my favorite chapters. Alexander explains podcasts in a way that was accessible and in a way that made me want to “do” a podcast! A podcast is limited to audio, but a web video places a whole new spin on our ability to digitally tell our stories. Chapter 5 is rich in resources and insight.

In chapters 6 and 7 Alexander discusses gaming and storytelling. This may be the part of the book that was over my head (I’m dubious of the real utility of “gamification” in a meaningful/productive way). One sentence did jump off the page: “One key aspect of game-based storytelling is the immersion of the player in the story’s environment.” Indeed, “intimacy” is an enormous missing ingredient in more than storytelling and absolutely necessary in proficiency in just about any endeavor. One other sentence made a big impression: “Children also learn a deep secret about art, which is that the less detailed the representation of a character, the easier it is for us to identify with him or her.” I believe guys like the internet Oatmeal guy and the creator of Zen’s recent post  have figured out this phenomena isn’t limited to children.

Part III Combinatorial Storytelling; or, The Dawn of New Narrative Forms

Chapters 8 through 11 covers the networked book, mobile devices, and alternate reality games. The networked book resonated with me because of something from my distant career on submarines (early 80’s); we would write a story where periodically storytellers would add a sentence and half to an evolving text. The results were always amusing and never predictable. Networked books sound very similar to our collaborative efforts 30 years ago, but with the ubiquity of digital tools, opportunities abound. For example “transmedia storytelling,” where “story content is distributed across multiple sites and media; the movie trilogy, an anthology of animated films, comics, computer games, a massively multiplayer online game, Web content, and additional DVD content.” This dispersion of story content and the variety of venues allows users a more “immersive experience”—-the intimacy Alexander described earlier. Mobile devices are literally changing just about every aspect of our world from political meetings, classrooms, clinics “now that those present can hit the Web for fact checking or peer support.” An excellent recent example was the squashed attempt of the United States Naval Institute’s board to change the organization’s mission. Platforms like Twitter, Facebook, and LinkedIn were used to get the word out to members who took action. New tablet devices will continue to drive this phenomena. Alexander’s treatment of alternate reality games revealed “worlds” created with our world by game participants of such products as Second Life.

Part IV Building Your Story

In the final chapters, Dr. Alexander provides example of “how to” build a digital story, using the classic Center for Digital Storytelling workshop model. For me, this was the most thought-provoking section. The description of how a workshop is conducted, the questions used to prompt creative/insightful “story-able” thought is worth the price of the book. Alexander inventories the software available for audio, images, video editing, publication, concept mapping, and other production tools. This inventory of tools describes the appropriateness of each with respect to the level of experience of the storyteller. Digital storytelling in education is covered in Chapter 14 and is a rich resource for parents and educators who want to leverage the digital world.

The New Digital Storytelling should be the standard guide for anyone who wants to use all the new digital gadgets available to tell their story; this book is an excellent one-stop resource. I plan to use what I’ve learned in the expansion of my family tree history to an A/V platform and have already built a to-do list to get started.

One closing thought; the irony isn’t lost that this “book” about digital storytelling is made of paper, glue, and ink. I can only imagine what an adventure this would be if presented digitally where all the links were connected…a digital story on how to tell digital stories.

The New Digital Storytelling comes with my highest recommendation. Get this book, use those tools, and tell your stories.


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