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The Haqqani come to high Dunsinane

Wednesday, November 23rd, 2011

[ by Charles Cameron — why is non-actionable (useless) intelligence sometimes the most intelligent (useful)? – importance of multiple frames for complex vision ]
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I have fun choosing my data points, I’ll admit, and I enjoy the art of juxtaposition for its own sake — but the particular juxtaposition above is frankly useless.

Readers of the Chuang-Tzu, however, will be familiar with the idea that the useless is not without its uses

Here, then, is the method to this madness.

What I want to establish in myself – and in others who choose to follow me – is a rich supply of frames, of analogies, of patterns that can be seen at a glance. And the ways to do this are (a) to read widely in those arts and sciences which make frequent use of symmetry, analogy, metaphor, and pattern, and (b) to practice, oneself, the techne of analogy-, metaphor-, symmetry-, and pattern-making.

1.

In the two image-frames above, the lower image shows a still from a Haqqani network training video from SITE — which could be viewed as the fulfillment (albeit in Afghanistan, and waking reality) of a prophecy made earlier (about Scotland, a not-entirely-dissimilar country, mountainous, clannish, proud), in suitably oracular fashion, in Shakespeare’s Macbeth Act IV Scene 1 (shown in the upper frame, from the First Folio edition).

Here, you might say, the Taliban come to high Dunsinane Hill.

But…

This is not actionable intelligence.

The injunction to “keep a lookout for people on the move pretending to be trees” is not a useful addition to tradecraft.

It is, however, vivid. And it’s an instance of “the leap” from one idea to another that’s at the heart of the process of insight and discovery. It is an example of a specific skill of considerable analytic importance.

2.

Karl Weick and Kathleen Sutcliffe, in Managing the Unexpected: Assuring High Performance in an Age of Complexity, p. 42, [quoted in Fishbein and Treverton and Jeffrey Cooper ] define mindfulness thus:

By mindfulness we mean the combination of ongoing scrutiny of existing expectations, continuous refinement and differentiation of expectations based on new experiences, willingness and capability to invent new expectations that make sense of unprecedented events, a more nuanced appreciation of context and ways to deal with it, and identification of new dimensions of context that improve foresight and current functioning.

How’s that for a prose version of the basic OODA insight?

3.

Obviously, I am not talking about the kind of tactical intelligence that is concerned with materiel and logistics here, but with mindset and morale.

This may get overlooked, since…

Emphasizing current intelligence for actionable exploitation may have created an unintended mind-set that undervalues the immense importance of knowing and understanding the adversary’s intentions throughout the course of the confrontation, even at cost of foregoing exploitation of these sources for temporary advantage on the battlefield or in the diplomatic conference room.

[Cooper, Curing Analytic Pathologies: Pathways to Improved Intelligence Analysis, p.30]

4.

What I am talking about here is that “willingness and capability to invent new expectations that make sense of unprecedented events, a more nuanced appreciation of context and ways to deal with it, and identification of new dimensions of context that improve foresight and current functioning mentioned above.

New dimensions of context? What this boils down to is multiple frames of vision… which the IC understands very well, as expressed in the often-repeated chess master analogy — good for strategic thinkers of all stripes. Here’s Robert Sinclair‘s version, in Thinking and Writing: Cognitive Science and Intelligence Analysis, p. 13:

Simon estimates that a first-class player will have 50,000 of these patterns to call on — by no means a small number, but orders of magnitude less than the theoretical possibilities that flow from any given position. The expert can use them to drastically reduce the number of choices he must consider at any point in a game, with the result that he often hits on an effective move with such speed that the observer attributes it to pure intuition.

Enter Neustadt and May, whose book Thinking in Time Zen reviewed here just the other day — enter, in fact, history, as a store of stories.

Richards Heuer explains [Psychology of Intelligence Analysis, p. 38]:

An analyst seeks understanding of current events by comparing them with historical precedents in the same country, or with similar events in other countries. Analogy is one form of comparison. When an historical situation is deemed comparable to current circumstances, analysts use their understanding of the historical precedent to fill gaps in their understanding of the current situation. Unknown elements of the present are assumed to be the same as known elements of the historical precedent. Thus, analysts reason that the same forces are at work, that the outcome of the present situation is likely to be similar to the outcome of the historical situation, or that a certain policy is required in order to avoid the same outcome as in the past.

