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John Seely Brown: “The Power of Pull”

Monday, November 1st, 2010

John Seely Brown, who is the co-author of The Power of Pull: How Small Moves, Smartly Made, Can Set Big Things in Motion along with blogfriend John Hagel and Lang Davison, is primarily speaking about education and learning in an ecological paradigm.

Note to self: I need to read this book.

That said, “pull” is the fulcrum for all 20th century orgs that hope to adapt to the 21st, not just public education. Hierarchies, including states, can no longer completely dominate, only aspire to generally arbitrate, or concentrate their powers in an asymmetric fashion. To do this, over the long term, requires putting  attracting the allegiance of clients and allies capable of taking independent initiative in harmony with the org’s vision rather than relying primarily upon coercion to force people to mechanistically follow orders.

Not sure that too many people in our hallowed institutions “get it”.

Guest post: A Hipbone Approach to Analysis II.

Friday, October 29th, 2010

 Charles Cameron is the regular guest-blogger at Zenpundit, and has also posted at Small Wars Journal, All Things Counterterrorism, for the Chicago Boyz Afghanistan 2050 roundtable and elsewhere.  Charles read Theology at Christ Church, Oxford, under AE Harvey, and was at one time a Principal Researcher with Boston University’s Center for Millennial Studies and the Senior Analyst with the Arlington Institute:

A Hipbone Approach to Analysis II.

by Charles Cameron

Let’s call this one Hopscotch across the disciplines.

…our intelligence community failed to connect those dots…
        –  President Obama, Remarks on Security Reviews, Jan 05, 2010

I’ve been giving quite some thought over the past fifteen years to this issue of connecting dots.

My internet handle, hipbone, does double duty for me, since it refers to Ezekiel’s apocalyptic prophecy as featured in the lyric, “hip bone connected to you back bone”, in the old spiritual, Dem Bones, Dem Dry Bones. On the one hand it points to apocalyptic, by which I mean the soon expectation of a sudden and complete transformation in world affairs, very possibly accompanied, triggered or accomplished by extreme violence, with the end result being a highly favored “new heaven and new earth” or “new world order” depending on who is doing the expectation. On the other hand, it points directly to the idea of “connecting the dots” itself, since the entire song is about connections. I have been working on both fronts at least since 1995.

1

Connecting the dots is a matter of thinking, and there are two basic strategies of thought available to the human mind: linear thinking, which proceeds via cause and effect along a single track, and which is the major style of thought used within disciplinary silos, and lateral thinking, which skips sideways across silos and disciplines on wings of metaphor and analogy. Machines can crunch numbers and do some of our linear thinking for us: but it’s up to the analysts to cover the lateral front.

2

Let’s go aphoristic:

Expectation is algorithm: there are no algorithms for the unexpected.

I’d like to connect the dots … to blind spots.

Blinds spots are the spots we can’t, or won’t, and in any case don’t see. They fall into the category of the invisible. Visionaries are those who can see the invisible, who peer into our blind spots, into those places where we can’t see the connections between the dots, and can therefore easily be blind-sided. There’s an almost Borgesian thickness to the way things tie into one another here: the unexpected is by definition what we can’t predict, what blunt force thinking can’t predict — but it’s not invisible to those whose practice is to peer into the invisible, to aficionados of the subtler associative / metaphorical strategy…

3

Let’s go mythic.

There are two major strategies in life, two main ways of tackling problems, just as there are two heroes in the ‘Spider Woman” myth, which Joseph Campbell said was the central myth of the Americas. In Navajo terms, these twin heroes are called Monster Slayer and Child Born of Water, and their names may already give us the sense that one represents a brute force approach while the other is cannier, subtler — and able to achieve things his twin could barely imagine.

The Massive Ordnance Penetrator may be able to penetrate 60 feet of concrete, but the Grand Canyon was created by the natural flow of water — and as Lao Tzu said, “Nothing under Heaven is more soft and yielding than water, yet for eroding the hard and strong, nothing can surpass it.”

You can pitch this one-two punch at a variety of levels. The military can be seen as the nation’s Monster Slayer, its intelligence community as the Child Born of Water. You could see Thomas Barnett’s Leviathan as Monster Slayer, his SysAdmin as Child Born of Water. Or within the IC, you could say that software that can “crunch mega amounts of data” takes the Monster Slayer approach — but it requires cognitive skills and insight of a Child Born of Water sort to know when a student’s slightly eccentric interest represents a threat to the lives of three thousand office workers…

4

Let’s go analogic.

