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[ by Charles Cameron — the worlds within this world are to be found in the workshops of Anselm Kiefer and William Vollmann ]
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Artist one of two: Anselm Kiefer:

Kiefer devoted himself to investigating the interwoven patterns of German mythology and history and the way they contributed to the rise of Fascism. He confronted these issues by violating aesthetic taboos and resurrecting sublimated icons. For example, in his 1969 Occupations series, Kiefer photographed himself striking the “Sieg Heil” pose. Subsequent paintings—immense landscapes and architectural interiors, often encrusted with sand and straw—invoke Germany’s literary and political heritage. References abound to the Nibelungen and Wagner, Albert Speer’s architecture, and Adolf Hitler.

Interwoven patterns? The Nibelungen? Albert Speer?

Seraphim? Jacob’s ladder, on which angels travel up and down? And in this time of nuclear and gas chamber holocausts, have they abandoned the ladder?

Seraphim is part of Kiefer’s Angel series, which treats the theme of spiritual salvation by fire, an ancient belief perverted by the Nazis in their quest for an exclusively Aryan nation.

Spiritual salvation by fire?

Okay, This fellow has the kind of dark mythological intensity that interests me. Let’s take a stroll through this man’s world — a deeper dive into his studio.

In we go:–

It was like a world inside the world. Huge metal slabs were leaning against the walls. Helter-skelter around them, on racks with wheels, stood large paintings of oceans and beaches, rivers and meadows, mountains and forests, some covered with corroded ravines of lead. Vitrines in every size were standing everywhere, filled with the strangest things: the roots of trees, rusty hammers, little clay pigs. Shelves that ran the length of the hall were stacked with balance scales, hooks, rifles, stoves, snakes, torpedoes, piles of bricks, heaps of dried flowers, even whole trees. There were more full-size fighter jets and a cage that was maybe 300 square feet that was filled with golden wheat and what appeared to be the cooling tower of a nuclear power plant with a bicycle dangling down the side.

Torpedoes! Whole fighter jets! Whole trees!

Kiefer‘s paintings, we learn, are overwhelming, dark and vast — Seraphim‘s a good example — enforcing silence before their enormous intensity. And then, suddenly — watercolors, “brimming with color — sparkling blues and brilliant reds” as bright as the moments of a life, and thus as intensely personal as the dark vast paintings had been impersonal and overbearing — as is, one is forced to admit, our century.

He’s an artist — exhibit number one.

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Here’s exhibit number two: the mind of William Vollmann..

Deep dive number two:

Bill greeted me warmly and showed me around the art-making area of his bunker, where he has a power engraver—he was working on a suite of Norse block prints when I visited—and where he prints his Dolores photographs using an arcane 19th century method called gum bichromate, which takes up to 28 days to produce a single print. Then he led me to the walk-in.

What’s in here?

This is the meat locker, where Dolores’s parts are. When the electrician wired it up, he asked, “What do you use this for?” I said, “Oh, that’s just where I keep my victims.” There was a long silence….She’s got her dresses here and I have my bulletproof helmet and various stuff from my journalism in there

Lecter, Hannibal? “That’s just where I keep my victims”?

Vollmann, like Kiefer, is possessed of a world both dark and sparkling bright. The sheer extent of his variety, too, is impressive, overwhelming.

I have in my room at the Pine Creek Care Center only two smallish bookshelves, and in them one book of Vollmann‘s: Kissing the Mask: Beauty, Understatement and Femininity in Japanese Noh Theater. I mean, how not?

Kissing the Mask is so packed with beauty, understatement — erotics, Japan, Noh, Vollmann himself, Noh backstage, behind-the-scenes, photographs — ” a string ball of thoughts” — I’d like to say “torpedoes .. even whole trees” but Vollmann‘s world within the world is other than Kiefer’s, as though there were room for two worlds within our world — three perhaps — though I’ve yet to encounter the third — “with Some Thoughts on Muses (Especially Helga Testorf), Transgender Women, Kabuki Goddesses. porn queens, poets, housewives, makeup artists, geishas, valkyries, and Venus figurines” Vollmann addsall this in small print at the bottom of the book’s cover.

