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[ by Charles Cameron — compare and contrast as a means of contextualizing, suggesting a tool that might be of use to the IC in any number of circumstances ]
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In this particular case, Pussy Riot is the topic, comparison with is the method, and some form of graphic the appropriate medium around which to build a presentation.

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Both these statements have been made recently by Catholic priests, and they portray opposite positions on the matter. Again, it is my sense that the graphical representation of these remarks calls forth in the reader both similarities and differences, as Cath Styles nicely put it:

A general principle can be distilled from this. Perhaps: In the very moment we identify a similarity between two objects, we recognise their difference. In other words, the process of drawing two things together creates an equal opposite force that draws attention to their natural distance. So the act of seeking resemblance – consistency, or patterns – simultaneously renders visible the inconsistencies, the structures and textures of our social world. And the greater the conceptual distance between the two likened objects, the more interesting the likening – and the greater the understanding to be found.

From my point of view, the direct juxtaposition in a DoubleQuote or equivalent format does the job nicely when two fairly simple quotes are considered together.

Things can get more complex than that when a variety of discourses come together, but the same general principles can still be applied, and a graphical representation sought.

Bearing Cath’s point in mind, then, I’d like to examine some of the ways in which people have contextualized the Pussy Riot event in the Cathedral with counterfactual instances (ie by contrasting it with instances that in some ways parallel the factual instance, but in “what if” style alternate universes.

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Here, then, are the documents I’ll be drawing on. First, from Khanya, a blog I’ve praised in an earlier post:

An Amnesty International petition site (Take Action Now – Amnesty International USA) urges people to send an email with the following text to the Russian prosecuting authorities:

I respectfully urge you to drop the charges of hooliganism and immediately and unconditionally release Maria Alekhina, Ekaterina Samutsevich and Nadezhda Tolokonnikova. Furthermore, I call on you to immediately and impartially investigate threats received by the family members and lawyers of the three women and, if necessary, ensure their protection. Whether or not the women were involved in the performance in the cathedral, freedom of expression is a human right under Article 19 of the Universal Declaration of Human Rights, and no one should be jailed for the peaceful exercise of this right. Thank you for your attention to this serious matter.

Now imagine, for a moment, that the boot was on the other foot.

Imagine that it was a Western European country, and that the act of “hooliganism” concerned was daubing swastikas on a synagogue. If that were the case, would Amnesty International be urging its members and the general public to send messages saying:

Whether or not the women were involved in writing the graffiti on the synagogue, freedom of expression is a human right under Article 19 of the Universal Declaration of Human Rights, and no one should be jailed for the peaceful exercise of this right. Thank you for your attention to this serious matter.

I think that in Western Europe such a petition would be widely regarded as “hate speech”, and “anti-Semitic”, as would the graffiti. So why does Amnesty International think that it is OK to encourage people to send such things to Russia?

And then, of course, one can put the boot back on the first foot again. If these same three young women had daubed graffiti on a synagogue in Moscow, would they have been prosecuted for the same offence and in the same way as they have been in this case?

So there are differences between Russian culture and Western culture, and differences within Russian and Western culture.

That’s a pretty impressive example of the counterfactual genre — and doubly so, it seems to me, because of the final reversal, the twist in its tail.

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Next, here’s another quote from the same Fr. Hogan we quoted above. In this case, the mosque is used as the primary contrast to the cathedral, but the synagogue also makes an appearance — and Fr. Hogan throws at least one other interesting contrast into the mix — comparing Putin and western leaders:

Protest is fine, the day will come, I’m sure, and not too far away either I think, when we Christians may be protesting against our governments and engaging in civil disobedience, but protest must always respect others and the faith of others. As some have asked, would these ladies do the same in a mosque? They would not for two reasons – it would not be politically incorrect and they might end up being stoned to death before they had a chance to get out of the building. Is it legitimate to mock faith and descecrate places held sacred by people in order to protest against a political regime?

Some will say these ladies did so because the Orthodox Church is too close to the Russian government. Okay, well Judaism is considered by many to be too close to Zionism and the State of Israel – well, where are the lewd feminists dancing in the synagogues mocking Abraham and Moses? They are not there because they know it is inappropriate and wrong – just as it is inappropriate and wrong to desecrate a place of Christian worship.