And the analogies and insights can come from fiction as well as history, as Charles Hill is quoted here as saying:

That is why Alexander the Great carried the Iliad with him on his conquests, and why Queen Elizabeth studied Cicero in the evenings. It is why Abraham Lincoln read, and was profoundly influenced by, Walt Whitman’s “Leaves of Grass,” and why Paul Nitze paged through Shakespeare on his flights to Moscow as America’s chief arms negotiator.

Further, the appropriate insights and possible framings can come from future and/or speculative histories — hence the meetings between IC members and various science fiction authors and thriller screenwriters which then DDI Jami Miscik arranged in an attempt “to see beyond the intelligence report and into a world of plot development”.

As I noted a few days back, I’m particularly impressed by Frank Herbert‘s ability to recognize the importance of the oil / desert / ecology / major powers / jihad / Mahdi complex – back between 1957 and 1965, while writing Dune.

5.

But all this takes me back to a comment I made a while back on Mark Stout‘s On War and Words blog, on “the notion of the kinship of spycraft and literature.” I wrote there:

I think that idea has a lot of merit. Chaucer was a spy, as was Kit Marlowe, and Wordsworth, and Basil Bunting. Somerset Maugham and Graham Greene spied, and John le Carre – and if I’m not mistaken, much of the early OSS was recruited from the Yale literature department by the likes of Archibald MacLeish…

My own suggestion would be that this is because the literary mind is well suited to understanding and expressing complex relationships, just as (it has been suggested) the engineering mind is suited to seeing things in black and white – you’ve probably seen Diego Gambetta and Steffen Hertog’s paper on Engineers of Jihad, in which they determine that “engineers, in particular, were three to four times more likely to become violent terrorists than their peers in finance, medicine or the sciences”.

I don’t know whether that allegation is accurate, or just an artifact of their research methods – but if it’s true that literature offers a different (and in some ways more subtle) means of modeling the kinds of complex situation we’re all facing these days, maybe we need to increase the intake of lit and humanities majors into the IC, and stop being so tech-centric about our analytic methods. The human mind might just be better at selecting and connecting the right dots than our datamining programs.

Keith Oatley‘s paper Shakeapeare’s invention of theatre as simulation that runs on minds might give us a hint or two.

And we’re back to Shakespeare.

6.

Why?

Because what’s important in all this is the quality of imagination expressed. And the core insight is that the greatest poets, dramatists, science fiction writers and historians create pocket universes — worlds invented or perceived in which the logics of the many binary oppositions, tides, undertows, tipping points and emergent patternings of our profoundly complex world are found in miniature.

The mind in a nutshell, the world in a grain of sand…

Perhaps clearest statement of this perspective comes from the great scientist Gregory Bateson, who writes about poetry in these terms:

One reason why poetry is important for finding out about the world is because in poetry a set of relationships get mapped onto a level of diversity in us that we don’t ordinarily have access to. We bring it out in poetry. We can give to each other in poetry the access to a set of relationships in the other person and in the world that we are not usually conscious of in ourselves. So we need poetry as knowledge about the world and about ourselves, because of this mapping from complexity to complexity.

7.

If it is great imaginative power that provides the deepest insights into a complex world, great minds and hearts will be those you need to follow — not minds cowed by the pressures of bureacracy and success.

“You want some new ideas? Read some old books” Marine Gen. James Mattis told his audience at the 14th annual American Veterans Center conference the other day, in a speech which “recommended books by and about leaders like Nelson Mandela, Martin Luther King Jr., George Washington and Abraham Lincoln.”

Great hearts, great minds. And not always well-tolerated by those around them.

8.

Jami Miscik again, at a conference discussing “The Power of Impossible Thinking: A Prerequisite for Profitable Growth“:

Embrace the maverick.

Miscik is clear that the purpose isn’t only to be widely read, but to be independently and courageously thoughtful.  Bureaucracies are not by nature the most friendly places for independent thinking, stove-piping and soloing, seniority and comfort all militate against it — hence the need to embrace the maverick, to develop (in fact) a culture that embraces the maverick.

Miscik addresses that issue, too: “She also warned the audience that a single spate of change is not enough; an organization will always have to change again.”