And Valkyries!

It takes my reading glasses and a Sherlock Holmes magnifying glass to read these days, and my copy of the abridged, one-volume Rising Up and Rising Down: Some Thoughts on Violence, Freedom and Urgent Means is in storage — a book fate which I both mourn and feel intense gratitude for.

When Vollmann turns to consider violence — “to establish a moral calculus to consider the causes, effects, and ethics of violence” as Wikipedia has it — he spends twenty and more years on the task.

The abridgment, Vollmann says, he made in half an hour, for the money. Truth to the work’s title is to be found in the $700, seven-volume original set, 3,500 copies. Even with dollar-store glasses and Holmes’ magnifying glass — enhanced with the option of bright light the better to read by — seven volumes is beyond me, as 700 pages of the condensed would be.

And there are yet other Vollmanns, with other worlds..

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Oh but let Van Gogh have the last word, eh, Vollmann?

Vincent Van Gogh, Japonoiserie, The Courtesan

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Sources

Guggenheim, Kiefer, Seraphim

NYT, Into the Black Forest With the Greatest Living Artist

3 am, becoming dolores: william t. vollmann exposes his female alter ego

Wikipedia, William T. Vollmann

Metropolitan Publications, Van Gogh in Arles

[ by Charles Cameron — one for those who follow apocalyptic strands in RL and media, one for those who follow Vimalakirti, Heraclitus and the Glass Bead Game — recommended ]
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Tim Furnish reviews the Netflix series, Messiah:

An Iraqi Refugee Trained in Illusion Who Works Miracles — Christ or Anti? Masih or Dajjal? That’s the situation posed by the Netflix series, Messiah, and it’s presented with sufficient subtlety that the answer’s not as obvious as it may seem from that quick condensation — and indeed, at the end of the series, there’s still sufficient ambiguity to keep you guessing, and the producers in line for a renewed contract and second series..

It’s not quite subtle enough to please our friend Tim Furnish, however, who gives a fine overview of the series, then takes the details of eschatological hadith and Biblical writings a step further into accuracy, and thus depth. His opening paragraphs:

“One man’s messiah is another man’s heretic.” That’s the opening line of my first book on Islamic messianic figures. It’s also an apt summary of Netflix’s excellent new show Messiah. Its 10-episode first season was released on Jan. 1. Let’s hope it gets renewed. We need to know how this story of a charismatic Middle Eastern miracle worker, who not only attracts Christians, Muslims and Jews but sways the U.S. President, plays out. Here’s a brief (as possible) summary.

A Modern-Day Messiah?

A long-haired, thinly bearded man appears in Damascus and accurately predicts the destruction of besieging ISIS forces. Many Palestinians there follow him into the desert, believing him to be al-Masih, “The Messiah.” He leads them to the Israeli border. The movement gets on the CIA’s radar screen. The group reaches the Israeli border, and al-Masih crosses. He’s arrested and interrogated by a Shin Bet agent, about whom he knows personal details. He then disappears from prison (later we find out the prison guard let him go, believing him the Messiah) and reappears on the Temple Mount. In a confrontation near the Dome of the Rock, Israeli soldiers shoot a young boy — whom al-Masih heals. He then disappears again, showing up soon after in Dilley, Texas. He is caught on cell phone cameras stopping a tornado about to destroy the Baptist church. This goes viral and many flock to the town. The church pastor believes him to be Jesus returned and becomes his spokesman and handler.

Well there’s plenty more, obviously, and I highly recommend Tim’s commentary — they should have hired him as a consultant.

To read more, go to Netflix’s Messiah Reviewed: Who’s Your Messiah Now?

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Very different indeed is JustKnecht‘s exquisite weaving of ideas around Basho, Vimalakirti and a whiff of Chick Corea in his Notes on a winter journey to the interior, subtitled (and subtled) “on a treadmill facing north” — the reference is to Basho‘s Narrow Road to the Deep North which you really ought to know already.

