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Kill Decision by Daniel Suarez 

Shlok Vaidya did an early review of Kill Decision here previously. I finally have caught up to Shlok and I’m ready to add my two cents without giving away any spoilers:

First, I enjoyed the book. Kill Decision is a tense, fast-moving,  page-turner. As I tend to read books at night before bed, Kill Decision kept me up later than I should have been and I was reluctant to put it down. I fully agree with Shloky that this book is a movie waiting to happen.

Secondly, the plot is all too plausible. While there is some of the normal deus ex machina in action-thriller novels of this kind, readers who are knowledgeable about the defense and intel worlds will have the uncomfortable feeling that while the first lethal autonomous drones would not operate on exactly the clever and disturbing premises outlined by Suarez , they will be within shouting distance. And with all the same dangerous societal implications.

Third, like William Gibson, Daniel Suarez excels as a conceptual novelist – the writer as futurist ( a near-term futurist in the latter case) with his labor of love going into theme, setting and plot. Suarez creates dynamic hooks for his books. Unlike Gibson, character development is still a weakness for Suarez. Of all the characters in Kill Decision, only Odin, the SOF covert operative, projects real depth and motivational development; he is the Sun around which the other, mostly one-dimensional characters, orbit – including the book’s nominal protagonist. The good news is that you’ll be so wrapped up in the flow of the story that you won’t much care. I can also commend Suarez for having a George R.R. Martin kind of willingness to ruthlessly terminate his characters with extreme prejudice because it kept me wondering until the very end as to who would survive.

Kill Decision by Daniel Suarez is strongly recommended.

[ by Charles Cameron — controversy and scholarship re Joseph Smith’s King Follett Discourse and Kabbalah of considerable interest to students of comparative religion ]
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A scholarly Jospeh Smith translating the Bible, and the title page of Portae Lucis, Augsburg, 1516

With Latter-day Saints more than a little in the news, Ha’aretz yesterday posted an article titled How kabbala shaped Mormon faith which you can also read here, and as it’s a topic I’ve been interested in for a while, I thought I’d point you to the article Lance Owens, a friend of a friend, wrote some years back, in which he describes the library of Alexander Neibaur, a Jewish convert to Mormonism and friend and Hebrew teacher to the Prophet, along with quite a bit of context.

There are two forms of Owens’ article on line, the original, quite long one [parts 1, 2, 3] and a shorter version [4] for those who’d like the details but not the details of the details.

I have to say that I find Owens’ work on Neibaur’s library, and the conclusion he draws about Joseph’s King Follett Discourse – one of the Prophet’s last sermons, and a fascinating work in its own right – pretty compelling.

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The great magister of studies in Kabbalah Moshe Idel probably catches the situation well when he writes in his as yet untranslated book, The Angelic World: Apotheosis and Theophany (Olam Ha’malakhim):

See for now the controversial article by Owens, Joseph Smith and Kabbalah, pg. 117-194, which also contains a list of Kabbalistic sources which supposedly were in the library of Joseph Smith’s teacher. The connection between Enoch-Metatron in Jewish tradition and Mormonism was first noted by Harold Bloom, in his book The American Religion, pg. 99, 105. I can’t go into the details of the controversies created by Owens’ article and the doubts about Smith’s relationship to the Kabbalah. It seems that the matter of kabbalistic connections is more complicated and interesting than what can be learned from the currently published documents. (Pg. 156)

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For a Mormon response to Owens’ article, and pending the comments our Mormon and other interested readers will hopefully provide, might I suggest William Hamblin‘s review of Owens’ piece, which indicates how seriously Hamblin takes the issues involved when it opens with these two sentences:

The Mormon History Association recently awarded Lance S. Owens’s “Joseph Smith and Kabbalah: The Occult Connection” its Best Article Award for 1995. With such an imprimatur the article deserves a closer critical evaluation than it has apparently heretofore received.

Hamblin’s review runs to 74 pages and 186 footnotes – together with Owens’ original 77 pages and 161 footnotes, that would make a book-sized volume of interesting reading. And as Moshe Idel notes, what we don’t know may be “more complicated and interesting” yet…

[ by Charles Cameron — for Madhu ]
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Our friend Madhu has requested that I post poems here on occasion, and this particular poem made me think of her and her request, so here it is:

A copper and gold koan
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The world happened, the world is drifting away,
the farther away the world floats the deeper into the mists.

In Mes Aynak, Afghanistan, the remains
of a buddhist monastery already eroded by time are adrift,
a sitting buddha is floating into the mist,
headless, gold paint still on his knees and robe,
the devotion has drifted, lifted its focus
to the one without a second, the buddha left
whatever he left in memory, lingering, to gather aromas
of other ideas, realms, dust, archaeology, oblivion,
there is change, ceaseless change,

and adults must decide: is the wealth implied by the copper
beneath the buddha worth more than a trace of halo,
as the moon moves once again across a brilliant night sky.

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Koans are those brilliant paradoxes zen buddhism uses to pry the mind open, I think they’re important aids to handling complexity, and I have a post about them coming up shortly. Here, it’s enough to say that the issue of copper mining vs archaeology in Mes Aynak seems to me to be a living, breathing koan.

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It’s awkward, when you write an “ekphrastic” poem, a poem about a painting or photo, to have the image right there when the poem is read, because it trammels the reader’s mind in much the same way that a film can trammel the mind of a reader into “seeing” only the film-maker’s Gandalf, no longer her or his own.