Or as Sinclair has it in Thinking and Writing (op. cit., p. 9):

I do believe diversifying the workforce in this way would require a cultural shift at least comparable to that involved in a shift to online substantive collaboration. Without such a shift, the directorate, like any organism under threat, would identify people who failed to fit the dominant pattern as foreign bodies and extrude them.

9.

I am thinking, in all this, of those whose task it is to provide the richest, highest level analysis of “the adversary’s intentions” — the readers of minds by which history is about to be written.

Those whose job it is to be concerned about the threats that face us, from the Haqqani, from the Chinese, from Pakistan, from wherever, will do their job better, with greater insight – with greater critical doubt and critical confidence – if their minds are richly sown with myths and histories, matter for analogies pattern languages, than if they have focused down along the scope of a single silo…

As Mattis, Hill, Miscik, Sinclair, Bateson, Oatley, Heuer and company, each in their own way, suggest…

10.

When you come right down to it, audacious, insightful thinking is its own form of special ops.

Rivalrous and non-rivalrous goods and the OWS library

Friday, October 28th, 2011

[ by Charles Cameron — Jefferson, economics of possession and ideas, Occupy COG, library ]
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photo credit: Monique Zamir for Untapped Cities

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1.

Let’s start with Thomas Jefferson. I don’t know if he was the first to mention this curious distinction on record, but he makes the point nicely:

If nature has made any one thing less susceptible than all others of exclusive property, it is the action of the thinking power called an idea, which an individual may exclusively possess as long as he keeps it to himself; but the moment it is divulged, it forces itself into the possession of everyone, and the receiver cannot dispossess himself of it. Its peculiar character, too, is that no one possesses the less, because every other possesses the whole of it. He who receives an idea from me, receives instruction himself without lessening mine; as he who lights his taper at mine, receives light without darkening me. That ideas should freely spread from one to another over the globe, for the moral and mutual instruction of man, and improvement of his condition, seems to have been peculiarly and benevolently designed by nature, when she made them, like fire, expansible over all space, without lessening their density at any point, and like the air in which we breathe, move, and have our physical being, incapable of confinement or exclusive appropriation. Inventions then cannot, in nature, be a subject of property.

John Perry Barlow quotes that gobbit of Jefferson as the epigraph to his essay, The Economy of Ideas.

2.

Here’s Lawrence Lessig, in his essay Against perpetual copyright:

Tangible goods are rivalrous goods

For one person to gain some tangible item, another person must lose it. For one person to gain the ownership of some piece of land, the previous owner must surrender ownership. T his is the ordinary state of physical property, and the laws around physical property are designed around this fact. Property taxes, zoning laws, and similar legal constructs are examples of how the law relates to physical property.

Intellectual works are non-rivalrous

Intellectual works are ordinarily non-rivalrous. It is possible for someone to teach a work of the mind to another without unlearning it himself. For example, one, or two, or a hundred people can memorize the same poem at the same time. Here the term “work of the mind” refers not to physical items such books or compact discs or DVD’s, but rather to the intangible content those physical objects contain.

3.

As someone whose work falls almost entirely in the “non-rivalrous” category, I am naturally very interested by this distinction, both for my own sake, and because (if the coming economy is an “information” or “imagination” economy) it may be the hinge on which the future of that economy turns…

4.

Which brings me to the Occupy movement, and to this curious fact which I found in an article I didn’t otherwise read. It’s from David Graeber, On Playing By The Rules – The Strange Success Of #OccupyWallStreet :

It’s no coincidence that the epicenter of the Wall Street Occupation, and so many others, is an impromptu library: a library being not only a model of an alternative economy, where lending is from a communal pool, at 0% interest, and the currency being lent is knowledge, and the means to understanding.

In quoting this, I mean neither to endorse nor to condemn the movement, but simply to note that its center of gravity as described here (although technically, books are rivalrous goods) falls clearly within the non-rivalrous category: it is a market-place of ideas.

5.

As a one-time tank-thinker, I was trained to spot early indicators.

I don’t know what this one means, but I suspect it’s an indicator.  Give me another to pair it with, and I may be able to foresee a trend.

What do you see?

6.

I spotted a copy of Mikhail Bulgakov‘s  The Master and Margarita in one of the photos.