I’m thinking of the flight school students who “focused on learning to control the aircraft in flight, but took no interest in takeoffs or landings” — who asked one instructor where they could take lessons on jets without learning to fly smaller planes first, a request he concluded indicated they were “either joking or dreaming”.

In the not-so-terror-conscious atmosphere pre-9/11, a lack of interest in takeoffs and landings might have seemed quirky — but the “connections” weren’t obvious enough for the info to travel all the way up the FBI food-chain to the very top, as it would today. In post-9/11 retrospect, such things look a bit different – but I presume it still took reasoning by analogy for an instructor in a SE Asian diving school to recognize that a student who appeared less interested in the business of avoiding the bends and surfacing safely than in learning underwater swimming might pose a similar threat.

With 20/20 hindsight, this sort of thing seems glaringly obvious: even Monster Slayer could see it.

5

Let’s think about ignorance for a moment.

There’s Rumsfeld’s famous quip about known unknowns and unknown knowns, there are the genres of black swans and unintended consequences, there is what’s obvious and non-obvious, there are blind spots and hidden assumptions — and it’s the non-obvious that blindsides us, right?

We could rephrase the Spider Woman idea to state that Monster Slayer proceeds in terms of the obvious, while Child Born of Water works with the non-obvious. Jami Miscik, at that time Deputy Director for Intelligence at CIA, once remarked, “To truly nurture creativity, you have to cherish your contrarians and give them opportunities to run free”.

Child Born of Water is the contrarian, the maverick, the one whose oblique angle on things provides insight by… making non-obvious connections between the non-visible dots.

Guest Post: A Hipbone Approach to Analysis

Saturday, October 23rd, 2010

Charles Cameron is the regular guest-blogger at Zenpundit, and has also posted at Small Wars Journal, All Things Counterterrorism, for the Chicago Boyz Afghanistan 2050 roundtable and elsewhere.  Charles read Theology at Christ Church, Oxford, under AE Harvey, and was at one time a Principal Researcher with Boston University’s Center for Millennial Studies and the Senior Analyst with the Arlington Institute:

A Hipbone Approach to Analysis

by Charles Cameron

I think it’s about time I laid out some of the basic thinking behind the style of analysis that I refer to as the “hipbone” approach.

Seen from one angle, it has to do with Sun Tzu’s double-whammy: “know your enemy, know yourself”.

F Scott Fitzgerald wrote, “The test of a first-rate intelligence is the ability to hold two opposing ideas in mind at the same time and still retain the ability to function.” Let me be blunt about this: if you want to “know yourself” and “know your enemy” as Sun Tzu recommends you should, you’ll need to be able to keep two opposing minds in mind at the same time – and still retain the ability to function.

The hipbone approach uses very simple concept-mapping tools and some fairly subtle insights derived from a lifetime of introspection and the arts to facilitate and annotate that process, and to make the resulting understandings available to others.

But first, let’s get down to the kind of thinking that lies behind this approach.

1

One thing I want to know is: what are the most subtle and complex mini-structures that the human mind can take in, more or less at one swoop. Then I’d like to know what their moving parts are, how — to the extent that they have a “main thrust” — they handle parallelisms and reconcile oppositions to that thrust, and what they do with stuff that’s oblique or orthogonal to it, how they put constraints to use in service of expression, what use they make of decoration, how they handle ignorance, how they reconcile head and heart, certainty and doubt, and how they keep the surface mind occupied while affecting the deeper layers of our being… And I want to know that, viscerally — to feel it in my bones, if you like – because I’d like to be able to do more or less the same thing with regard to complex real-world problems, on a napkin, by myself, or with friends or enemies.

2

I want to know what those things are because (a) they’re the most nourishing things I can feed myself, and I need all the nourishment I can get, and (b) because it turns out that if I can come up with product that has the same formal properties, I’ll be able to explain things both to myself and other people that otherwise leave me stuttering platitudes.

Somewhere right about there, I run into a quotation like this one, from Cornelius Castoriadis in his World in fragments: writings on politics, society, psychoanalysis, and the imagination:

Remember that philosophers almost always start by saying: “I want to see what being is, what reality is. Now, here is a table. What does this table show to me as characteristic of a real being?” No philosopher ever started by saying: “I want to see what being is, what reality is. Now, here is my memory of my dream of last night. What does this show to me as characteristic of a real being?” No philosopher ever starts by saying “Let Mozart’s Requiem be a paradigm of being, let us start from that.” Why could we not start by positing a dream, a poem, a symphony as paradigmatic of the fullness of being and by seeing in the physical world a deficient mode of being, instead of looking at things the other way round, instead of seeing in the imaginary — that is, human — mode of existence, a deficient or secondary mode of being?

