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George F. Kennan: An American Life by John Lewis Gaddis

Zero History by William Gibson 

Just picked these up.

Zero History will have to wait until I read Spook Country, which sits on my shelf. Gibson is good; along with Steven Pressfield he is one of the few living writers of fiction that I will take the time to read.

The Kennan bio is a long awaited and much talked about book about the prickly and difficult father of Containment.  Gaddis, an eminent diplomatic historian and a conservative in a field that still tilts leftward and where many of his peers count opposition to the Vietnam War as the formative political experience of their lives, has probably written the most important book of his career as Kennan’s official biographer.

Will review in the future.

The Profession by Steven Pressfield

We should begin this review with “Full Disclosure“:

I just finished reading The Profession by Steven Pressfield, which I enjoyed a great deal. Steve sent me an earlier draft doc of the book and I consider Steve a friend. Furthermore, in an extremely gracious gesture, Steve granted me (or at least zenpundit.com) the novelist’s equivalent to a walk-on cameo appearance in his book. Therefore, if you the reader believe that I cannot review this book objectively…well….you are right. It’s not possible 🙂 . Here are some other reviews by Shlok Vaidya, Greyhawk of Mudville Gazette and Kirkus if you want greater impartiality.

Nor am I going to delve into the mechanics of the plot structure and action sequence in The Profession. For one, I think too much of the story in a review of a work of fiction spoils the enjoyment for the group of readers who would be most interested. And you can get the blow by blow elsewhere.

Instead, I would like to draw your attention to how Pressfield has written this novel differently. And why that matters.

There is plenty of action in The Profession and the book really moves. It is violent, but not at a Blood Meridian level of cruelty and the murky political intrigue that surrounds the hero, the mercenary’s mercenary and “pure warrior” Gilbert “Gent” Gentilhomme, is a nice counterpoint to physical combat and technical military details. Many people will enjoy the novel on this level and The Profession would make for an exciting action film. Or perhaps a series of films along the lines of The Bourne Identity or those Tom Clancy movies with Harrison Ford. All well and good. But that is not why The Profession is worth reading – that’s merely why it is fun to read.

What surprised me initially about The Profession was how unlike Killing Rommel it was. Killing Rommel also had war and adventure, but it was a deep study in the character development of Chap, the protagonist, who had enough of a textural, cultural, authenticity as a young gentry class British officer of the WWII period as to make Killing Rommel seem semi-biographical. As a reader, I didn’t much care if Chap and his men succeeded in killing Rommel, only that I would be able to continue to see the story unfold from Chap’s perspective. Many artists believe characters and character interaction are the most important element in a story, from Saul Bellow to Quentin Tarantino. Their stories are captivating even though their narratives are not always particularly logical or centered on a grand conflict.

The Profession is not like that at all. In my view, Pressfield turned his creative energies, his knowledge for military affairs and his formidible ear for history away from character development and toward theme. This difference may or may not explain his own reports of difficulty in wrestling with this novel.

Reaching back to the lessons learned from late Republican Rome, Thucydides, Xenophon and seasoning it liberally with Machiavelli, Pressfield’s 2032 near-future is also jarringly allegorical with America of 2012. Like Rome of the 1st century BC or Athens after it’s defeat in the Peloponnesian War, America in The Profession is strategically paralyzed, politically polarized and teetering on the precipice of decay and decline. These historical inspirations have been mashed up with a dystopian 4GW world, filled with mercenary PMCs like Force Insertion and The Legion, terrorists, drones, tribes, criminal corporations and and a devious and cowardly global financial elite. A future more evenly distributed from the present.

The antagonist against whom the plot is structured is not the story’s nominal villain terrorist, but Gent’s Homeric father-figure, former Lieutenant General James Salter, USMC,  “the crawling man” who was martyred, disgraced, exiled and redeemed as the new master of Force Insertion’s Mideast deployed “armatures” (combined arms divisions) and the book’s geopolitical apex predator, who boasted:

” I was obeying a more ancient law” 

This marks a drastic shift in Pressfield’s use of characters from people existing in themselves with humanistic nuances to their use as philosophical archetypes to better express the theme, more like the technique of Fyodor Dostoyevskii, Victor Hugo or Ayn Rand.