And I’m going on at some length about this, because next up is the image from which that particular poem was built, but I’d like the image to be, as they’d say in the newsprint world, “below the fold” as you read the poem.

So here it is, #4 in a fine series of photos in a Foreign Policy photo essay which I recommend, although I’ve taken this particular (smaller) version from a CNN page, since the subtitle in the lower right corner explains the basic situation handily:

You can hear the archaeologist Brent Huffman, who took the photo, talk about the situation here — local reactions pro and con, who the Taliban are shooting at, the likelihood that the Chinese operation will in fact benefit the locals and more:

The koan of balancing material with immaterial values remains, but in this circumstance the likelihood of local Afghans receiving litter or nothing from the mining project likely tips the scales.

You can petition Afghan President Hamid Karzai for preservation…

But then he’s another wild-card in the continuing Great Game, isn’t it?

[ by Charles Cameron — mostly amused, a little curious ]
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The image is from Vanity Fair‘s Exclusive: President Obama Considered Putting Osama bin Laden on Trial if Taken Alive, teaser for a forthcoming article, which includes this intriguing Obama quote:

I mean, we had worked through a whole bunch of those scenarios. But, frankly, my belief was if we had captured him, that I would be in a pretty strong position, politically, here, to argue that displaying due process and rule of law would be our best weapon against al-Qaeda, in preventing him from appearing as a martyr.

That — the quote itself, the Vanity Fair piece I grabbed it from, their upcoming full article by Mark Bowden, and or Bowden’s own book The Finish, plus any and all ramifications and queries relating thereto — strikes me as the sort of thing we might like to discuss here.

Not that I personally have any competence in such matters.

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What I want to know, just out of idle curiosity, is this: why do so many of the people in the photo want to keep their thoughts to themselves?

[ by Charles Cameron — form as pattern recognition, the form of suicide / martyrdom ops, a format for analysts, first in a series on form in intelligence, and maybe the beginnings of an eccentric thinking manual for analysts ]
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Bear with me for a paragraph or two, while I try to sort something out.

Form is to content as algebra is to arithmetic: does that work for you? Form is one degree more abstract than content: how about that? I don’t think either of these expressions quite captures what I want to say about form and content, but they may help us think about form. Here’s a form:

It’s pretty clearly a diagram of connections of some sort, but exactly what those connections are is unclear as long as the various boxes in the diagram remain empty.

I could fill it with the names of members of a hippie commune that practiced a flexxible approach to free love over a decade or two, from when the founder bought the farm (in the literal sense of real estate) to the point where the last surviving member bought the farm (metaphorically speaking — the farm in the sky).

Or with the names of elements in the human digestive and energetic system…

I mention the latter, because I came across this particular (empty) diagram on a blog post by a certain Jacques Chester about how people get fat, where it was preceded by the words:

A better diagram for bodyweight control will resemble a great big mess

I won’t tell you where I got the other idea from, if you want to know you’ll just have to fantasize, as I did.

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At least in this case, form means pattern. The diagram above is a pattern, fill it with appropriate verbal or other content and you’ll give it meaning — which can then be disputed or accepted. But the form, the patterning, is somehow antecedent to any particular content.

Take the last words of each line of Shakespeare‘s Sonnet XCVII and you’ll get:

been, year, seen, everywhere, time, increase, prime, decease, me, fruit, thee, mute, cheer, near.

The rhyme scheme is pretty clear: ABAB CDCD EFEF GG.

That’s a form, and all of Shakespeare’s sonnets follow it. Petrarch‘s sonnets by contrast follow the rhyme scheme ABBA ABBA CDECDE.

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In my practice of thinking, as a poet and as a practitioner of the open source analysis of scriptural sanctions for religious violence, I find the recognition of forms — pattern recognition — to be my central process.

I think what first really brought this home to me was the similarity of form between two reports of terrorist training activities — each in its own way illustrating the idea that the activity to be performed will begin quite naturally on earth, where training is required, but end quite supernaturally in paradise, where it isn’t:

That one’s pretty obvious, right? I mean, if you’ve seen the first instance you would be pretty likely to remember it if you ran across the second…

And what the form means is pretty clear too — martyrdom ops, suicide ops.

But what if you had a note-pad on your desk — or better, a game format on your computer — that gave you those two boxes, free of specific data, and any time you found a weird or anomalous data-point or image you could scribble it or drag-n-drop it into that form, give it a name for easy retrieval, and keep your eyes peeled for parallels, opposites, similars?

I call that format SPECS, by the way, because it allows you to see two similar ideas stereoscopically, so to speak, and thus gain an extra dimension — neat trick, eh?

What if collecting SPECS was part of your training as an analyst, and you practiced the form a few hundred times and kept 150 mind-blowing examples — as Shakespeare did with his ABAB CDCD EFEF GG sonnets?

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Why, you’d be training yourself in pattern recognition — formal thinking — horizontal thinking — lateral thinking — analogy — thinking by leaps and bounds.

Inteligence happens in the Intelligence Community, and in the human population as well. I can’t speak to the ways in which animal and plant mimicry, or the artistry of birdsong, correspond to pattern recognition, although that would be a fascinating topic for another post.

What I can say is that analogical, horizontal, cross-disciplinary thinking is in its own away more powerful than logical, rational, vertical, silo-bound thinking.

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In terms of Intelligence and intelligence, the strategies of linear / vertical thinking are like your fingers: it’s your skill at lateral / horizontal thinking that gives your mind an opposable thumb.