What interests me here is that he uses multiple counterfactual contrasts, which perhaps makes his paragraphs a little less elegant than Khanya’s — but interesting in the complexity it adds to his analysis.

I’ll return to that remark about “we Christians may be protesting against our government” later.

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My last text — and I’ve quoted it here on ZP before — is Josh Shahryar‘s tweet:

I wonder if #PussyRiot would get so much attention if they were a band of men called #DickMob.

That comes at the Pussy Riot issue from a completely different angle, and is very elegantly done.

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Our next task is to see what oppositions we can find in these three statements.

• Kanya uses Amnesty’s concerns regarding freedom of expression vs appropriateness of expression by comparing the cathedral incident with women “in a Western European country” daubing swastikas on a synagogue, thus also proposing a comparison between eastern and western European mores.
• Then, in a reversal, Kanya uses the same cathedral incident vs daubing graffiti on a synagogue specifically in Moscow this time, to explore the degree to which Moscow might be more tolerant of anti-Semitism than of anti-Orthodoxy, both in terms of public opinion and via political and legal systems.
• Fr Hogan’s question poses a contrast between the cathedral (and Orthodoxy and Putin) and a hypothetical mosque (and Islam and, say, a militant faction in Pakistan).
• His second comparison is between two church-and-state collaborations, Orthodoxy with the Russian state and Judaism with the Zionist, and again the question he raises is whether similar behavior in a parallel situation would be tolerable.
• Then there’s his intriguing third comparison, which I said I’d return to, in which he suggests that the “not too far” future may hold the need for civil disobedience and anti-government protests by Christians – in the west presumably. Fr Hogan hails from Ireland, which has had its own share of Church troubles and no longer wields the power it once did over Irish people and politics. Present day Russia, then, contrasted with a hypothetical future Ireland.
• But the malaise is more widespread, and to add a comparison of my own into the pot, Fr Hogan’s remark reminds me of something Cardinal George of Chicago said not so long ago, looking at the looming battle between an increasingly secular state and his own moral stances on such issues as abortion and same sex marriage:
  

  I expect to die in bed, my successor will die in prison and his successor will die a martyr in the public square.

But that’s oblique to our narrative here…

• Finally, there’s Josh Shahryar’s contrast between a factual girl band named Pussy Riot and a counterfactual boy band called DickMob.

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What sort of a graphic would allow us to rotate all these polarities in our minds?

One answer is a Sembl-type game board — see design below — but with concepts rather thyan objects in the “positions” on the board:

But I’m also after other possibilities here. What would our fine artists, engineers, architects, dancers, cartographers, logicians, musicians, data visualizers and computer scientists suggest?

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It would of course be nice if we could wrap this whole business of counterfactuals with a nice British cuppa tea, eh? Perhaps we can…

From a comment in the Guardian:

With the best will in the world I can’t see that if a bunch of noisy youngsters stood up in Westminster Abbey and screamed obscenities about the Queen to the accompaniment of electric guitars turned up to eleven, that the rest of the world would throw up its hands in horror if they were first stopped and then charged with an offence.

What’s that? We endured the Blitz, for goodness sake!

[ by Charles Cameron — Hindutva vs Ghazwa-e-Hind, India vs Pakistan, battle of the girl orators, flags flying in the other guy’s capital, Zaid Hamid, erased from the map, what have I missed? ]
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For starters, when I saw the blurry headlines under 13-year-old Sadhwi Balika Saraswati‘s speech to a Vishwa Hindu Parishad gathering, I wasn’t sure whether to pair her speech with Zaid Hamid‘s image of the Pakistani flag flying over Delhi’s Red Fort:

or with the Ayatollah Khamenei‘s recent statement about the “fake” Zionist regime disappearing from the “landscape of geography”:

I mean, there are parallels there, and differences, in each case.

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And then, when I did a little more digging, all hell broke metaphorically loose, and I couldn’t get enough tabs on my browser to hold all the videos I seemed to want to check out.

