[ by Charles Cameron — or the curious relevance of the tanakh or old testament today ]
I’m half-serious, and that’s an approximation, but not an understatement:
Samson , upper panel above, was a rough-hewn fellow — my own name, Charles Cameron, means Rough-fellow Broken-nose, so I’m not putting him down — who slew a lion and returned later to take honey from the bees that had gathered in the carcass. He was hirsute to say the least, but the lovely Delilah got a fellow to snip his locks and his masculine rough-hewn ferocity fell away.. warrior no more.
Same thing, approximately, with Andrew Johnson, lower panel, a dreaded — in both senses — high school wrestler from New Jersey. I don’t think the image in the lower panel is entirely fair to the young woman doing the snipping, because she probably wasn’t the one giving the order — but then Delilah in the upper panel gave the order, but wasn’t the one with the razor — he would come later once Samson has fallen further for her charms and wiles. Which were considerable.
That he told her all his heart, and said unto her, There hath not come a razor upon mine head; for I have been a Nazarite unto God from my mother’s womb: if I be shaven, then my strength will go from me, and I shall become weak, and be like any other man. And when Delilah saw that he had told her all his heart, she sent and called for the lords of the Philistines, saying, Come up this once, for he hath shewed me all his heart. Then the lords of the Philistines came up unto her, and brought money in their hand. And she made him sleep upon her knees; and she called for a man, and she caused him to shave off the seven locks of his head; and she began to afflict him, and his strength went from him.
In 1492, best known as the year Columbus sailed the ocean blue, Spain also decided to expel all practicing Jews from its kingdom. Jews who did not leave—and were not murdered—were forced to become Catholics. Along with those who converted during earlier pogroms, they became known as conversos. As Spain expanded its empire in the Americas, conversos made their way to the colonies too.
The stories have always persisted—of people across Latin America who didn’t eat pork, of candles lit on Friday nights, of mirrors covered for mourning. A new study examining the DNA of thousands of Latin Americans reveals the extent of their likely Sephardic Jewish ancestry, more widespread than previously thought and more pronounced than in people in Spain and Portugal today. “We were very surprised to find it was the case,” says Juan-Camilo Chaco?n-Duque, a geneticist at the Natural History Museum in London who co-authored the paper. [ .. ]
In the case of conversos, DNA is helping elucidate a story with few historical records. Spain did not allow converts or their recent descendants to go to its colonies, so they traveled secretly under falsified documents. “For obvious reasons, conversos were not eager to identify as conversos,” says David Graizbord, a professor of Judaic studies at the University of Arizona. The designation applied not just to converts but also to their descendants who were always Catholic. It came with more than a whiff of a stigma. “It was to say you come from Jews and you may not be a genuine Christian,” says Graizbord. Conversos who aspired to high offices in the Church or military often tried to fake their ancestry.
The genetic record now suggests that conversos—or people who shared ancestry with them—came to the Americas in disproportionate numbers.
A variant on that story then reappears in the life of Gustav Mahler. My nephew Daniel Hardin explains:
Two comments on Mahler and conversion:
On 23-02-1897 (Year 1897) Gustav Mahler walked into the St. Michael’s church in Hamburg and was “received” or baptized into the Roman Catholic faith. The rite of conversion, Mahler believed would clear away a major stumbling block as a prerequisite for being named principal director of the Vienna Hofoper, the Court Opera, today’s Vienna State Opera, and a position for which he and his supporters had been discreetly campaigning for many months.
Conversion is sort of like the untouchable “third rail” of religion: switching faiths is frequently the cause of family rupture, personal torment and bitter theological debates. Some parents consider converted children to be dead, both spiritually and physically.
Rarely have I heard the few opening measures of this symphony unleashed with such oppressively inexorable force, and its final minutes infused and driven by such ecstatic euphoria, with everything in between shaping the radical transformations that link the two extremes. After all the Symphony No. 5 in C-sharp minor by Gustav Mahler (1860-1911) is an expansive epic journey ‘per aspera ad astra’ (‘through hardship to the stars’) from fears of oppressive intolerance to great feelings of overwhelming joy.
From the beginning, Mattis and his boss, President Trump, were nearly perfect opposites. Trump, lazy and self-indulgent, appears to think, when he thinks at all, almost entirely of himself. Mattis, by contrast, is a picture of self-restraint, driven by a sense of loyalty to the country and his ideals, symbolized by his high and tight haircut and forty-four years of military service. While his boss revelled in his own hedonism, Mattis walked the battlefields of Afghanistan and Iraq carrying a copy of the Meditations of Marcus Aurelius, the Roman stoic.
