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Serpent logics: the marathon

Sunday, November 24th, 2013

[ by Charles Cameron — oh, the sheer delightful drudgery of finding patterns everywhere ]
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I’ll start this post, as I did the previous one to which this is a sort of appendix, with a (deeply strange, tell me about it) example of the…

Matrioshka pattern:


That’s a piece of jewelry made out of disembodied pieces of Barbies from the extraordinary designer’s mind of Margaux Lange, FWIW.

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This post is the hard core follow up to my earlier piece today, Serpent logics: a ramble, and offers you the chance to laugh and groan your way through all the other “patterns” I’ve been collecting over the last few months. My hope is that repeated (over)exposure to these patterns will make the same patterns leap out at you when you encounter them in “real life”.

Most of the examples you run across may prove humorous — but if you’re monitoring news feeds for serious matters, my hunch is that you’ll find some of them helpful in grasping “big pictures” or gestalts, noting analomalies and seeing parallels you might otherwise have missed.

Have at it!

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Here’s another Matrioshka, from the structural end of lit crit that my friend Wm. Benzon attacks with gusto over at New Savannah:

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Enantiodromia:

You’ll recall this is the pattern where something turns into its opposite… as described in this quote from the movie Prozac Nation:

I dream about all the things I wish I’d said.
The opposite of what came out of my mouth.
I wish I’d said
“Please forgive me. Please help me.
I know I have no right to behave this way?”

Here are a few examples…

Ahmed Akkari Repents Violent Opposition to Danish Cartoons Lampooning Islam:

After a Danish newspaper published cartoons satirizing the Muslim Prophet Muhammad, Ahmed Akkari spearheaded protests that ultimately cost the lives of 200 people. Now he says he’s sorry. Michael Moynihan on what changed Akkari’s mind.

That’s impressive!

That one’s run of the media mill…

And this one’s from my delightful, delicious boss, Danielle LaPorte:

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A friend sent me this:

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Let’s just plough ahead…

Nominalism:

Nominalism is the category where the distinction between a word and what it represents gets blurry — a very significant distinction in some cases —

How’s this for naming your donkey after your President?

Consider this one, another instance of nominalism in action, from the French justice system:

A mother who sent her three-year-old son Jihad to school wearing a sweater with the words “I am a bomb” on the front, along with his name and ‘Born on September 11th’ on the back, was handed a suspended jail sentence on Friday for “glorifying a crime”. A court of appeal in the city of Nimes, southern France, convicted Jihad’s mother Bouchra Bagour and his uncle Zeyad for “glorifying a crime” in relation to the terrorist attacks in the United States on September 11th 2001.

The classic nominalist image — with which I’d compare and contrast the French three-year-old with the unfortunate name and tsee-shirt — is Magritte’s cdelebrated “Ceci n’est pas une pipe”:

And here’s one final nominalist example:

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The spiral:

Here’s a potential downwards spiral, for those watching India:

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Straight parallelism:

This one’s from Jonathan Franzen:

And meanwhile the overheating of the atmosphere, meanwhile the calamitous overuse of antibiotics by agribusiness, meanwhile the widespread tinkering with cell nucleii, which may well prove to be as disastrous as tinkering with atomic nucleii. And, yes, the thermonuclear warheads are still in their silos and subs.

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Simple Opposition:

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Some of these categories seem pretty fluid — or to put that another way, some of these examples might fit with equal ease into several doifferent categories. Here’s another oppositional class:

Arms crossed:

From Ezra Klein and Evan Solta blogging at WaPo’s Wonkbook: The Republican Party’s problem, in two sentences:

It would be a disaster for the party to shut down the government over Obamacare. But it’s good for every individual Republican politician to support shutting down the government over Obamacare.