And that’s a bit of a point. You really ought to know already: Basho and Vimalakirti, Heraclitus and Tamsin Lorraine, heaven and earth, and as it is in heaven, so it already and always is on earth, for as above, so below.

For myself, I know each of these with glancing blows, while JustKnecht knows each in depths I cannot match. Reading the whole is, for me, a sustained flight in the Absolute as viewed through thr world’s cultures, with butterflies a particular point of reference — and a long-tailed bired in seven syllables that’s almost an angel — or an apsara?. — ah, peacocks, too.

In any case, an education — and a delight.

Late afternoon, cooling down after a hard run in the condo gym, Herbie Hancock’s Butterfly breezes onto my playlist. We breathe together deeply, and I don’t know whether it is I dreaming that I am the bass clarinet, or the bass clarinet dreaming that it is I.

The music and the vision fades, and I’m sitting in my armchair doing mental exercise. From high school trombonists and collegiate level cello students to elite athletes and surgeons, cognitive rehearsal in the absence of physical movement has been shown to improve physical performance. In the same way, listening to one of my 5K run playlists gives me a perfectly good workout without the inconvenience of even moving a muscle.

Reade more: Notes on a winter journey to the interior — ah yes, the interior!

Thank you: I bow .

[ by Charles Cameron — tempted by a typo to misquote Korzybski “The map is knot the territory” — where the knot is in the paradox of simulacra and simulation, see Jean Baudrillard ]
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A total of at least 26 out of 48 maps in a Japanese white paper contained errors, according to an Asahi Shimbun article titled Maps in Defense Ministry white paper riddled with errors:

This Defense Ministry map identifying terrorist groups chiefly in Africa and the Middle East shows Qatar and Kuwait as parts of Saudi Arabia.

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Mapping errors can be dangerous, as we have all been warned:

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Some have not heeded the warning:

For instance, in a map showing the capability range of North Korea’s ballistic missiles, the hermetic nation’s capital, Pyongyang, is incorrectly located on the Sea of Japan side of the Korean Peninsula, not the Yellow Sea side. [ .. ]

In June, multiple errors were discovered in key data used for a report by the Defense Ministry on candidate sites for deploying a U.S.-made Aegis Ashore missile defense system in Japan.

The experts said that some of the diagrams in the latest white paper were also inaccurate.

In a map showing the flight range of Osprey tilt-rotor aircraft deployed by the U.S. military in Okinawa, concentric circles are used, centering on Okinawa’s main island. However, according to Tashiro, the ministry should have used an azimuthal equidistant projection map to properly show the distance and direction from the center.

As the expert quoted said:

Maps require accuracy, so we have common standards .. The ministry’s white paper in particular, because of its nature, needs to be treated carefully. If they don’t follow the standards, or make compromises, when drawing maps, it could lead to international issues and a loss of trust.

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I do believe “international issues” refers to diplomatic tussles, certainly, and the possibility of war..

Consider this, from 10 Map Mistakes With Momentous Consequences:

Napoleon Bonaparte lost the Battle of Waterloo on June 18, 1815, in part because of a map error. According to documentarian Franck Ferrand, Napoleon aimed his artillery in the wrong direction, far short of the British, Dutch, and Prussian lines. Napoleon relied on an inaccurate map when planning his strategy for the battle, which explains why he didn’t know the lay of the land and became disoriented on the battlefield. According to Ferrand, “It is certainly one of the factors that led to his defeat.”

Due to a printing error, the map showed a strategic site, the Mont-Saint-Jean farm, 1 kilometer (0.6 mi) from its true position, which was the range of Napoleon’s misdirected guns. It also showed a nonexistent bend in a road, according to Belgian illustrator and historian Bernard Coppens, who found the bloodstained map at a Brussels military museum.

As an Old Wellingtonian (OW, Blucher dorm), that’s evidence enough for me.