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photo credit: Blaine O’Neill under a CC BY-NC 2.0 license

and DH Lawrence, Sons and Lovers and Christopher Isherwood, The Berlin Stories; Strindberg, The Plays and Beckett, Krapp’s Last Tape; Dr Who, yeah and Star Wars too; William Gibson‘s Neuromancer and his Mona Lisa Overdrive; Max Marwick‘s Witchcraft and Sorcery; Orson Scott Card‘s Ender’s Game and Lewis Carroll‘s Alice in Wonderland — and for the politics of it all, Marina Sitrin, Horizontalism: Voices of Popular Power in Argentina and Erica Chenoweth and Maria J. Stephan, Why Civil Resistance Works: The Strategic Logic of Nonviolent Conflict… which I’ve linked for your convenience.

7.

For what it’s worth…

Nathan Schneider‘s article, What ‘diversity of tactics’ really means for Occupy Wall Street, cites blog-friend David Ronfeldt‘s study (with John Arqilla) Swarming & the Future of Conflict — along with (among others) Gene Sharp, whose work I discussed here a few months back.

The Year of Living Memory

Wednesday, April 6th, 2011

[ by Charles Cameron ]

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Some people’s — and more to the point, some peoples’ — living memory appears to be longer than others. China, for instance, has what you might call long term living memory.

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But first, the Crusades. When Bush 43 first used the word “crusade” in reference to the US response to 9/11, I went to Google and checked, and the first listing for “crusade against” that came up was to The Crusade Against Dental Amalgam. I’m the suspicious type, and as I suspected, the word “crusade” simply doesn’t have the same valence for most twenty-first century Americans that it has for many in the twenty-first century Arab world. In the US, a crusade is a concerted effort to change just about anything, the use of mercury in dental fillings being just one example.

Across the Arab world, however, the word has very different connotations: thus Amin Maalouf writes in The Crusades through Arab Eyes:

The Turk Mehmet Ali Agca, who tried to shoot the pope on 13 May 1981, had expressed himself in a letter in these terms: I have decided to kill John Paul II, supreme commander of the Crusades. Beyond this individual act, it seems clear that the Arab East still sees the West as a natural enemy. Against that enemy, any hostile action — be it political, military, or based on oil — is considered no more than legitimate vengeance. And there can be no doubt that the schism between the two worlds dates from the Crusades, deeply felt by the Arabs, even today, as an act of rape.

That’s long term living memory for you.

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I’m writing this because I just read a fascinating article by Robert Barnett on the New York Review of Books blog titled The Dalai Lama’s ‘Deception’: Why a Seventeenth-Century Decree Matters to Beijing — need I say more?

The title will suffice for those who don’t have much time today — I understand, we’re all under the fire-hose one way or another — while those with the ability to sneak in ten or fifteen minutes laterally while the clock’s not watching can and should definitely read the whole thing…

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I have just one side-observation though — the article tells us, among many other things directly relating to Tibet and the history of the Dalai Lamas:

And again, when Jiang Zemin made a brutal decision to annihilate the basically harmless Falungong cult in 1999, it is believed that he saw it as analogous to the religious movement that had started the Taiping Rebellion and nearly toppled the Qing in the mid-19th century.

I think that’s right — but what Barnett doesn’t mention, since Taiping is only an aside for him, is that the rebellion was only eventually quelled at the cost of between twenty and thirty million lives…

I mentioned my own hunch that memories of Taiping were behind the Chinese government’s fierce response to Falun Gong in question time after Ali A Allawi‘s talk on Mahdist movements in Iraq at the Jamestown Foundation a few years back, and he responded that similarly, the reason the Iraqi government took such fierce action against a small Mahdist uprising near Najaf — even calling in US air support as I recall, for an incident perhaps best compared in US terms with Waco — was that they remembered the Babi movement in their own neck of the woods, and the tens of thousands who died back in the 1850s, around the same time as the Taiping in China.

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Living memory — which could almost be a definition of history, or at least of what historical research aims to create — can itself be long term or short, perishable or perennial.

And then there’s Psalm 90, which declares “For a thousand years in thy sight are but as yesterday when it is past, and as a watch in the night.”