A great “values” juxtaposition:

And hey, nice phrasing:

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Here’s an example of one of the central patterns of violence and justice:

Tit for Tat:

[ the account this tweet came from, which was a media outlet for Shabaab, has since been closed — hence the less than euqal graphical appearance of this particular tweet… ]

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And here, without too much further ado, is a whole concatenation of…

Serpents biting their tails:

[ … and that last one of Nein‘s appears to have been withdrawn from circulation ]

This one I love for its lesson on biblical pick-and-choose:

This one is also a DoubleQuote:

when closely followed by:

And this one really bites:

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To close the series out with more of a bang than a whimper, here’s Serpent bites Tail with apocalypse & gameplay for additional spice:

A certain symmetry in malls

Tuesday, November 19th, 2013

[ by Charles Cameron — Gezi Park and Westgate Mall through the lens of the Garden of Good and Evil ]
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Sheer madness, I know — but there’s a method to it.

I was watching Clint Eastwood‘s brilliantly funny film Midnight in the Garden of Good and Evil last night, and noted with delight the symmtery between two of his Savannah characters — one a gentleman who walks an invisible dog through a park on a leash [upper panel, above], and the other a fellow who attaches house-flies on threads to his lapels, so that he can walk his pets to the nearby diner for breakfast [lower panel]…

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Here’s where the sheer madness comes in, and the method it encourages.

With symmetry still on a back burner in my mind, I was reading Michael Klare‘s post Planet Tahrir: The Coming Mass Demonstrations against Climate Change (Klare) on Juan Cole‘s blog this morning, and ran across this sentence:

on May 27th, a handful of environmental activists blocked bulldozers sent by the government to level Gezi Park, a tiny oasis of greenery in the heart of Istanbul, and prepare the way for the construction of an upscale mall.

An upscale mall.

Beth Gill‘s essay, Temples of Consumption: Shopping Malls as Secular Cathedrals details a central analogy of our time, and it’s only fitting that the desire to replace an “oasis of greenery” by building an “upscale mall” was what triggered the Gezi Park uprising, just as the destruction of an “upscale mall” in Nairobi, Kenya, was the recent target and mise-en-scene of al-Shabaab’s recent “martyrdom brigade” and their murderous rampage.

The symmetries and ratios of garden and mall, cathedral and mall, construction and destruction, paradise and consumption are thrown up for our consideration by this juxtaposition of Gezi and Westgate.

What can we learn from them?

Questionnaires of life or death

Monday, October 14th, 2013

[ by Charles Cameron — sometimes the answer to a simple question is a matter of life ansd death ]
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Two days ago, the New York Times ran a remarkable article about a retired IRA gunman, Sean O’Callaghan, titled Behind Flurry of Killing, Potency of Hate. At the heart of this article was what I call a DoubleQuote in the Wild — an observed and noted parralelism, in thoughts and or events, with echoes and implications far beyond the two particular instances in question. It’s that DoubleQuote I want to present to you here, drawing on two other news reports for my presentation.

I examined the idea of a jihadist life or death questionnaire a short while back, as exemplified in the upper panel here and the Nairobi slaughter to which it refers:

When I read the second quote in the lower panel, however, it gives new context to my understanding of the first.

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Sources:

  • BBC, Ten dead in Northern Ireland ambush
  • Telegraph, Nairobi shopping mall attacks
  • Ghost posts from Omar Hammami via the Twitter Medium

    Saturday, September 28th, 2013

    [ Charles Cameron — receiving messages from the dead via Twitter ]
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    I was surprised late last night when a tweet from the account of the late American jihadi Omar Hammami showed up in my Twitter stream:

    It was in Arabic as you can see, so I took it to Google Translate — which never quite makes sense but almost — and thought I recognized it, checked it out with the Quranic Arabic Corpus translation section, and it did look very much as though what @abumamerican had posted was from the Quran 7. 43:

    Praise to Allah, who has guided us to this; and we would never have been guided if Allah had not guided us.

    I checked with whoever was posting in @abumamerican’s name, and got the reply “you r right. Sura E Alaraf”.

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    Okay, that’s one part of any Islamist communication that interests me a great deal, and others often not so much — the epigraph, the scriptural basis on which the communication in question is based. Everything that follows should be read as a possible variation on that theme — see my earlier ZP posts Speak the Languages, Know the Modes of Thought and especially Close reading, Synoptic- and Sembl-style, for parallels, patterns.