[ by Charles Cameron — decapitation, in this case of the british iceberg, and the Hiwatari festival fire-walking of the Japanese mountain monks ]
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Hey!

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Athletes & Elites:

ONLY THE SUCKERS GO THROUGH THE ADMISSIONS OFFICE

Outright fraud, lying, faking test results is horrible and should be severely prosecuted — that appears to be at the heart of the scandal. No tolerance for that — period. Using contacts, donating money, hiring tutors, putting your kids in the best college feeder schools, taking advantage of legacy status, arranging résumé-building internships — those are the consequences of inequality compounding and amplifying over time, from one generation to another. Does it dilute the pure concept of meritocracy, the level playing field where everyone has an equal shot? Of course.

So why go via the bribery route?

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“LIKE DECAPITATING AN ICEBERG”: BRITAIN IS SCREWED

There is no perfect analogy for Brexit, the surreal, game-theoretical political divorce that was slated to conclude on March 29 at 11 P.M. London time.

Well if “there is no perfect analogy for Brexit”, perhaps “decapitating an iceberg” doesn’t really work either?

Then there’s The Magical Thinking Around Brexit:

The lexicon of Brexit, the United Kingdom’s buffoonishly mismanaged effort to leave the European Union, includes technical terms such as “backstop” and “customs union,” as well as a fanciful but revealing one: “unicorn.” It has come to be a scornful shorthand for all that the Brexiteers promised voters in the June, 2016, referendum and cannot, now or ever, deliver.

Magical Thinking ? Unicorn?

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Numbers count:

the whole of New Zealand, a remote island nation of about 4.9 million people that had only thirty-five murders in all of 2017, was in a state of deep shock

That’s from It’s Time to Confront the Threat of Right-Wing Terrorism

The Christchurch mosque shooter killed 50, more than the New Zealand murder total for 2017, and wounded 50.

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Significant interests of mine:

Poetry: The Final Prophecy of W. S. Merwin

Games: The Division 2 and the Severing of Politics from Video Games

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Just look at this:

Religious supporters walk across the embers of a large fire at the Mount Takao Hiwatari fire-walking festival. Mount Takao is close to Tokyo, and this well-known festival attracts a large crowd of worshippers and tourists. A large pyre is built on the grounds of Yuki-ji Temple, and after it has been burned, Yamabushi (mountain monks) and practitioners of the Shugendo sect of the Buddhist religion walk over the still-smoldering embers in a purifying ritual

The caption reads:

Religious supporters walk across the embers of a large fire at the Mount Takao Hiwatari fire-walking festival. Mount Takao is close to Tokyo, and this well-known festival attracts a large crowd of worshippers and tourists. A large pyre is built on the grounds of Yuki-ji Temple, and after it has been burned, Yamabushi (mountain monks) and practitioners of the Shugendo sect of the Buddhist religion walk over the still-smoldering embers in a purifying ritual

I was here myself in 1972, and the most impressive part of the ritual was the distribution to all comers of little slips of wood — the kind on which you write the name of the plants in a garden row or a pot — on which we were invited to write our sins of the past year, and which were then tossed by monks into the fire path —

— so that the monks can tread the embers of our sins beneath their feet —

— in robes comparable to the ceremonial robes of Catholic or Tibetan Buddhist monks:

[ by Charles Cameron — a quiet weekend with no chyrons, but yasukuni, heavy metal, and three stunning headers on faith, forgiveness, and guns ]
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Kamikaze, yay! As war-relate epithets go, it’s among the very finest — strongest, most halo’d with associations — from my POV as mythographer and poet:

As myth and legend, dream and imagination have it in some circles in Japan, kamikaze is spirit wind, downward-rushing, warships targeted, headlong warplanes in full nose-dive, martyrdom almost — tinged with cherry blossom and droplets of blood, patriotism, self-sacrifice ..

The controversies swirling around the Yasukuni Shrine and its inclusion of war criminals as patriotic heroes is something we’ve addressed in Zenpundit before — for both the controversy and the mythopoetics, see these excerpts:

Zenpundit, Why is the Yasukuni Shrine so controversial?

