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[ by Charles Cameron – extended analytic game on Israeli-Palestinian conflict — for those who wish to catch up, our game thus far consists of an intro to the game and game board, followed by moves 1-5, 6-9, then moves 10-11 which together constitute a meditation, moves 12, 13-15, 16-17, and most recently before this, move 18 with cadenza ]

Move 19: The view from above

Move content:

Discussing strategy, the very canny LTG (USMC, Ret’d.) Paul Van Riper had this to say:

What we tend to do is look toward the enemy. We’re only looking one way: from us to them. But the good commanders take two other views. They mentally move forward and look back to themselves. They look from the enemy back to the friendly, and they try to imagine how the enemy might attack them. The third is to get a bird’s-eye view, a top-down view, where you take the whole scene in. The amateur looks one way; the professional looks at least three different ways.

A bird’s-eye view, a hawk’s eye view, a top-down view, an overview, a view from 30,000 feet, a God’s eye view, a view from above, a zoom…

If move 18 and its cadenza gave us a view of the depth of vision or insight that is necessary for a full and rich understanding of the world we live in — its qualitative or spiritual scope, if you like — this next move, with its picnic and drone-sight, addresses its breadth in space and time — materially and quantitatively speaking.

The classic expression of the sheer material scope of the universe was put together by Charles and Ray Eames in their justly celebrated film, Powers of Ten, from which the lower of these two images is drawn:

Here are some other relevant scans of the scope of things, in terms of time and space:

The Scale of the Universe 2
A Brief History of The Universe
The Known Universe
A Time-Lapse Map of Every Nuclear Explosion Since 1945

These are impressive videos to be sure, but as an aside I’ll invite you to ask yourselves how well they compare with this zoom in words, a poem by the zennist, ecologist, essayist and poet Gary Snyder, from his book, Axe Handles: Poems:

Such breadth of vision, such craft.

*

If this “material scope of things” too has a cadenza, it would be that all of this is shot through with some primary oppositions, dappled as the poet Gerard Manley Hopkins would have it, with swift, slow; sweet, sour; adazzle, dim — as indicated in the drone-sight and picnic double image at the head of this move.

This dappling, this constant flux of opposites, takes many forms — day and night lead to the more abstract light and dark, which can then be interpreted morally as good and evil, to which we respond with repulsion and attraction as the case may be, building our worldviews from love or fear…

At different scales the opposites that matter most to us may have different names and shadings, but here I’d just like to draw attention to the dappling of our world with:

competition and cooperation
Darwin‘s natural selection and Kropotkin‘s mutual aid
duel and duet (ah! — a favorite phrasing of mine)
war and peace

Provocatively, we find this dappling in scriptures, too, wherein the ripples of such verses as “The LORD is a man of war: the LORD is his name” (Exodus 15.3) dropped like a stone into the pond of the human mind, meet with the ripples of other verses such as “God is love; and he that dwelleth in love dwelleth in God, and God in him” (I John 4.16).

There are times when we take such oppositions literally, perhaps too literally, and times when we begin to see oppositions as abstract and theoretical end-points to what is in fact a yin-yang process continually unfolding…

Which brings me by a commodius vicus of recirculation to this image of the great opposition between war and peace, its dappling, its unfolding:

Links claimed:

To the Lamb, move 18: this move presents the material scope of the universe in counterpoint to its visionary scope as laid out in move 18 with its cadenza.

To Revelation, move 17 — the word revelation means unveiling, as we have seen, and our sciences and technologies, with their spectra of telescopes, microscopes, cameras and zooms, are unveiling and revealing to us much about the physicality of the world we live in — much that was accounted for in other times and places through intuition, vision and poetry.

This scientific and technical revelation of material existence, for many of us moderns, has largely eclipsed the mode of visionary revelation of move 17 — yet it cannot eradicate it. Implicit in this move, then, is the sense that we carry with us both subjective and objective, inner and outer, qualitative and quantitative understandings — though the data that “sight” and “insight” provide us with may be different in kind, and resolving them may be something of a koan to us, the deep problem in consciousness as philosophers of science have named it — and that we can discount neither one if we are to have and maintain a rich sense of our situation.