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    In any case…

    After that first, epigraphic tweet, a whole stream of further tweets from @abumamerican followed, many of them in English, and many of them indeed dealing with the notion that Omar Hammami had died remaining faithful to the Guidance, while his killer, Zubeyr / Godane, had gone wildly astray from it.

    Others are better qualified than I to discuss the details of what the spectral @abumamerican said and will perhaps continue to tell us. For the moment, I can recommend these two sources:

  • Clint Watts post, Omar Hammami’s Ghost Tweets On Westgate, Kenya & Shabaab
  • Sahan Journal’s 8 Reasons Why al-Shabaab Killed al-Amriki
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    Keep your eyes open, there will be more…

    Teju Cole on Nairobi: death and birdsong, death and poetry

    Thursday, September 26th, 2013

    [ by Charles Cameron — on the topic of Nairobi there’s the news — and then there’s Teju Cole ]
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    Teju Cole, left, Kofi Awoonor, right -- photo credits Teju Cole & Peace FM Online respectively

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    We’re interested in creativity as well as natsec issues here at Zenpundit, so i thought it might be appropriate to see what a fine writer had to say about the hideous attack and siege of the Westgate mall in Nairobi — and perhaps more importantly, how he chooses to say it.

    Teju Cole is a writer (“award winning” and rightly so) whose insightful and skilfully deployed tweets caught my attention some while back, and have only increased my admiration for him over time. I followed his twitterstream along with others while the events in Nairobi were playing out, and today read his New Yorker blog post covering much the same ground in greater detail.

    What is striking to me about Cole’s approach — the approach of a fine writer, in Nairobi at the time, a friend and admirer of the Ghanaian poet Kofi Awoonor who died at the mall — is the care he takes to balance death with birdsong, death with poetry. In treating matters this way — and we can be sure he is every bit as deliberate in his use of 140 characters as he is in longer-form writings — he both gives a world of context to the small world of the mall event itself, and offers us hope to balance our despair and disgust.

    Cole is reading from his novel Open City at the National Museum at the time the attack on the mall begins:

    During the reading, as word of the attack filtered in, people answered their phones and checked their messages, but, onstage and oblivious, I continued taking questions from the audience

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    Here, then, I have pulled together most of the tweets Cole posted in recent days for your consideration, in the order in which he posted them… Together, they offer us a very different way to encounter tragic events from those presented by journalists or analysts.

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    Nature has entered the picture: next up will be death — the death of his poet colleague and friend, described first obliquely in the poet’s own words:

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    Then comes the first of two tweets in which Cole judiciously balances the tragically human and blithely natural worlds, including in his tweet a short soundscape in which those voices are woven together in counterpoint:

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    This one is grim — suitable, or a bit overstated, with its echo of the Holocaust? — a question best left to individual taste, perhaps:

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    And then his second polyphonic melding of sounds natural and human-made, joyous and terrifying:

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    He returns to his friend’s death…

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    And then again to birdsong, to the natural world, to the world in which the events of the past days are framed…

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    There is something powerfully moving about Cole’s tweeted reflections, and I believe they take their impact from the precision with which Cole himself frames and balances the horror with beauty.

    Just today, my friend Jessie Daniels posted a tweet that caught my eye:

    Teju Cole has gone from a tweet to a blog post on the New Yorker site in a matter of days. Here’s just a brief taster:

    The massacre did not end neatly. It became a siege. In my hotel room, about half a mile from the mall, I was woken in the mornings that followed by the sounds of gunfire, heavy artillery, attack helicopters, and military planes. In counterpoint to these frightening sounds were others: incessant birdsong outside my window, the laughter of children from the daycare next door. I read Awoonor’s poems, and watched a column of black smoke rise from the mall in the distance. The poems’ uncanny prophetic force became inescapable. A section of “Hymn to My Dumb Earth” reads:

    What has not happened before?
    An animal has caught me,
    it has me in its claws
    Someone, someone, save
    Save me, someone,
    for I die.

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    But you should really read the whole thing: Letter from Nairobi: “I will say it before death comes”.


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