Now (and I’m being playful here, albeit with a touch of serious intent) does that suggest a Memory that reaches back in perfect detail through the eons to the Big Bang and perhaps before it? Or … “twentieth century? nineteenth? the Crusades?.. it’s all a bit of a blur, I’m afraid — it all rushes by so fast…”

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There seems to be a choice set before us as individuals — and more to the point, as peoples:

Shall we choose Lethe, and the restfulness of oblivion, or Mnemosyne — the mother of all Muses? There are, you know, immediate educational implications, and serious geopolitical implications down the road, for the choice we make…

Guest Post: DARPA, STORyNet and the Fate of the War by J. Scott Shipman

Wednesday, March 2nd, 2011

J. Scott Shipman, the owner of a boutique consulting firm in the Metro DC area that is putting Col. John Boyd’s ideas into action, is a longtime friend of this blog and an occasional guest-poster. Scott has an important report regarding the “war of ideas” against the Islamist-Takfirist enemy in Afghanistan after attending a workshop hosted by DARPA.

DARPA, STORyNet and the Fate of the War

by J. Scott Shipman

 I had the opportunity to attend a DARPA workshop yesterday called STORyNet. The purpose was to survey narrative theories, to better understand the role of narrative in security contexts, and to survey the state of the art in narrative analysis and decomposition tools (see below): 

This STORyNET workshop has three goals:

1. To survey narrative theories.

These empirically informed theories should tell us something about the nature of stories: what is a story? What are its moving parts? Is there a list of necessary and sufficient conditions it takes for a stimulus to be considered a story instead of something else? Does the structure and function of stories vary considerably across cultural contexts or is there a universal theory of story?

2. To better understand the role of narrative in security contexts.

What role do stories play in influencing political violence and to what extent? What function do narratives serve in the process of political radicalization and how do theyinfluence a person or group’s choice of means (such as violence) to achieve political ends? How do stories influence bystanders’ response to conflict? Is it possible to measure how attitudes salient to security issues are shaped by stories?

3. To survey the state of the art in narrative analysis and decomposition tools.

How can we take stories and make them quantitatively analyzable in a rigorous, transparent and repeatable fashion? What analytic approaches or tools best establish a framework for the scientific study of the psychological and neurobiological impact of stories on people? Are particular approaches or tools better than others for understanding how stories propagate in a system so as to influence behavior?

I was alerted to the meeting by a member at one of my “groups” at LinkedIn and just barely made the registration cut-off. It was a good meeting, but not reassuring on our situation in Afghanistan—you’ll see why  below.

As a “hobby” I’ve been tinkering with the implications of patterns with respect to language and communications. Just about every presumption I have articulated over the last several months is being pursued in one way or another—which is good news for our guys. While the on-going research is good, I do believe there is room for better and more imaginative thinking, although I didn’t say anything during the meeting for once, I kept my mouth shut and just listened.

This is exceptionally brief and decidedly non-techincal.  Here are some observations of interest:

  • In Afghanistan, stories (those who tell them and those who believe) are central to our geopolitical strategy and policies.
  • There is underway, a “battle of the narratives,” where any “counter” narrative developed by the US must have credibility. This seems obvious, but the speaker observed the “story telling” was more important than the story. Given the high illiteracy rate, this makes sense.
  • We [DARPA] are reviewing chants (which are wildly popular), video, magazines, poetry, the Internet, and sermons as thematic vehicles for analysis.
  • The language of the Taliban is not secular, and not the language of the insurgency—for the Taliban everything hangs on the legacy of jihad and religious struggle.
  • The Taliban not willing to negotiate on matters of jihad. They are using a unified vision of Islam giving their struggle a noble foundation against the corruption of outsiders who want to “Christianize” the nation.
  • The Taliban uses symbology to portray the struggle as a cosmic conflict against Christian invaders and US puppets (those cooperating with the US). Framing this symbology to communicate clearly the frame of the righteous vs. the infidels.
  • The Taliban manipulates the language to connect the current struggle to previous struggles of “warrior poets.” There is hope a “discourse” can be created that will counter this framing [personal note: I’m not optimistic]. The Taliban uses different language to subjugate rural and urban dwellers, and actually have standard operating procedures for dealing with villages that resist.
  • The cognitive patterns of rural Afghanistan are “foreign” to most Westerners and they use alien methods of knowledge transfer (chants, often under the influence of hashish).
  • We are adding a geospatial element to our analysis of local and personal narratives (which includes subject, verb, object) with respect to identified “master narratives.”
  • Internet data is indexed, with an eye toward predictive analysis and situational awareness (and interestingly, “sentiment” analysis). We are finding predictive power from the topology of “networks”  used in models.
  • From a neuroscience perspective, there was an amazing talk on empathy. It turns out, based on fMRI testing that empathy is quite predictable across subjects. Research indicates people “care more” about an “in-group” to which they belong more than an “out group.” The speaker defined the brain as a “parliament” of competing parties and nuanced spectrums [personal note: this elegant description tracks with everything I’ve read on the topic.]. 
  • One presenter observed that after 10 years of war, we’re finally “getting” the importance of Pashtun culture and language. This presenter also noted US is still in need of people with language skills sufficient to adequately support the effort.