I’ve combed through my history and sorted things out now, so I can point you, for starters, to:

13 yr old Hindu girl speaks out against Anti-India forces at a VHP rally — a Youtube video of the relevant part of her speech with English subtitles. You can read a transcript of the speech — missing all the excitement — here. And to give you an idea of its (relative) popularity, one YouTube version of this speech without subtitles, has had 410,535 views, with 1,503 likes and 1,589 dislikes, while another has had 200,964 views, with 801 likes and 491 dislikes… Bear in mind, though, that the Indian population exceeds one billion.

A Pakistani girl replies to 13 yr old Hindu girl who spoke against pakistan — sadly, no subtitles here, but at least it’s a response from someone of roughly equivalent age..

Reply to bajrangdal’s girl by Zaid Hamid which is also interesting, as he’s the spokes-guy for the Ghazwa-e-Hind idea…

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Which in turn brought me back to thinking once again about the Ghazwa, and:

Ghazwa-e-Hind is our destiny — Zaid Hamid himself addressing the topic (posted this month) — “and we invite the Muslims from Afghanistan, Iran, Turkey and the rest of the Muslim world to come and join us in the fulfilment of this most fascinating destiny which awaits us now: recapturing of India.”

Ghazwa-e-Hind Hadith Explaination — the picture is very blurry , is that our old friend Sheikh Imran Hosein, perhaps? — and

Ghazwa-e-Hind By Dr Israr Ahmed

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I’m afraid Zaid Hamid wouldn’t be satisfied with India alone, though:

That’s him, top left, overseeing everything.

Oh, and for good measure, here’s a humorous response to Hamid, zaid hamid latest about india — featuring a barking dog.

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Look, I don’t think Pakistan is about to capture India, or vice versa, any time soon.

If the two countries feel the need to face off, I hope they will limit themselves to a little ritual drama and some fierce stares, and they do every day in the border ceremonial at Wagah:

Beyond that, I’m an advocate for conflict-resolution and peace-making.

What I do think is that undercurrents of the kind found in the incendiary rhetoric of both sides are worth the attention of analysts.

[ by Charles Cameron — mapping, holding two worldviews in mind at one time, a conductor’s score, complexity thinking ]
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About a year ago, the Atlantic reported that the Library of Congress had been given a map of the flat earth, designed according to Biblical principles — yet showing knowledge of the border between the United States and Canada…

Thanks to a post from Jason Wells, I saw it today.

The view that the earth is flat is one worldview, of course, and no longer the prevailing one. As Nicholas Jackson noted at the Atlantic:

The interesting thing about the map is that it was created about 120 years ago by Orlando Ferguson, then a practicing physician in Hot Springs [South Dakota]. This is more than 500 years after most educated people gave up on the idea of the Earth as flat and accepted the spherical viewpoint first expressed by the Ancient Greeks.

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It is, however, possible to hold two worldviews in mind at the same time. John Donne manages it in the first line of his extraordinary poem, written at a time when the two views were clashing:

At the round earths imagin’d corners, blow

AT the round earths imagin’d corners, blow
Your trumpets, Angells, and arise, arise
From death, you numberlesse infinities
Of soules, and to your scattred bodies goe,
All whom the flood did, and fire shall o’erthrow,
All whom warre, dearth, age, agues, tyrannies,
Despaire, law, chance, hath slaine, and you whose eyes,
Shall behold God, and never tast deaths woe.
But let them sleepe, Lord, and mee mourne a space,
For, if above all these, my sinnes abound,
‘Tis late to aske abundance of thy grace,
When wee are there; here on this lowly ground,
Teach mee how to repent; for that’s as good
As if thou’hadst seal’d my pardon, with thy blood.

Donne accomplishes the task of holding two worldviews in mind at one time with four simple words: “round earths imagin’d corners”.

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I don’t know how many melodic “lines of thought” the mind can hold in counterpoint at once. I do know it’s an important cognitive skill for us to cultivate. A classical conductor must surely be able to hold as many lines as there are in this page of Olivier Messaien‘s Oiseaux:

As I pointed out in a recent comment here, “somewhere above three and before eleven there’s a point — Miller’s ‘magical number seven, plus or minus two‘ where the human mind can’t hold any more detail, so that’s a cut-off of sorts.”

Well, Messaien clearly imagines the conductor’s mind can follow more than eleven paths…

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And then there’s Bob Milne.