Neatly done there: Mattis‘ hair is specified, Trump‘s implied..
Seriously, though, it’s both obvious and surprising that Filkins tackles Mattis, on the occasion of his retirement, in geometric or logical terms of the opposition between the man and his boss.
In the first of his sermons in Fihi ma Fihi, Jalaluddin Rumi offers us the paradox that when a sage visits the court of a prince, it is the prince who visits the sage:
when scholars do not study to please princes, but instead pursue learning from first to last for the sake of truth — when their actions and words spring from the truth they have learned and put to use because this is their nature and they cannot live otherwise .. Should such scholars visit a prince, they are still the ones visited and the prince is the visitor, because in every case it is the prince who takes from these scholars and receives help from them. .. Their trade is giving, they do not receive. The Arabs have expressed this in a proverb: “We have learned in order to give, we have not learned in order to take.” And so in all ways they are the visited, and the prince is the visitor.
Mattis is a scholar of strategy, and Trump not much of a prince.
The point is, there’s a downhill slope here, and the man of service holds the high ground over his sad little master.
One core belief I have always held is that our strength as a nation is inextricably linked to the strength of our unique and comprehensive system of alliances and partnerships. While the US remains the indispensable nation in the free world, we cannot protect our interests or serve that role effectively without maintaining strong alliances and showing respect to those allies. [ .. ]
Similarly, I believe we must be resolute and unambiguous in our approach to those countries whose strategic interests are increasingly in tension with ours. It is clear that China and Russia, for example, want to shape a world consistent with their authoritarian model — gaining veto authority over other nations’ economic, diplomatic, and security decisions — to promote their own interests at the expense of their neighbors, America and our allies. That is why we must use all the tools of American power to provide for the common defense.
My views on treating allies with respect and also being clear-eyed about both malign actors and strategic competitors are strongly held and informed by over four decades of immersion in these issues. We must do everything possible to advance an international order that is most conducive to our security, prosperity and values, and we are strengthened in this effort by the solidarity of our alliances.
[ by Charles Cameron — the Trinity and National Security, Game Boards and Mathematics, Japanese wave patterns, Maestro Harding on the interconnectedness of “all branches of human knowledge and curiosity, not just music” — plus Blues Clues at the tail end ]
Not only have the last couple of days been riotous in Washington, with more news to track than I have eyes to see, but today, still reeling under the weight of Mattis‘ resignation, McConnell‘s statement in support and other matters, I found myself with a richesse of board-game and graph-related delights.
Followers of this searies will be familiar with the Trinitarian diagram juxtaposed here with its equivalents from classical Kabballah and Oronce Fine:
That little triptych is from my religion and games avenues of interest, but of course I’m also interested in matters of national security, as befits Zenpundit, the strategy & creativity blog. You can imagine my surprise and delight, then, in coming across a natsec version of the trinity diagram, in a tweet from Jon Askonas.
Here’s my comparison:
My own attention was first drawn to the Trinitarian diagram as a result of reading Margaret Masterman‘s brilliant cross-disciplinary work, “Theism as a Scientific Hypothesis”, which ran in four parts in a somewhat obscure and difficult to find journal, Theoria to Theory, Vol 1, 1-4, 1966-67.
And finally, here’s an ugraded version of the other DQ of mine that seeks to bridge the arts and sciences — featuring Hokusai‘s celebrated woodblock print, The Great Wave off Kanagawa (upper panel, below) and Jakob aka nikozy92‘s fractal wave, which I’ve flipped horizontally to make its parallel with the Hokusai clearer (lower panel) — Jakob‘s is a much improved version of a fractal wave compared with the one I’d been using until today:
That brings me to the Met’s marvelous offering, to which J Scott Shipman graciously pointed me:
Finally, I’ve been delighted today to run across a couple of vdeos of my nephew, Maestro Daniel Harding, conducting the Swedish Radio Symphony Orchestra some years back in programs exploring the interplay of mathematics and other disciplines and music:
Daniel is not working the graph-based angle that my games explore, but his thinking here is pleasantly congruous with my own. His work with the SRSO has, he says in the first video here, “to do with all branches of human knowledge and curiosity, not just music — because everything is connected”.
You can’t get much closer in spirit to Hesse‘s Glass Bead Game than that!
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