What I think I’m hearing here, half-hidden in the words, is that the Mozart Requiem is one of those high-density, subtle and complex mini-structures.

And I agree — in fact I find myself thinking of the arts that way, as the natural places to look for high-density, subtle and complex models of reality.

3

Of course, it would be absurdly neat if nobody else had ever noticed this, and I could take all the credit for myself – but no, the great anthropologist and cybernetician Gregory Bateson makes pretty much the same observation about poetry:

One reason why poetry is important for finding out about the world is because in poetry a set of relationships get mapped onto a level of diversity in us that we don’t ordinarily have access to. We bring it out in poetry. We can give to each other in poetry the access to a set of relationships in the other person and in the world that we are not usually conscious of in ourselves. So we need poetry as knowledge about the world and about ourselves, because of this mapping from complexity to complexity.

Poems are precisely “high-density, subtle and complex mini-structures” – that’s how they manage the “mapping from complexity to complexity” – and so the question comes up, what’s the role of structure in the arts?

4

Let’s take a quick look at musical structure, and at polyphony and counterpoint in particular. Your enemy’s perspective and your own – or the many perspectives of the various stakeholders in a complex, perhaps “sticky” or “wicked” problem – can be compared with the different, often discordant melodies from which a Bach or Mozart or Beethoven weaves a fugue – melodic themes which are not infrequently “inverted” or in “contrary motion”.

So what can the musical structure of counterpoint teach us, who are faced with real-world situations comprised of different needs and ideals — often discordant, often in counterpoint or opposition to one another, often in “contrary motion”?

Here’s Edward Said, discussing the Israeli-Palestinian problem in terms (gasp!) of musical form:

When you think about it, when you think about Jew and Palestinian not separately, but as part of a symphony, there is something magnificently imposing about it. A very rich, also very tragic, also in many ways desperate history of extremes — opposites in the Hegelian sense — that is yet to receive its due. So what you are faced with is a kind of sublime grandeur of a series of tragedies, of losses, of sacrifices, of pain that would take the brain of a Bach to figure out. It would require the imagination of someone like Edmund Burke to fathom.

Like him or leave him, Said in this paragraph is clearly thinking along similar lines to the ones I’m proposing.

Or to move to yet another art, that of theater — what can we learn about the simulation and modeling of complex issues from Shakespeare? Keith Oatley’s Shakespeare’s invention of theatre as simulation that runs on minds is a serious exploration of that possibility.

5

I’m going to return to the arts, and lay out a theory of what an art is and how it works, in a later post in this series – but for now, let me just say that I’ve devised a cognitive mapping tool, or more precisely a family of games and mapping tools, that I call “HipBone Games and Analysis” because they’re all about the way one idea connects with another – just as “the hip-bone’s connected to the thigh-bone” in the song.

And as I commented recently on Zenpundit:

What I’m aiming for is a way of presenting the conflicting human feelings and understandings present in a single individual, or regarding a given topic in a small group, in a conceptual map format, with few enough nodes that the human mind can fairly easily see the major parallelisms and disjunctions, as an alternative to the linear format, always driving to its conclusion, that the white paper represents. Not as big as a book, therefore, let alone as vast as an enormous database that requires complex software like Starlight to graphically represent it, and not solely quantitative… but something you could sketch out on a napkin, showing nodes and connections, in a way that would be easily grasped and get some of the human and contextual side of an issue across.

6.

To balance Sun Tzu’s “know your enemy, know yourself” with which I began, I’ll offer by way of counterpoint Christ’s “But I say unto you which hear, Love your enemies, do good to them which hate you” (Luke 6.27). And now for two of my favorite words: more soon…

Tweaking Cascio’s Futurist Bibliography

Friday, April 30th, 2010

At Fast Company, Jamais Cascio unveiled a short bibliography for the general reader on Futurist thinking.

Futures Thinking: A Bibliography

As you probably picked up from earlier entries in the Futures Thinking series, foresight work is intensely information-based. If you’re going to make grounded projections of future possibilities, you have understand both what has led us to the point we’re at today, and what kinds of issues seem to be shaping up as emerging drivers. A few pieces to trigger some creative thoughts can help, too.

