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Jordan Peterson, ouroboroi, paradise, and so forth

Wednesday, March 28th, 2018

[ by Charles Cameron — oh damn, cameron’s on about the ouroboros again, when do we get to strategy? ]
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A slide from a youtubed lecture:

**

I have found someone who gives emphasis to many of the things I give emphasis to, and which few other peple emphasize. And FWIW, the Jungians do this better than most, but then I’ve been reading and appreciating them for ages. This is new.

Okay, Jordan Peterson. He’s been thinking across a wide range of fundamental concepts for many years now, and considerable fame has accrued to him. How I managed not to notice him until now, I’ll never know. Here he is, anyhow —

— with that ouroboros slide faintly visible behind him. The limits of vision, faintness included, are among his many interests, FWIW.

**

I’ve read Tanner Greer‘s recent critique of Peterson, which was enough to catch my inner eye, and then today there was an invite from Zen —

Hell yes.

And I’m maybe ten minutes into that lecture, have skipped around a bit, and went back to lecture #7 for a clear shot of the ouroboros behind him, which I’ve now inserted at the top of this post.

**

Peterson’s ouroboros is a conflation of a bird, a cat and a snake — wings, claws and venom — birds, cats and snakes being the three classes of being that can kill you from a tree. A “winged, legged serpent” — the “dragon of chaos”. That’s not how I get to the ouroboros, and my equivalent interest is in its recursive nature.

I wrote the poem below, as far as memory serves, in the Anscombe-Geach living room, heart of Oxford’s superb logic team at the time, back in the mid nineteen-sixties, and published it, I think, in Micharel Horovitz‘ 1969 anthology of Britain’s equivalent of the USian beat poets, Childrenn of Albion — wow, of which you could have purchased Amazon’s sole remaining copy for $729.32 as I was writing this — now it’s only $32.57 — is that a difference that makes a difference?

Here’s the poem:

I formatted it more recently in a HipBone Games manner, as a single move with a recursive tail.

**

Another significance of the ouroboros for Peterson is that the serpent (antagonistic to us) guards a treasure (to be desired)..

So along with recursion, we have predatory chaos, aka the unknown and indeed unknowable unknown, and the treasure trove or hoard. And as you might intuit, it’s a short leap from there to the word-hoard — poetry in the palm of your mind, with an early mention in Beowulf.

Here are a few gems from Peterson’s seemingly inexhaustible hoard:

  • there’s no place that’s so safe that there isn’t a snake in it..
  • even God himself can’t define the space so tightly and absolutely that the predator of the unknown can’t make its way in..
  • that’s the story of the garden
  • — and those are from maybe a three minute stretch of a two hour lecture — the word means “reading” — one of forty, is it, in the series?

    **

    Phew. I just received the book, Maps of Meaning: The Architecture of Belief, from Amazon —

    — the print is small — too small for me — stronger glasses coming soon..

    **

    Look, Stormy Daniels was just on 60 Minutes, offering prurient interest under cover of adversarial politics, how could I resist? I could have watched ten more minutes of Peterson video, and grabbed twice the number of notes I’ve made here — but that can wait.

    Stormy Daniels and her lawyer, Michael Avenatti, can show you strategy..

    Ah, but Jordon Peterson can show you abstraction.

    **

    Consider the recent school shootings. I go back to Columbine.. Peterson goes back to abstraction, mapping, and time-space:

    For example, we’re all sitting in this room, and someone leaps in with a weapon.

    It’s like this was known territory a second ago, and now it’s not known territory at all. Even though you’d say, well many things have remained the same, it’s like, yeah, but all the relevant things have suddenly changed, right? And so part of the way of conceptualizing that is that you can manifest a geographic transformation by moving from genuine geographic explored territory into genuine unexplored geographic territory. But you can do that in time as well. Because we exist in time as well as space. And so a space that’s stable and unchanging can be transformed into something completely other than what it is, by the movement forward of time. So why am I telling you that? It’s because we’ve mapped the idea of the difference in space, between the known and the unknown, to the difference in time between a place that works now and a place that no longer works, even though it’s the same place, it’s just extended across time.

    Consider the recent election:

    That’s what an election does, right?

    It’s like, we have our leader, who’s the person at the top of the dominance hierarchy, and defined the nature of this particulatr structure. There’s an election, regulated chaos, noone knows what’s going to happen, it’s the death of the old king, bang! We go into a chaotic state, everyone argues for a while, and then out of that argument they produce a consensus, and poof, we’re in a new state, like that’s the meta-story, right, order > chaos > order, but it’s partial order, chaos, reconstituted and revivified order — that’s the thing, that this order is better than that order, so that there’s progress, and that’s partially why I think the idea of moral relativism is wrong – there’s progress in moral order.

    Note:

  • plenty of intelligence
  • no actionable intelligence
  • a high level of abstraction
  • following the logic of evolution
  • not the logic of logic
  • too paradoxical for that
  • **

    That’s more than enough.

    Au revoir, quite literally!

    Stunning Dillard solar ratio

    Monday, August 14th, 2017

    [ by Charles Cameron — mathematics and metaphor, a ratio of the irrational ]
    .


    A total solar eclipse in Svalbard, Longyearbyen, Norway, on March 20, 2015 — Jon Olav Nesvold

    **

    From Annie Dillard’s Classic Essay: ‘Total Eclipse’:

    Seeing a partial eclipse bears the same relation to seeing a total eclipse as kissing a man does to marrying him.

    Annie Dillard is one of our great stylists, so it’s perhaps not surprising she came up with this jaw-dropping piece of mathematics, or should I call it logic? It’s a ratio, anyhow:

    Seeing a partial eclipse : seeing a total eclipse :: kissing a man : marrying him

    By common consent, ratios are usually applied to quantifiables — but there’s really no quantifying seeing, kissing, or marrying.