Comment:

If the two previous moves have shown us the scope of the universe we co-inhabit, perhaps we should now make our own zoom in, much as James Joyce did when he had the schoolboy Stephen inscribe his name and address in his geography book as Stephen Dedalus, Class of Elements, Clongowes Wood College, Sallins, County Kildare, Ireland, Europe, The World, Universe – an address that Stephen then read both forwards and backwards, finding himself in one direction, and finding in the other that he had no means of knowing what might lie beyond the universe…

Imagine then, skipping rapidly from (unimaginable) cosmos via such things as the intriguingly named End of Greatness to galaxy or nebula…

…solar system and planet — whence we can slow down and zero gently in on the Middle (or as my friend Ralph Birnbaum would call it, the Muddle) East, Israel / Palestine, Jerusalem / Al Quds / the Temple Mount / Noble Sanctuary – and to such matters of contemplative vision and tribal passion as the first, second and projected third Temples, the al-Aqsa mosque.

Our increasing focus will bring us, then, to that the rock which Jews believe marks the place where Abraham bound his son Isaac (the Akedah), and which Muslims believe to be the place of ascent of the Prophet to the celestial realms (the Mi’raj) on his Night Journey (Qur’an, Al-Isra).

Here again myth and history collide, and both visionary and material considerations merge in the heart of the what my friend the Israeli journalist Gershom Gorenberg has justly called “the most contested piece of real estate on earth”.

[ by Charles Cameron — modeling / scoring CVE as a flow of ideas, with related matter from Hesse, Melville, Tufte, Rushdie and John Seely Brown ]
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[ graphic: McCants / Berger, see below ]

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I am interested in thoughts: in the way thoughts connect to one another, differ from one another, lead to one another, parallel or echo one another, and oppose one another…

That’s my interest, that’s me.

1.

So when Will McCants of Jihadica posts the first two parts of his three-part series on Countering Violent Extremism (CVE), two points in particular strike me:

McCants proposes his own definition for CVE – “Reducing the number of terrorist group supporters through non-coercive means” – in part 1 of his presentation, indicating what in his view it should and shouldn’t involve, and in supporting this definition, he notes (recommendation #3):

The focus is not on reducing support for ideas, which is difficult to judge, but rather support for specific organizations that embody those ideas and seek their realization, which is easier to document and more closely related to criminal behavior.

In part 2, he mentions “thought police” twice, the second time saying:

But if counter terrorism is to involve more than just locking people up, it should not stray too far from stopping bomb throwers into social engineering and thought policing.

I’m definitely not into thought police either — but while I’d agree that ideas are by nature difficult to track or assess, that’s nonetheless where my own curiosity and creativity finds its level.

2.

Just how CVE should operate in general is outside my scope — but since I do tend to focus in on ideas, I have the sense that paralleling McCant’s diagram of the approximate stages of support for terrorist groups:

or the version JM Berger reworked with McCants and posted on Intelwire, which I’ve placed at the top of this post — there could in theory be a diagram of the evolution of thought that accompanies those stages, and that such a diagram, intricate though it would undoubtedly be, might still be of some use.

3.

It seems to me that two main streams off thought – some might say “narrative” — would tend to flow together towards the eventual outcome of full radicalization and active jihad.

• One stream would begin with dissatisfaction and wend its way through a general sense of injustice in the world to the idea that Islamic nations and groups in particular are being targeted for military interventions by America and its allies, perhaps with a detour though the issues associated with “underdog” Palestinians, and thence towards a sympathy for jihadists, some level of identification with the Ummah, formal acceptance at some point of Islam (ie the taking of the Shahada), to an acceptance that jihad is an individual obligation for able Muslims under present circumstances…
• The other stream would arise from religious seeking and theological speculation, finding in Islam a simple and clear-cut answer to the seeker’s questions, via further discussion and the taking of Shahada — and then move along roughly the same trajectory that Daveed Gartenstein-Ross meticulously chronicled in his first, less widely known book, My Year Inside Radical Islam: A Memoir, with an emphasis on an increasingly “puritanical” salafi / wahhabi / deobandi interpretation of the religion, which can then lead in turn to a sense of potential political ramifications, again that the West is involved not merely in wars that happen to be in Muslim countries but in wars against the Ummah, and thence again to the acceptance of jihad as individual obligation.

That individual obligation (fard ‘ayn) being, I suspect, the likely “bottleneck” where any and all such streams would converge.

4.

