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Kesler on R2P Hypocrisy

Saturday, October 8th, 2011

Nice catch by Bruce Kesler who goes en fuego on the weirdly discordant note Anne-Marie Slaughter strikes in her latest New York Times op-ed:

Majority Rule Over Minorities: Ironic R2P Hypocrisy

The extremism of R2P’s leading proponent is exhibited in Anne-Marie Slaughter’s op-ed in today’s New York Times. Slaughter likens the Wall Street protesters to those demonstrating against oppressive regimes in the Middle East and recommends removal of the US system of checks and balances that protect minority views and avoid poorly developed political stampedes. (Slaughter doesn’t mention or give credence to the more numerous, mature citizenry participating in or supporting the Tea Parties more peaceful protests for more limited government intrusions into Americans’ private lives and earnings.)

R2P’s leading proponent, Anne-Marie Slaughter of Harvard, believes that US foreign policies and military interventions should prioritize the Right To Protect severely repressed peoples through US obeisance to liberal internationalist elites’ sentiments in favor of some they like regardless of the US Constitution or laws or national or security interests.

In today’s New York Times, Slaughter takes her R2P home to the US, advocating that majorities rule regardless of the formal and informal checks and balances of our political system and overriding the rights of political minorities. Again, it is the majorities that liberals like who should be given more powers.

Without any sense of proportionality or of core differences between the US and Middle East satrapies, Slaughter says, “Indeed, the twin drivers of America’s nascent protest movement against the financial sector are injustice and invisibility, the very grievances that drove the Arab Spring.” Slaughter then concludes, “The only effective response is a political response, of a nature and magnitude that convinces protesters on the streets that they can in fact secure the change they seek within, rather than outside, the system.”

Slaughter’s system, however, would reduce the ability of permanent or transitory political minorities to protect their interests. They would, also, further factionalize the US and make compromises more difficult as the power of centrists is reduced….

Read the rest here.

Good grief. Anne Marie Slaughter opining on the need for greater democracy and accountability to the people is somewhat akin to Ayn Rand calling for more welfare programs.

My suspicion here, since this rhetoric runs counter to Slaughter’s most influential ideas, is that Slaughter is just carrying water as part of the current Democratic political strategy of trying to co-opt the Occupy Wall Street movement. Perhaps the Axelrods and Podestas see that open-source protest movement to potentially be “their tea party”. Whatever. I will take her op-ed more seriously when she is marching against the Hedge fundies and Wall Streeters who are top donors to her Party, her administration and her university.

You can put a three corned hat on a Princeton theorist of global governance by transnational “governmental networks” but even if you adjust the hat at a suitably jaunty angle for maximum populist effect, the agenda underneath is still neither democratic nor popular.

Formats for civil online debate II — inspired by Hesse’s Bead Game

Tuesday, August 16th, 2011

[ by Charles Cameron — hypertext, rhetoric, glass bead games, civility ]

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My second attempt at a format for online debate is, as I said, a variant on the “Dart Board” sometimes used for playing my HipBone Games (see, for instance, my solo game War is Sexy, says Dawn).

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The idea here would be to format a blog post and series of 7 comments by a Querent (the one with the Question) who may also be the Umpire — both roles would be issue-neutral — a Proponent who would propose and support a thesis, and an Antagonist who would oppose it.And I should add, right at the outset, that this is a formal process for the named participants — as a white tie debate at the Oxford Union is a formal process — no matter how raucus the kibitzers may get, and accordingly requires a day or two between moves to allow for consideration, research and preparation.
dartbdwhitedebatesetup.png

The Querent makes the first move in the first position on the board, giving it short move title (short enough to be typed on the board graphic in the space currently occupied by the word “issue‘) and a paragraph or so of move content setting forth concisely the issue to be discussed — ideally via an issue neutral anecdote or quote. After each move, the Querent (or a graphically inclined observer) would ideally update and post the game board after inserting the relevant move title.

[ Those who are not among the named participants may of course kibitz at any time… ]

The Proponent next carefully chooses a pithy quote or anecdote, gives it a move title (as above), and posts the move title, the chosen move content (the anecdote or quote selected), the link claimed (setting forth concisely the nature of his or her argument as it relates to the move content of the Querent‘s issue), and if she or he so chooses, a comment (the comments in a HipBone Game are intended for meta-conversations among the various players).

The Antagonist then similarly chooses an anecdote or quote, and posts move title, move content, links claimed — in this case, showing the links with both the issue as stated at position 1 in the Querent’s move, and the thesis as stated in position 2 in the Proponent’s move — and a comment if so desired.

Okay, that’s thesis and antithesis, the Umpire then posts a move title, some move content and links claimed to all three positions in play, with a comment if so desired, in the fourth position (labeled synthesis).

The rule is that whenever playing in a position which links via a board line to one or more previous moves, the links claimed must include explanations of how the move relates to those previous moves.

The Antagonist plays next in position 5 — playing move title, move content, links claimed, comment — providing an instance with which to dispute the thesis, and linking as per the rule just stated to the thesis proposed at position 2 — only!

Since position 5 is only connected to position 2 of those positions in play, no other links should be claimed.