    **

    I don’t think I’ll be able to make the eclipse, but if any of you can, please do. No less an authority than Annie Dillard — she wrote Pilgrim at Tinker’s Creek and Holy the Firm — strongly advises it.

    When one fantasy-come-true is proof of all the rest

    Saturday, August 12th, 2017

    [ by Charles Cameron — sheer gossamer speculation about the trump effect ]
    .

    There’s a sort of weird logic to it. Trump, the fantasist extraordinaire has indeed had one of his fantasies come true, and it’s a big one — “most powerful man on earth” — akin to being heavyweight champion of the world, but moreso. POTUS says it by implication: MPMOE makes it explicit.

    Give the man credit for that, and then watch as he tosses out other fantasies — like a gambler scattering coins in a fountain after a successful night at a Vegas hotel casino — and declares them all true by extension —

    biggest crowd?

  • if he’s the MPMOE, must be.
  • et cetera, et cetera

  • if he’s the MPMOE, must be.
  • ad infinitum

  • if he’s the MPMOE, must be.
  • never before seen

  • if he’s the MPMOE, must be.
  • last trump?

  • **

    This really has to do with magical thinking, or poetry as it veers towards prophecy perhaps, as in “and of his kingdom there shall be no end”.

    Or so I suppose.

    **

    Footnote:

    Russian President Vladimir Putin is the most powerful person in the world right now, according to the latest ranking from Forbes. REUTERS/Sergei Karpukhin

    Putin has other fantasies, too..

    Similarity in graphical mechanism?

    Wednesday, June 7th, 2017

    [ by Charles Cameron — a matter of visual rhetoric, NYT’s Trump and Magritte ]
    .

    I’m intuiting that these two graphical representations somehow use the same visual logic to achieve their ends:

    **

    If I was more alert in some semi-defined sense, I’d be able to diagram them in a manner similar to that which Douglas Hofstadter uses to diagram the conceptual working of MC Escher‘s hands drawing hands —

    — another brilliant ouroboros, for those who are keeping count!

    **

    How does “let not thy left hand know what thy right hand doeth:” fit into this (Escher) picture?

    Trolleys come to Terror

    Tuesday, October 18th, 2016

    [ by Charles Cameron — a western koan makes it onto German TV? ]
    .

    What Hala Jaber calls a supermarket trolley in this tweet is not what this post is about — but it sure does connect trolley and terror!

    **

    Here’s the terror side of things, in a tweet from John Horgan:

    The BBC halls it an “interactive courtroom drama interactive courtroom drama centred on a fictional act of terror” and notes:

    The public was asked to judge whether a military pilot who downs a hijacked passenger jet due to be crashed into a football stadium is guilty of murder.

    Viewers in Germany, Switzerland and Austria gave their verdict online or by phone. The programme was also aired in Slovakia and the Czech Republic.

    The vast majority called for the pilot, Lars Koch, to be acquitted.

    Here’s the setup:

    In the fictional plot, militants from an al-Qaeda offshoot hijack a Lufthansa Airbus A320 with 164 people on board and aim to crash it into a stadium packed with 70,000 people during a football match between Germany and England.

    “If I don’t shoot, tens of thousands will die,” German air force Major Lars Koch says as he flouts the orders of his superiors and takes aim at an engine of the plane.

    The jet crashes into a field, killing everyone on board.

    So, is the pilot guilty, or not guilty?

    **

    At the very least, he has our sympathy — but how does that play out in legal proceedings?

    What’s so fascinating here is the pilot’s dilemma, which resembles nothing so much as a zen koan.

    Except for the Trolley Problem:

    trolley_problem
    Image from Wikimedia by McGeddon under license CC-BY-SA-4.0

    **

    Substitute an Airbus for the trolley, 164 people for the lone individual on the trolley line, and 70,000 people for the cluster of five — and the pilot for the guy who can make a decision and switch the tracks.

    There you have it: terror plot and trolley problem running in parallel.

    To be honest, I think the full hour-plus movie is far more immersive, to use a term from game design, than the Trolley Problem stated verbally as a problem in logic — meaning that the viewer is in some sense projected, catapulted into the fighter-pilot’s hot seat — in his cockpit, facing a high speed, high risk emergency, and in court, on trial for murder.

    It’s my guess that more people would vote for the deaths of 164 under this scenario than for the death of one in the case of the trolley — but that’s a guess.

    **

    The German film scenario — adapted from a play by Ferdinand von Schirach — is indeed a courtroom drama, a “case” in the sense of “case law”. And it’s suggestive that koans, too, are considered “cases” in a similar vein. Here, for instance, is a classic definition of koans :

    Kung-an may be compared to the case records of the public law court. Kung, or “public”, is the single track followed by all sages and worthy men alike, the highest principle which serves as a road for the whole world. An, or “records”, are the orthodox writings which record what the sages and worthy men regard as principles [..]

    This principle accords with the spiritual source, tallies with the mysterious meaning, destroys birth-and-death, and transcends the passions. It cannot be understood by logic; it cannot be transmitted in words; it cannot be explained in writing; it cannot be measured by reason. It is like a poisoned drum that kills all who hear it, or like a great fire that consumes all who come near it. [..]

    The so-called venerable masters of Zen are the chief officials of the public law courts of the monastic community, as it were, and their collections of sayings are the case records of points that have been vigorously advocated.

    **

    Relevant texts:

  • John Daido Loori, Sitting with Koans
  • John Daido Loori, The True Dharma Eye

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