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A gem at Fear, Honor and Interest by Joseph Fouche:

The Really Alternative U.S. Army Reading List

Everyone, even CNASistas, is making fun of new U.S. Army Chief of Staff Gen. Martin Dempsey’s 26 volume attempt at a “professional reading list“. This Committee, ever eager to jump on the newest, hippest trend out of the Pentagon, is as willing to dogpile on Gen. Dempsey’s list as anyone else.

Any list that includes one, let alone two, books by the Mustache of Understanding, is instantly marked “self-parody” in the Committee’s collective INBOX and deleted. After touching any field of human inquiry, the Mustache of Understanding leaves PowerPoint in his wake and calls it wisdom. The Mustache of Understanding’s works may be of interest to future historians looking back on our age. But that sort of interest will be the same sort of forensic interest that epidemiologists summon when examining smallpox under a microscope in a cleanroom.

In the spirit of fairness to the good general, the Committee here offers up its own twenty-six books for the aspiring strategic professional…

And it is a good reading list too.

A line in there qualifies for Dave Schuler’s Imaginative Polemic collection.

The Five Percent: Finding Solutions to Seemingly Impossible Conflicts  by Peter T. Coleman

A courtesy review copy just arrived. Intriguing, because the study here is about intractable or seemingly “wicked” socio-political conflicts. Coleman is an academic, researcher and activist in conflict resolution studies. Perhaps it will have some nuggets of wisdom for “de-escalating” 4GW or Hybrid wars.

Thanks to courtesy copy sent by Tom, I just began reading this:

Many people, including myself, have had the experience of a loved one suffering with cancer or battled cancer themselves. Cancer is an onerous, arduous disease, but having your child be diagnosed with cancer must be another whole level of terrifying.

Will have a review and something extra soon.

Two more for the pile….

Another Bloody Century by Colin Gray

Iraq & the Evolution of American Strategy by Steven Metz

Comments or opinions?

The Profession by Steven Pressfield

We should begin this review with “Full Disclosure“:

I just finished reading The Profession by Steven Pressfield, which I enjoyed a great deal. Steve sent me an earlier draft doc of the book and I consider Steve a friend. Furthermore, in an extremely gracious gesture, Steve granted me (or at least zenpundit.com) the novelist’s equivalent to a walk-on cameo appearance in his book. Therefore, if you the reader believe that I cannot review this book objectively…well….you are right. It’s not possible 🙂 . Here are some other reviews by Shlok Vaidya, Greyhawk of Mudville Gazette and Kirkus if you want greater impartiality.

Nor am I going to delve into the mechanics of the plot structure and action sequence in The Profession. For one, I think too much of the story in a review of a work of fiction spoils the enjoyment for the group of readers who would be most interested. And you can get the blow by blow elsewhere.

Instead, I would like to draw your attention to how Pressfield has written this novel differently. And why that matters.

There is plenty of action in The Profession and the book really moves. It is violent, but not at a Blood Meridian level of cruelty and the murky political intrigue that surrounds the hero, the mercenary’s mercenary and “pure warrior” Gilbert “Gent” Gentilhomme, is a nice counterpoint to physical combat and technical military details. Many people will enjoy the novel on this level and The Profession would make for an exciting action film. Or perhaps a series of films along the lines of The Bourne Identity or those Tom Clancy movies with Harrison Ford. All well and good. But that is not why The Profession is worth reading – that’s merely why it is fun to read.

What surprised me initially about The Profession was how unlike Killing Rommel it was. Killing Rommel also had war and adventure, but it was a deep study in the character development of Chap, the protagonist, who had enough of a textural, cultural, authenticity as a young gentry class British officer of the WWII period as to make Killing Rommel seem semi-biographical. As a reader, I didn’t much care if Chap and his men succeeded in killing Rommel, only that I would be able to continue to see the story unfold from Chap’s perspective. Many artists believe characters and character interaction are the most important element in a story, from Saul Bellow to Quentin Tarantino. Their stories are captivating even though their narratives are not always particularly logical or centered on a grand conflict.

The Profession is not like that at all. In my view, Pressfield turned his creative energies, his knowledge for military affairs and his formidible ear for history away from character development and toward theme. This difference may or may not explain his own reports of difficulty in wrestling with this novel.

Reaching back to the lessons learned from late Republican Rome, Thucydides, Xenophon and seasoning it liberally with Machiavelli, Pressfield’s 2032 near-future is also jarringly allegorical with America of 2012. Like Rome of the 1st century BC or Athens after it’s defeat in the Peloponnesian War, America in The Profession is strategically paralyzed, politically polarized and teetering on the precipice of decay and decline. These historical inspirations have been mashed up with a dystopian 4GW world, filled with mercenary PMCs like Force Insertion and The Legion, terrorists, drones, tribes, criminal corporations and and a devious and cowardly global financial elite. A future more evenly distributed from the present.

The antagonist against whom the plot is structured is not the story’s nominal villain terrorist, but Gent’s Homeric father-figure, former Lieutenant General James Salter, USMC,  “the crawling man” who was martyred, disgraced, exiled and redeemed as the new master of Force Insertion’s Mideast deployed “armatures” (combined arms divisions) and the book’s geopolitical apex predator, who boasted:

” I was obeying a more ancient law” 

This marks a drastic shift in Pressfield’s use of characters from people existing in themselves with humanistic nuances to their use as philosophical archetypes to better express the theme, more like the technique of Fyodor Dostoyevskii, Victor Hugo or Ayn Rand.

The interplay between the kinetic Gent and the increasingly totemic Salter elucidates a theme that is creating tectonic political shifts in America and the world; a theme which is expressed explicitly to Gent at one point by the ex-Secretary of State, Juan-Estebaun Echevarria. The ex-Secretary plays Cicero to Salter’s Caesar, but Gent is ultimately cast in the role of a very different Roman by the manipulative Salter. Pressfield, in honing the various characters, including AD, Maggie Cole, El-Masri and others, is also drawing on Alcibiades, Critias, Livy, Homer, Robert Graves, Joseph Conrad and the pattern of mythic epics. Salter is at once a pagan chieftain and a philosopher-king, a civilized Kurtz or a barbaric John Galt, who after continuous dissembling, in a brutally honest speech, gives his followers, his enemies, Gent and even himself, no opportunity to morally evade what he has become or his reasons for what he proposes to do. A speech that resonates with the negative trends we see today.

The Profession is a cautionary tale outfitted in kevlar.