I’ll let the Philosophy Compass take it from here:

Bob is predominantly known for his piano concerts of Ragtime and Bogie-Woogie music – and was given the moniker of ‘National Treasure’ by the United States Library of Congress. It was at one of these concerts that drew the attention of Penn State neuroscientist Kerstin Bettermann. At his concerts, Bob often carries on conversations, telling stories and jokes, while simultaneously modulating key signatures over the polyrhythmic Ragtime music. In their broadcast, Radiolab discusses with Dr. Bettermann why this is so surprising.

Language use and musical competency often use the same neural resources: the prototypical language areas in the left hemisphere of the brain, and the working memory circuit that keeps information available and rapidly accessible for a short-period of time. Our ability to use language and engage with music should, on most models of the brain, be competing for these neural resources and interfere with one another. Not so with Bob – he appears to be able to tackle both tasks with ease. Further, while most people can approach this kind of competency in multi-tasking, it usually involves many learning trials, a process of sedimenting the learning into what psychologists call procedural memory, which may have its roots in a different brain region, the cerebellum. But Bob can hear a tune just once, and play it back with commentary.

But that’s not all Bob can do.

In their interview, Dr. Bettermann heard Bob claim something extraordinary. He claims not only to be able to hear a symphony in his head, but that he normally does this with two symphonies simultaneously. Where most individuals would only hear a cacophonous mess – Bob claimed he could dial the relative volume of either symphony up or down, and could zoom in or out of individual instrumentations. To return to the considerations above, Bob further states on the Radiolab website that he does this while driving – another procedural memory task and presumable source of interference. But when Dr. Bettermann challenged him, Bob reluctantly claimed that he could probably do the same (not while driving, mind you) with four simultaneous symphonies.

The claim is something like this: Bob states that he can hold and listen to four symphonies with different keys, instrumentation, tempo and style in his working memory at the same time. And what is stunning is that when they put Bob into an fMRI machine, they verified his claim. Bob could be stopped at any time during his imaginative trip through the four simultaneous symphonies, and hum out the exact phrase that the original recording would be on. Remarkable.

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This in turn takes us back to that point Edward Said made, which gave me the basic concept for my Said Sympohony (must get back to that soon):

When you think about it, when you think about Jew and Palestinian not separately, but as part of a symphony, there is something magnificently imposing about it. A very rich, also very tragic, also in many ways desperate history of extremes — opposites in the Hegelian sense — that is yet to receive its due. So what you are faced with is a kind of sublime grandeur of a series of tragedies, of losses, of sacrifices, of pain that would take the brain of a Bach to figure out. It would require the imagination of someone like Edmund Burke to fathom.

Edward W. Said, Power, Politics, and Culture, p. 447 — from the section titled “My Right of Return,” consisting of an interview with Ari Shavit from Ha’aretz Magazine, August 18, 2000.

I asked in a post yesterday how good we now are at modeling or simulating ideas in the “war of ideas” — just for a moment, suppose we could think through all complex geopolitical issues in this polyphonic, contrapuntal way…

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Okay, you deserve a reward for faithful reading if you’ve come this far with me. Here’s the incomparable Richard Burton reading Donne’s poem — the text is up above, if you want to follow along:

[ by Charles Cameron — Timbuctu, Bamiyan, iconoclasm, dissolution of the monasteries, conceptual mapping, ethics, aesthetics, Venice ]
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credit: Alidade, see below

Zen called the Ansar al-Din “The Taliban of the Mahgreb” today, pointing to an article on the destruction of the Bamiyan Buddhas, and that’s an equation of a sort: destruction of the Sufi shrines in Mali compares with and in some ways equates to destruction of the Buddhas of Bamiyan.

The similarity lies in the destruction by Islamic zealots of images considered idolatrous — and as Curtis reminded us, a Chritian expression of the same concept also motivated the Iconoclastic movement in Orthodoxy.

To some extent, the dissolution of the monasteries in Henry‘s England under Thomas Cromwell carries a similar resonance.

Which brings me to two tweets I received in my Twitterfeed today.

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Here’s Tweet Number One, as Dr Seuss might have said:

RT @Ed_Husain: A Danish cartoonist upsets us Muslims, but Sufi shrines attacked in Pakistan, Egypt, Libya, Mali, Iraq. No similar outcry.