For those interested in how this ties in with wider currents in contemporary thought, and with the bead game in particular:

I said above that I am interested in thoughts. I mean by this that my natural focus is more on thoughts than on people. Not that this is better or worse than some other focus…

In Hermann Hesse terms, I’m more interested in the great game of juxtaposed cultural contents played by the Castalians in his book Magister Ludi:

All the insights, noble thoughts, and works of art that the human race has produced in its creative eras, all that subsequent periods of scholarly study have reduced to concepts and converted into intellectual values the Glass Bead Game player plays like the organist on an organ. And this organ has attained an almost unimaginable perfection; its manuals and pedals range over the entire intellectual cosmos; its stops are almost beyond number.

than I am in the game that Hesse tells us he played in reverie while raking and burning leaves in his garden — visualizing the great men of all times walking and talking together across the centuries – a game which quite a few great minds seem to have stumbled upon, and which Hermann Melville describes in his novel, Mardi:

In me, many worthies recline, and converse. I list to St. Paul who argues the doubts of Montaigne; Julian the Apostate cross- questions Augustine: and Thomas-a-Kempis unrolls his old black letters for all to decipher. Zeno murmurs maxims beneath the hoarse shout of Democritus; and though Democritus laugh loud and long, and the sneer of Pyrrho be seen; yet, divine Plato, and Proclus, and Verulam are of my counsel; and Zoroaster whispered me before I was born… My memory is a life beyond birth; my memory, my library of the Vatican, its alcoves all endless perspectives, eve-tinted by cross-lights from Middle-Age oriels…

Both modes are valuable, I’d suggest, both are worth pursuing.

5.

Edward Tufte has the above diagram in Visual Explanations, one of his several beautiful and profound books. That diagram in turn is based on Salman Rushdie‘s description of the Indian epid Kathasaritsagara or Ocean of the Streams of Story in his book Haroun and the Sea of Stories:

…the Water Genie told Haroun about the Ocean of the Streams of Story, and even though he was full of a sense of hopelessness and failure the magic of the Ocean began to have an effect on Haroun. He looked into the water and saw that it was made up of a thousand thousand thousand and one different currents, each one a different color, weaving in and out of one another like a liquid tapestry of breathtaking complexity; and [the Water Genie] explained that these were the Streams of Story, that each colored strand represented and contained a single tale. Different parts of the Ocean contained different sorts of stories, and as all stories that had ever been told and many that were still in the process of being invented could be found here, the Ocean of the Streams of Story was in fact the biggest library in the universe. And because the stories were held here in fluid form, they retained the ability to change, to become new versions of themselves, to join up with other stories and so become yet other stories…

That diagram offers a quick approximation to the idea that I’d like to be able to model / diagram / score the ideas in play in CVE.

6.

If an idea is timely, it will find its kin — that’s one way to check that you’re not hopelessly out to lunch — and I certainly feel kinship with Tufte, Rushdie and Hesse here.

This, from John Seely Brown‘s opening keynote [video] at the 2012 Digital Media and Learning Conference, also strikes a kindred note for me:

How do you participate on the ever-moving flows of activities, knowledge and so on and so forth; how do you move from being like a steamship that sets course and keeps going for a long time to what you might call whitewater-kayaking, that you have to be in the flow, and you have to be able to pick things up on the moment, you gotta feel it with your body, you gotta be a part of that, you’ve gotta be in it, not just above it and learning about it. … In this new world of flows, participating in these knowledge flows is an active sport. And the whole catch is, how do you participate in these flows…?

7.

Ideas as flows, radicalization processes as flows — it’s mapping, modeling, and scoring them that really catches my own interest. It is still early days as yet…

[ by Charles Cameron — burning and blasphemy ]
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The question here is a simple one: which is the more blasphemous? burning holy scripture — or burning oneself, a human being?

Now I imagine you think the answer to that’s quite obvious, and I do too. But there are people with the opposite opinion to mine — and when we burn their scriptures, even by mistake, even making apologies afterwards, they get enraged, and kill people. There may be many other factors that contribute to their rage, but this is the trigger, the religious sanction, the thing that pushes them over the top.

Someone tweeted the other day:

Souls are being burned alive in Homs & others riot over ink & paper. Where’s the logic?!

It is not my purpose to attack or defend anyone’s beliefs or opinions here — what I would like to do instead is to see through the rage and glimpse that logic: I would like us to avoid needlessly triggering it.

I want to bring what may at first seem utterly incomprehensible to us, a little closer to our comprehension.

1.

In the Quran 5.32, we read:

We ordained for the Children of Israel that if any one slew a person – unless it be for murder or for spreading mischief in the land – it would be as if he slew the whole people: and if any one saved a life, it would be as if he saved the life of the whole people.