The interplay between the kinetic Gent and the increasingly totemic Salter elucidates a theme that is creating tectonic political shifts in America and the world; a theme which is expressed explicitly to Gent at one point by the ex-Secretary of State, Juan-Estebaun Echevarria. The ex-Secretary plays Cicero to Salter’s Caesar, but Gent is ultimately cast in the role of a very different Roman by the manipulative Salter. Pressfield, in honing the various characters, including AD, Maggie Cole, El-Masri and others, is also drawing on Alcibiades, Critias, Livy, Homer, Robert Graves, Joseph Conrad and the pattern of mythic epics. Salter is at once a pagan chieftain and a philosopher-king, a civilized Kurtz or a barbaric John Galt, who after continuous dissembling, in a brutally honest speech, gives his followers, his enemies, Gent and even himself, no opportunity to morally evade what he has become or his reasons for what he proposes to do. A speech that resonates with the negative trends we see today.

The Profession is a cautionary tale outfitted in kevlar.

[ by Charles Cameron — index of graphics, first 800 or so pages of the “2083 European Declaration of Independence”, with some analysis ]

.

A great deal of work needs to be done on the 2083 European Declaration of Independence, and I thought a useful place to start would be a catalog of images.

The document opens with a graphical title:

— title page —

That’s probably the largest single graphic in the entire work, and it puts the work squarely in the context of the Knights Templar — with e Templar cross and the full name of the order, “Pauperes commilitones Christi Templique Solomonic” or Poor Fellow-Soldiers of Christ and of the Temple of Solomon.  The Templars were a Western Christian chivalric order strongly associated with the Crusades — and the topic more recently of much historical, occult and fictional speculation.

The date 2083 is a date SFE (in the Science Fictional Era) as was 1984 before it — but it was almost certainly chosen for its echo of the 1683 Battle of Vienna, which is commonly taken to represent the turning back of the Ottomans by the Habsburgs, and thus the victory of Christendom over Islam.  Two maps show the Umayyad Conquests:

— p 228 —

and the Second Islamic Wave, turned back in Spain and at the gates of Vienna:

— p 243 —

These can fruitfully be contrasted with a map of “tomorrow”:

— p 487 —

it being the author’s contention that France will be the first European country to fall to Islamic dhimmitude.  I suspect much the same is implied in this version of the French tricolore:

— p 781 —

There are some pointed attacks on leftist intellectuals:

— p 33 —

and on media perceived as left-leaning, notably the BBC:

  — p 384

— that’s the Saudi flag mashed up with the BBC logo and star and crescent — and:

  — p 804 —

giving both “ancient” and “modern” variants on the theme…

There are some strange items which I’ll drop in here for a breath of fresh air…

  — p 381 —

which appears to be a commentary on the respective attractions of Venus and Mars, since it’s situated in a commentary on Feminism…

this really is a strangely mythic document… and…

with its reference to “mind control agents” — and those whose minds have been controlled are clearly sheep:

— p 803 —

which may be the right moment to mention that the British, too, come in for a measure of contempt, via a quotation from none other than Osama bin Laden:

  — p 707 —

“When people see a strong horse and a weak horse, by nature they will like the strong horse”.  Perhaps its unsurprising that the author is something of an admirer of bin Laden’s means, if not his ends.

Of course, that’s largely the fault of the Labour party:

But that’s probably enough for one post — in my next, I’ll consider how weak we are, what the jihadist strategy against us is, and how the new Templars hope to turn the tide…

against:

— p 674 —

the worst threats to mankind.

The Profession by Steven Pressfield 

Tequila Junction: 4th Generation Counterinsurgency by H. John Poole

Steve’s novel The Profession I have mentioned previously, but I confess that I am puzzled by the choice of book jacket on Tequila Junction, which looks somewhat like a children’s illustrated guide to COIN in 1980’s El Salvador. H. John Poole is a respected veteran and tactical expert and Tequila Junction carries the warm endorsements of General Anthony Zinni and William Lind. Maybe his grandson drew it? Odd.

In any event, small unit tactics are not a subject I pretend to know much about, so it will remedy a gap in my knowledge base.

The Profession by Steven Pressfield 

My friend Steven Pressfield has a new novel out, one that touches on many themes and issues discussed here at ZP, SWJ Blog, Global Guerrillas, Feral Jundi and the rest of this corner of the blogosphere. Sometimes fiction can be a lot more fun 🙂

You can read the first chapter here.

Will have commentary and review at a later date.