— Aaron Y. Zelin (@azelin) July 3, 2012

And Tweet Number Two:

Interesting it is only when treasures are destroyed – rather than lives, people & families – that northern Mali moved to the front pages

— Ian Birrell (@ianbirrell) July 3, 2012

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Between the two of them, and with an eye to Zen’s remark, I get the idea that there’s a style of mental mapping that I can just about see out of the corner of my eye — a mapping that would interest me if I could figure out more about how to take it from being implicit and verbal and make it graphical and visible.

In this mapping, we would lay out the manner in which things presumed equal are treated differently.

I suspect the mapping might initially look something like the graphic at the head of this post — which I’ve borrowed from the materials on an interesting “Co-Revolutionary War Game” devised by Alidade in 2003 or thereabouts.

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Arguably the publication of blasphemous cartoons of the Prophet upsets many Muslims more than does the destruction of Sufi shrines. Likewise, the publication of Salman Rushdie‘s Satanic Verses upsets many Muslims more than does the fatwa calling for Rushdie’s death. The burning of Qur’ans seems to upset many Afghans more than the deaths of nine Afghan children… And likewise, the loss of human lives in Mali seemingly pales in comparison to the loss of the Timbuctu shrines of saints in the eyes of the western press.

Throw in the Bamiyan Buddhas, and you have a first cluster of data-points that might be mapped in terms of public outrage — Christian, Buddhist, Muslim, cultural, political. the peaks and valleys will differ according to the perspectives chosen, and mapping the differences too would be of considerable interest.

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The question has become something of a classic among ethicists, I believe: whether to rescue an unknown human child — who may if saved, as they say, grow into a Mao or a Michelangelo — or a great masterpiece of painting, if both are swirling past you in the same Venetian flood…

My instinct is with the child, but oh! — my temptation goes towards the painting…

[ by Charles Cameron — a meander from the symbolism of the Greek neo-Nazi party to the complex flow of the great Mississippi River ]
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As every red (or blue) blooded conspiracist knows, there’s a swastika-shaped building on the US Naval Amphibious Base Coronado near San Diego, CA.

That might of course mean the US Navy is under the spell of Hinduism or Buddhism, each of which makes use of the swastika for reasons that have nothing to do with the Nazis and more perhaps to do with simple geometric shapes and their near-universal use in rituals:

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I mention this, because symbolism is important, because the Greek right-wing party that did well in the recent elections has a flag that has been compared with the Nazi swastika, and because conspiracy theories, though informative markers of shifts in the collective unconscious in their own right, are also useful tools in the shame and blame game.

The Greek party concerned (Chryssi Avghi or Golden Dawn) points out that the central symbol of its flag (left) is taken from an ancient Greek “meander” (note similarities in the various common designs, middle) and not from the Nazi flag (right) – even though it’s curious that they choose the same black on white on red colors, isn’t it?

In my view the flag is suggestive, not conclusive: it’s their holocaust denial that proves the point.

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Anyway, it’s likely that none of that would have been interesting enough for me to post it, had my quirky researches not also pointed me to a far more interesting graphic.

Regular readers here will remember that I have an interest in graphical representations of complexity, and posted a piece titled Of railroad tracks and polyphonic thinking a while ago, in which I took the metaphor of trains of thought far too literally, and used railroad imagery to suggest a few ideas about complexity…

My researches into the Greek “meander” patterns were intriguing — but it was stumbling across this image from a post at the Ontario-based Onsite Review that decided me (and I think that’s the right usage, we are decided, we don’t decide) that I really did need to make this post.

Consider: it’s the mighty Mississippi, seen as it meanders across time:

The Onsite Review’s attribution is to Harold N. Fisk, Ancient Courses. Mississippi River Meander Belt, 1944. Their comment for this image reads:

The greek key pattern is sometimes called the meander, after the Maeander River, now called the Büyük Menderes River that flows from central Turkey to the Aegean. It winds through the Maeandrian plain in the manner of most prairie rivers, cutting into soft banks and creating oxbows.

We know a certain amount scientifically about river meanders, just as we know quite a bit about perturbations in the flow of liquids — but not enough, never quite enough to know where the river of time will take us next.

The map above illustrates the flows of a fairly simple complexity: take a good look at it. The thought-flows of a human are liable to be far more complex.