On the one hand, that sets an extremely high value on human life — the Jewish equivalent is found in the Talmud, Tractate Sanhedrin 37a — and on the other hand, it can be claimed that that high value is set not by humans but by their Creator in his revealed Word, the Qur’an.

2.

What metaphor or analogy would allow me to understand that logic in terms of my own culture? Not the rage itself, not the killings — but the logic that potentiates them?

3.

If you think, as the melancholy Jaques has it in As You Like It, that all the world’s a stage, and all the men and women merely players – and as Hamlet might think, pondering what more things might be in heaven and earth than are dreamt of in philosophy – why then —

How does one weigh the value of the life of a Jaques, or Hamlet, of one of us, one single human being – of whom Shakespeare, again through his Hamlet, said:

how noble in reason! how infinite in faculty! in form and moving how express and admirable! in action how like an angel! in apprehension how like a god! the beauty of the world! the paragon of animals! ..

against the value of a single copy of the Works of one William Shakespeare – who then continued on, through that same Hamlet’s voice, to ask:

And yet, to me, what is this quintessence of dust?

4.

Shakespeare, the First Folio, Hamlet?
God, the Scripture, you or me?

5.

It is said the imperishable Quran is writ in heaven before time was, and there is a hadith of Tirmidhi that describes Allah reciting Suras 20 and 36, Taha and Ya Sin, upon hearing which the angels responded “Happy are the people to whom this comes down, happy are the minds which carry this, and happy are the tongues which utter this”.

I am not a literalist, I am a poet — so that makes poetic sense to me, the way Shakespeare’s “all the world’s a stage” makes sense.

In reading these words, I see for a moment the beauty, the devotion that is possible towards this book, the fervent dedication.

I am not about to kill people in the name of Shakespeare or the Gospels — yet I can understand a reverence for that which is greater than I, for that which is more than we dream of, and for that which “comes down” from thence.

6.

Suppose the body is a perishable scaffolding, and the book an eternal transcript written in the immortal soul…

And now recall what that eternal transcript says:

We ordained for the Children of Israel that if any one slew a person – unless it be for murder or for spreading mischief in the land – it would be as if he slew the whole people: and if any one saved a life, it would be as if he saved the life of the whole people.

The paradox here, surely, is that we are each of us the quintessence of dust – each of us more than is dreamt of in philosophy.

7.

May the soul of Mohamed Bouazizi rest at last.

George F. Kennan: An American Life by John Lewis Gaddis

Zero History by William Gibson 

Just picked these up.

Zero History will have to wait until I read Spook Country, which sits on my shelf. Gibson is good; along with Steven Pressfield he is one of the few living writers of fiction that I will take the time to read.

The Kennan bio is a long awaited and much talked about book about the prickly and difficult father of Containment.  Gaddis, an eminent diplomatic historian and a conservative in a field that still tilts leftward and where many of his peers count opposition to the Vietnam War as the formative political experience of their lives, has probably written the most important book of his career as Kennan’s official biographer.

Will review in the future.

[ by Charles Cameron — recursion as form — this one’s for analysts: poets should know it already ]

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We spend far too much time on content, and not enough time on form.

We spend far too much time on the data, and not enough time on relationships. It is pattern that connects the dots with accuracy, not more dots – quality of insight, not quantity of information.

And pattern is underlying form.

Haiku is a form. The sonnet is a form, the sonata is a form. And just to juxtapose sonnet and sonata is to recognize the formal relationship between them.

1.

Recursion is the form that Doug Hofstadter explores in his book, Godel Escher Bach, and you’ll find it every time one mirror reflects another mirror (what color does a chameleon turn when placed on a mirror?), every time there’s a doll inside a doll inside a Matrioshka doll, often in the form of a paradox (“this sentence is meaningless”) – and when people take photos of themselves holding photos of themselves…

as in the pic of Noam Chomsky and Morris Halle and (in case your politics doesn’t agree so much with Chomsky) the one below them of Jacob Appelbaum and Donald Knuth in my “specs” image at the top of this post.

2.

Content can be powerful, but form really doubles up on the power. Here’s one way of thinking about it: form is what tightens information into meaning.

A couple of news reports in the last couple of days have caught my attention because of their form:

Charter of Open Source Org is Classified, CIA Says

Open Source Works, which is the CIA’s in-house open source analysis component, is devoted to intelligence analysis of unclassified, open source information. Oddly, however, the directive that established Open Source Works is classified, as is the charter of the organization. In fact, CIA says the very existence of any such records is a classified fact.

