zenpundit.com

[ by Charles Cameron — an almost-Darwin-Award-worthy foolishness, coupled with a masterpiece of Zen art — just the sort of post I’d love to post, for my own sake, even if no-one else is listening ]
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Unbelievable!

That’s a serious journal article about a seriously un-serious drunking game.. And if you can’t read the fine print, not to worry — the two top articles below will brief you nicely..

Readings:

Atlantic, This Is What Happens When You Drunkenly Swallow a Live Catfish

LiveScience, A Drunk Man Swallowed a Live, Venomous, Spiny Catfish.

Acta Oto-Laryngologica Case Reports, A Jackass and a Catfish

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By way of contrast:

Here’s what the book’s about:

Zen art poses a conundrum. On the one hand, Zen Buddhism emphasizes the concept of emptiness, which among other things asserts that form is empty, that all phenomena in the world are illusory. On the other hand, a prodigious amount of artwork has been created in association with Zen thought and practice. A wide range of media, genres, expressive modes, and strategies of representation have been embraced to convey the idea of emptiness. Form has been used to express the essence of formlessness, and in Japan, this gave rise to a remarkable, highly diverse array of artworks and a tradition of self-negating art.

In this volume, Yukio Lippit explores the painting The Gourd and the Catfish (ca. 1413), widely considered one of the most iconic works of Japanese Zen art today. Its subject matter appears straightforward enough: a man standing on a bank holds a gourd in both hands, attempting to capture or pin down the catfish swimming in the stream below. This is an impossible task, a nonsensical act underscored by the awkwardness with which the figure struggles even to hold his gourd. But this impossibility is precisely the point.

Read or view:

Getty Research, Japanese Zen Buddhism and the Impossible Painting

Getty YouTube lecture, Japanese Zen Buddhism and the Impossible Painting

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On the zen of swallowing, or not:

In Zen work, an existential contradiction, Mumon’s “red hot coal,” sticks in the student’s throat; the inability “to swallow it or spit it out” precipitates a crisis to be resolved through an insight that is simultaneously an existential gesture. “If I am whole and complete as I am, why do I feel ignorant and incomplete?” might be one formulation of the conundrum, though encoded in a ritual question like “What is the sound of one hand?” The greater the contradiction, the greater the tension — ”doubt mass” — and the greater the breakthrough, according to Zen tradition.

Source:

Tricycle, Fruitful Contradictions: The Zen of mathematics

[ by Charles Cameron — the Trinity and National Security, Game Boards and Mathematics, Japanese wave patterns, Maestro Harding on the interconnectedness of “all branches of human knowledge and curiosity, not just music” — plus Blues Clues at the tail end ]
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Not only have the last couple of days been riotous in Washington, with more news to track than I have eyes to see, but today, still reeling under the weight of Mattis‘ resignation, McConnell‘s statement in support and other matters, I found myself with a richesse of board-game and graph-related delights.

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Trinitarian NatSec:

Followers of this searies will be familiar with the Trinitarian diagram juxtaposed here with its equivalents from classical Kabballah and Oronce Fine:

That little triptych is from my religion and games avenues of interest, but of course I’m also interested in matters of national security, as befits Zenpundit, the strategy & creativity blog. You can imagine my surprise and delight, then, in coming across a natsec version of the trinity diagram, in a tweet from Jon Askonas.

Here’s my comparison:

My own attention was first drawn to the Trinitarian diagram as a result of reading Margaret Masterman‘s brilliant cross-disciplinary work, “Theism as a Scientific Hypothesis”, which ran in four parts in a somewhat obscure and difficult to find journal, Theoria to Theory, Vol 1, 1-4, 1966-67.

See:

Margaret Masterman, George Boole and the Holy Trinity

Margaret Masterman’s “Theism as a Scientific Hypothesis”

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Game Boards and Mathematics:

I could hardly fail to be intrigued by Calli Wright‘s piece titled The Big List of Board Games that Inspire Mathematical Thinking, eh? And look, the first game they show is a graph-based board game, Achi:

Dara also looks somewhat relevant.

