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The Said Symphony: Introduction

Wednesday, June 15th, 2011

[ by Charles Cameron – extended analytic game on Israeli-Palestinian conflict ]

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I have begun work on a major personal project, the Said Symphony, and I’ll be posting the work as it proceeds, privately in the Alumni forum of Howard Rheingold‘s online classes, and in public here on Zenpundit.

Here’s the deal.

The idea of the Said Symphony Game:

Edward Said, the Palestinian “public intellectual” was also an accomplished musician, and the music critic of The Nation for quite a while. One time he brought his musical and Palestinian interests together in a stunning suggestion:

When you think about it, when you think about Jew and Palestinian not separately, but as part of a symphony, there is something magnificently imposing about it…

I intend to explore that idea, in an attempt to “see” the Israeli-Palestinian question with fresh eyes, to hear it in some of the many voices – from sound-bites to scriptures – embodied in that conflict, some of the many individuals whose dreams and lives and olive trees are rooted in that sacred ground… and to present it in a way that is at once analysis and synthesis, history and work of art.

The complexity of the situation:

Let’s make this personal. Here’s a poem that expresses the way I’m thinking here:

I am Charles

My concern is the human mind in service
to an open heart, and my problem
is that the heart picks issues rich in ambiguity
and multiplicity of voices, tensions
and torsions tugging not one way but
in many directions, even dimensions, as does
a spider’s web weighed down with dew –
to clarify which a mind’s abacus is required

equal in subtlety to subtlety itself, while
in all our thinking and talking, one
effect follows one cause from question
to conclusion down one sentence or white
paper — whereas in counterpoint,
Bach’s fugal voices contain their dissonance.

Okay?

Take a look at this spider’s web, for example:

spider_web.jpg

Spiders and dewdrops do a pretty convincing job of portraying a certain level of complexity in what I think of as (virtually, metaphorically) a node-and-edge diagram of the global situation.

Mapping ideas and places:

Now, to apply that style of thinking to a serious world problem… the Palestinian-Israeli or Israeli-Palestinian conflict…

When, say, Hamas and Fatah signed their National Reconciliation Agreement on May 4, 2011, or Netanyahu won 29 standing ovations during his May 24 speech before a joint session of the US Congress, it’s like a few new drops of rain falling on that spider’s web — the droplets fall this way and that, carom into one another, the fine threads they’re on snap or stretch and swing down and around… until a new equilibrium is reached…

But try thinking the issues through before breakfast one morning if you’re the US Secretary of Defense — with the fresh winds of the Arab Spring promising a new Egypt, Iran announcing its intention to test a nuclear weapon shortly, and al-Qaida and associates training and recruiting in the background…

PakistanChina

And your problem isn’t a two-dimensional spider’s web with gravity pulling in just one direction – it’s more like an n-dimensional spider’s web, with multiple gravities, tugs, and tensions – and some of those tensions are in the category of known unknowns that one of your predecessors talked about, some of them unknown unknowns, and some of them literally unknowable – hidden in the hearts of more devious men than you, and known only to God.

That’s the complexity of the thing: to map the spaces where salaam might meet shalom.

That’s also the node-and-edge nature of the graphical approach I shall use.

Coming up shortly:

In my next post, I’ll explain the HipBone gameplay – the way in which moves are made on the board, and what their juxtapositions mean — and introduce the board.

Guest Post: David Ronfeldt on Dignity and Democracy

Thursday, May 26th, 2011

 ronfeldt_david.jpg

Blog-friend David Ronfeldt, until recently Senior Social Scientist with the RAND International Policy Dept., is author / co-author of such seminal works as Networks and Netwars; In Athena’s Camp; In Search of How Societies Work: Tribes — the First and Forever Form; and The Zapatista “Social Netwar” in Mexico. Today he offered a detailed comment on Zen‘s post, Skulls & Human Sacrifice — the central portion of which we felt deserved to stand as a post of its own, and attract its own body of discussion. We are accordingly delighted and honored to offer it here as David’s first guest-post on Zenpundit. –CC

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For months, many arab commentators have observed that the uprisings are mainly about “dignity”: e.g., identity and dignity, or dignity and freedom, or some other combination — but always dignity.

In contrast, American observers keep saying the uprisings are mainly about “democracy” — freedom and democracy in particular. some Arabs include a call for democracy with their call for dignity; but Americans only occasionally acknowledge their parallel pursuit of dignity. in fact, Americans rarely think about dignity; we’re raised to assume it. Language about dignity slides right through our modernized minds.

Yet, in many cultures, dignity is a more crucial concept than democracy. Dignity (along with its customary companions: respect, honor, pride) goes to the core of how people want to be treated. it’s an ancient tribal as well as personal principle. indeed, it’s central to the tribal form. tribal and clannish peoples think and talk about dignity far more than do americans and other westerners in advanced liberal democratic societies.