As I suggested in Futures Thinking: Scanning the World, a good deal of the reading you’ll be doing will be in the form of websites and journals. This isn’t surprising; part of the service provided by foresight workers is sensitivity to early warnings of big changes. It will be tempting to focus on science and technology materials, in part because there tends to be an overlap between people interested in futures work and people interested in new tech toys, and in part because the pace and pattern of change is easier to see in science and technology than it is in many other realms. It’s not necessarily more “objective,” but it’s perceived as less ambiguous.

That was the introduction, you can read the rest here. Now on to Cascio’s recommendations:

Practice

These two books are good resources for understanding methodologies of futures work. Schwartz co-founded Global Business Network, and Johansen is a Distinguished Fellow at the Institute for the Future. (Disclosure: I’ve worked with Peter, and currently work with Bob.)

  • Art of the Long View, Peter Schwartz
  • Get There Early, Bob Johansen

History

Foresight is anticipatory history. These three books offer very different perspectives on how to think about the past — which, in turn, help to shape how we should think about the future. Polanyi is a classical theorist, looking at ideas and states; Zinn is a populist, looking at the lives of regular people; Diamond is an ecologist, looking at the intersection of culture and environment. I end up mixing these three approaches in my own work.

  • The Great Transformation, Karl Polanyi
  • A People’s History of the United States, Howard Zinn
  • Collapse, Jared Diamond

Analysis

Easily the largest section of my personal library, I could have made the list of Analysis books ten times longer. The ones I’ve picked here, however, offer for me a set of cogent insights into how we live with the tools we make. The ideal result from reading a book in this category should be an epiphany moment where you can see all sorts of links from the book’s ideas to other books/ideas you’ve encountered. All of these books gave me that kind of moment.

  • Smart Mobs, Howard Rheingold
  • The Death and Life of Great American Cities, Jane Jacobs
  • Everyware, Adam Greenfield
  • Plan B, Lester Brown
  • Radical Evolution, Joel Garreau
  • Brave New War, John Robb
  • No Logo, Naomi Klein

Inspiration

The highest compliment I can give a science fiction book is that it’s “plausibly surreal” — it manages to feel like a relentless extrapolation from today even as it overwhelms with unexpected consequences of that extrapolation. I’ve read each of these are books multiple times, and I still get a giddy feeling of discovery every time.

  • Accelerando, Charlie Stross
  • Transmetropolitan series, Warren Ellis & Darrick Roberts
  • Holy Fire, Bruce Sterling
  • The Bohr Maker, Linda Nagata
  • Rainbows End, Vernor Vinge
  • Red Mars/Green Mars/Blue Mars trilogy, Kim Stanley Robinson

I am not familiar with all of these books. The Art of the Long View is considered to be a classic and I will give a very strong recommendation to Brave New War and Smart Mobs.

What would I add to this list?:

Practice:

Pearl Harbor: Warning and Decision by Roberta Wohlstetter

The Next Two Hundred Years: A Scenario for America and the World by William Morle Brown and Herman Kahn

History:

From Dawn to Decadence: 500 Years of Western Cultural Life 1500 to the Present by Jacques Barzun

A History of Knowledge: Past, Present, and Future by Charles van Doren

Analysis:

Masks of the Universe: Changing Ideas on the Nature of the Cosmos by Edward Robert Harrison

Consilience: The Unity of Knowledge by Edward O. Wilson

Powershift: Knowledge, Wealth, and Violence at the Edge of the 21st Century by Alvin Toffler

I’m not a frequent enough consumer of science fiction to have noteworthy recommendations for “Inspiration”. There are obvious authors who come to mind – Asimov, Dick, Heinlein, Gibson, Clarke – but I’ll leave it to readers here to nominate titles in the comments section.

Creativity in the IC – Or the Lack of It

Sunday, March 28th, 2010

A great article in World Politics Review by Josh Kerbel, a 14-year veteran of the U.S. Intelligence Community ( Hat tip to Col. David Maxwell)

For the Intelligence Community, Creativity is the New Secret

It’s no secret that the increasing complexity of the international system — and in particular, its growing interconnectedness, integration, and interdependence — is eroding the fundamental business models of an ever-growing range of industries. Nowhere is this more evident than in the information industries, such as journalism, broadcasting, publishing, music and film, among others. More than a few entities have been swept to the brink of, or in some cases over, the precipice of irrelevance. And every information industry, it seems, is in some peril.