– End

COMMENTARY:

Zen here:

First, I’d  like to cordially thank Scott for letting me share his insights gleaned from the workshop here with ZP readers. This is one of those fascinating events largely unavailable to those folks residing outside a reasonable driving distance from the Beltway.

Secondly, I am heartened that the brilliant folks at DARPA are taking the theological-ideological discourse of the enemy seriously in analyzing the power of narrative. Charles Cameron makes that point here with regularity. Michael Scheuer, Gilles Kepel and Olivier Roy did so even before 9/11. Our political appointees and policy makers remain steadfastly allergic to this reality, unable to process or discuss in public with coherence how religious ideas are a root for political extremism. Col. David Kilcullen, who certainly understands political Islam better than most and whose creative and analytical acheivements in structuring a framework for countering insurgency are second  to none, eschews dealing with the topic in his theoretical writings on COIN where it can be avoided. That is the cost imposed by the political correctness to which our ruling elite are psychologically welded.

 It comes as no surprise to me that only after “10 years of war” are we finally “getting the importance of Pashtun culture”. 

Maybe at the dawn of the 22nd century we will be “old hands”.

Guest Post: A Hipbone Approach to Analysis

Saturday, October 23rd, 2010

Charles Cameron is the regular guest-blogger at Zenpundit, and has also posted at Small Wars Journal, All Things Counterterrorism, for the Chicago Boyz Afghanistan 2050 roundtable and elsewhere.  Charles read Theology at Christ Church, Oxford, under AE Harvey, and was at one time a Principal Researcher with Boston University’s Center for Millennial Studies and the Senior Analyst with the Arlington Institute:

A Hipbone Approach to Analysis

by Charles Cameron

I think it’s about time I laid out some of the basic thinking behind the style of analysis that I refer to as the “hipbone” approach.

Seen from one angle, it has to do with Sun Tzu’s double-whammy: “know your enemy, know yourself”.

F Scott Fitzgerald wrote, “The test of a first-rate intelligence is the ability to hold two opposing ideas in mind at the same time and still retain the ability to function.” Let me be blunt about this: if you want to “know yourself” and “know your enemy” as Sun Tzu recommends you should, you’ll need to be able to keep two opposing minds in mind at the same time – and still retain the ability to function.

The hipbone approach uses very simple concept-mapping tools and some fairly subtle insights derived from a lifetime of introspection and the arts to facilitate and annotate that process, and to make the resulting understandings available to others.

But first, let’s get down to the kind of thinking that lies behind this approach.

1

One thing I want to know is: what are the most subtle and complex mini-structures that the human mind can take in, more or less at one swoop. Then I’d like to know what their moving parts are, how — to the extent that they have a “main thrust” — they handle parallelisms and reconcile oppositions to that thrust, and what they do with stuff that’s oblique or orthogonal to it, how they put constraints to use in service of expression, what use they make of decoration, how they handle ignorance, how they reconcile head and heart, certainty and doubt, and how they keep the surface mind occupied while affecting the deeper layers of our being… And I want to know that, viscerally — to feel it in my bones, if you like – because I’d like to be able to do more or less the same thing with regard to complex real-world problems, on a napkin, by myself, or with friends or enemies.

2

I want to know what those things are because (a) they’re the most nourishing things I can feed myself, and I need all the nourishment I can get, and (b) because it turns out that if I can come up with product that has the same formal properties, I’ll be able to explain things both to myself and other people that otherwise leave me stuttering platitudes.