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Japanese wave designs:

Again, those familiar with my games will know of my juxtaposition of Von Kármán with Van Gogh as a DoubleQuote — but let me quote from an earlier post, Sunday’s second surprise — the Van Gogh DoubleQuote:

Here’s the Von Kármán / Van Gogh DQ, which I value in light of Hermann Hesse‘s Glass Bead Game as a clear bridge between one of the crucial dualities of recent centuries — the needless and fruitless schism between the arts and sciences, which has given rise not only the rantings of Christopher Hitchens and his less elegant disciple Bill Maher, but to such other matters as the Papal condemnation and “forgiveness” 359 years later of Galileo Galilei, Charles Babbage‘s Ninth Bridgewater Treatise, Andrew White‘s A History of the Warfare of Science With Theology in ChristendomW, and CP Snow‘s The Two Cultures:

And finally, here’s an ugraded version of the other DQ of mine that seeks to bridge the arts and sciences — featuring Hokusai‘s celebrated woodblock print, The Great Wave off Kanagawa (upper panel, below) and Jakob aka nikozy92‘s fractal wave, which I’ve flipped horizontally to make its parallel with the Hokusai clearer (lower panel) — Jakob‘s is a much improved version of a fractal wave compared with the one I’d been using until today:

That brings me to the Met’s marvelous offering, to which J Scott Shipman graciously pointed me:

Here’s where you get the collection:

Rich pickings!

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Maestro Harding and the Glass Bead Game:

Finally, I’ve been delighted today to run across a couple of vdeos of my nephew, Maestro Daniel Harding, conducting the Swedish Radio Symphony Orchestra some years back in programs exploring the interplay of mathematics and other disciplines and music:

and:

Daniel is not working the graph-based angle that my games explore, but his thinking here is pleasantly congruous with my own. His work with the SRSO has, he says in the first video here, “to do with all branches of human knowledge and curiosity, not just music — because everything is connected”.

You can’t get much closer in spirit to Hesse‘s Glass Bead Game than that!

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Earlier in this series:

On the felicities of graph-based game-board design: preliminaries

On the felicities of graph-based game-board design: two dazzlers

On the felicities of graph-based game-board design: three

On the felicities of graph-based game-board design: four

On the felicities of graph-based game-board design: five

On the felicities of graph-based game-board design: six

On the felicities of graph-based game-board design: seven

On the felicities of graph-based game-board design: eight

On the felicities of graph-based game-board design: nine

On the felicities of graph-based game-board design: ten

On the felicities of graph-based game-board design: eleven

On the felicities of graph-based game-board design: twelve

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BTW:

I really want to believe the only American television Kim Jong Un has watched is Blues Clues and that’s just what he thinks all American mail looks like. pic.twitter.com/wL9ek5csch

— Delaney Strunk (@delaknee) June 2, 2018

NatSec, yes, and a DoubleQUote. Too good to miss. Thanks again to John Askonas..

[ by Charles Cameron — preliminary to a rave review, i suspect, with Helena Bonham Carter as Red Queen thrown in ]
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There’s an old English saying, presumably about the martyred King Charles I:

The King walked and talked half an hour after his head was cut off..

Young boys, getting acquainted with rules and grammar, and somewhat literal minded as a result, find this statement a paradox, which, however, can easily be resolved by the addition of a comma or perhaps better, a semicolon:

The King walked and talked; half an hour after his head was cut off..

Older boys quickly learn the (semicolon) reason of the riddle, and eagerly apply the first version to younger boys, the better to perplex and torment them. And thus both versions, the beauty of the paradox, the ease of its resolution, and the cruelty thus made available are transmitted across the generations..

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I have written this because the beheading of a king clearly marked my young soul, as I was yesterday reminded by three passages from an Atlantic review of Vollmann‘s latest Opus — Magnum III at least [I, II, and let us not forget, gods I would love to read this, Kissing the Mask: Beauty, Understatement and Femininity in Japanese Noh Theater]..