Zenpundit, Japanese self-sacrifice with intent to kill Americans

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Saturday wasn’t a chyron-collecting day for me — I had the distinct pleasure of a visit from Omar Ali, and live conversation trumps Trump every time — so I don’t have many items to display here… but this one caught my eye today, Sunday, as much for the color of the header as for its provocative content:

Heavy Metal Confronts Its Nazi Problem

Among bands that are said today to fall into the category of N.S.B.M., as it is often called, are ?8?8??, from Russia, whose fans have given Nazi salutes during performances; a Finnish band, Goatmoon, which has performed in front of a backdrop resembling a Nazi flag; and Der Stürmer, from Greece, which shares a name with an anti-Semitic German newspaper whose editor, Julius Streicher, was convicted during the Nuremberg trials and then executed. Those bands and others, including Stahlfront, Sunwheel, Absurd, and Dark Fury, performed in December at the Asgardsrei festival, in Kiev, where Nazi-style displays abounded.

Asgard, hoke of the Æsir in Norse mythology — sacred to some though not all Asatru in a way reminiscent of Japan’s Yasukuni Shrine..

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Okay, moving along, here’s a football ref, buried in the text of Uranium One informant makes Clinton allegations to Congress:

An FBI informant connected to the Uranium One controversy told three congressional committees in a written statement that Moscow routed millions of dollars to America with the expectation it would be used to benefit Bill Clinton’s charitable efforts while Secretary of State Hillary Clinton quarterbacked a “reset” in U.S.-Russian relations.

Don’t you just love quarterbacked? Like wingman and running point, it comes up all the time, but that was a stellar quarterback example in terms of paragraph content, ***** in my book.

Which reminds me, I don’t think I’ve captured one of this week’s favorites yet — making an end run around Congress:

Finally, I ran across three headers with religion-connected content today (Sunday at time of writing)…

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A Senator praying his party would avoid a second shutdown may well be no more than a figure of speech:

Republican Chuck Grassley was on the Senate floor, asking the entire chamber to join in seeking divine intervention with Trump. “Let’s all pray that the President will have the wisdom to sign the bill, so that the government doesn’t shut down,” he said, as Washington waited, once again, on its capricious President.

Susan Glasser, the New Yorker writer, seems to take it a bit more seriously..

So it’s finally come to this: only God can stop Trump, as members of his own party are admitting that they’ve basically given up trying.

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The story here is best told in this image, the work of the artist Wendy MacNaughton recording the words of a National Portrait Gallery guard, Rhonda:

Falling on one’s knees in prayer is definitely a mark of religion, even though Obama isn’t generally considered an object of religious devotion..

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And this may be the most remarkable of the three. In the guns as religion article, it’s the mother of a teen-aged son who was shot and killed — a mother who is now a US Representative, Lucy McBath — who ssuggestd gun culture is an American quasi-religion — but she’s the one described in the article as deeply religious in her opposition to gun violence, refusing the request the death penalty for the killer of her son:

We never considered pushing for the death penalty because I firmly believe that I am not the one to choose who lives and who dies. Morally and ethically, I believe that decision is left to God. We suffered so much pain and so much anguish, and I actually did not want to be the one to inflict that upon his family, and I didn’t want to be rooted in those kinds of decisions, because I truly believed that would be the noose around my neck and I would not be able to move forward to actively champion for safer gun laws and a safer gun culture, because that’s what I believed that I was given to do, and I couldn’t do that without forgiveness, and I couldn’t do that without releasing myself.

That’s a stunning level of faith and forgiveness.

Remember?

Zenpundit, From the Forgiveness Chronicles: Rwanda

Zenpundit, Of martyrdom and forgiveness

Zenpundit, More from the Forgiveness Chronicles

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Sources:

New Yorker, The New Republican Strategy for Dealing with the Emergency That Is Trump

Atlantic, The Obama Portraits Have Had a Pilgrimage Effect

New Yorker, Lucy McBath on the “Religion” of Guns in America