Somewhere right about there, I run into a quotation like this one, from Cornelius Castoriadis in his World in fragments: writings on politics, society, psychoanalysis, and the imagination:

Remember that philosophers almost always start by saying: “I want to see what being is, what reality is. Now, here is a table. What does this table show to me as characteristic of a real being?” No philosopher ever started by saying: “I want to see what being is, what reality is. Now, here is my memory of my dream of last night. What does this show to me as characteristic of a real being?” No philosopher ever starts by saying “Let Mozart’s Requiem be a paradigm of being, let us start from that.” Why could we not start by positing a dream, a poem, a symphony as paradigmatic of the fullness of being and by seeing in the physical world a deficient mode of being, instead of looking at things the other way round, instead of seeing in the imaginary — that is, human — mode of existence, a deficient or secondary mode of being?

What I think I’m hearing here, half-hidden in the words, is that the Mozart Requiem is one of those high-density, subtle and complex mini-structures.

And I agree — in fact I find myself thinking of the arts that way, as the natural places to look for high-density, subtle and complex models of reality.

3

Of course, it would be absurdly neat if nobody else had ever noticed this, and I could take all the credit for myself – but no, the great anthropologist and cybernetician Gregory Bateson makes pretty much the same observation about poetry:

One reason why poetry is important for finding out about the world is because in poetry a set of relationships get mapped onto a level of diversity in us that we don’t ordinarily have access to. We bring it out in poetry. We can give to each other in poetry the access to a set of relationships in the other person and in the world that we are not usually conscious of in ourselves. So we need poetry as knowledge about the world and about ourselves, because of this mapping from complexity to complexity.

Poems are precisely “high-density, subtle and complex mini-structures” – that’s how they manage the “mapping from complexity to complexity” – and so the question comes up, what’s the role of structure in the arts?

4

Let’s take a quick look at musical structure, and at polyphony and counterpoint in particular. Your enemy’s perspective and your own – or the many perspectives of the various stakeholders in a complex, perhaps “sticky” or “wicked” problem – can be compared with the different, often discordant melodies from which a Bach or Mozart or Beethoven weaves a fugue – melodic themes which are not infrequently “inverted” or in “contrary motion”.

So what can the musical structure of counterpoint teach us, who are faced with real-world situations comprised of different needs and ideals — often discordant, often in counterpoint or opposition to one another, often in “contrary motion”?

Here’s Edward Said, discussing the Israeli-Palestinian problem in terms (gasp!) of musical form:

When you think about it, when you think about Jew and Palestinian not separately, but as part of a symphony, there is something magnificently imposing about it. A very rich, also very tragic, also in many ways desperate history of extremes — opposites in the Hegelian sense — that is yet to receive its due. So what you are faced with is a kind of sublime grandeur of a series of tragedies, of losses, of sacrifices, of pain that would take the brain of a Bach to figure out. It would require the imagination of someone like Edmund Burke to fathom.

Like him or leave him, Said in this paragraph is clearly thinking along similar lines to the ones I’m proposing.

Or to move to yet another art, that of theater — what can we learn about the simulation and modeling of complex issues from Shakespeare? Keith Oatley’s Shakespeare’s invention of theatre as simulation that runs on minds is a serious exploration of that possibility.

5

I’m going to return to the arts, and lay out a theory of what an art is and how it works, in a later post in this series – but for now, let me just say that I’ve devised a cognitive mapping tool, or more precisely a family of games and mapping tools, that I call “HipBone Games and Analysis” because they’re all about the way one idea connects with another – just as “the hip-bone’s connected to the thigh-bone” in the song.

And as I commented recently on Zenpundit:

What I’m aiming for is a way of presenting the conflicting human feelings and understandings present in a single individual, or regarding a given topic in a small group, in a conceptual map format, with few enough nodes that the human mind can fairly easily see the major parallelisms and disjunctions, as an alternative to the linear format, always driving to its conclusion, that the white paper represents. Not as big as a book, therefore, let alone as vast as an enormous database that requires complex software like Starlight to graphically represent it, and not solely quantitative… but something you could sketch out on a napkin, showing nodes and connections, in a way that would be easily grasped and get some of the human and contextual side of an issue across.

6.

To balance Sun Tzu’s “know your enemy, know yourself” with which I began, I’ll offer by way of counterpoint Christ’s “But I say unto you which hear, Love your enemies, do good to them which hate you” (Luke 6.27). And now for two of my favorite words: more soon…


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