“The CIA can neither confirm nor deny the existence or nonexistence of records responsive to your request,” wrote Susan Viscuso, CIA Information and Privacy Coordinator, in a November 29 response to a Freedom of Information Act request from Jeffrey Richelson of the National Security Archive for the Open Source Works directive and charter.

“The fact of the existence or nonexistence of requested records is currently and properly classified and is intelligence sources and methods information that is protected from disclosure,” Dr. Viscuso wrote.

This is a surprising development since Open Source Works — by definition — does not engage in clandestine collection of intelligence. Rather, it performs analysis based on unclassified, open source materials.

That’s hilarious, it’s so misguided: I don’t know whether to laugh or barf (not a word I ever expected to use in my writings, but there you go).

3.

That’s sad, this one’s just plain tragic:

Protesters calling for religious tolerance attacked with stones, threatened with death

Police are investigating a violent attack on a ‘silent protest’ calling for religious tolerance, held at the Artificial Beach to mark Human Rights Day.

Witnesses said a group of men threw rocks at the 15-30 demonstrators, calling out threats and vowing to kill them.

One witness who took photos of the attacked said he was “threatened with death if these pictures were leaked. He said we should never been seen in the streets or we will be sorry.”

Killing your enemies for reasons of religion is one thing: killing those who work for peace between you and your religious enemies is no worse of the face of it – it’s religious killing, no more and no less, in both cases — but it drives the point home with considerable, poignant force.

Keep your eye out for recursion, it’s an interesting business. And respect form – it empowers content.

4.

You’ll find recursion right at the heart of Shakespeare: his plays were performed in a round theater (the “wooden O” of Henry V) called the Globe, whose motto was “totus mundus agit histrionem” – roughly, “the whole world enacts a play” – a notion which Shakespeare put into the mouth of the melancholy Jaques in As You Like It:

All the world’s a stage,
And all the men and women merely players.
They have their exits and their entrances,
And one man in his time plays many parts…

A martial version of this idea, indeed, can be found in the philosopher Plotinus, who wrote in his Enneads (3.ii.15):

Men directing their weapons against each other — under doom of death yet neatly lined up to fight as in the pyrrhic sword-dances of their sport — this is enough to tell us that all human intentions are but play, that death is nothing terrible, that to die in a war or in a fight is but to taste a little beforehand what old age has in store, to go away earlier and come back the sooner. So for misfortunes that may accompany life, the loss of property, for instance; the loser will see that there was a time when it was not his, that its possession is but a mock boon to the robbers, who will in their turn lose it to others, and even that to retain property is a greater loss than to forfeit it.

Murders, death in all its guises, the reduction and sacking of cities, all must be to us just such a spectacle as the changing scenes of a play; all is but the varied incident of a plot, costume on and off, acted grief and lament. For on earth, in all the succession of life, it is not the Soul within but the Shadow outside of the authentic man, that grieves and complains and acts out the plot on this world stage which men have dotted with stages of their own constructing.

5.

I thought it would be interesting to see if recursion had power, too, in the field of religion, and this passage from Ephesians (4.8) sprang to mind…

When he ascended up on high, he led captivity captive, and gave gifts unto men…

That’s a lovely recursion, “leading captivity captive”. But I think we can go deeper. John Donne‘s sonnet Death be not proud reaches to the very heart of the Christian message, it seems to me –it parallels the passage from Ephesians closely, while focusing in on the hope of resurrection with its stunning conclusion:

Death, thou shalt die.

Here’s the whole thing: profound content in impeccable form:

Death be not proud

Death be not proud, though some have called thee
Mighty and dreadfull, for, thou art not so,
For, those, whom thou think’st, thou dost overthrow,
Die not, poore death, nor yet canst thou kill me.
From rest and sleepe, which but thy pictures bee,
Much pleasure, then from thee, much more must flow,
And soonest our best men with thee doe goe,
Rest of their bones, and soules deliverie.
Thou art slave to Fate, Chance, kings, and desperate men,
And dost with poyson, warre, and sicknesse dwell,
And poppie, or charmes can make us sleepe as well,
And better then thy stroake; why swell’st thou then;
One short sleepe past, wee wake eternally,
And death shall be no more; death, thou shalt die.

6.

What do you think?