The U.S. intelligence community’s traditional model is similarly threatened by these transformations, but like so many cia.jpgother besieged industries, the IC is hesitant to deviate from it. In general terms, the IC’s model is a secret “collection-centric” one that:

– prizes classified data, with classification often directly correlated to value and significance;
– is driven by data availability, while analytical requirements remain secondary;
– is context-minimal, with analysis staying close to the collected data and in narrow account “lanes”;
– is current-oriented, since there are no collectable facts about the future;
– is warning-focused, emphasizing alarm-ringing;
– is product-centered, measuring success relative to the “finished intelligence” product provided to policymakers, rather than its utility or service.

This model ends up being highly “reductionist,” since secret collection leads to classification, compartmentalization and, inevitably, reduced distribution. Such a system, in which everything is constantly subdivided, was designed for the “complicated” — but not really “complex” — strategic environment of the Cold War. In that more linear environment, it was possible to know exactly where to look — namely, the USSR; access was severely restricted, making secret collection vital; the context of hostile intent and opposing alliances was well-understood; and the benefits of being forewarned, especially of imminent military action, was paramount.

Today’s complex strategic environment is vastly different. Now, there is no single focal point, as a threat or opportunity can emerge from almost anywhere; access is largely unrestricted, since the world is wide-open and information-rich; and context is much more ambiguous, because intent and relationships are fluid. In this more dynamic, non-linear strategic environment, reductionist approaches are, by themselves, a veritable recipe for systemic (i.e., strategic) surprise.

In practical terms, this means that it is no longer sufficient to just reactively collect data on how certain parts of the international system are acting in order to extrapolate discrete predictions. Rather, it’s crucial that such reductionist approaches be complemented by more “synthetic” approaches that proactively think about how the various parts of the larger system could interact, and consider how the synthesized range of possible threats and opportunities might be respectively averted or fostered. In other words, it is no longer enough to just monitor already identified issues. It is also necessary to envision potentially emergent ones. In short, it is time for the IC to use its imagination.

Read the rest here.

Comments, in no particular order of importance:
 
First, the underlying root problem is “political”. The IC is “collection-centric” primarily because the key “customers” for IC products have an implicit expectation of good intel as a higher level analytical journalism, just salted with some real-time “secrets” outside normal public purview. And some of them – George Schultz when he was SECSTATE is an example – want to be their own analyst, and are quick to complain about speculative,”edgy” analysis that clashes with their preconceptions. So IC senior managers are inclined to give the customer what they demand – current information which has a short shelf-life in terms of value. Educate the intel-consumer class of what the IC might be able to do given different tasks and they might start asking that new tasks be done.
 
Secondly, if the IC employed more programs that involved an investment in long-term “clandestinity” – it would both collect information of strategic, long-term value and offer the US opportunities to shape the responses of others through established networks of agents of influence. This is where imagination, speculation and synthesis would have greater play because of the need to create and seize opportunities rather than placing a premium on mitigating risk and avoiding failure.
 
The problem with analytical-reductionist culture in hierarchical institutions ( anywhere, not just the IC) runs deeper than a top-down, enforced, groupthink. Perceptive members of the org, even when compelled to parrot the party line “officially”, will often mock it privately and exchange more authentic critiques informally. The real problem is the extent to which this risk-averse, paralyzing, culture is psychologically  internalized by individual analysts to the point of creating lacunae. As individuals rise in the org they carry their lacunae with them and begin actively imparting them authoritatively upon their subordinates.
 
Ideally, a quality liberal education would be imparting a reflexive skepticism, a tolerance for uncertainty and a greater meta-cognitive self-awareness that would check the excessive certainty generated by an excessive reliance on the methodology of analytical-reductionism. Unfortunately, the emphasis upon academic specialization has been pushed down so hard in undergraduate and even high quality secondary public school education ( AP courses are the worst offenders) that generating good, insightful, questions is a cognitive skill that has been abandoned in favor of deriving “right answers” using “approved methods”.
 
Scenario-building
is an  effective tool for breaking  analytical-reductionist  frameworks and freeing up our ability to synthesize and construct solutions. However, to be useful, scenarios require at least an internal logic or realism even if they represent improbable “blue sky” or “black swan” outcomes and they require more cognitively diverse inputs ( from “outsiders”, “amateurs” and “heretics”) to challenge what data the received culture considers significant.


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