In the Arab spring, what many arabs seem concerned about is thus more primal than democracy. They’re fed up with the indignities inflicted by corrupt, rigged patronage systems, by rulers and functionaries who act in predatory contemptuous ways, by the endless abuse of personal rights and freedoms — in other words, by all the insults to their daily sense of dignity. Of course, many Arabs seek democracy too; and dignity and democracy (not to mention justice, equality, and other values) overlap and can reinforce each other. But dignity and democracy are not identical impulses, nor based on identical grievances. in some situations, the desire for dignity trumps the desire for democracy.

This interplay between “dignity” and “democracy” may have implications for US policy and strategy. I’m not exactly sure what they are, but it seems to me that we ought to be analyzing and operating as much in terms of dignity as democracy. I bring this up not only because americans tend to overlook the significance of the dignity principle, but also because I detect a dignity-democracy fault-line among the Arab-spring’s protagonists — a fault-line that may relate to whether the Arab spring ends up having democratic or re-authoritarian consequences.

My sense is that the younger modernizing protagonists of the Arab spring may well be pursuing democracy (along with dignity) as their strategic goal, but the older, more traditionalist elements operating alongside them are more interested in pursuing dignity, without necessarily favoring democracy. and the latter may be stronger than we have observed. if so, the quest for dignity may be satisfied by outcomes that have little to do with democracy: say, for example, a shift in tribal and clan balances, an enhanced appeal for islamic law (shariah), or a charismatic call for strong government devoid of foreign influence. It may be easier, and more popular, to gratify a quest for dignity than a quest for democracy.

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I’m led to these observations via the TIMN framework about the four major forms of organization that lie behind social evolution: tribes + hierarchical institutions + markets + info-age networks. the young modernizing protagonists of the arab spring express the nascent +N part of TIMN, while the older traditionalist elements remain steeped in the ancient pro-T part — and therein lies the fault-line I mentioned earlier.

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For further details of Dr. Ronfeldt’s published work, see his RAND portfolio.His current interests include in particular:

  • Development of a framework (TIMN) about the long-range evolution of societies, based on their capacity to use and combine four major forms of organization: tribes, hierarchical institutions, markets, and networks
  • Development of a framework (STA) for analyzing people’s mind-sets and cultural cosmologies in terms of basic beliefs about the nature of social space, social time, and social action

He blogs recent thinking on both frameworks at Visions from Two Theories.

2011, meet 1997 (and 1995, and 1943…)

Wednesday, May 25th, 2011

[ by Charles Cameron — creativity, IARPA, HipBone Games, h/t Hermann Hesse ]

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Funny thing, that.

quo-iarpa.gif

In 1997, Derek Robinson wrote a short piece about my HipBone Games, indicating what they were good for. Read it – then read the IARPA solicitation that just came out.

My approach is to lure people into discovering analogies, metaphors, parallels and oppositions by playing a game which elicits them as game moves — a live process, and one that cuts to the very heart of creativity — IARPA wants an automated version, which will be clunky by comparison. And as Derek points out in his piece — pointed out, that is to say, fourteen years ago, quoting an even earlier (1995) comment from Douglas Hofstadter:

If, instead of using the real world, one carefully creates a simpler, artificial world in which to study the high-level processes of perception, the problems become more tractable.

That’s what my games are — “a simpler, artificial world in which to study the high-level processes of perception” — specifically, “of analogy, metaphor, resemblance, the making and taking of meaning”.

I’ve been working on this stuff for at least fifteen years… inspired by a book Hermann Hesse published in 1943.

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And oh yes, there’s a “future of search engines” hiding in there, too.

Social and Individual Components of Creativity

Thursday, April 14th, 2011

This is very good. And it is fast.

I have enjoyed several of Steven Johnson’s previous books, Emergence and Mind Wide Open and his latest one, Where Good Ideas Come From looks to be a must read, though I think those of you who have read Wikinomics or works like Flow by Mihaly Csikszentmihalyi will find some of Johnson’s points in the video to be familiar as will those long time readers who have seen my views on horizontal thinking   and  insight.

My students watched this and reacted by defining themselves as those who were creative mostly through social collaboration but a decided minority required solitude and an environmental filter to think clearly and creatively – not a catalyst of a series of  social-intellectual stimuli. For them, the cognitive load generated by the environment amounted to an overload, a distracting white noise that short-circuited the emergence of good ideas.

This suggests to me that there are multiple and very different neuronal pathways to creativity in the brain and a person’s predisposition in their executive function, say for example the classic “ADHD” kid at the back of the class, may have different requirements to be creative than a peer without that characteristic. It also means that creativity may be subject to improvement if we can cultivate proficiency in several “styles” of creative thinking.

Duel in slow time

Friday, April 1st, 2011

[ by Charles Cameron ]


In slomo –

as in the slow rotating
backseat of a hurtling flipping car –

at that most divine of speeds at which
concentration arrives and
all is revealed –

as when Krishna himself bears
each arrow loosed from his
left-handed archer Arjuna’s drawn bow
to some fine warrior’s

doom

we see: all contest is
cooperation,
each edged duel, a true duet…


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