Beat the Whites with the Red Wedge is a 1919 lithographic Soviet propaganda poster by artist Lazar Markovich Lissitzky better known as El Lissitzky, “the man through whose exertions the new Russian ideas became generally understood in Western Europe”. In the poster, the intrusive red wedge symbolises the bolsheviks, who are penetrating and defeating their opponents, the White movement, during the Russian Civil War. It is an example of Constructivism.
[ by Charles Cameron — a wager on the impact of form in media ]
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It’s a moment in the unfurling of an event: the moment when our war correspondents, photographers, whoever, manage to bring style to their reporting, not simply fact.
Take a look at the symmetries here — the photographer wasn’t just able to get a shot, but to get what we might call a shot with form — an artist’s shot:
Great artists, how can I say this, bring this quality with them. It’s in their eyes for vision, their ears for language. Gregory Johnsen is one of those..
My wager would be that images and or texts infused with this quality go deeper, communicate more memorably, than texts or images that lack it. FWIW.
[ by Charles Cameron — 3 Quarks Daily, Boston Apocalyptic conference, LapidoMedia, World Religions and Spirituality Project, Bellingcat, Loopcast, Pragati, Sembl ]
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First, please vote!
. [ Note added: voting is now closed: my story received the fifth highest tally of votes out of 45 entries, and is now up for consideration by the 3QD editors in the next round — many, many thanks! ]
My story, War in Heaven, is in the running for the 3 Quarks Daily Arts & Literature Prize. 3 Quarks Daily is a great aggregator site, I’m honored to have made the cut so far, and would love to make it to the next level. My entry is #33 in the alphabetical list here, and votes can be cast at the bottom of the page. Networking for votes is all part of the game, so I’m hoping you’ll vote — & encourage your friends to go to that page & vote my entry up.
There’s even a Google Hangout video in which Atlantic Council Non-Resident Senior Fellow August Cole, who directs the Art of Future Warfare project, interviews the contest’s winner and finalists, myself included. August’s book, Ghost Fleet: A Novel of the Next World War, is in the running for next great Tom Clancy like techno-thriller.
You’ll find plenty of other good entries at the 3QD contest page, and daily at 3QD as well — as I say, it’s excellent in its own right, and one of the richest contributors of varied and interesting posts on my RSS feed.
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Then, in no particular order — check ’em all out —
To my way of thinking, the critical thing to know about the Islamic State is its “apocalyptic, end-of-days strategic vision” as Martin Dempsey put it — and the implications of that statement, both in terms of strategy and of recruitment & morale. That’s what the Boston conference focused on, and that’s why I think it was no less significant for being sparsely attended. In a series of future blogs I hope to go over the videos of the various presentations and spell some of their implications out — Will McCants‘ book, The ISIS Apocalypse, is due out in September, and I’d like to have filled in some background by then.
Here, though, as I’m giving an update on my own doings, is my presentation — an attempt both to tie together some of the strands of the panel I was commenting on (but could barely hear, but that’s a tale or another day), and to express my sense of the importance of apoclyptic thinking, not merely as an intellectual exercise but as an emotional and indeed visceral relaity for those swept up in it:
The other speakers were Richard Landes, WIlliam McCants, Graeme Wood, Timothy Furnish, Cole Bunzel, Jeffrey Bale, David Cook, J.M. Berger, Itamar Marcus, Charles Jacobs, David Redles, Mia Bloom, Charles Strozier, Brenda Brasher and Paul Berman — quite a stellar crew.
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My two latest pieces for LapidoMedia, where I’m currently editor:
YOU might not think that ‘what jihadis do in their spare time’ would be a topic of much interest, but it’s one that has been under-reported and is just now breaking into public awareness.
Much of the credit for this goes to Robyn Creswell and Bernard Haykel for their current New Yorker piece, Battle lines: Want to understand the jihadis? Read their poetry.
But behind Creswell and Haykel’s piece lurks a striking presentation given by the Norwegian terrorism analyst Thomas Hegghammer at St Andrews in April.
Hegghammer’s Wilkinson Memorial lecture was titled Why Terrorists Weep: The Socio-Cultural Practices of Jihadi Militants…
A CHINESE couple, dismayed by the Taliban’s destruction of Bamiyan’s two Buddha statues, has brought the larger of the statues back to life.
Locals and visitors can once again see the Bamiyan Buddha through the use of laser technology – this time not in stone but in light.
Carved into the great cliff face towering over the fertile valley of Bamiyan in Afghanistan, two Buddha statues stood for centuries.
In 2001 the Taliban dynamited the statues, built in the Sixth century in the Gandhara style, the larger of them standing 55 metres tall.
It was not the first attack against them.Lapido aims to provide (mostly secular) journalists with insight into the religious & spiritual values behind current events.
I stood there, atop the Bamiyan Buddha: it’s personal.
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At the World Religions and Spirituality Project at Virginia Commonwealth University, I’m one of two Project Directors for the JIHADISM Project. We’re very much a work in progress, aiming to provide a resource for scholarship of religion as it relates to jihadism.
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Justin Seitz made a post titled Analyzing Bin Ladin’s Bookshelf on Bellingcat, to which I responded, and we had a back-and-forth of emails &c.
Justin then gave our discussion a shoutout at The Loopcast —
— the immediate context starts around the 30 min mark, and runs to around 35 — and followed up with a second Bellingcat post, Analyzing Bin Ladin’s Bookshelf Part 2 — in which he quoted me again. Key here is his remark:
a human with domain expertise is always going to be in a better position to make judgement calls than any algorithm
Agreed — & many thanks, Justin!
Bellingcat — definitely an honor to get a shoutout there,
It’s a terrific feeling to see the next runner in a relay race take off from the handover… Cath is getting some high praise for her work on Sembl for the museum world, including the following:
Sembl incredibly succesfully mixes competitive and collaborative play, creativity and expression, and exploration and inspiration. It’s the sort of game you think about when you’re not playing it, and it’s the sort of game that helps you see the world in new ways.
Paul Callaghan
Writer, Game Developer, Lecturer at Unversity of East London
Meanwhile, I’m still quietly plugging away at some other aspects of the HipBone / Sembl project.
Zenpundit is a blog dedicated to exploring the intersections of foreign policy, history, military theory, national security,strategic thinking, futurism, cognition and a number of other esoteric pursuits.