Summits chopped off:

In West Virginia, mountains do not have their summits chopped off but are granted “removal of overburden.”

Decapitation:

His insatiable appetite for detail yields both irrelevant trivia (“Embarking on the Super Limited Hitachi Express, which was also known as the Super Hitachi 23 Limited Express”) and magisterial portraits of landscapes befouled by poking and prodding and, in the case of West Virginia’s mountains, decapitating.

Headless:

Vollmann breathes a cool wind “whose degree of particulate contamination was of course unknown,” hears on a silent street at night the grunting of a radioactive wild boar, and walks on broken glass through an abandoned clothing store advertising a 50 percent–off sale and peopled by headless mannequins.

Headless mannequins and radioactive wild boars — vivid metaphors, no? — we the humans have been brain-dead, and in all likelihood will continue so.

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We’re all too familiar with images of ISIS executioners with their orange jump-suited prisoners, just prior to and after solo and group beheadings — as a corrective to the “it’s all Islam” narrative, here’s a para from an article titled Inside the Minds of Cartel Hitmen: Hannibal Lecters for Hire (which includes an interview with Robert Bunker that I will be taking a more extended look at now my review of JM Berger‘s new book. Extremism, is in):

And the tactics employed in all that killing have become more and more gruesome over time. Maybe the rush felt by some murderers is like a drug itself, and they are junkies needing ever greater doses to get the same high. But how is it that ordinary people get hooked on activities like beheading, acid baths, and cannibalism?

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Quoth the Red Queen: Off with their heads!

[ by Charles Cameron — where might mist be the opposite of tree? ]
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When I heard the words “negative space in the painting” on MSNBC a couple of days ago I was intrigued — was this an unanticipated art program? Terrific! Next thought: the use of negative space is particularly noted in Japanese art:

In Japanese, ma, the word for space, suggests interval. It is best described as a consciousness of place .. the simultaneous awareness of form and non-form deriving from an intensification of vision.

Here’s Wiki’s visual exmple:

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The Pine Trees screen is a pair of six-panel folding screens by the Japanese artist Hasegawa Tohaku. .. The screens are held by the Tokyo National Museum, and were designated as a National Treasure of Japan in 1952.

The ink-on-paper work depicts a view of Japanese pine trees in the mist, with parts of the trees visible and parts obscured, illustrating the Zen Buddhist concept of ma and evoking the Japanese wabi aesthetic of rustic simplicity.

Japanese classical aesthetics are subtle where Western modern aesthetics are obvious, deep where their Western cousins tend to the superficial, and while I wouldn’t care to elaborate on the definitions of ma and wabi, I don’t think “rustic simplicity” catches much of the resonance of wabi, and the phrase “Zen Buddhist concept” is on the clumsy side IMO — well, however.

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DT Suzuki‘s Zen and Japanese Culture was among my early purchaases as a young Oxford scholar with book money and BH Blackwell’s to plunder — and ma and wabi, along with sabi and yugen, rasa and raga, duende, lachrimae and mutabilitie — are among the art-induced mind-&-heart-states I’ve long found of impassioned interest.

For what “negative space” referred to on MSNBC, see the second post in this series of three..

[ by Charles Cameron — might be of interest to John Robb & Adam Elkus ]
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Whoever “they” may be, they’re taking over all over:

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Sources:

Washington Post, MS-13 is ‘taking over the school,’

South China Morning Post, Wild boars are taking over Japan’s small towns

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Two things:

One. In each case, we have a well-studied context — education, Japanese urban living — invaded by an unexpected “alien” force — a virulent gang, wild boars — which will easily blindise students of the context, resulting in unanticipated consequences..

And two. there seems to be enough parallelism between the two instances on “taking over” that we should be able to abstract a rule from the pair of examples — though I’m terrified to think what the implications of such a rule might be..

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Also:

Global warming may be a factor in the exploding Japanese wild boar population

Some of the wild boar in Japan are radioactive thanks to Fukushima

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Pamplona, the Running of the Bulls; Tokyo, the Running of the Boars:

Voluntary (above); involuntary (below).