Similarly, the protagonist then plays in position 6, a move which I’ve called the “prothetical” instance without a clue as to whether prothetical is a real word — tho’ I like it — linking only to the antithesis in position 2, which it seeks to refute.

Move 7 is by far the trickiest of the game, and is made by the Umpire, who now has to provide move content that synthesizes the game thus far, explaining links claimed to positions 2, 3, 4, 5 and 6 (ie to the original thesis, antithesis and synthesis, but moving the synthesis to encompass also the two instances)…

But the Umpire can take consolation in the fact that in the final move 8, the Querent gets to raise afresh those questions which remain — now that both sides have had their say, and the Umpire has attempted reconcile them.

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Three quotes, the first one on debate:

Harmony among conflicting viewpoints, not the victory of one of them, should be the ultimate goal…

— from Bizell & Herzberg, The Rhetorical Tradition, as quoted here

The second moving from debate to dialog:

One way of helping to free these serious blocks in communication would be to carry out discussions in a spirit of free dialogue. Key features of such a dialogue is for each person to be able to hold several points of view, in a sort of active suspension, while treating the ideas of others with something of the care and attention that are given to his or her own. Each participant is not called on to accept or reject particular points of view; rather he or she should attempt to come to understanding of what they mean.

David Bohm, Science Order and Creativity, p 86

And the third, from Buddhist Madhyamika philosophy, moving into the contemplative realm where all answers are seen as the stepping off points for open questions:

I wanted to use one word in Tibetan that I’ve found very useful for myself… and this is the word zöpa.. this translates usually as patience or endurance or tolerance, but there’s this very subtle translation of zöpa, which is the ability to tolerate emptiness basically, which is another ways of saying the ability to tolerate that things don’t exist in one way, that things are so full and infinite and leave you so speechless, and so undefinably grand – and these are just descriptive words, but you have to use some words to communicate, I guess — the ability bear that, that fullness, like we’ve been talking about, not turning away, not turning away.

Elizabeth Mattis-Namgyel, in (if I recall) a Shambhala-sponsored retreat video

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A blank Dart board, downloadable for your convenience:

dartbdwhitedebateblank.png

Formats for civil online debate I – inspired by the Talmud

Monday, August 15th, 2011

[ by Charles Cameron — hypertext, rhetoric, Talmud, civility ]

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I have been thinking quite a bit recently about formats for online debate, and posted a comment on Jean Goodwin‘s blog yesterday, in which I commented on the Talmudic page (see R Eliezar Segal‘s excellent hypertext version for an explanation of how it works). It’s a topic that has interested me since before the turn of the millennium, and one I’ve discussed and prototyped a bit in some of Howard Rheingold‘s class forums.

Yesterday in my comment on JG’s blog, I said:

My guiding principle here is that devising suitable forms may well elevate the content poured into them…

I said this because, in my view, constraint facilitates excellence.

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Part of the key here is captured very nicely in this quote from Jean Toomer:

In this multiple simultaneous world words only dole out one thing at a time.

So we need polyphony, we need forms that capture many voices, many points of view, the perspectives of many stakeholders, simultaneously — not a linear progression from premise to conclusion.  And since we’re talking argumentation here, this simultaneity can be captured in a graphical form, as in this diagram based on Toulmin:

toulmin-example.gif

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In that spirit, I thought I’d post a couple of my own experimental formats.  The first is based fairly closely on the Talmudic page — and I put it together in March of this year, so things in Libya have moved along a bit since then, though not quite enough as yet:

libyan-talmudsm.gif

My second format is a variant on the “Dart Board” sometimes used for playing my HipBone Games (see, for instance, my solo game War is Sexy, says Dawn).

I shall present it in a follow up post of its own.

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For your convenience, here’s a blank template for the kind of Talmudic debate-page I used above, available for download.  It can be filled with any graphical software that allows text and a choice of fonts & sizes.  I recommend using larger type for the main text, medium for the commentary, and small print for annotations and footnotes:

libyan-talmudsm-blank.png

Rationality: Saw this on Facebook

Thursday, March 17th, 2011

Hat Tip to Dan F.

flowchart-to-determine-if-youre-having-a-rational-discussion-e1300206446831-634x882.jpg

If only…..

Egypt: Jan 25 and the internet

Sunday, February 6th, 2011

[ by Charles Cameron — cross-posted from Brainstormers on the Web ]

There are so many possible lessons to take here:

That a single image speaks louder than dozens of words. That we are more easily persuaded by images than by words. That FB and Twitter are clearly important to Egyptian youth. That dozens of words can convey nuances that a single image misses. That FB and Twitter were at best among the vehicles, rather than the drivers, of the events of January 25th.

That we’d do well to bear the Aristotelian distinction between material, formal, efficient and final causes in mind when talking about what “caused” or “becaused” those events – and elsewhere.

That the simple juxtaposition of two closely similar ideas can illuminate both, and perhaps create a spectral “third thing” which possesses the full detail of both with greater depth than either one in a single understanding, by a sort of stereo process not too different from stereoscopic vision or stereophonic sound.

That we live in exciting times…


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